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Journal articles on the topic 'Figurative painting, British – 20th century'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Cramer, Florian. "Hiding in Plain Sight. Amy Suo Wu’s The Kandinsky." INMATERIAL. Diseño, Arte y Sociedad 2, no. 4 (2017): 104–16. http://dx.doi.org/10.46516/inmaterial.v2.40.

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The history of 20th century painting conventionally identifies abstraction with modernism and the return of figuration with postmodernism. But abstraction ended much earlier, in a spy operation during World War II, when a British intelligence officer, in a stroke of genius, found abstract paintings to be the perfect carriers for secret messages transported across the ocean. For this purpose, he commissioned a painting to Wassily Kandinsky that included a secret message encoded – in the manner of flag signs or Morse code – into its seemingly abstract visual shapes. This anecdote explains stegan

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Xu, Jiangpeng. "The evolution of theChinese painting genre "Zhen-wu" in the XXth century." Культура и искусство, no. 11 (November 2024): 47–60. https://doi.org/10.7256/2454-0625.2024.11.72238.

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This article examines the development of Chinese figurative Zhen-wu painting in the 20th century, its transformation under the influence of both external factors and internal cultural and political changes. The object of the study is the painting of the Zhen-wu of the 20th century. Zhen-wu is one of the oldest genres of Chinese painting, which has undergone significant changes due to the reforms, cultural movements and political events of the 20th century. The subject of the study is the evolutionary processes that took place with Zhen-wu painting in China in the twentieth century. This study

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3

Platon, Liliana. "The figurative image in Moldovan painting from the early ‘80s of the 20th century." Arta 33, no. 1(AV) (2024): 118–25. https://doi.org/10.52603/arta.2024.32-1.13.

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The figurative painting from the years 1980-1985 outlines the first page in the evolution of the general stage of “new figurativism” in Moldovan plastic art. The period inscribes a new sub-stage with a unique character, manifested by the inclusion of neo-expressionist landmarks in figurative painting. These are associated with the trends of the sociocultural and artistic environment of the time interested in modern evolution associated with neighboring countries. The artists create a series of new plastic implementations that pursue the experimental involvement of plastic meanings. The plastic

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Abdokova, Marina B. "Portrait and landscape in Boris Zaitsev’s publicistic writings: style and ethos." RUDN Journal of Studies in Literature and Journalism 25, no. 1 (2020): 17–32. http://dx.doi.org/10.22363/2312-9220-2020-25-1-17-32.

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The article represents genre-style etymology of Boris Konstantinovich Zaitsev (1881-1972) publicistic legacy (that includes essays, profiles and critical notes). Style-forming expressions of this outstanding representative of 20th century Russian literary abroad are analyzed within the context of his ethical and philosophical principles. Zaitsev’s portrait and landscape sketches are considered for the first time as figurative-poetic and genre-compositional components of the artist's “visual palette”. One of the effective methods of comprehending the style and ethos of the writer is the disclos

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Ishchuk, E. N. "The Painting of the Japanese Nihonga School: Transformation of Style in the Second Half of the 20th Century." Secreta Artis 7, no. 2 (2025): 47–57. https://doi.org/10.51236/2618-7140-2024-7-2-47-57.

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The paper provides an overview of the development of the nihonga style, which integrates elements of traditional Japanese painting, and examines its transformation during the second half of the 20th century. It explores the preconditions for the emergence of the style, the origin of the term nihonga within the geopolitical context of Japan's historical evolution, as well as the shifts in the figurative paradigm, coloristic choices, and compositional approaches within works of this artistic movement. The article specifically highlights the bijinga genre as a case study. Additionally, it undersc

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Samokhin, Aleksandr V. "Stylistic and Figurative Synthesis in the Work of Masters of the Union of Russian Artists." Observatory of Culture 22, no. 2 (2025): 158–69. https://doi.org/10.25281/2072-3156-2025-22-2-158-169.

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The article deals with the peculiarities of the Union of Russian Artists, a significant association of early 20th century painters. The main attention is paid to the aspects of organizational and creative order, which can be defined by the concept of “synthesis”. This definition is key to the history of the Union for a number of reasons. First of all, the synthesis of creative forces was formed in the daily and exhibition activities of the Union, which united painters with different views on the meaning of their profession, as well as with different style and image preferences. The term “synth

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Gracheva, Svetlana M. "Portrait in Contemporary Russian Painting in the Context of World Art: A Typology of the Genre." Vestnik of Saint Petersburg University. Arts 11, no. 4 (2021): 636–48. http://dx.doi.org/10.21638/spbu15.2021.404.

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In Russian fine art, portrait painting has been traditionally distinguished by extraordinary variety and depth, reflecting the figurative and stylistic searches of artists of different periods. Russian art historians have comprehensively studied the portrait genre in the history of art. At the same time, the well-established classification of genres does not allow to take into account completely the variety of trends and approaches to the depiction of a person in contemporary art. The understanding of the portrait genre’s boundaries in contemporary art is extremely blurred. Sometimes it means

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Portnova, Irina V. "Russian Animalistic Art of the 20th Century as a Special Kind of Fine Art." Observatory of Culture 18, no. 5 (2021): 486–95. http://dx.doi.org/10.25281/2072-3156-2021-18-5-486-495.

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This article aims at analyzing the genre features of the 20th century animalistic art as a special, original phenomenon of Russian artistic culture. There are highlighted the aspects that make up its content basis. The author considers the issues of human perception of an animal, attitude to it, the system of views on the world of flora and fauna, the methods of interpretation of animals and birds. Together, they form the specific characteristics of animalistic art, which appeared in their organized and integral form in the 20th century. The article is relevant because the relationship between

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Kuznetsova, E. Yu, and S. V. Peshkov. "INDUSTRIAL GENRE IN THE VISUAL ARTS: KUYBYSHEV HYDROELECTRIC STATION IN PAINTINGS AND GRAPHICS." Topical Issues of Culture, Art, Education 40, no. 2 (2024): 25–36. http://dx.doi.org/10.32340/2949-2912-2024-2-25-36.

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The article examines the development and features of the industrial genre in Russian fine art in the context of the work of artists on the construction of the Kuybyshev hydroelectric station. The general features of the industrial genre of the mid-20th century are given, the works of painting and graphics dedicated to the construction of the Kuybyshev hydroelectric station are analyzed, reflecting and preserving the history for the younger generation of the following artists: A.K. Vingorsky, V.G. Gremitskikh, G.V. Filatov. In addition to the artistic analysis of the works, the article briefly

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Rosado-García, María Jesús, Renata Kubus, and María Jesús García-García. "The Artistic Vanguards and the Bridges: Innovation and Transversality of Engineering and Other Arts." Pertanika Journal of Social Sciences and Humanities 30, no. 4 (2022): 2037–58. http://dx.doi.org/10.47836/pjssh.30.4.29.

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This article critically reviews the development of painting art and the engineering of bridges in the first half of the 20th century. It shows that the expression of thought is directed towards innovation at a certain historical moment and non-imitation as a professional ethos. The vision is articulated through a multilevel perspective, including the social shaping of technology. The different milestones are chronologically compared following the Artistic Vanguards. It is shown that there was an accumulation of radical, disruptive innovation in the period between the World Wars. New tools to d

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Sokolyuk, Lyudmyla, and Serhii Steshenko. "Monumental and Decorative Painting in the Temples of Kharkiv Region of the Modern Era (Features of the Figurative and Plastic Language)." Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2022, no. 1 (2022): 73–86. http://dx.doi.org/10.33625/visnik2022.01.073.

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The article describes the features of the figurative and plastic language of monumental and decorative painting preserved to our time in the churches of Kharkiv region of the modern era. Created by the selfless work of many outstanding artists at the turn of the 19th — 20th centuries, in the wave of the inclusion of Ukrainian art in the European cultural context, paintings of churches in Kharkiv region have come down to us in small numbers: most of them were lost due to the destruction of religious buildings under the Soviet regime; some were considerably mutilated or whitewashed by new owners

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Sviderskaya, M. I. "English Enlightenment. Part I. Cultural Сode, Ideas, Society, Fine Arts". Art Studies Journal, № 3 (2024): 40–73. https://doi.org/10.51678/2073-316x-2024-3-40-73.

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The article is a preparatory study for the Introduction to the volume on the 18th century of the comprehensive “History of Arts in Western European Countries from the Renaissance to the Beginning of the 20th Century. Painting. Sculpture. Graphics. Architecture. Music. Drama-Theatre”, published by the Department of Classical Western European Art of the of the State Institute for Art Studies. As a methodological experiment, it substantiates the productivity of parallel consideration of national versions of the Enlightenment — the core feature of the era. The starting point of the proposed analys

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Kumar, Suresh. "Kaleidoscopic Portrayal of Early Twentieth-Century British India: A Study of Mulk Raj Anand’s Untouchable." SMART MOVES JOURNAL IJELLH 9, no. 7 (2021): 21–29. http://dx.doi.org/10.24113/ijellh.v9i7.11115.

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Mulk Raj Anand (1905-2004) is considered one of the pioneering Indian writers in English of Anglo-Indian fiction who gained international acclaim. Along with R.K. Narayana, and Raja Rao, he is popularly known as the trio of Indian English novelists. He marked his revolutionary appearance by giving voice to the oppressed section of the society with his novel, Untouchable in 1935. In this novel, he takes a day from the life of Bakha, a young sweeper who is an untouchable because of his work of cleaning latrines in the early 20th century British India. Discrimination based on caste and poverty ar

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Kumar, Suresh. "Kaleidoscopic Portrayal of Early Twentieth-Century British India: A Study of Mulk Raj Anand’s Untouchable." SMART MOVES JOURNAL IJELLH 9, no. 6 (2021): 45–53. http://dx.doi.org/10.24113/ijellh.v9i6.11100.

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Mulk Raj Anand (1905-2004) is considered one of the pioneering Indian writers in English of Anglo-Indian fiction who gained international acclaim. Along with R.K. Narayana, and Raja Rao, he is popularly known as the trio of Indian English novelists. He marked his revolutionary appearance by giving voice to the oppressed section of the society with his novel, Untouchable in 1935. In this novel, he takes a day from the life of Bakha, a young sweeper who is an untouchable because of his work of cleaning latrines in the early 20th century British India. Discrimination based on caste and poverty ar

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15

RYBALKO, Svitlana, and Zhe ZHANG. "REPRESENTATIONS OF STILL LIFE IN CHINESE PAINTING OF THE FIRST HALF OF THE 20TH CENTURY: THE SHANGHAI SCHOOL." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 2 (2023): 66–77. http://dx.doi.org/10.33625/hudprom2023.02.066.

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The purpose of the article is to determine the ways of formation of still life as a genre in the first half of the 20th century and the features of its conceptualization; highlighting the creative output of representatives of the Shanghai school in the field of depicting the objective world. A wide range of visual materials is considered, and a circle of representatives of the Shanghai school who participated in the development of still life as an independent genre of painting is identified. Wu Changshu and Qi Baishi are among the most significant creators of still life. Representative samples

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Lyutaeva, Maria S. "ANIMALS OF THE HIGH NORTH IN BORISOV’S PAINTING." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 2 (2024): 154–64. http://dx.doi.org/10.28995/2686-7249-2024-2-154-164.

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The subject matter of the study is images of animals in the works of the Russian artist A.A. Borisov, compared with the written observations of that author. In the field of painting, his landscapes made in the open air at low temperatures, sketches of the life of the Nenets, images of sanctuaries and northern settlements brought from expeditions (1894–1901) gained world recognition. In the context of those works, one can identify a special artistic vision of the animals of the Arctic. It’s the point of view of an academic painter-researcher belonging to the Christian denomination, i.e. an outs

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Dolesko, Svitlana. "Roma theme in the art work of Antoni Kozakiewicz." Bulletin of Lviv National Academy of Arts, no. 53 (December 27, 2024): 24–34. https://doi.org/10.37131/2524-0943-2024-53-3.

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Polish artist Antoni Kozakiewicz (1841–1929) as one of the most recognized figures of the realistic trend in Polish painting is the author of a number of paintings of genre art, which reflect the specifics of the nomadic life of the Roma people in Europe in the 2nd half of the 19th – first third of the 20th century. Today, the artist’s works are examples of highly professional realistic painting and unique historical evidence of Roma life, so it is advisable to study them taking into account both aspects. This research vision led to the formulation of the goal – a comprehensive analysis of a s

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18

Wu, Zijian. "Fine art as a factor in the development of modern art animation in the UK." Человек и культура, no. 6 (June 2023): 199–209. http://dx.doi.org/10.25136/2409-8744.2023.6.69307.

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The subject of the study is the specificity of artistic and visual techniques used by the British creators of animated films, using the example of the paintings "Shaun the Sheep" and "Van Gogh. Love, Vincent." The object of research is the artistic animation of Great Britain at the beginning of the XXI century. The article reveals the trends of British animation in recent years by analyzing the elements of the visual series of cartoons created using the expressive means of classical art. The works considered in the article demonstrate the author's approaches of modern British directors in rela

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Королёва, А. Ю. "Berlin of the Weimar Republic and the painting of the New Objectivity." Iskusstvo Evrazii [The Art of Eurasia], no. 2(33) (June 28, 2024): 20–35. http://dx.doi.org/10.46748/arteuras.2024.02.001.

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Статья посвящена исследованию региональных особенностей живописи новой вещественности на берлинской почве. Особенное положение принадлежащего к числу наиболее интенсивно развивающихся столиц мира делало главный город Веймарской республики необычайно притягательным для самых разных слоев населения, в том числе и художников. Актуальность темы определяется возрастающим в современной науке интересом к противопоставляемым авангарду реалистическим и фигуративным образам в искусстве XX столетия. Ее новизна заключается в рассмотрении произведений новой вещественности не как иллюстративной фиксации ист

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Muskett, Georgina. "John Collier’s Paintings of Clytemnestra." Studies in Ancient Art and Civilisation 28 (December 17, 2024): 193–221. https://doi.org/10.12797/saac.28.2024.28.09.

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The British artist John Maler Collier produced two paintings of the legendary Mycenaean queen Clytemnestra, in which he incorporated elements of contemporary archaeological discoveries. Archaeological excavations in Europe in the late 19th century included Heinrich Schliemann’s work at Hisarlık (identified as Troy) and Mycenae. These were followed in the early 20th century by archaeological excavations on Crete, revealing Minoan society, including those by Arthur Evans. Collier gave the paintings, one from 1882 and the other from around 1914, the simple title ‘Clytemnestra’, both depicting the

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Gubergrits, N. B., K. N. Borodiy, and G. M. Lukashevich. "How I loved the life!" Herald of Pancreatic Club 53, no. 4 (2021): 38–40. http://dx.doi.org/10.33149/vkp.2021.04.06.

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This publication is dedicated to the British Princess Marie Alexandra Victoria of Edinburgh, known after marriage as Marie of Romania. The beautiful, educated, talented, rich Queen not only held the hearts of contemporaries with her achievements in the literary field, painting, and dancing, but also with her sincere concern for ordinary people. During World War I, Marie, who was known as the “mother of the wounded”, took care of the wounded soldiers with cholera, day and night without a break, along with other nurses. As contemporaries believe, Marie’s cause of death was pancreatic cance

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Dimeo, Carlos. "Arte Popular, Arte Ingenuo y Arte Figurativo en la obra pictórica de Bárbaro Rivas." Sztuka Ameryki Łacińskiej 3 (2013): 139–58. http://dx.doi.org/10.15804/sal201306.

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Bárbaro Rivas (1893–1967) is considered to be the first ‘primitivist’ and ‘figurativist’ in Venezuela. Local and ludic elements create the central axis of popular and figurative Venezuelan art transformation from the late 19th to the mid-20th century. It was when a sign in painting was redefined – resignified and became an element binding main forms of popular art, reality of artist’s world, simplicity of life transformed into an idea of primitivism. Like other artists of his times (Armando Reverón), Bárbaro Rivas derived his art from life of local society and his own experience. His art is ma

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Yuryeva, M. V., and V. V. Babiyak. "The Genre of Landscape in the Works of Artists of the Arctic Correctional Labor Camps in the 30s-60s of the 20th Century." Art & Culture Studies, no. 1 (March 2025): 128–55. https://doi.org/10.51678/2226-0072-2025-1-128-155.

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One of the features of the internal policy of the USSR in the 1930s-1960s was the formation and growth of the correctional labour camps system throughout the country and the forced use of free labour of prisoners to boost the economy and industrial development. Representatives of the most diverse social strata of the population, including the intelligentsia, among whom there were many professional artists, were in prisons. The authors of the article turn to the question of the role of the repressed artists’ work of the chronological period under consideration in the process of forming polar ar

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Orlova, E. V. "Из истории Людвиг Музеум – от коллекции к музею". Iskusstvo Evrazii [The Art of Eurasia], № 1(20) (31 березня 2021): 164–75. http://dx.doi.org/10.46748/arteuras.2021.01.012.

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The article is devoted to the founding of the Museum Ludwig in Cologne and presents an analysis of the process of building this museum of contemporary art in dynamics — from the beginning of the collection within the walls of the Wallraf-Richartz Museum to gaining the status of an independent exhibition giant. The study provides an overview of the collection and its sources, identifies individual significant works of art, accompanied by art history descriptions, and sets out the reasons and the chronicle of the separation of the Museum Ludwig from the Wallraf-Richartz Museum. The museum, estab

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Loginova, Arina M. "Marg magazine as one of the sources of the artistic life of India in the 1930s and 1950s." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 54 (2024): 155–67. https://doi.org/10.17223/22220836/54/14.

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In the first half of the twentieth century, Indian art was undergoing major transformations that radically changed its pictorial language. Domestic and foreign researchers paid their attention to the art of India in the first half of the century. So, among Western authors, I would like to highlight a contemporary of these processes, William George Archer, British art critic Parthu Mitter who studied the formation of modern Indian painting and the relationship of Indian and European art, as well as the largest specialist in the field of painting of the Bengal Renaissance and early Indian modern

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Slieptsov, Oleh, Mykola Dyomin, and Olena Kozakova. "THE INFLUENCE OF CHINA AND JAPAN ON EUROPEAN ARCHITECTURE AND ART AT THE END OF THE 19TH AND EARLY 20TH CENTURIES." Spatial development, no. 5 (November 24, 2023): 103–9. http://dx.doi.org/10.32347/2786-7269.2023.5.103-109.

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Europe turned to Eastern cultures at the stage of oversaturation with its own traditions or at the stage of finding ways out of the crisis in the cultural and artistic life of society. Obviously, the fascination with Chinese cultural traditions - first at the mundane level, and later at the level of art and architecture - during the Baroque and Rococo period testified to the oversaturation that gradually grew in the Baroque and Rococo styles, and therefore the appeal to China became a hidden attempt to find something fundamentally new, non-standard. It is quite clear that without a deep unders

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Zavyalova, Anna E. "Alexandre Dumas’s Works in the Art of Alexandre Benois." Observatory of Culture 16, no. 2 (2019): 184–95. http://dx.doi.org/10.25281/2072-3156-2019-16-2-184-195.

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The article studies the problem of interpretation of literary source in visual creative work of A.N. Benois. There are identified and analyzed new sources of his works — historical novels by A. Dumas, père. The question about the role of the novels by Alexandre Dumas devoted to the history of France of the 17th and 18th centuries in creative work of Alexandre Benois has never become the object of research. The relevance of this article is determined by this fact. The scientific novelty of this article lies in revealing new literary sources of creative work of A. Benois — Dumas’s novels “Jose

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Kuznietsova, Valeriia. "Art Object as a Specific Art Form in Modern Ukrainian Fashion." Bulletin of KNUKiM. Series in Arts, no. 47 (December 26, 2022): 163–70. https://doi.org/10.31866/2410-1176.47.2022.269631.

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The purpose of the article is to analyse the conceptual basis of the art object as a specific art form in the fashion industry and to identify creative techniques and design tools for creating a catwalk image as an art object. Methods. The methods of historical analysis, comparison, and generalisation were used to study aesthetic concepts in the art of the 19th-20th century. In the process of identifying creative approaches and means of creating catwalk images, the methods of synthesis, observation, figurative-stylistic and figurative-associative analysis were applied. Results. 

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Tubić, Dejan. "The theme and symbolism of the bridge in European and Serbian early modernist painting." Zbornik radova Filozofskog fakulteta u Pristini 55, no. 2 (2025): 343–70. https://doi.org/10.5937/zrffp55-57379.

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In the period from the late 19th century to the early 20th century, the bridge motif in European and Serbian early modernist painting expanded the visual and symbolic phenomenology of the bridge. Through its architecture and symbolism, the bridge overcomes barriers, leads into the unknown and uncertain, and opens a dialogue between different spaces and times. The bridge is a path that one must cross, yet also return to. It serves as an archetypal representation of connection and separation, permanently present in human morphogenesis. The bridge establishes a correspondence between individuals,

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Enina, Ivetta A. "ARTISTIC FEATURES OF THE NORTHERN “WHITE NIGHT” MOTIF IN THE LANDSCAPES OF ALEXANDER BORISOV AND LOUIS APOL." Scientific and analytical journal Burganov House. The space of culture 17, no. 5 (2021): 77–87. http://dx.doi.org/10.36340/2071-6818-2021-17-5-77-87.

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The article examines the peculiarities of the color and light atmosphere of the phenomenon of white night in the Far North in the seascapes of the Russian and Northern European art. Attention is drawn to the period from the second third of the 19th century to the first quarter of the 20th century, when scientific and artistic exploration of the Arctic begins to take place on a regular basis. The article shows that the motive of the luminous night at the turn of the century appeared in connection with the appeal of artists to the study of natural contrasts of the Far North. Owing to the compreh

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Murillo Ligorred, Víctor, and Alfonso Revilla Carrasco. "La educación artística a través de las ciudades de Gerhard Richter: materialidad, agencia y memoria tras la II Guerra Mundial." Arte y Políticas de Identidad 22 (June 24, 2020): 98–116. http://dx.doi.org/10.6018/reapi.433951.

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El presente trabajo aborda la obra de Gerhard Richter desde su relación con la representación de la ciudad. Richter trae al frente un tipo de pintura basado en la interpretación de algunas urbes europeas desde la abstracción que traen al frente la presentación en planta, de vistas cenitales, que configuran sus espacios. Esta desfiguración de lo característico de un lugar, conecta la tradición figurativa con los nuevos lenguajes gestuales en la segunda mitaddel siglo XX. Las revisiones de la ciudad a partir de la abstracción e sus planos enlazan con la memoria enterrada bajo sus ruinas, proveni

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Габышева, А. Л. "Rapid ascent: to the 75th anniversary of the artist Zinaida Kurchatova (1948–1983)." Iskusstvo Evrazii [The Art of Eurasia], no. 3(30) (September 30, 2023): 72–85. http://dx.doi.org/10.46748/arteuras.2023.03.006.

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Статья посвящена творчеству якутского живописца Зинаиды Курчатовой. Цель работы — изучение творчества, выявление особенностей пластического и образного языка художника, работавшего в таких жанрах, как портрет, пейзаж, тематическая картина. С помощью искусствоведческого анализа были установлены композиционные и колористические приемы, трактовка образов автором. Особое внимание уделено пейзажу: колоритный, лаконичный, наполненный эмоциональной глубиной, лирико-эпичным содержанием, он повествует о красоте северной земли и открывает мировидение автора. Обзор выполнен на основе монографической колл

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Chrzanowska-Kluczewska, Elżbieta. "Crossing the textual frame and its transmedial effects." 24, no. 24 (October 16, 2022): 9–21. http://dx.doi.org/10.26565/2218-2926-2022-24-01.

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The year 2022 marks the 100th anniversary of Juri Lotman’s birth. On this occasion, I propose to return to one of Lotman’s concepts, namely that of frame. The term was proposed in The structure of the artistic text (1970/1977), in the traditional understanding of a limit that separates a text produced in any kind of medium from extra-textual structures (other texts) or non-text (real-life contexts). This notion of frame comes close to its understanding in literary studies, as well as the theory and philosophy of art and should not be confused with a well-known concept of frame propagated in AI

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Burganova, Maria A. "Letter from the editor." Scientific and analytical journal Burganov House. The space of culture 18, no. 4 (2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-4-6-9.

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Dear readers, We are pleased to present to you Issue 4, 2022, of the scientific and analytical journal Burganov House. The Space of Culture. Upon the recommendation of the Expert Council of the Higher Attestation Commission, the journal is included in the List of Leading Peer-reviewed Scientific Journals and Publications in which the main scientific results of theses for the academic degrees of doctor and candidate of science must be published. The journal publishes scientific articles by leading specialists in various humanitarian fields, doctoral students, and graduate students. Research are

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Shestakova, Elena Yu. "The image of the “living earth” in the chapter “The Trinity Day” of the novel by I. S. Shmelev The Summer of the Lord." Izvestiya of Saratov University. Philology. Journalism 23, no. 4 (2023): 387–91. http://dx.doi.org/10.18500/1817-7115-2023-23-4-387-391.

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This article reveals the features of the artistic embodiment of the image of the “living earth” in the chapter “The Trinity Day” of the novel The Summer of the Lord by the writer of the Russian émigré of the first half of the 20th century Ivan Sergeevich Shmelev. The Summer of the Lord is the pinnacle work in the author’s oeuvre. The book is based on the autobiographical material. In the chapter “The Trinity Day” the author depicted his own childhood memories of celebrating the Orthodox holiday of the Trinity. In the picture of the lush Russian summer nature shown in the chapter “The Trinity D

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Anfilova, Svitlana. "“Songs of Travel” by R. Vaughan Williams: English accent in the romantic theme." Aspects of Historical Musicology 36, no. 36 (2024): 81–103. https://doi.org/10.34064/khnum2-36.05.

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Statement of the problem. The reason for studying R. Vaughan Williams’ “Songs of Travel” in this article was the discrepancy between the widespread use of this work in world musical practice and the absence of materials devoted to it in Ukrainian musicology. Currently, the number of studies devoted to R. Vaughan Williams’s work is quite significant. The chronology of their appearance is marked by a certain discreteness, which is a consequence of the reassessment of the composer’s role in the history of British and, in general, European music. Nevertheless, the number even of foreign studies ab

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Deegan, James G. "Deleuze on Francis Bacon’s Paintings: A Performative Witnessing of Coloring Sensation Among Schoolchildren." Qualitative Inquiry, September 2, 2021, 107780042110325. http://dx.doi.org/10.1177/10778004211032536.

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Inspired by the work of the Irish-born British figurative painter, Francis Bacon, Gilles Deleuze, one of the most influential French philosophers of the 20th century, wrote a book titled, Francis Bacon: The Logic of Sensation. In this book, Deleuze creates novel concepts of coloring sensation that rely on relations between colors or the juxtaposition of tints and hues in relation to feelings or perceptions, resulting from something that happens to or comes into contact with the body. Deleuze illuminates how Bacon uses the figure, colors, contours, and broken tones to show raw and dark motifs s

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Chaim, Steg. "Chaim Steg: Contemporary Art, Painting and Artists of the 20th Century." August 26, 2021. https://doi.org/10.5281/zenodo.5268358.

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Contemporary art, painting and artists of the 20th century Art has enjoyed a stage of constant evolution and change during the past century, where avant-garde pictorial movements have tried to reflect the social situation of each era through the brush and the particular vision of renowned artists. Painter Chaim Steg shares that painting is the art of graphic representation par excellence of the history of mankind. Brushstrokes of emotion, protest, romanticism or nostalgia complete the collections of art galleries around the globe that saw, in the last century, a turbulent period of war, peace

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Iannizzotto, Lorenzo Stefano. "L’enigma dell’ombra: l’ombra portata come misura e presenza dell’altro." Itinera, no. 25 (August 8, 2023). http://dx.doi.org/10.54103/2039-9251/20785.

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   Shadow, a physical phenomenon that we experience every day and is intuitively easy to understand, does not seem to hide great mysteries. However, through the study of texts and works of Western figurative art, a different reality linked to its use can be observed. In fact, the presence of shadow in Western art and representation is profoundly discontinuous and non-linear, and it does not become more frequent with a greater mastery of representation techniques. There are authors who were knowledgeable about and studied the phenomenon in detail but nonetheless advised agains

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Nesmachnyi, Sergii. "Mythological and Religious Basis of Mykhailo Sapozhnykov’s Symbolic Painting." Collection of scientific works “Notes on Art Criticism”, no. 44 (December 21, 2023). http://dx.doi.org/10.32461/2226-2180.44.2023.293921.

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The purpose of the article is to analyse and systematise the figurative structure of artworks from two series of symbolist paintings by Mykhailo Sapozhnykov in the light of Slavic and ancient mythology, Christian religion. The methodology of scientific research is based on use of systematic approach in combination of general scientific and special methods of cognition, such as analytical, formal-stylistic, systematisation, and generalisation. The application of these methods and approaches contributed to the thorough processing of the identified issues and made it possible to formulate reasone

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"Leadership of Malay Painters as a Backdrop to the Landscape of Modern Malaysian Painting (Abdullah Ariff, Hossein Enas & Syed Ahmad Jamal)." International Journal of Innovative Technology and Exploring Engineering 9, no. 2 (2019): 1973–81. http://dx.doi.org/10.35940/ijitee.b7867.129219.

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Modern painting was a new ideology that was brought in from Western countries in the 20th century. The art form, which was pioneered by renowned artist Paul Cezanne, can be identified through its own unique style, characterised by bold brush strokes and strong colours that represent self-expression. The influence of the modern painting movement was first introduced to the Malay Peninsula in the early 1900s by the British, who had colonised Penang at the time. This influence resulted in the emergence of three prominent local painters, who became local leaders of the modernism ideology, namely,

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KARABULUT, Tuğba. "The Awakening of Female Vorticism in Jessica Dismorr’s Textual and Visual Representations." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, October 20, 2023. http://dx.doi.org/10.29000/rumelide.1369165.

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Vorticism was a London-based avant-garde movement of art and literature in the early 20th century. Launched by Wyndham Lewis with “The Vorticist Manifesto” in 1914, Vorticism employed the depiction of an image’s movement and exalted the dynamism of the wartime machine age. Inspired by Futurism and Cubism, Vorticism is often considered masculinist, excluding women from the textual and visual canons. The British avant-garde poet and artist Jessica Dismorr (1885-1939) was one of the two female members of Vorticism. She contributed to the movement with her textual and artistic representations from

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Helling, Thomas S. "Surgeon Henry Tonks and the blur of artistry." Journal of Medical Biography, March 22, 2023, 096777202311650. http://dx.doi.org/10.1177/09677720231165002.

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The professional career of 20th Century British surgeon and artist Henry Tonks provides a unique perspective into the complex balance of technique, creativity, and empathy necessary to heal both body and soul. For Tonks, the skills of surgery did not suffice to address his intense emotional attachment to his suffering patients. For that reason, he turned to painting as an expression of deeper efforts to demonstrate human suffering to which he was so sensitive and which engulfed him at times in the tragedies of mankind. Nevertheless, his appreciation of the fine details of surgery and surgical

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Moharana, Dasarathi, and Urmishree Bedamatta. "Mother Orissa, Mother India, Mother Victoria: Expressions of National Life in Colonial Orissa." Nationalities Papers, March 13, 2024, 1–23. http://dx.doi.org/10.1017/nps.2024.21.

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Abstract In the early 20th century, Orissa, a province in British India, was marked by dismemberment and fragmentation. Nationalist leaders in colonial Orissa often portrayed the province as a disfigured mother to evoke nationalist sentiment among the Odia people and garner support for the unification of the Oriya-speaking tracts in adjacent provinces to form a separate and complete Orissa province. One painting from the period depicts a woman representing “Mother Orissa” being dissected on a table by an Englishman and surrounded by wolf-headed figures representing Bengal, Madras, and Bihar, w

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Maystrenko-Vakulenko, Yuliya. "Portrait Drawings of Karpo Trokhymenko for the Painting “Meeting of the Presidium of the Academy of Sciences of the USSR in Ufa” (1941–1944)." National Academy of Managerial Staff of Culture and Arts Herald, no. 1 (April 20, 2021). http://dx.doi.org/10.32461/2226-3209.1.2021.229553.

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The purpose of the article is to introduce into scientific turnover the little-known drawings of the outstanding Ukrainian realist painter of the mid-20th century, professor of the Kyiv State Art Institute, Karpo Demianovych Trokhymenko, made during the evacuation to Ufa in the period of the Great Patriotic War. The methodology of the work is based on the principles of art history, figurative and stylistic, systematic and comparative analysis, as well as historical and contextual methods. The scientific novelty of the work lies in the definition of the role of drawing in the creative heritage

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Pivovarova, Kateryna, and Victoriya Strelchuk. "Theatre Direction of Peter Hall: Specificity of Artistic Interpretation of W. Shakespeare's Dramaturgy." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 3 (October 31, 2022). http://dx.doi.org/10.32461/2226-3209.3.2022.266129.

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The purpose of the article is to reveal the peculiarities of the artistic interpretation of W. Shakespeare's drama by the British theatre director Peter Hall and to develop a periodisation of his interpretive strategies in the second half of the 20th century. Research methodology. The research is based on the achievements of the domestic school of theatre studies and the principles of study and analysis of the play, in relation to the historical and cultural context, as well as in relation to the worldview and individuality of the director. The research methodology is based on the traditions o

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Саламзаде, Э. А., and Р. Г. Абдуллаева. "National Culture in the Conditions of Globalization: Problems of Identity and Diversification." Nasledie Vekov, no. 3(23) (September 30, 2020). http://dx.doi.org/10.36343/sb.2020.23.3.008.

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Исследование посвящено разработке модели, характеризующей внутренний баланс национальной культуры, функционирующей в условиях глобализации между противоположными полюсами идентичности и диверсификации. Материалами послужили исследования азербайджанских и российских философов, культурологов и искусствоведов, произведения художников ХХ в. В процессе исследования на основе принципа бесфоновой организации изобразительных форм (БОИФ), разработанного Х. Мамедовым и С. Дадашевым, визуализирована мультикультурная модель. Отмечено, что язык БОИФ обладает свойствами комплементарности и полиэйконичности,

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Muir, Adam, and Daniel Hourigan. "Technique." M/C Journal 18, no. 2 (2015). http://dx.doi.org/10.5204/mcj.975.

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For this issue of M/C Journal we were inspired to select the theme of ‘technique’ by the intersection of the critical discourses around technology and the praxis of everyday life that has been a preoccupation of late-20th and early-21st century cultural studies. We wanted to revisit, rupture, and reconstruct the foundational terms that give this journal its name—media and culture—by using the common nexus of technology. This special issue enlivens the idea of technique within the gamut of technology, media, science, culture, and creativity. The idea of technique is itself an intriguing prompt

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Brien, Donna Lee. "Just the Sort of Day Jack Had Always Loved." M/C Journal 2, no. 8 (1999). http://dx.doi.org/10.5204/mcj.1811.

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Edith and John Power were a wealthy expatriate Australian couple who lived in England and Europe from the early years of the 20th century until their deaths. In 1915 John Power married Edith Lee in London before serving as a surgeon on the Western Front in the Royal Army Medical Corps. After the war Edith and John left Britain to live in Paris and Brussels in the centre of a large international group of avant-garde artists. Edith, who was twelve years older than her husband, and had been married twice before (once widowed and once divorced), was to all accounts the driving force behind John's

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