Academic literature on the topic 'Fields of cultural production'

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Journal articles on the topic "Fields of cultural production"

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Mihai. "Romanian Users’ YouTube “Shakespeares”: Digital Localities in Global Fields." Humanities 8, no. 2 (2019): 84. http://dx.doi.org/10.3390/h8020084.

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The cultural production of “Shakespeare” on the Internet has received growing attention in recent years, particularly in reference to newcomers in the field such as media users or “prosumers”. This is potentiated by the connectivity of digital platforms and growing access to digital means of production and distribution. From a field perspective on digital cultural production, participation online can be seen as a socially situated activity, often differentiated and marked by the habitus of digital media users. The present article aims firstly to discuss the utility of a field conceptualization
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Griffin, Michael. "Visual Images and Fields of Journalism, Cultural Production, and Power." Journalism & Communication Monographs 20, no. 4 (2018): 325–30. http://dx.doi.org/10.1177/1522637918805501.

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Elafros, Athena. "Locating the DJ: Black Popular Music, Location and Fields of Cultural Production." Cultural Sociology 7, no. 4 (2012): 463–78. http://dx.doi.org/10.1177/1749975512457138.

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Miller, Diana L. "Gender, Field, and Habitus: How Gendered Dispositions Reproduce Fields of Cultural Production." Sociological Forum 31, no. 2 (2016): 330–53. http://dx.doi.org/10.1111/socf.12247.

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Swanson, Lisa. "Soccer Fields of Cultural [Re]Production: Creating “Good Boys” in Suburban America." Sociology of Sport Journal 26, no. 3 (2009): 404–24. http://dx.doi.org/10.1123/ssj.26.3.404.

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Zwick and Andrews (1999) argued that suburban American soccer fields merit critical academic attention because they highlight the practices of a dominant class. To gain an understanding of this specific field of power and privilege, I employed a multifaceted ethnographic approach to studying a group of upper-middle-class mothers whose children played youth soccer. I used Pierre Bourdieu’s (1984, 1993) sociological theories regarding the interplay between habitus and capital to analyze how the mothers shaped their sons’ youth sport experience to reproduce class status and social advantage in th
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Benz, Pierre, Kristoffer Kropp, Trine Cosmus Nobel, and Thierry Rossier. "Homologies in fields of cultural production. Evidence from the European scientific field." Poetics 107 (December 2024): 101945. http://dx.doi.org/10.1016/j.poetic.2024.101945.

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Lysikova, Natalia P. "Cultural aspects of uncertainty phenomenon." Izvestiya of Saratov University. Sociology. Politology 21, no. 4 (2021): 403–6. http://dx.doi.org/10.18500/1818-9601-2021-21-4-403-406.

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The article examines the prerequisites for increasing uncertainty in the context of the globalization of society, and pays special attention to the definition, characteristics and features of the cultural aspects of the phenomenon of uncertainty. The reasons for the dominance of this phenomenon in the scientific, artistic, and everyday consciousness are clarified. The article substantiates the need to study the consequences of the implementation of the uncertainty principle in the fields of culture, education, and production.
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Scagel, Carolyn F., and Wei Q. Yang. "Cultural Variation and Mycorrhizal Status of Blueberry Plants in NW Oregon Commercial Production Fields." International Journal of Fruit Science 5, no. 2 (2005): 85–111. http://dx.doi.org/10.1300/j492v05n02_10.

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Sharma, Ashwani, and Sanjay Sharma. "darkmatter: Racial Reconfigurations and Networked Knowledge Production." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 11, no. 2 (2013): 581–88. http://dx.doi.org/10.31269/triplec.v11i2.524.

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In the form of a discussion the founding editors of darkmatter journal reflect on the challenges of developing an online race project in the neoliberal context of knowledge production. The independent open access journal, operating at the borders of academia and cultural production, attempts to grasp the shifting contours of contemporary race and racism in a networked postcolonial world. Against the limitations of solely working within disciplines such as Postcolonial or Cultural Studies, darkmatter brings into dialogue a diverse range of conceptual frameworks to address the proliferation of r
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Sharma, Ashwani, and Sanjay Sharma. "darkmatter: Racial Reconfigurations and Networked Knowledge Production." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 11, no. 2 (2013): 581–88. http://dx.doi.org/10.31269/vol11iss2pp581-588.

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In the form of a discussion the founding editors of darkmatter journal reflect on the challenges of developing an online race project in the neoliberal context of knowledge production. The independent open access journal, operating at the borders of academia and cultural production, attempts to grasp the shifting contours of contemporary race and racism in a networked postcolonial world. Against the limitations of solely working within disciplines such as Postcolonial or Cultural Studies, darkmatter brings into dialogue a diverse range of conceptual frameworks to address the proliferation of r
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Dissertations / Theses on the topic "Fields of cultural production"

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Kuzin, James. "Creative City and Fields of Cultural Production: Ethnographic Perspectives of “The Arts” in Tampa." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002469.

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Lantz, Jenny. "Taste at work : on taste and organization in the field of cultural production." Doctoral thesis, Handelshögskolan i Stockholm, Institutionen för Företagande och Ledning, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hhs:diva-1549.

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Maclean, Gavin. "Art versus commerce? : the works of musicians in the field of cultural production." Thesis, Heriot-Watt University, 2016. http://hdl.handle.net/10399/3104.

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Labour process theory has been a key resource for the sociological study of work for over four decades. Yet, labour process theory has been conspicuous by its absence from research into cultural labour (Banks, 2007; Dean and Jones, 2003; Hesmondhalgh and Baker et al., 2011). This thesis firstly examines value production and the dynamics of managerial control and creative autonomy within the recorded music industry. Acknowledging the weaknesses identified with “critical theory” approaches in failing to consider the “content” of cultural work (Banks, 2007; McKinlay and Smith, 2009), this thesis
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Jack, Isla L. "Positioning the author : four writers in the field of cultural production, 1880-1900." Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/21320.

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Using terms and ideas from Pierre Bourdieu's theories of cultural production, this thesis reconsiders the positions of four authors functioning at the end of the nineteenth century. Therefore, a brief introduction presents the principles behind Bourdieu's work. The reconstruction of the field is begun in the first chapter, 'Towards a Democratic Culture; A Redefining Voice of the 1890s'. It reveals the literary field to be the site of a struggle to impose the legitimate definition of literature and investigates some of the new voices entering the conflict in the 1890s. Considering the developme
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Wilder, Thomas. "Patina and the role of nostalgia in the field of stringed instrument cultural production." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100219.

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In this paper, the evocative nature of patina on stringed instruments is linked to the four agents of transformation that create it. These correspond to four nostalgic values: nostalgic reflection on the passage of time; nostalgia inspired by use; nostalgia for craftsmanship and pastoral nostalgia. Actors in the subfield of restricted cultural production of stringed instruments invoke one or more of these nostalgic values explicitly as a means to rationalize their actions to competing actors and to the broader public in their battle for status. Patina offers visible proof of their claims. Acto
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Lim, Lorraine Boon Fang. "In the global field of cultural production : Singapore as global city for the arts." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3762/.

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My thesis is an examination of Singapore's aspiration to become a Global City for the Arts as set out in the Renaissance City Report released in 2000. By examining the key issues surrounding Singapore's attempt to become a Global City for the Arts, this thesis discuss the reasons why Singapore want to be achieve this aim and identifies the key obstacles in realising this goal. Using a Pierre Bourdieu framework of analysis, I provide a different way of examining Singapore's perception of its position in relation to other cities in the world and highlight key areas that Singapore needs to develo
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Belanger, Ashley. "Avalanche and file: the politics of alternative magazines in the field of cultural production 1968-1976." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/7247.

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The expanding discourse surrounding the importance of magazines in the field of cultural production during the 1970s presents the alternative art press as a forum that contributed to the dematerialization of art and presented a more democratic space within which to encounter artworks. While discussion surrounding alternative art magazines has often revolved around the idea of the “museum without walls,” magazines have also been recognized as a site of contradiction within the artistic avant-garde. The alternative art press has come to be seen as a contributing factor in the failure of avant-
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Axelsson, Clara, and Charlotte Gustafsson. "Constituting Sesame : a minor field study of a cross-cultural cooperation." Thesis, Blekinge Tekniska Högskola, Institutionen för arbetsvetenskap och medieteknik, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5374.

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Internationally, universities are undergoing renewal because of technological and social changes that both increases the importance of open and flexible learning, as well as makes it practicable. Net-based education makes it possible to create courses where students can collaborate and share knowledge globally. Collaborative Learning in Virtual Communities, with the working title Sesame, is a cooperative project between Blekinge Institute of Technology, BTH, and University of Pretoria, UP that has intention to provide a course like this. The aim of this collaboration is to initiate research in
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Tkachev, Natalia. "The work of art in the field of cultural production : the principle of legitimization in the digital era /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2767.

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Chin, Bertha Catherine L. P. "From textual poachers to textual gifters : exploring fan community and celebrity in the field of fan cultural production." Thesis, Cardiff University, 2010. http://orca.cf.ac.uk/54414/.

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Early fan studies positioned fans as 'textual poachers' (Jenkins, 1992), suggesting that fans poach characters and materials from texts as an act of resistance towards commercial culture to form their own readings through fan cultural production such as fan fiction. As such, fans are often presented as a unified, communal group interacting within the context of fan communities that are considered alternative social communities with 'no established hierarchy' (Bacon-Smith, 1992, p. 41). However, Milly Williamson argued that fans do not all operate from a position of cultural marginality. Fans n
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Books on the topic "Fields of cultural production"

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Bourdieu, Pierre. The field of cultural production: Essays on art and literature. Columbia University Press, 1993.

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Jeff, Browitt, and Nelson Brian 1946-, eds. Practising theory: Pierre Bourdieu and the field of cultural production. University of Delaware Press, 2004.

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Bourdieu, Pierre. The field of cultural production: Essays on art and literature. Polity Press, 1993.

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Gregoriou, C. Review of cultural practices, seed production, and evaluation of varieties and clones of potatoes for the period 1965-1994. Agricultural Research Institute, Ministry of Agriculture, Natural Resources, and the Environment, 1997.

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McIntyre, Phillip. Creativity and Cultural Production. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358614.

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Davidov, Veronica. Ecotourism and Cultural Production. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137355386.

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Chenevert, Martin E. Production engineering. Gulf Pub. Co., 1986.

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Library of Congress. Congressional Research Service, ed. Giant oil fields and domestic oil production. Congressional Research Service, Library of Congress, 1992.

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William, Foster David, ed. Latin American Jewish cultural production. Vanderbilt University Press, 2009.

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British Columbia. Dept. of Agriculture., ed. City and suburban food production, 1918. W.H. Cullin, 1997.

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Book chapters on the topic "Fields of cultural production"

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Moeran, Brian. "Fields of cultural production." In Creative and Cultural Industries in East Asia. Routledge, 2021. http://dx.doi.org/10.4324/9781003177074-5.

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Strandvad, Sara Malou, Quirijn Lennert van den Hoogen, and Manuel Reyes. "Fields of Cultural Production." In Sociology about Art. Routledge, 2024. http://dx.doi.org/10.4324/9781032632025-5.

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Lindell, Johan. "Fields of media and cultural production." In Bourdieusian Media Studies. Routledge, 2024. http://dx.doi.org/10.4324/9781003364245-5.

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Tröndle, Martin, and Johanna Schindler. "Notes from the Field." In Edition WÜRTH Chair of Cultural Production. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-33283-9_3.

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Gibson, Mark, and Tony Moore. "Cultural Innovation on the Fringe—the Fields of ‘Limited’ and ‘Extensive’ Production." In Bourdieu’s Field Theory and the Social Sciences. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5385-6_10.

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Paquette, Jonathan, and Eleonora Redaelli. "Mapping the Field: Institutional Settings of Knowledge Production." In Arts Management and Cultural Policy Research. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137460929_9.

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Kacsuk, Zoltan. "Subcultural Clusters and Blurry Boundaries: Considering Art Worlds and Fields of Cultural Production through Localized Manga Production in Hungary." In Cultures of Comics Work. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-55090-3_19.

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Morrissey, Lee. "Pierre Bourdieu (1930–2002) from “The Field of Cultural Production, Or: The Economic World Reversed,” The Field of Cultural Production (1983)." In Debating the Canon: A Reader from Addison to Nafisi. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-04916-2_17.

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Pandita, Vinod K., P. M. Singh, and Nakul Gupta. "Vegetable Seed Production." In Seed Science and Technology. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-5888-5_7.

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AbstractUnlike field crops where the cultural practices of raising seed crops are mostly similar to the commercial crops, in case of the vegetables, not only the seed crops are grown for a much longer duration than the crops raised for the vegetable purpose, they often also have critical requirements of photoperiods, temperatures, humidity and precipitation. Moreover, compared to field crops, most of vegetable seeds are considered high value and low volume, and hence these require specific care in pre-harvest stages, i.e. isolation and roguing, during harvesting and extraction, and post-harves
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Dodds, Phil. "Introduction." In Music and the Cultural Production of Scale. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36283-5_1.

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AbstractScales are neither natural nor neutral but actively and constantly produced and practised, with real political effects. Human-geographical and anthropological scholarship has demonstrated this with special attention to political-economic and social processes, but the project of understanding how cultural practices produce scale remains unfinished. A review of music research shows that it tends to use scalar categories (e.g. local, urban, regional, global, world) in varyingly critical ways, and as a field it therefore has both most to gain from and most to offer to a fuller conceptualis
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Conference papers on the topic "Fields of cultural production"

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Vargas, Walter A., María Clara Pagliaricci, Juliana Soler Arango, Albert Saavedra, and Walter Morris. "The 1000’s of Microbial Genera Found in Argentina’S O&G Fields: Their Impact on Microbially Induced Corrosion and Integrity of Facilities." In CORROSION 2021. AMPP, 2021. https://doi.org/10.5006/c2021-16754.

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Abstract MIC assessment and management in O&G facilities depends on the accurate and early evaluation of microbial communities involved in material degradation. Traditional monitoring by culture-based methods allow the detection only 0.1% of the microorganisms in the sample, underestimating the real bacterial concentration in the samples, and in some cases, their potentiality for corrosion. However, novel molecular-biology based strategies may overcome these issues offering more reliable and sensitive tools for the study of microbial communities. The novel methodologies have been useful fo
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Al Hashem, AbdulHameed, John Carew, and Amal Al-Borno. "Screening Test for Six Dual Biocide Regimes against Planktonic and Sessile Populations of Bacteria." In CORROSION 2004. NACE International, 2004. https://doi.org/10.5006/c2004-04748.

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Abstract Screening tests were conducted to determine the relative efficacy of six proprietary dual biocide-dosing regimes against planktonic bacteria and sessile bacteria in biofilms. Test conditions represented those encountered in the West Kuwait oil fields where Zubair aquifer water and effluent water are injected into the reservoir. Tests were performed using mixed cultures (sulfate-reducing bacteria (SRB), general aerobic bacteria (GAB) and general anaerobic bacteria (GAnB’s)) of mesophilic bacteria enriched from produced water associated with oil production. In all cases, the dual biocid
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Kutuzova, Anel, Elena Provornaya, Ekaterina Sedova, and Nadezhda Tsybenko. "EFFICIENCY OF LEGUME-GRASS STANDS WITH USING NEW VARIETIES TO CREATE CULTURAL PASTURES IN THE NON-CHERNOZEM ZONE." In Multifunctional adaptive feed production. Federal Williams Research Center of Forage Production and Agroecology, 2020. http://dx.doi.org/10.33814/mak-2020-22-70-5-13.

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Based on the analysis of the results of a 5-year field experiment to study the effects of species and cultivars of white clover (VIC 70 and Lugovik), red clover (Tetraploidny VIC and Veteran), alfalfa common (88 Pasture and Agnes) pro-conducting for periods (1–2, 
 3–4 and 5 years of use) the influence of weather conditions, the years of life herbs, part legume component in the herbage yield, content of total and biological nitrogen in the aboveground mass, the concentration of metabolizable energy in the feed. Set the efficiency of the reception of pre-inoculated seed complementary strai
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Rego, D., L. Costa, J. Navalho, et al. "Pulsed electric fields applied to the control of predators in production scale microalgae cultures." In 2013 IEEE 40th International Conference on Plasma Sciences (ICOPS). IEEE, 2013. http://dx.doi.org/10.1109/plasma.2013.6635078.

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Rego, D., L. Costa, J. Navalho, et al. "Pulsed electric fields applied to the control of predators in production scale microalgae cultures." In 2013 IEEE Pulsed Power and Plasma Science Conference (PPPS 2013). IEEE, 2013. http://dx.doi.org/10.1109/ppc.2013.6627656.

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Monteiro, Caique Cahon. "Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.

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Artistic institutions are traditionally places of cultural and social memory reverberation. Such spaces have a character of institutionalisation of the cultural market. Contemporary works of art and the exhibition format are factors that shape the possibilities of consumption and experience from visitors within these spaces. By taking advantage of the artifices of their time, art and artists appropriate new digital Technologies, digital culture contextualizes this movement, interweaving new paradigms in the exhibition spaces of museums, galleries and cultural centres. It is clear that the arti
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Abd Rahman, Hasrizal, M. Faizal Sedaralit, Suzalina Zainal, and Julia R. de Rezende. "Modelling Reservoir Souring Mitigation Strategy Based on Dynamic Microorganisms Interactions." In ADIPEC. SPE, 2022. http://dx.doi.org/10.2118/211359-ms.

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Abstract Managing reservoir souring is on of the challenge in oil and gas industry, especially fields without previous records of H2S productions. Due to activities such as waterflooding, reservoirs’ conditions were changed, which indirectly inducing the environment to start producing H2S gas. In low temperature fields, main contributor to the H2S production was identified as biogenic process, where microorganisms catalyzed the sour gas production. Conventionally, sulphate reducing microorganism was always blamed as the culprit in contributing towards H2S production. However, abundance of lite
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Sandeepanie, W. D. Nilakshi, Samadhi Rathnayake, and Amali Gunasinghe. "Disease Identification and Mapping using CNN in Paddy Fields." In SLIIT International Conference on Advancements in Sciences and Humanities 2023. Faculty of Humanities and Sciences, SLIIT, 2023. http://dx.doi.org/10.54389/nkkj6476.

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Rice, a globally vital staple crop, sustains over half of the world’s caloric needs while supporting the livelihoods of small-scale farmers and landless laborers. The escalating global population has led to an increased demand for rice production. Sri Lanka, renowned for its premium rice quality, has a rich history of paddy cultivation. However, a substantial portion of the country’s 708,000 hectares of paddy land remains underutilized due to water scarcity and unstable terrain. The objective of this project is to enhance paddy crop quality during the critical vegetative phase by employing mac
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Pantazi-Bajenaru, Mirela, and Traian Foiasi. "Design and manufacture of products with Romanian cultural identity." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.v.9.

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In the current context, research on cultural identity unfolds as an uninterrupted process of modeling and remodeling, constituting the link between past, present and future. The issue of cultural identity has become an increasingly important topic in recent years, especially in the European context, due to the need to legitimize European cultural identity as a link between European citizens and as a unifying principle of different cultural heritage. The current processes of social and economic globalization provide major challenges on the world market of consumer-oriented production sectors. T
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Kennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.

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Adaptation is a creative process that crosses and blurs boundaries: from page to stage, from small screen to big screen – and then, sometimes, back again. Beyond questions of form and medium, many adaptations also cross national borders and language barriers, making them important tools for intercultural communication and identity formation. This paper calls for a more intensive, transnational study of adaptation across print, stage, and screens in EU member and affiliate countries. For the highest possible effectiveness, interdisciplinarity is key; as a cultural phenomenon, adaptation benefit
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Reports on the topic "Fields of cultural production"

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Lee, Minjung E., and Susan B. Kaiser. Les Liaisons Dangereuses: The Productive Tensions among the Fields of Clothing and Textiles, Fashion Studies, and Cultural Studies. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1688.

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Bilous, Oksana. FEATURES OF ADVERTISING IN WESTERN UKRAINIAN PRESS. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12173.

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In the article, advertising communication is explored in the context of socio-political, socio-economic, and cultural-legal processes in Eastern Galicia (1919–1939); The ideological and educational concept of advertising materials is outlined, and the features of shaping Ukrainian civic-state consciousness, national and universal moral-spiritual values, interethnic mutual respect, and tolerance under the influence of press advertising are characterized. In the four chapters of the monograph, a comprehensive study of the essence of Ukrainian press advertising communication in Eastern Galicia is
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Zanatta, Hanna, Wisdom Kanda, and Karin Tonderski. Biogas production in Brazil : Barriers and strategies for overcoming them. Linköping University Electronic Press, 2024. http://dx.doi.org/10.3384/9789180758352.

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Addressing environmental challenges while improving social and economic conditions calls for innovative solutions. One of those challenges is the management of organic waste, which if left untreated can lead to water pollution, greenhouse gas emissions, and soil degradation. Brazil produces substantial amounts of organic waste due to its sizeable population and extensive agricultural production. As one of the largest economies in the Global South, the development of innovative solutions to organic waste management in Brazil can potentially pave the way for their adoption in other countries wit
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Yoo, Hojin. Particle Production under External Fields and Its Applications. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1248213.

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Bjelica, Denis. Terra Virtualis: Bridging Fields of User Experience, Design Education, and Preservation & Cultural Heritage. Iowa State University, 2024. http://dx.doi.org/10.31274/cc-20240624-1387.

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Thomas C. Chidsey Jr. PRODUCTION ANALYSIS: CHEROKEE AND BUG FIELDS, SAN JUAN COUNTY, UTAH. Office of Scientific and Technical Information (OSTI), 2003. http://dx.doi.org/10.2172/835836.

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Khalil, M. Aslam K., and Reinhold A. Rasmussen. Seasonal Production and Emission of Methane from Rice Fields, Final Report. Office of Scientific and Technical Information (OSTI), 2002. http://dx.doi.org/10.2172/805296.

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Eckerle, William, and Stephen Hall. Adaptive Management and Planning Models for Cultural Resources in Oil and Gas Fields in New Mexico and Wyoming. Office of Scientific and Technical Information (OSTI), 2005. http://dx.doi.org/10.2172/1109078.

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Robinson, Peggy. ADAPTIVE MANAGEMENT AND PLANNING MODELS FOR CULTURAL RESOURCES IN OIL & GAS FIELDS IN NEW MEXICO AND WYOMING. Office of Scientific and Technical Information (OSTI), 2005. http://dx.doi.org/10.2172/837179.

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Peggy Robinson. ADAPTIVE MANAGEMENT AND PLANNING MODELS FOR CULTURAL RESOURCES IN OIL & GAS FIELDS IN NEW MEXICO AND WYOMING. Office of Scientific and Technical Information (OSTI), 2004. http://dx.doi.org/10.2172/822715.

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