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Journal articles on the topic 'Fiddlers Fiddling'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

DjeDje, Jacqueline Cogdell. "APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 77–101. http://dx.doi.org/10.21504/amj.v11i2.2315.

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Discussions on Appalachian music in the United States most often evoke images of instruments such as the fiddle and banjo, and a musical heritage identified primarily with Europe and European Americans, as originators or creators, when in reality, many Europeans were influenced or taught by African-American fiddlers. Not only is Appalachian fiddling a confluence of features that are both African- and European-derived, but black fiddlers have created a distinct performance style using musical aesthetics identified with African and African-American culture. In addition to a history of black fidd

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2

SLOTTOW, STEPHEN P. "Ornamentation in Irish Fiddling: Eileen Ivers as a Case Study." Journal of the Society for American Music 1, no. 4 (2007): 485–510. http://dx.doi.org/10.1017/s1752196307070435.

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AbstractThis article is a study of ornamentation in the fiddling of Eileen Ivers. Ivers grew up in the Bronx, studied with Limerick-born fiddler Martin Mulvihill, and has since become one of the most well-known of contemporary Irish fiddlers. Although Ivers is known primarily for her Irish fusion playing style, her more traditional core style is reflected in this article, which is based on a series of interview-lessons. The types of ornaments and their placement, combination, function, and effect in Ivers's performance of Irish dance music are discussed.

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3

Smith, Gordon E. "The Prince Edward Island Style of Fiddling: Fiddlers of Western Prince Edward Island." American Music 20, no. 4 (2002): 466. http://dx.doi.org/10.2307/1350154.

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4

MacDonald, Robert. "Fiddly Jobs, Undeclared Working and the Something for Nothing Society." Work, Employment and Society 8, no. 4 (1994): 507–30. http://dx.doi.org/10.1177/095001709484002.

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Whilst it may be easy to dismiss ideological diatribes about `a something for nothing society' as empty rhetoric, there are relatively few recent studies with which to assess claims about `benefit scroungers' and `dole fiddlers'. Qualitative methods were employed to explore the ways in which some working-class people in an economically depressed locality did `fiddly jobs' (i.e. working `undeclared' whilst in receipt of unemployment benefits). The research explored the motivations underpinning fiddly work and the normative values surrounding it. Informants expressed a clear and conservative mor

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5

DJEDJE, JACQUELINE COGDELL. "The (Mis)Representation of African American Music: The Role of the Fiddle." Journal of the Society for American Music 10, no. 1 (2016): 1–32. http://dx.doi.org/10.1017/s1752196315000528.

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AbstractDuring the early twentieth century, research on African American music focused primarily on spirituals and jazz. Investigations on the secular music of blacks living in rural areas were nonexistent except for the work of folklorists researching blues. Researchers and record companies avoided black fiddling because many viewed it not only as a relic of the past, but also a tradition identified with whites. In the second half of the twentieth century, rural-based musical traditions continued to be ignored because researchers tended to be music historians who relied almost exclusively on

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6

Barrett, Anthony A. "FIDDLING WHILE ROME BURNS: THE AETIOLOGY OF A FAMILIAR ENGLISH EXPRESSION." Greece and Rome 68, no. 2 (2021): 173–82. http://dx.doi.org/10.1017/s0017383521000012.

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‘Fiddling while Rome burns’ is arguably the most familiar English saying inspired by classical antiquity. The image of Nero actually playing an instrument during the Great Fire is not, in fact, found in ancient sources: the first English reference belongs to Cooper's 1548 revision of Elyot's Latin–English Dictionary, where Nero is said to play a harp during the conflagration. In 1649 the royalist poet George Daniel applied the term ‘fiddle’, and the familiar modern form of the expression, as a byword for a leader's neglect, was apparently coined in a 1680 English parliamentary speech by Silius

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7

Goertzen, Chris, and Joyce H. Cauthen. "With Fiddle and Well-Rosined Bow: Old-Time Fiddling in Alabama." Ethnomusicology 36, no. 3 (1992): 413. http://dx.doi.org/10.2307/851871.

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8

Harrod, John. "With Fiddle and Well-Rosined Bow: Old Time Fiddling in Alabama." Appalachian Heritage 17, no. 4 (1989): 69–70. http://dx.doi.org/10.1353/aph.1989.0076.

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9

Bidgood, Lee. "Fiddler's Dream: Old-Time, Swing, and Bluegrass Fiddling in Twentieth-Century Missouri by Howard Wight Marshall." Journal of Southern History 84, no. 3 (2018): 781–82. http://dx.doi.org/10.1353/soh.2018.0225.

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10

DONNELLAN, STEPHEN C., RALPH FOSTER, CLAUDIA JUNGE, et al. "Fiddling with the proof: the Magpie Fiddler Ray is a colour pattern variant of the common Southern Fiddler Ray (Rhinobatidae: Trygonorrhina)." Zootaxa 3981, no. 3 (2015): 367. http://dx.doi.org/10.11646/zootaxa.3981.3.3.

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11

Larson, Mary A. "Couldn’t Have a Wedding without the Fiddler: The Story of Traditional Fiddling on Prince Edward Island. By Ken Perlman." Oral History Review 46, no. 1 (2019): 230–32. http://dx.doi.org/10.1093/ohr/ohy076.

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12

Johnson, Sherry A. "With Fiddle and Well-Rosined Bow: A History of Old-time Fiddling in Alabama. By Joyce H. Cauthen. (Tuscaloosa and London: University of Alabama Press, 1989, 282.p. ISBN 0-8173-1066-5 pbk.)." Ethnologies 24, no. 1 (2002): 291. http://dx.doi.org/10.7202/006541ar.

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13

Hudu, Fusheini. "Linguistic Surrogacy With Minimal Semantics Among the Dagomba of Ghana." Frontiers in Communication 6 (May 26, 2021). http://dx.doi.org/10.3389/fcomm.2021.649416.

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This paper discusses critical questions on the processing of non-native surrogate languages of the Dagbamba (Dagomba) of Ghana. The Dagbamba use the fiddle, talking drum and double bell to encode speech in Hausa, Akan and other languages they do not speak. Fiddling and talking drums are integral to their festivals, funerals, the installation of chiefs and other cultural events. These instruments are used to entertain, praise, and send messages ranging from daybreak notifications to mobilizing people for war. The surrogate language they produce is a specialized language, interpreted mainly by p

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14

"With fiddle and well-rosined bow: old-time fiddling in Alabama." Choice Reviews Online 27, no. 01 (1989): 27–0221. http://dx.doi.org/10.5860/choice.27-0221.

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15

"Couldn't have a wedding without the fiddler: the story of traditional fiddling on Prince Edward Island." Choice Reviews Online 53, no. 04 (2015): 53–1717. http://dx.doi.org/10.5860/choice.193651.

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