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Books on the topic 'Figure animali'

Author: Grafiati

Published: 10 March 2023

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1

Animal figures. West Chester, Pa: Schiffer Pub., 1990.

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2

Knibbeler, Miriam. Being: Beelden van Miriam Knibbeler. Groningen: Philip Elchers, 2018.

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3

Biernacki, Andrzej. Human & animal figure in motion. [Poland]: Galeria Browarnia, 2000.

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4

Lapucci, Carlo. Dizionario delle figure fantastiche. Milano: A. Vallardi, 1991.

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5

Animal forms and figures. London: B.T. Batsford, 1990.

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6

Halls, Susan. Ceramics for beginners: Animals & figures. New York: Lark Crafts, 2011.

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7

Tim, Wesley, ed. Animal health facts and figures. 3rd ed. Richmond: PJB Publications, 1988.

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8

Tim, Wesley, ed. Animal health facts and figures. 2nd ed. Richmond: V & O Publications, 1987.

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9

Vecchi, Augusto. Disegnare la figura umana e gli animali. Sant'Arcangelo di Romagna (RN): Idealibri, 2006.

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10

Tim, Wesley, ed. Animal health facts & figures, 1988-89. 3rd ed. Richmond, Surrey, UK: PJB Publications, 1988.

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11

Des infinies métamorphoses de la figure animale dans l'art et la littérature: Sous la toison fondante, si douce à imaginer ... Paris: Honoré Champion éditeur, 2020.

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12

E, Spielman Patrick, ed. Carving wild animals: Life-size wood figures. New York: Sterling Pub. Co., 1988.

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13

J, Hynes William, and Doty William G. 1939-, eds. Mythical trickster figures: Contours, contexts, and criticisms. Tuscaloosa: University of Alabama Press, 1993.

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14

M, Toates F., ed. Control of behaviour: With 77 figures. Berlin: Springer-Verlag, 1998.

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15

Malay, Michael. The Figure of the Animal in Modern and Contemporary Poetry. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70666-5.

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16

Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. New York: Bonanza Books, 1989.

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17

Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. New York: Bonanza Books, 1989.

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18

English porcelain animals of the 19th century. Woodbridge, Suffolk: Antique Collectors' Club, 1989.

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19

Six to Six Interdistrict Magnet School (Bridgeport, Conn.). Animalogies: A collection of animal analogies. New York: Scholastic, 2003.

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20

Illustration school: Let's draw cute animals. New York: MJF Books, 2008.

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21

Donovan, Sandra. Animal expressions. Minneapolis: Lerner Publications Co., 2013.

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22

N/A Heinrich-Böll-Stiftung. Meat atlas: Facts and figures about the animals we eat. Berlin, Germany: Heinrich Boll Foundation, 2014.

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23

Kunz, Werner F. Werner F. Kunz, Bildhauer (1896-1981): Mensch und Tier. Herrliberg/ZH: Daphnis-Verlag, 1986.

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24

Apriti libro!: Meccanismi, figure, tridimensionalità in libri animati dal XVI al XX secolo. Ravenna: Essegi, 1998.

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25

Anthropologie de l'animal de compagnie: L'animal, autre figure de l'altérité. Paris: Atelier de l'Archer, 2000.

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26

Chebili, Saïd. Figures de l'animalité dans l'oeuvre de Michel Foucault. Paris, France: L'Harmattan, 1999.

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27

Fehér, György. Cyclopedia anatomicae: More than 1,500 illustrations of human and animal figure for the artist. New York: Black Dog & Leventhal, 1996.

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28

1946-, Szunyoghy András, ed. Cyclopedia anatomicae: More than 1,500 illustrations of human and animal figure for the artist. New York: Black Dog & Leventhal, 1996.

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29

1946-, Szunyoghy András, ed. Cyclopedia anatomicae: More than 1,500 illustrations of human and animal figure for the artist. New York: Black Dog & Leventhal, 1996.

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30

Fehér, György. Cyclopedia anatomicae: More than 1,500 illustrations of human and animal figure for the artist. New York: Black Dog & Leventhal, 1996.

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31

Fehér, György. Cyclopedia anatomicae: More than 1,500 illustrations of human and animal figure for the artist. New York: Black Dog & Leventhal, 1996.

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32

Sophie, Bobbé, ed. Nouvelles figures du sauvage. [Paris]: Seuil, 2004.

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33

1944-, Lyman Darryl, ed. Dictionary of animal words and phrases. Middle Village, N.Y: Jonathan David Publishers, 1994.

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34

WORLD, Just Indi CREATIVE. Festa Degli Animali - Libro Da Colorare per Bambini- 100 Pagine con Grandi Figure. Independently Published, 2022.

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35

PRINTS, Aybic. Unisci I Puntini: Per Bambini 4-8, Collega I Puntini e Completa Tantissime Figure Di Animali. Independently Published, 2021.

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36

Mio Primo Libro Da Colorare Animali: Quaderno Da Colorare per Bambini e Bambine Da 3 Anni in Poi. un Libro Di Attività con Figure Di Animali Grandi Da Poter Ritagliare. Independently Published, 2020.

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37

Alessia, Maestra. Mio Primo Libro Di Pregrafismo... Da Colorare: Impariamo l'ABC. Tecnica Facile per Imparare a Tracciare Lettere e Figure, con Simpatici Animali. Independently Published, 2020.

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38

Colorini, Libriccini. Simpatico Libro Da Colorare per Bambini Che Amano gli Animali: 60 Figure per Passare Ore Di Divertimento Colorando - Dai 12 Mesi in Su. Independently Published, 2020.

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39

Timi, Emma. Unisci I Puntini: Libro Di Attività per Bambini e Bambine età Prescolare e Scolare ,Collega I Puntini e Completa e Colorare Figure Di Animali. Independently Published, 2021.

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40

Greson, Gab. Animali Spericolati - Libro Da Colorare per Bambini con Animali Selvatici in Splendide Auto: Trattori, Ruspe, Camion e Moto Da Colorare! Regalo Perfetto per Imparare le Figure Geometriche, a Disegnare e a Rilassarsi. Idea Regalo per Compleanni. Independently Published, 2020.

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41

Violante, Beatrice. Bianco e Nero per Bambini: - Immagini in Bianco e Nero Degli Animali Della Fattoria per Approcciare Alla Lettura e Alle Figure per Neonati e Bambini. Independently Published, 2020.

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42

Figure 8 Animals. Good Apple Inc, 1993.

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43

Mattesi, Michael D. Force: Animal Drawing. Taylor & Francis Group, 2021.

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44

Mattesi, Michael D. Force: Animal Drawing. Taylor & Francis Group, 2021.

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45

Publishing, City4moms. Unisci I Puntini per Bambini 4-8 Anni: Collega I Puntini e Completa Tantissime Figure Di Animali, Mezzi e Lettere Imparando a Contare, a Conoscerne I Nomi Ed a Scriverli. Independently Published, 2021.

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46

Gontier, Thierry. Montaigne on Animals. Edited by Philippe Desan. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.38.

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The “animal question” stands at the center of contemporary debates over modern subjectivity and its deconstruction. Taking as a point of departure the references made by Jacques Derrida to Montaigne’s defense of animals in the “Apology for Raymond Sebond”, this article seeks to demonstrate the fundamental differences separating the projects of these two thinkers. For Derrida, the animal presents itself to the human subject as a figure of radical alterity, precluding any attempts at establishing a homogeneous continuity. While challenging the dogmatic rationalist presumption to know the “internal impulses” of the animals, Montaigne for his part emphasizes the homogeneity of animal and human behaviors and the natural kinship uniting mankind with the animals. The animal represents for man a model of self-appropriation, appropriation to one’s “ordinary” condition and to one’s body. Thus, we find thus more continuities than a radical conflict between Montaigne and the “modern” rationalist tradition.

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47

Waldau, Paul. Animal Rights. Oxford University Press, 2011. http://dx.doi.org/10.1093/wentk/9780199739974.001.0001.

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In this compelling volume in the What Everyone Needs to Know series, Paul Waldau expertly navigates the many heated debates surrounding the complex and controversial animal rights movement. Organized around a series of probing questions, this timely resource offers the most complete, even-handed survey of the animal rights movement available. The book covers the full spectrum of issues, beginning with a clear, highly instructive definition of animal rights. Waldau looks at the different concerns surrounding companion animals, wild animals, research animals, work animals, and animals used for food, provides a no-nonsense assessment of the treatment of animals, and addresses the philosophical and legal arguments that form the basis of animal rights. Along the way, readers will gain insight into the history of animal protection-as well as the political and social realities facing animals today-and become familiar with a range of hot-button topics, from animal cognition and autonomy, to attempts to balance animal cruelty versus utility. Chronicled here are many key figures and organizations responsible for moving the animal rights movement forward, as well as legislation and public policy that have been carried out around the world in the name of animal rights and animal protection. The final chapter of this indispensable volume looks ahead to the future of animal rights, and delivers an animal protection mandate for citizens, scientists, governments, and other stakeholders. With its multidisciplinary, non-ideological focus and all-inclusive coverage, Animal Rights represents the definitive survey of the animal rights movement-one that will engage every reader and student of animal rights, animal law, and environmental ethics.

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48

Radner, Hilary, and Alistair Fox. Hypnosis, Emotions, and Animality. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0011.

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In this section of the interview, Raymond Bellour explains why he thinks hypnosis is superior as a model for explaining the effects of cinema, on the grounds that it involves a somatic displacement that comes from outside the spectator. At the same time, he explains his objections to cognitivist film theory. Finally, Bellour recounts how his interest in animals, which began in the 1970s, derived from his perception of the way in which animal figures were being used in American cinema in films like Howard Hawks’s Bringing up Baby and Monkey Business and Alfred Hitchcock’s The Birds, which in turn led him to consider the issue of animality itself.

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49

Morton, Jonathan. Rational Animals, Bestial Hypocrites. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.003.0004.

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In the speeches of Ami and especially of La Vielle and Faux Semblant, human beings are shown to be marked by a dangerous animality that they can mask with an artificiality, figured through images of clothing. La Vielle parodies Boethius’s Lady Philosophia to put forward a suspect ethics of desire, rethinking the idea of freedom in relation to the sexual drive. In Faux Semblant Jean de Meun draws on a tradition of antifraternalism to attack the alleged hypocrisy of friars and to suggest a broader understanding of hypocrisy as a characteristic of human social behaviour. Accordingly, Amant is shown to be a suspect figure whose word cannot be trusted and the Rose itself shares this suspicion. The text’s own strategies of mendacity are seen as both a trap for readers and an ethical test.

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50

Evans, Margaret. Painting Figures & Animals With Confidence. David & Charles Publishers, 2000.

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