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Journal articles on the topic 'Fields of cultural production'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Mihai. "Romanian Users’ YouTube “Shakespeares”: Digital Localities in Global Fields." Humanities 8, no. 2 (2019): 84. http://dx.doi.org/10.3390/h8020084.

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The cultural production of “Shakespeare” on the Internet has received growing attention in recent years, particularly in reference to newcomers in the field such as media users or “prosumers”. This is potentiated by the connectivity of digital platforms and growing access to digital means of production and distribution. From a field perspective on digital cultural production, participation online can be seen as a socially situated activity, often differentiated and marked by the habitus of digital media users. The present article aims firstly to discuss the utility of a field conceptualization

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Griffin, Michael. "Visual Images and Fields of Journalism, Cultural Production, and Power." Journalism & Communication Monographs 20, no. 4 (2018): 325–30. http://dx.doi.org/10.1177/1522637918805501.

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Elafros, Athena. "Locating the DJ: Black Popular Music, Location and Fields of Cultural Production." Cultural Sociology 7, no. 4 (2012): 463–78. http://dx.doi.org/10.1177/1749975512457138.

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Miller, Diana L. "Gender, Field, and Habitus: How Gendered Dispositions Reproduce Fields of Cultural Production." Sociological Forum 31, no. 2 (2016): 330–53. http://dx.doi.org/10.1111/socf.12247.

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Swanson, Lisa. "Soccer Fields of Cultural [Re]Production: Creating “Good Boys” in Suburban America." Sociology of Sport Journal 26, no. 3 (2009): 404–24. http://dx.doi.org/10.1123/ssj.26.3.404.

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Zwick and Andrews (1999) argued that suburban American soccer fields merit critical academic attention because they highlight the practices of a dominant class. To gain an understanding of this specific field of power and privilege, I employed a multifaceted ethnographic approach to studying a group of upper-middle-class mothers whose children played youth soccer. I used Pierre Bourdieu’s (1984, 1993) sociological theories regarding the interplay between habitus and capital to analyze how the mothers shaped their sons’ youth sport experience to reproduce class status and social advantage in th

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Benz, Pierre, Kristoffer Kropp, Trine Cosmus Nobel, and Thierry Rossier. "Homologies in fields of cultural production. Evidence from the European scientific field." Poetics 107 (December 2024): 101945. http://dx.doi.org/10.1016/j.poetic.2024.101945.

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Lysikova, Natalia P. "Cultural aspects of uncertainty phenomenon." Izvestiya of Saratov University. Sociology. Politology 21, no. 4 (2021): 403–6. http://dx.doi.org/10.18500/1818-9601-2021-21-4-403-406.

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The article examines the prerequisites for increasing uncertainty in the context of the globalization of society, and pays special attention to the definition, characteristics and features of the cultural aspects of the phenomenon of uncertainty. The reasons for the dominance of this phenomenon in the scientific, artistic, and everyday consciousness are clarified. The article substantiates the need to study the consequences of the implementation of the uncertainty principle in the fields of culture, education, and production.

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Scagel, Carolyn F., and Wei Q. Yang. "Cultural Variation and Mycorrhizal Status of Blueberry Plants in NW Oregon Commercial Production Fields." International Journal of Fruit Science 5, no. 2 (2005): 85–111. http://dx.doi.org/10.1300/j492v05n02_10.

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Sharma, Ashwani, and Sanjay Sharma. "darkmatter: Racial Reconfigurations and Networked Knowledge Production." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 11, no. 2 (2013): 581–88. http://dx.doi.org/10.31269/triplec.v11i2.524.

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In the form of a discussion the founding editors of darkmatter journal reflect on the challenges of developing an online race project in the neoliberal context of knowledge production. The independent open access journal, operating at the borders of academia and cultural production, attempts to grasp the shifting contours of contemporary race and racism in a networked postcolonial world. Against the limitations of solely working within disciplines such as Postcolonial or Cultural Studies, darkmatter brings into dialogue a diverse range of conceptual frameworks to address the proliferation of r

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Sharma, Ashwani, and Sanjay Sharma. "darkmatter: Racial Reconfigurations and Networked Knowledge Production." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 11, no. 2 (2013): 581–88. http://dx.doi.org/10.31269/vol11iss2pp581-588.

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In the form of a discussion the founding editors of darkmatter journal reflect on the challenges of developing an online race project in the neoliberal context of knowledge production. The independent open access journal, operating at the borders of academia and cultural production, attempts to grasp the shifting contours of contemporary race and racism in a networked postcolonial world. Against the limitations of solely working within disciplines such as Postcolonial or Cultural Studies, darkmatter brings into dialogue a diverse range of conceptual frameworks to address the proliferation of r

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11

Widayat, R., and D. T. Ardianto. "Memedi sawah: environmentally friendly scarecrows for paddy fields." IOP Conference Series: Earth and Environmental Science 905, no. 1 (2021): 012026. http://dx.doi.org/10.1088/1755-1315/905/1/012026.

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Abstract Four decades ago, memedi sawah or traditional scarecrows were commonly used to repel rice-eating sparrows in paddy fields in Java. Nowadays, many farmers use plastic sheets, a non-environmentally friendly material, tied to rows of bamboo sticks in the paddy field to repel sparrows. Memedi sawah is now transformed into works of art and displayed in prestigious art galleries. This study aimed to bring back memedi sawah made from environmental-friendly materials to the paddy fields. The production was done by implementing environmental-friendly design principles and the concept of aèng,

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Rowe, David, and Tony Bennett. "Tastes and practices in three Australian cultural fields: television, music and sport." Media International Australia 167, no. 1 (2018): 121–25. http://dx.doi.org/10.1177/1329878x18767937.

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This article introduces the Themed Section of Media International Australia, ‘Tastes and practices in three Australian cultural fields: television, music and sport’, which presents selected findings of the 2014-2015 survey of Australian cultural practices conducted as part of the Australian Research Council project Australian Cultural Fields: National and Transnational Dynamics (DP140101970). It briefly discusses the social organisation of the production of consumption of Australia in the period between the national cultural policies Creative Nation (1994) and Creative Australia (2013). The In

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Lipstadt, Hélène. "Can ‘art Professions’ Be Bourdieuean Fields Of Cultural Production? The Case Of The Architecture Competition." Cultural Studies 17, no. 3-4 (2003): 390–419. http://dx.doi.org/10.1080/0950238032000083872.

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Jankauskaitė, Eglė. "Lithuanian copy-editors in the fields of language standardization and cultural production: negotiating competing notions." Taikomoji kalbotyra 17 (December 12, 2022): 119–36. http://dx.doi.org/10.15388/taikalbot.2022.17.7.

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Copy-editors are important agents of language standardisation, yet Following Pierre Bourdieu’s field theory, as well as Michel Foucault’s power/knowledge dichotomy, in this article I am analysing data from semi-structured interviews with 21 Lithuanian copy-editors to determine how they negotiate their often-opposing professional notions on editing ethics and practice. The analysis has shown that in terms of ethical notions, copy-editors maintain that editing “too much” is unethical. This is likely based on the rules of the game of the literary field. It has been noticed, that the editors who a

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Verdoni, Dominique. "Cultural Production in the Corsican Language: An Identity Field in the Making." Culture and Dialogue 3, no. 2 (2015): 29–36. http://dx.doi.org/10.1163/24683949-00302005.

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Fields of language practice such as education, the media, the civil service, or, indeed, literature are all places where official, and therefore institutionalised languages, prevail. At the same time, they open up spaces of social values and recognition, thus offering the opportunity for declining minority languages to enter and permeate those spaces. This is why a strategy of active promotion of minority cultures is needed to ensure that they are not controlled by the dominant practices. The Corsican language is a case in point. This essay introduces three forms of identity-expression in Cors

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Jiang, Tao, and Chen Yang. "An Analysis of the Production Process of Traditional Chinese Velvet Flowers." Textile & Leather Review 7 (November 14, 2024): 1322–45. http://dx.doi.org/10.31881/tlr.2024.156.

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This study analyzes the production process of traditional Chinese velvet flowers and their cultural inheritance and innovative applications. Through literature review, case studies, and field research, it explores the historical evolution of velvet flower craftsmanship, its technical characteristics, and its application in modern design. The research shows that velvet flower craftsmanship has been revitalized with the help of intangible cultural heritage protection and modern design, demonstrating new vitality in the fashion and home decor fields. This paper proposes strategies for promoting t

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Pang, Qinshu. "Uav Photogrammetry and Digital 3D Product Production Technology Design." Academic Journal of Science and Technology 11, no. 3 (2024): 69–72. http://dx.doi.org/10.54097/16zfax36.

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The use of drone photogrammetry to produce 3D digital products is a rapidly developing technical field in recent years. The technology can use the high-definition camera carried by the UAV for aerial photography, and process the aerial images through image processing software to generate high-precision digital elevation model, digital ortho map and digital line map, which provides strong support for urban planning, land resource management, environmental monitoring, cultural heritage protection and other fields.

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Pfender, W. F., and S. C. Alderman. "Geographical Distribution and Incidence of Orchardgrass Choke, Caused by Epichloë typhina, in Oregon." Plant Disease 83, no. 8 (1999): 754–58. http://dx.doi.org/10.1094/pdis.1999.83.8.754.

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A 1998 survey was conducted in the Willamette Valley of Oregon, the major U.S. production area for orchardgrass seed, to determine the extent and severity of choke disease in Dactylis glomerata. This disease is a severe constraint to orchardgrass seed production in other parts of the world, but was unknown in Oregon prior to 1997. Thirty-seven fields, representing 27 cultivars and the geographical extent of production in the Willamette Valley, were selected from a list of fields registered for certification. Choke was found in 26 (70%) of the fields, and disease incidence ranged from <0.05

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Judd, Ellen R. "Dramatic Conflict: Between State and Market in the Cultural Production of Theatre in Rural China." Culture 16, no. 2 (2021): 65–83. http://dx.doi.org/10.7202/1083957ar.

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"Dramatic Conflict" explores contemporary changes in the conditions of production of Chinese drama by focusing on the relation between state and market orientations at the core of the creative practice of state drama troupes. The article does so through utilizing the work of Bourdieu on fields of cultural production. The data are derived from fieldwork with state drama troupes on tour in the countryside in Fujian province in 1993 and 1994. Attention is given to the political economy of the organization of state drama troupes and their commercialized conditions of performance for rural communit

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Korneev, Andrei, Gennady Logunov, and Abdullayev Vugar. "Examining Cultural Identity Representation in Global Streaming Services and Its Influence on Audience Perception." MEDAAD 2023 (April 1, 2023): 27–33. http://dx.doi.org/10.70470/medaad/2023/004.

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This study examines the role of global streaming platforms such as Netflix, Amazon Prime, and Disney+ in shaping cultural perspectives through the representation of different cultures in their content. The research aims to explore how cultural identity is expressed in different fields and fields, exploring the balance between realistic representations and the persistence of stereotypes. Primary objectives include examining cultural iconography patterns in selected shows and films and assessing their impact on intercultural understanding, empathy, and prejudice among audiences Research through

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Velkova, Julia, and Peter Jakobsson. "At the intersection of commons and market: Negotiations of value in open-sourced cultural production." International Journal of Cultural Studies 20, no. 1 (2016): 14–30. http://dx.doi.org/10.1177/1367877915598705.

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This article explores the way in which producers of digital cultural commons use new production models based on openness and sharing to interact with and adapt to existing structures such as the capitalist market and the economies of public cultural funding. Through an ethnographic exploration of two cases of open-source animation film production – Gooseberry and Morevna, formed around the 3D graphics Blender and the 2D graphics Synfig communities – we explore how sharing and production of commons generates values and relationships which trigger the movement of producers, software and films be

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22

O. Y., O. Y. "THE CULTURAL MISSION OF CLASSICAL UNIVERSITY." UKRAINIAN CULTURAL STUDIES, no. 1 (2) (2018): 74–78. http://dx.doi.org/10.17721/ucs.2018.1(2).18.

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The article is devoted to the analysis of historical dynamics of university and its classification of cultural types. The main part of attention is concerned over the classical model of university and its transformations. The university carries out a social institution. It has absence of its own an autonomous field of culture, which is a form of spiritual rather than social production. Education is a set of social institutions that produce the social structure directly, that is, social technology with the purpose of human and social production of the new model. The society of the late Modern b

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23

Lang, Felix. "Bourdieu, Latour and Rasha Abbas: The Uses of Actor-Network Theory for Studying the Field(s) of Cultural Production in the Middle East and North Africa." Cultural Sociology 13, no. 4 (2019): 428–43. http://dx.doi.org/10.1177/1749975519856241.

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Since the events of the ‘Arab Spring’ in 2011, the field(s) of cultural production of the Middle East and North Africa (MENA) have attracted considerable scholarly attention. However, the conceptual and methodological tools of cultural sociology, mostly developed for and through research in western societies, often have limited purchase when it comes to the empirical reality of cultural production in the MENA. This article proposes to introduce concepts from actor-network theory (ANT) in order to adapt Bourdieu’s conceptual framework of analysis to the case of globally dominated, transnational

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GRÜNING, BARBARA. "SOCIOLOGICAL KNOWLEDGE AND IDEOLOGY IN THE GERMAN DEMOCRATIC REPUBLIC: THE INSTITUTIONALIZATION PROCESSES OF A DISCIPLINE." Society Register 3, no. 1 (2019): 39–72. http://dx.doi.org/10.14746/sr.2019.3.1.03.

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This article analyzes the dissemination of sociological knowledge in the social sciences and humanities (SSH) and other fields of cultural production in the German Democratic Republic (GDR), from the early postwar period to German reunification. In this regard, I investigate the relationships between sociology and politics, taking into account the specific contexts of the GDR-State and the institutionalization processes of these disciplines. To prevent a deterministic understanding of political power on academic and scientific systems, I adopt the Bourdieusian concept of field (cf. Bourdieu 19

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Alqarni, Abdullah, Bandar Altalidi, and Yousef Sahari. "A Socio-Historical Mapping of Translation Fields from Bourdieu’s Perspective: The Field of English Self-Help Literature in Arabic Translations in the Kingdom of Saudi Arabia." International Journal of Linguistics, Literature and Translation 7, no. 7 (2024): 152–64. http://dx.doi.org/10.32996/ijllt.2024.7.7.16.

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This article enhances the application of Pierre Bourdieu’s social field as a heuristic conceptual tool for delineating the boundaries of translations as fields of cultural production, integrated with bibliographical research. This approach provides insights into the boundaries, agents, production, practices, and socio-historical context of the respective translation fields. Through the integration of Bourdieu’s field as a theoretical framework and bibliographical research as a methodological framework, this article assesses the quality of the application of each of them in the sociological inv

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Tamari, Tomoko. "Cultural Studies in Japan." Theory, Culture & Society 23, no. 7-8 (2006): 305–14. http://dx.doi.org/10.1177/0263276406073232.

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This interview focuses on the history and current developments of cultural studies in Japan. Shunya Yoshimi is one of the leading figures in cultural studies in Japan since its introduction in the mid-1990s. He is currently engaged in the task of developing cultural studies in Asia with younger generations of scholars and to this end has helped established a new type of cultural movement, Cultural Typhoon, as well as contributing to expand Asian cultural studies networks, such as Inter Asia Cultural Studies. He argues that cultural studies has been questioning the relationship between meaning

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Roberts, Celia, and Adrian Mackenzie. "Science." Theory, Culture & Society 23, no. 2-3 (2006): 157–63. http://dx.doi.org/10.1177/0263276406063781.

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How could social scientists and cultural theorists take responsibility in engaging with science? How might they develop an experimental sensibility to the links between the production of knowledge and the production of existence or forms of life? Critically outlining key fields in the social and cultural studies of science, we interrogate a number of approaches to these questions. The first approach tries to make sense of how science operates in relation to economic, political and cultural forces. The second analyses science as a form of embodied work or practice. The third engages with scienc

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Beal, Timothy. "Reception History and Beyond: Toward the Cultural History of Scriptures." Biblical Interpretation 19, no. 4-5 (2011): 357–72. http://dx.doi.org/10.1163/156851511x595530.

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After highlighting the substantial gains made by the reception historical approach, this article proceeds to point out some of its inherent limitations, particularly when applied to biblical texts. In attending to the material-aesthetic dimensions of biblical texts, media, and ideas of the Bible, especially in dialogue with anthropological, material-historical, and media-historical approaches, these limitations become acute and call for a harder cultural turn than is possible from a strictly reception-historical approach. This article proposes to move beyond reception history to cultural histo

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Havas, Ádám. "The logic of distinctions in the Hungarian jazz field: a case study." Popular Music 39, no. 3-4 (2020): 619–35. http://dx.doi.org/10.1017/s0261143020000537.

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AbstractThis study aims to make the contemporary Hungarian jazz field the focus of a sociological investigation, based on a critical reinterpretation of Bourdieu's relational theory of artistic fields. It aims to grasp the logic of symbolic distinctions by analysing the free/mainstream dichotomy. This dichotomy of historically constituted poles is understood as a system of structuring oppositions that play a decisive role in the position-takings and prestige-construction of jazz musicians. The analysis of qualitative data shows how different evaluations and interpretations of shared musical re

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AIJMER, GÖRAN. "Cold Food, Fire and Ancestral Production: Mid-spring Celebrations in Central China." Journal of the Royal Asiatic Society 20, no. 3 (2010): 319–44. http://dx.doi.org/10.1017/s1356186310000064.

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AbstractThis article seeks to explain the traditional celebration of Cold Food and some other springtime customs in the mid-Yangzi basin in central China. In these rituals the ancestors and their influence in the production of new rice were highlighted while, at the same time, social reproduction through women was temporarily suspended. Female generative energy was not allowed to compete with the creative force of the ancestors in the fields. Cold Food is seen as a trope on seasonal agricultural tasks. The myth of moral constancy, which accompanied the festival, was on another deeper level an

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Levina, Natalia, and Manuel Arriaga. "Distinction and Status Production on User-Generated Content Platforms: Using Bourdieu’s Theory of Cultural Production to Understand Social Dynamics in Online Fields." Information Systems Research 25, no. 3 (2014): 468–88. http://dx.doi.org/10.1287/isre.2014.0535.

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Ibrus, Indrek. "Audiovisual Policymaking in Estonia at Times of Convergence: An ‘Innovation System’ as a Policy Rationale." Baltic Screen Media Review 3, no. 1 (2015): 102–15. http://dx.doi.org/10.1515/bsmr-2015-0026.

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Abstract The first thing this article tries to do is discuss the Estonian audiovisual media and content production system in its entirety - i.e. to look at film, television and interactive audiovisual services as an increasingly integrated system. Secondly, it tries to understand the issues that this convergence process presents to these formerly distinct sub-fields of the audiovisual culture, as well as for the country’s cultural policy makers. Thirdly, it presents an alternative rationale for audiovisual policymaking - reconceptualising the policy in support of an ‘innovation system’. The ai

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Cappiello, Paul E., and Scott Dunham. "330 VACCINIUM ANGUSTIFOLIUM POPULATION VARIATION IN LOW-TEMPERATURE TOLERANCE AND FLOWERING CHARACTERISTICS." HortScience 29, no. 5 (1994): 477g—478. http://dx.doi.org/10.21273/hortsci.29.5.477g.

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Commercial lowbush blueberry production involves management of what have long been considered highly diverse populations of naturally occurring clones. Wide phenotypic variation evident in fields has often been anecdotally equated with variation in yield, cultural requirements, etc., however this has not been tested rigorously. Interest in selection of clones with superior low-temperature tolerance prompted this study to estimate population-wide variation within the species. Thirty six clones of Vacciniun angustifolium exhibiting most of the typical phenotypic classes were selected from two co

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Harveson, Robert M., Howard F. Schwartz, Carlos A. Urrea, and C. Dean Yonts. "Bacterial Wilt of Dry-Edible Beans in the Central High Plains of the U.S.: Past, Present, and Future." Plant Disease 99, no. 12 (2015): 1665–77. http://dx.doi.org/10.1094/pdis-03-15-0299-fe.

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Bacterial wilt, caused by Curtobacterium flaccumfaciens pv. flaccumfaciens, was first recognized and described as a new dry bean disease near Redfield, SD after the 1921 growing season on the farm of the Office of Forage Investigations. Between the late 1930s and the early 1950s it became one of the more problematic bacterial diseases of dry beans. It became an endemic problem in dry bean production throughout western Nebraska and other areas of the central high plains during the 1960s and early 1970s. By the early 1980s, the disease had virtually disappeared with the implementation of cultura

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Karabegović, Tatjana. "The imaginary city: Representation of Yugoslavism on Jovan Živanović's film 'Čudna devojka' (1962)." SAJ - Serbian Architectural Journal 9, no. 3 (2017): 217–38. http://dx.doi.org/10.5937/saj1703217k.

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The interpretation of cities on film in societal (film) context is not a mimesis, but rather a model utilised in production of meanings that functions on the basis of signs organised in a visual language. As these meanings are produced within culture and history, cities on film are the products of societal (politically motivated) knowledge, language structures, open texts in societal and cultural fields that, through power, utilising productive network that pervades society, represents a certain system of values and, as one in the system of political, cultural, scientific, art texts, exhibits

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Ampolu, Santosh Kumar, T. Rajesh, Nandeesha S. V., Dumpapenchala Vijayreddy, and Ankit Alok. "Isolation and Characterization of Pathogen causing Northern Corn Leaf Blight of Maize in Ri-Bhoi, Meghalaya, India." Journal of Advances in Biology & Biotechnology 27, no. 9 (2024): 1326–38. http://dx.doi.org/10.9734/jabb/2024/v27i91405.

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The present study was carried out to identify and characterize the Exserohilum turcicum causing northern corn leaf blight of maize based on the cultural, morphological and molecular characteristics. Diseased leaf samples from maize fields exhibiting typical cigar shaped symptoms of northern corn leaf blight were collected from the research fields of CPGS-AS (Umiam), College of Agriculture (Kyrdemkulai) and ICAR-RC for NEH region (Umiam) located in Ri-Bhoi district, Meghalaya. Through cultural, morphological, molecular characterization the fungal isolate was identified as Exserohilum sp. Phylog

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Phuc, Nguyen Phuong Hong, and Dinh Thi Yen. "The Role of Cultural Heritage in The Development of Tourism and Some Cultural Industries in Vietnam." International Journal Papier Public Review 5, no. 4 (2024): 32–40. http://dx.doi.org/10.47667/ijppr.v5i4.324.

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Many nations now view the cultural industry as a significant role in the country's cultural life and as a vital economic sector supporting sustainable development. Vietnam has an affluent cultural history with diverse cultural identities and is valuable in every way. The development of various cultural industries benefits greatly from the resources provided by cultural heritages. In order to elucidate the significance of cultural heritage in the growth of particular cultural industries, such as music, film, and cultural tourism, we employ synthetic analysis techniques and field research in thi

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Sharp, Darren. "Participatory Cultural Production and the Diy Internet: From Theory to Practice and Back Again." Media International Australia 118, no. 1 (2006): 16–24. http://dx.doi.org/10.1177/1329878x0611800104.

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The free and open source software movements have inspired a new mode of participatory cultural production. The early hacker communities elaborated a sophisticated socio-technical system of network-enabled collaboration culminating in the GNU-Linux operating system. More recently, a range of do-it-yourself (DIY) media technologies have given any user with internet access the ability to become a producer in a variety of social fields. This has spawned an entirely new understanding of authorship and content production in film (machinima), games (player-producers), journalism (blogs), radio (podca

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Santos, Bárbara Da Silva, and Evelyn De Almeida Orlando. "Religião, educação e política na trajetória intelectual do padre Paul-Eugène Charbonneau / Religion, education and politics in the intellectual trajectory of priest Paul-Eugène Charbonneau." Revista de História e Historiografia da Educação 3, no. 8 (2019): 135. http://dx.doi.org/10.5380/rhhe.v3i8.67450.

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Este artigo aborda aspectos da trajetória do padre canadense Paul-Eugène Charbonneau, que atuou no Brasil, a partir de diferentes campos, intervindo na configuração da sociedade brasileira por meio da educação e da cultura. Com base na produção escrita deste intelectual, buscamos, neste artigo, apontar como a religião, a política e a educação estiveram presentes na trajetória intelectual do padre Charbonneau. Os conceitos de intelectual e elites culturais de Sirinelli (1998; 2003) e de trajetória, capital social, capital cultural e de campo de Bourdieu (2000; 2003; 2004; 2007) embasaram o apor

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Zhang, Hongjun, and Kehui Deng. "Research on the Application of Unity3D in the Protection and Inheritance of Intangible Cultural Heritage." Asian Social Science 15, no. 11 (2019): 89. http://dx.doi.org/10.5539/ass.v15n11p89.

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Intangible Cultural Heritage is an important part in the soul of a region. The protection and inheritance of existing intangible cultural heritage projects are of great historical and realistic significance to the historical and cultural heritage of the city and the promotion of national, scientific and popular socialist culture. Unity3D is a comprehensive game engine based on multi-platform, it has the characteristics of specialization, and it also has obvious effect in other fields. This article focuses on the application of unity3d in the field of protection and inheritance of intangible cu

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ZANETTE, MARIA CAROLINA, IZIDORO BLIKSTEIN, and LUCA M. VISCONTI. "INTERTEXTUAL VIRALITY AND VERNACULAR REPERTOIRES: INTERNET MEMES AS OBJECTS CONNECTING DIFFERENT ONLINE WORLDS." Revista de Administração de Empresas 59, no. 3 (2019): 157–69. http://dx.doi.org/10.1590/s0034-759020190302.

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ABSTRACT This work describes the trajectory of Internet memes, their main characteristics, and their relationship with the fields of virality literature and cultural production research. We explore the historical trajectory of internet memes and identify their constitutional features (vernacularism, virality, and intertextuality). We also propose that memes are objects that act as provocateurs; this is because they are carriers of meaning that reflect the repertoires of closed communities. However, they acquire new reflected repertoires in the process of being transmitted intertextually among

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Florkowski, Wojciech J., E. E. Hubbard, and Gerard W. Krewer. "Cultural Practices Used by Georgia's Expanding Blueberry Industry." Journal of Environmental Horticulture 10, no. 4 (1992): 224–27. http://dx.doi.org/10.24266/0738-2898-10.4.224.

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Abstract Blueberry growers in Georgia were surveyed to obtain information on the use of insecticides, herbicides, fungicides, fertilizers and cultural practices including mowing, cultivating, and pruning. The state was divided into two regions for the purpose of comparing the primary blueberry production region (southeastern Georgia) with other less concentrated production regions. Survey results for the whole state revealed that almost all surveyed growers fertilized plants and mowed between rows. Pruning and herbicide use were reported by about two-thirds of growers. Pruning was not always p

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Rodgers, Scott. "Digitizing localism: Anticipating, assembling and animating a ‘space’ for UK hyperlocal media production." International Journal of Cultural Studies 21, no. 1 (2017): 73–89. http://dx.doi.org/10.1177/1367877917704495.

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This article presents an unconventional view of media production, not as the direct production of media content or forms, but the cultivation of spaces for media production taking place elsewhere. I draw on a close analysis of Destination Local, a program of UK charity Nesta, which focused on the implications of location-based technologies for the emergent field of ‘hyperlocal’ media. Although the first round of the program – the focus in this paper – funded 10 experimental projects alongside extensive research, my argument is that Destination Local was less a matter of enabling specific place

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Jiarong, Li. "Research on the 'Mud Sculpting' Behavior of Female Fans in Fan Communities from a Feminist Perspective." Philosophy and Social Science 1, no. 10 (2024): 34–38. https://doi.org/10.62381/p243a06.

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In recent years, research on fan culture has gradually become a hot topic in fields such as sociology and cultural studies. Among fan communities, the "mud sculpting" behavior of female fans—referring to their actions of transforming and recreating idol images to fulfill their emotional needs - is particularly noteworthy. This behavior not only reflects the deep emotional attachment female fans have to their idols, but also, to some extent, embodies their subjectivity in cultural production. Therefore, this article will explore the deeper significance of female fans' "mud sculpting" behavior f

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Leskova, Irina V., Anna A. Poletaeva, and Kristina A. Zemlyanskaya. "Monetization of a Cultural Product in the Information Society." Social’naya politika i sociologiya 20, no. 4 (141) (2021): 101–9. http://dx.doi.org/10.17922/2071-3665-2021-20-4-101-109.

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The scientific article includes an overview of popular studies aimed at studying the cultural product in general and its monetization in particular. The research idea is aimed at determining the indicators that determine the development of a cultural product, as well as the risks that have formed in the field of art and complicated by the process of widespread digitalization. The factors influencing the monetization of a cultural product are considered, a sociological analysis of the phenomenon under study is carried out. Attention is focused on the fundamental issues of the raised issues, a s

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Setyawan, Agus Setyawan, and Indah Apriliana Sari Wulandari. "Steel Production Process in CV. Tiga Putra Jaya Sejahtra." Procedia of Engineering and Life Science 7 (March 14, 2024): 345–51. http://dx.doi.org/10.21070/pels.v7i0.1481.

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The construction services business is an activity in the economic, social and cultural fields which has an important role in achieving various targets to support the realization of national development goals. CV. Tiga Putra Jaya Sejahtra is a company engaged in the steel construction industry which provides the manufacture of fences, trellises, balconies, canopies, stair railings, rolling doors, children's toys, folding doors, light steel, galvalume, water towers, iron roofs. The purpose of this The implementation of this activity is to observe the production process of making hollow fences an

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Bottero, Wendy, and Nick Crossley. "Worlds, Fields and Networks: Becker, Bourdieu and the Structures of Social Relations." Cultural Sociology 5, no. 1 (2011): 99–119. http://dx.doi.org/10.1177/1749975510389726.

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This paper reflects upon Bourdieu’s concept of cultural fields, Becker’s concept of ‘art worlds’ and the concept of networks as developed in social network analysis. We challenge the distinction that Bourdieu makes between the objective ‘relations’ and ‘positions’ constitutive of ‘social space’ and visible social relationships. In contrast, we maintain that interaction is generative of social spaces and positions and should be integral to any account of them. Becker’s position is better from this perspective, but while Becker refers repeatedly to social networks, he fails to develop the concep

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Liang, Xi. "Trends and Prospects of the Fashion Production Industry." Arts Studies and Criticism 5, no. 2 (2024): 101. http://dx.doi.org/10.32629/asc.v5i2.2262.

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The fashion production industry has emerged as an important component alongside the flourishing fashion industry, encompassing multiple professional fields. It satisfies people's pursuit of beauty by creating visually appealing artworks while conveying cultural values and the spirit of the times. In recent years, the rise of fashion studios has provided crucial support for developing the fashion production industry. These studios typically engage in various creative planning, fashion design, photography, videography, editing, and distribution activities, requiring a large number of highly skil

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Miranda, Rosenil Antônia de Oliveira, and Maria Corette Pasa. "Itinerant Agriculture and Food Sovereignty: agricultural scenario in the modern world." FLOVET - Boletim do Grupo de Pesquisa da Flora, Vegetação e Etnobotânica 1, no. 12 (2023): e2023001. http://dx.doi.org/10.59621/flovet.2023.v1.n12.e2023001.

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The expansion of agribusiness in Brazil challenges the future of traditional agricultural systems. This article intends to identify processes by which traditional farmers maintain agricultural diversity on the frontier of monocultures in the Brazilian Midwest, with ethnobotanical records of agricultural practices and agrobiodiversity with 86 quilombolas farmers in Baixada Cuiabana, resulting from production in spaces derived from cutting agriculture and burns. The crops are configured as islands of agrobiodiversity designed among cerrado fields, forests and fallow land, with the ingenious comb

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Krobb, Florian, and Dorit Müller. "Itinerant Knowledge Production in European Travel Writing." Transfers 6, no. 3 (2016): 41–48. http://dx.doi.org/10.3167/trans.2016.060304.

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Travel is a special form of human mobility that is subject to different historical conditions and one that, deliberately or not, always entails knowledge acquisition and knowledge transfer. Travel facilitates the encounter with peoples, ideas, and material artifacts. In the age of Enlightenment, the nexus between travel and knowledge gained a new intensity, as the movement beyond the known turned into a specific scientific project with manifestations in theoretical reflection as well as literary practice. In the special section on Travel Writing and Knowledge Transfer contributors from the fie

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