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Relevant bibliographies by topics / Fiddlers Fiddling

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Journal articles
Dissertations / Theses
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Academic literature on the topic 'Fiddlers Fiddling'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Journal articles on the topic "Fiddlers Fiddling"

1

DjeDje, Jacqueline Cogdell. "APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 77–101. http://dx.doi.org/10.21504/amj.v11i2.2315.

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Discussions on Appalachian music in the United States most often evoke images of instruments such as the fiddle and banjo, and a musical heritage identified primarily with Europe and European Americans, as originators or creators, when in reality, many Europeans were influenced or taught by African-American fiddlers. Not only is Appalachian fiddling a confluence of features that are both African- and European-derived, but black fiddlers have created a distinct performance style using musical aesthetics identified with African and African-American culture. In addition to a history of black fidd

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SLOTTOW, STEPHEN P. "Ornamentation in Irish Fiddling: Eileen Ivers as a Case Study." Journal of the Society for American Music 1, no. 4 (2007): 485–510. http://dx.doi.org/10.1017/s1752196307070435.

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AbstractThis article is a study of ornamentation in the fiddling of Eileen Ivers. Ivers grew up in the Bronx, studied with Limerick-born fiddler Martin Mulvihill, and has since become one of the most well-known of contemporary Irish fiddlers. Although Ivers is known primarily for her Irish fusion playing style, her more traditional core style is reflected in this article, which is based on a series of interview-lessons. The types of ornaments and their placement, combination, function, and effect in Ivers's performance of Irish dance music are discussed.

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Smith, Gordon E. "The Prince Edward Island Style of Fiddling: Fiddlers of Western Prince Edward Island." American Music 20, no. 4 (2002): 466. http://dx.doi.org/10.2307/1350154.

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4

MacDonald, Robert. "Fiddly Jobs, Undeclared Working and the Something for Nothing Society." Work, Employment and Society 8, no. 4 (1994): 507–30. http://dx.doi.org/10.1177/095001709484002.

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Whilst it may be easy to dismiss ideological diatribes about `a something for nothing society' as empty rhetoric, there are relatively few recent studies with which to assess claims about `benefit scroungers' and `dole fiddlers'. Qualitative methods were employed to explore the ways in which some working-class people in an economically depressed locality did `fiddly jobs' (i.e. working `undeclared' whilst in receipt of unemployment benefits). The research explored the motivations underpinning fiddly work and the normative values surrounding it. Informants expressed a clear and conservative mor

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DJEDJE, JACQUELINE COGDELL. "The (Mis)Representation of African American Music: The Role of the Fiddle." Journal of the Society for American Music 10, no. 1 (2016): 1–32. http://dx.doi.org/10.1017/s1752196315000528.

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AbstractDuring the early twentieth century, research on African American music focused primarily on spirituals and jazz. Investigations on the secular music of blacks living in rural areas were nonexistent except for the work of folklorists researching blues. Researchers and record companies avoided black fiddling because many viewed it not only as a relic of the past, but also a tradition identified with whites. In the second half of the twentieth century, rural-based musical traditions continued to be ignored because researchers tended to be music historians who relied almost exclusively on

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Barrett, Anthony A. "FIDDLING WHILE ROME BURNS: THE AETIOLOGY OF A FAMILIAR ENGLISH EXPRESSION." Greece and Rome 68, no. 2 (2021): 173–82. http://dx.doi.org/10.1017/s0017383521000012.

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‘Fiddling while Rome burns’ is arguably the most familiar English saying inspired by classical antiquity. The image of Nero actually playing an instrument during the Great Fire is not, in fact, found in ancient sources: the first English reference belongs to Cooper's 1548 revision of Elyot's Latin–English Dictionary, where Nero is said to play a harp during the conflagration. In 1649 the royalist poet George Daniel applied the term ‘fiddle’, and the familiar modern form of the expression, as a byword for a leader's neglect, was apparently coined in a 1680 English parliamentary speech by Silius

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7

Goertzen, Chris, and Joyce H. Cauthen. "With Fiddle and Well-Rosined Bow: Old-Time Fiddling in Alabama." Ethnomusicology 36, no. 3 (1992): 413. http://dx.doi.org/10.2307/851871.

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Harrod, John. "With Fiddle and Well-Rosined Bow: Old Time Fiddling in Alabama." Appalachian Heritage 17, no. 4 (1989): 69–70. http://dx.doi.org/10.1353/aph.1989.0076.

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Bidgood, Lee. "Fiddler's Dream: Old-Time, Swing, and Bluegrass Fiddling in Twentieth-Century Missouri by Howard Wight Marshall." Journal of Southern History 84, no. 3 (2018): 781–82. http://dx.doi.org/10.1353/soh.2018.0225.

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10

DONNELLAN, STEPHEN C., RALPH FOSTER, CLAUDIA JUNGE, et al. "Fiddling with the proof: the Magpie Fiddler Ray is a colour pattern variant of the common Southern Fiddler Ray (Rhinobatidae: Trygonorrhina)." Zootaxa 3981, no. 3 (2015): 367. http://dx.doi.org/10.11646/zootaxa.3981.3.3.

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Dissertations / Theses on the topic "Fiddlers Fiddling"

1

Perttu, Melinda Heather Crawford. "A Manual for the Learning of Traditional Scottish Fiddling: Design, Development, and Effectiveness." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299300924.

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2

Bidgood, Lee. "Review: Fiddler's Dream: Old-Time, Swing, and Bluegrass Fiddling in Twentieth Century Missouri." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/3244.

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Gluska, Virginia. "Fiddling with a Culturally Responsive Curriculum." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19894.

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The discourse on education for Aboriginal people has long been limited to a curriculum of cultural assimilation often resulting in an erosion of self-esteem and disengagement. Consequently, this research puts forth narratives of how fiddle programs in northern Manitoba work as a culturally responsive curriculum that in turn address such curricular erosions. As a research methodology, Metissage afforded me pedagogical opportunities to weave the various perspectives of community members, parents, instructors, and former students into an intricate story that attempts to represent some of their so

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Holmes, Ramona Adella. "A model of aural instruction examined in a case of fiddle teaching /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/11219.

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McGann, Joseph Clifford. "Dan R. MacDonald : Individual creativity in the Cape Breton fiddle tradition /." 2003.

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6

Johnson, Sherry Anne. "Negotiating tradition in Ontario fiddle contests /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR19848.

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Thesis (Ph.D.)--York University, 2006. Graduate Programme in Musicology and Ethnomusicology.<br>Typescript. Includes bibliographical references (leaves 599-617). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR19848

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"Mark O'Connor's Fiddle Concerto Texas Style Fiddling, Classical Violin, and American String Playing." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.40779.

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abstract: ABSTRACT Classical violin playing and American fiddle music have traditionally been seen as separate musical worlds. Classical violinists practice and study long hours to master a standard repertoire of concertos and sonatas from the Western European school of art music. Fiddlers pride themselves on a rich tradition passed down through generations of informal jam sessions and innovation through improvisation. Mark O'Connor's Fiddle Concerto, premiered in 1993, sounds like a contradiction at first: a quintessential classical form combined with traditional fiddle playing. Examina

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Lavoie, Sophie. "Les violoneux du Saguenay-Lac-St-Jean : style et répertoire des derniers de leur lignée." Thèse, 2019. http://hdl.handle.net/1866/23596.

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La région du Saguenay-Lac-St-Jean est géographiquement située dans une enclave qui a contribué à l’isolement des populations s’y étant installées. Aussi cet éloignement aurait-il favorisé la présence de certaines spécificités culturelles dans cette région, spécificités ayant été relevées au sein de plusieurs domaines tel que la génétique, la linguistique, le patrimoine culinaire, l’histoire et la musique. Cette recherche vise à documenter plus spécifiquement l’élément musical dans la région du Saguenay-Lac-St-Jean par l’analyse du style et du répertoire de quatre joueurs de violon traditionnel

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Books on the topic "Fiddlers Fiddling"

1

MacIsaac, Ashley. Fiddling with disaster: Clearing the past. Warwick Pub., 2003.

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2

Ann, Wheeler Carol. Aerobics for fiddlers. Mel Bay Publications, 1994.

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3

North, Atlantic Fiddle Convention (2008 St John's Newfoundland). Crossing over. Elphinstone Institute, Univ. of Aberdeen in association with the Dept. of Folklore, MMaP and the School of Music, Memorial University of Newfoundland, 2010.

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4

Foss, Wilbur. Old time fiddling filled the air, 1969-1989. Mr. Z's Quick Print, 1989.

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5

Southern fiddlers and fiddle contests. University Press of Mississippi, 2008.

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6

Muspratt, Beryl. A little adrift: Fiddling around in the land of green gables. Homecoming Publications, 1993.

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7

Wolfe, Charles K. The devil's box: Masters of southern fiddling. Country Music Foundation Press, 1997.

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8

Foundation, Ulster Historical, ed. Handed down: Country fiddling and dancing in east and central Down. Ulster Historical Foundation, 2012.

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9

Cauthen, Joyce H. With fiddle and well-rosined bow: Old-time fiddling in Alabama. University of Alabama Press, 1989.

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10

Copeland, Gary L. Fiddling in New Brunswick: The history and its people. Gary L. Copeland Associates, 2006.

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Book chapters on the topic "Fiddlers Fiddling"

1

Goertzen, Chris. "American Fiddling of the Past." In Southern Fiddlers and Fiddle Contests. University Press of Mississippi, 2008. http://dx.doi.org/10.14325/mississippi/9781604731224.003.0001.

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2

Russell, Tony. "“Seneca Square Dance”/“Echoes of the Ozarks”." In Rural Rhythm. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190091187.003.0006.

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Goertzen, Chris. "Styles and Meanings in Southern Fiddling." In Southern Fiddlers and Fiddle Contests. University Press of Mississippi, 2008. http://dx.doi.org/10.14325/mississippi/9781604731224.003.0005.

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4

Bidgood, Lee. "Learning and Playing Americanness on the Fiddle." In Czech Bluegrass. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041457.003.0004.

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Czech fiddlers are criticized for not producing bluegrass as well as their compatriots who are mandolinists or banjoists. The author's own fiddling becomes a point of discussion, raising questions of genre, style, and even ethnic identity as factors that play into a fiddler's approach to the music. Like their American counterparts, Czech fiddlers draw upon a range of styles (bluegrass, old time, western swing, new acoustic, jazz, and classical music) in trying to forge a distinctive yet idiomatic fiddle sound. Through active consumption of media, transcription practices, and community engagement they negotiate the gaps they find between themselves, their abilities, and their musical ideas.

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"Fiddlers Moving South, and West, and away from Notation." In American Antebellum Fiddling. University Press of Mississippi, 2020. http://dx.doi.org/10.2307/j.ctvx5w9sb.7.

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6

Grimes, Ronald L. "Fiddling with Fiddler." In Rite out of Place. Oxford University Press, 2006. http://dx.doi.org/10.1093/acprof:oso/9780195301441.003.0004.

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"Fiddle Tunes in Music Commonplace Books." In American Antebellum Fiddling. University Press of Mississippi, 2020. http://dx.doi.org/10.2307/j.ctvx5w9sb.5.

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8

"Fiddle-icious." In Cultural Sustainabilities, edited by Timothy J. Cooley. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042362.003.0022.

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Don Roy is a champion fiddler from Maine, promoted and celebrated on national folkloric stages as “the finest Franco fiddler in New England, whose playing exactly exemplifies what Franco-American fiddling is all about.” Nonetheless, Mr. Roy has been reluctant to adopt or centralize institutional constructs of his identity. Since 2003 he and Cindy Roy have developed and nurtured a community around a core of music repertoire and practice. This chapter explores the relationship between Mr. Roy's role as a bearer of inherited cultural and musical traditions, and his cultivation of a sustainable music community in southern Maine, as a participatory alternative to heritage industry narratives.

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"George P. Knauff and the Publishing of His Virginia Reels, the First Collection of Southern Fiddle Tunes." In George P. Knauff's Virginia Reels and the History of American Fiddling. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496814272.003.0001.

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