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Journal articles on the topic 'Figure rosse'

Author: Grafiati
Published: 10 March 2023
Last updated: 31 July 2025

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1

Bundrick, Sheramy. "Vasi attici a figure rosse da Tarquinia." Etruscan Studies 22, no. 1-2 (2019): 166–70. http://dx.doi.org/10.1515/etst-2019-0005.

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2

Neils, Jenifer, and Gloria Ferrari. "I vasi attici a figure rosse del periodo arcaico." American Journal of Archaeology 94, no. 4 (1990): 692. http://dx.doi.org/10.2307/505138.

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3

Pola, Angela. "Una coppa della Bottega del Pittore di Meleagro da Tarquinia." Aristonothos. Rivista di Studi sul Mediterraneo Antico 20 (December 20, 2024): 63–108. https://doi.org/10.54103/2037-4488/27598.

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Oggetto di questa breve nota è una coppa attica a figure rosse lacunosa, ricostruita grazie ad alcuni frammenti rinvenuti tra ilmateriale di riempimento di un pozzo recentemente scavato presso il ‘complesso monumentale’ della città etrusca di Tarquinia. Nonostante l’estrema frammentarietà, è possibile ricostruirne l’apparato decorativo e riferirla con certezza ad un ceramografo operante all’interno della Bottega del Pittore di Meleagro, uno degli ateliers ceramici più prolifici dell’Atene degli inizi del IV secolo a.C. Questa attribuzione permette di aggiungere dati importanti riguardo alla co
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4

Ambrosini, Laura. "Sui vasi plastici configurati a prua di nave (trireme) in ceramica argentata e a figure rosse." Mélanges de l'École française de Rome. Antiquité, no. 122-1 (September 15, 2010): 73–115. http://dx.doi.org/10.4000/mefra.336.

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5

Ambrosini, Laura. "Su un elmo falisco a figure rosse da Cerveteri e sulla deposizione di elmi fittili nei corredi tombali di età ellenistica." Mélanges de l’École française de Rome. Antiquité 118, no. 1 (2006): 251–66. http://dx.doi.org/10.3406/mefr.2006.10983.

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6

Slawisch, Anja. "Francesca Curti, Alessandra Parrini (Edd.): Iasos. Ceramica attica a figure rosse. Prefazione di Ian McPhee. Con contributi di Fede Berti, Roberta Fabiani, Bernhard Schmaltz." Gnomon 94, no. 4 (2022): 353–57. http://dx.doi.org/10.17104/0017-1417-2022-4-353.

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7

Johnston, Alan. "Art and Archaeology - (F.) Wiel-Marin Le ceramica attica a figure rosse di Adria. La famiglia Bocchi e l'archeologia. Padova: CLEUP. Pp. 648, illus. €120. 9788871785752." Journal of Hellenic Studies 128 (November 2008): 253–54. http://dx.doi.org/10.1017/s0075426900000975.

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8

Buitron-Oliver, Diana. "Archaic red-figure vases from Tarquinia's cemetery - GLORIA FERRARI , I VASI ATTICI A FIGURE ROSSE DEL PERIODO ARCAICO (Materiali del Museo Archeologico Nazionale de Tarquinia XI, Archaeologica 73, Giorgio Bretschneider, Roma 1988). Pp. 196, tav. 99. ISBN 88-7689-009-2. Lit. 550.000." Journal of Roman Archaeology 7 (1994): 317–20. http://dx.doi.org/10.1017/s1047759400012654.

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9

Maffre, Jean-Jacques. "Vases étrusques et vases attiques au Musée de Tarquinia [Archeologia 13, 16, 32 et 33, Materiali del Museo archeologico nazionale di Tarquinia, I, II, V et VI ; Giampiero Pianu, Ceramiche etrusche a figure rosse ; Lucrezia Campus, Ceramica attica a figure nere : piccoli vasi e vasi plastici ; Carlo Tronchetti, Ceramica attica a figure nere : grandi vasi : anfore, pelikai, crateri ; Elena Pierro, Ceramica « ionica » non figurata e coppe attiche a figure nere]." Bulletin de l'Association Guillaume Budé : Lettres d'humanité 44, no. 4 (1985): 417–21. http://dx.doi.org/10.3406/bude.1985.1697.

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10

Xiang, Junyu. "The Evolution of the Female Image in Western Art from Aphrodite to Rosie the Riveter." BCP Education & Psychology 7 (November 7, 2022): 360–65. http://dx.doi.org/10.54691/bcpep.v7i.2688.

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In this paper, we will discuss the worship of fertility goddesses around the world and how these practices inform female figures as they appear in Western art. Aphrodite, or Venus, is a key figure in our discussion. In this study, we will focus on her origin, figures, and characteristics. We will also investigate female images from the later time when Europe became a fully patriarchal society. These images evidenced a shift from a muscular and curvaceous body to a soft and submissive-looking one. Once the feminist movement was underway, images from the ancient Greek and Roman period were reviv
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11

Rahmawati, Rahmawati, Sumartini Sumartini, and Maharani Intan Andalas IRP. "EMOSI TOKOH-TOKOH SENTRAL DALAM NOVEL SUNSET BERSAMA ROSIE KARYA TERE LIYE." Jurnal Sastra Indonesia 7, no. 3 (2019): 229–36. http://dx.doi.org/10.15294/jsi.v7i3.29849.

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 Penelitian ini bertujuan untuk mendeskripsikan klasifikasi emosi, konflik psikologis, dan sikap dalam menghadapi konflik psikologis dalam novel Sunset Bersama Rosie karya Tere Liye. Pendekatan yang dilakukan dalam penelitian ini adalah pendekatan psikologi sastra yaitu telaah karya sastra yang mencerminkan proses dan aktivitas kejiwaan. Penelitian ini menggunakan metode penelitian deskriptif kualitatif. Sasaran penelitian ini adalah klasifikasi emosi tokoh tokoh sentral dalam novel Sunset Bersama Rosie karya Tere Liye. Data penelitian ini adalah penggalan teks yang
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12

Nantes, Alan Otavio da Costa, Antonio Sales, and Sthefany Caroline Bezerra da Cruz-Silva. "Mensagens Implícitas: Análise de uma Figura do Livro Didático de Geografia Sobre a Semiótica de Peirce." Revista de Ensino, Educação e Ciências Humanas 24, no. 2 (2023): 220–25. http://dx.doi.org/10.17921/2447-8733.2023v24n2p220-225.

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Artigo produzido a partir de uma disciplina do Mestrado em Ensino de Ciência e Matemática, que analisa e enfatiza a contribuição da geografia escolar com fator de promoção da cidadania. Parte do pressuposto de que essa disciplina contribui para a consciência individual e coletiva diante dos direitos e deveres sociais. Este estudo teve o objetivo de analisar a figura de “Rosie, a Rebitadeira” inserida em um livro didático de geografia do Ensino Médio, utilizado em uma escola pública de Campo Grande, MS, a partir da semiótica de Charles Sanders Peirce . Dessa forma, buscou-se desvendar a mensage
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13

Tabarez, Ulises Moreno. "Roses for the Revolution." International Review of Qualitative Research 4, no. 4 (2011): 361–84. http://dx.doi.org/10.1525/irqr.2011.4.4.361.

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Representations of Mexican revolutionary hero, Emiliano Zapata, migrate across the Mexico/US borders. His specters inform and reflect sexual identities migrating across these borderlands. Theoretically guided by Madison's model of performative writing and Muñoz's disidentification, this experimental project highlights and challenges the heteronormativity that pervades these migratory representations and the discursive practices that bring them to life. Through a performative writing exercise, I travel through theory and time to (re)present the figure of Zapata in an intimate love story whose b
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14

De Francesco, Antonino. "«Tua opera efficace per fascistizzazione vita universitaria est apprezzatissima». Qualche nota su Baldo Rossi, rettore dell'Università degli Studi di Milano (1926-1930)." STORIA IN LOMBARDIA 42, no. 2 (2022): 121–35. http://dx.doi.org/10.3280/sil2022-002006.

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Il saggio rilegge l'azione politico-culturale del chirurgo Baldo Rossi quale rettore dell'Università degli Studi di Milano tra il 1926 e il 1930. Scelto in sostituzione del fondatore Luigi Mangiagalli perché il governo fascista lo riteneva figura più adatta a seguirne le direttive, Baldo Rossi non deluse le attese. Nei suoi anni vennero poste le basi per una pie- na fascistizzazione della vita universitaria e con il sostegno del regime l'ateneo divenne rapidamente una realtà importante nel sistema universitario italiano. In questo quadro, fu decisiva la vicinanza di Baldo Rossi ad Arnaldo Muss
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15

González Presencio, Mariano. "Loos según Rossi: tradición y modernidad en Casabella-Continuità." Ra. Revista de Arquitectura 13 (April 7, 2016): 75. http://dx.doi.org/10.15581/014.13.4950.

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La publicación del artículo “Adolf Loos: 1870-1933” de Aldo Rossi en el número 233 de la revista Casabella supuso un auténtico punto de inflexión para la consideración crítica de Loos. Más allá de la recuperación de su figura, detrás del número monográfico dedicado al arquitecto austríaco se encontraba una operación crítica auspiciada por Ernesto Rogers, director de la revista, y el propio Rossi para propiciar una relectura de las bases y del desarrollo de la arquitectura moderna en clave racional que estableciera unas nuevas relaciones entre tradición y modernidad.
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16

Volpe, Andrea. "Herzog & de Meuron. Fondazione Feltrinelli a Milano." Firenze Architettura 25, no. 1 (2021): 32–43. http://dx.doi.org/10.36253/fia-13162.

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Evoking the figure of the ancient bastion of the Spanish walls, of the great monumental architectures and of the houses with balustrades that characterise the city of the master which they met in Zurich, Herzog & de Meuron formulate, by subtraction, perhaps the most complete and radical homage to Rossi and to that period of European architectural culture, underlining – surprisingly – its essential nature.
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17

Escudero Gómez, Luis Alfonso. "Reseña de Cities in global capitalism." Investigaciones Geográficas, no. 70 (December 19, 2018): 225. http://dx.doi.org/10.14198/ingeo2018.70.12.

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El geógrafo italiano, de origen napolitano, Ugo Rossi ha publicado una monografía sobre las ciudades en el capitalismo global en la editorial Polity Press. Tras una brillante labor investigadora, con múltiples artículos en revistas científicas de prestigio, y docente, con estancias en diferentes universidades europeas, desarrollando su labor principal en la de Turín, y estadounidenses, Rossi ha elaborado una magna obra teórica de Geografía Urbana. De hecho, una primera circunstancia que llama la atención es el exclusivo carácter teórico del libro, dado que no hay ni una sola figura o tabla ni
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18

González de Canales, Francisco. "El cuerpo y la muerte a través de algunos dibujos de Aldo Rossi y sus referencia literarias." VLC arquitectura. Research Journal 9, no. 1 (2022): 1–26. http://dx.doi.org/10.4995/vlc.2022.15735.

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En los últimos años ha surgido un renovado interés por Aldo Rossi, que ha planteado un nuevo acercamiento a su figura alternativos a los establecidos en las primeras recepciones de su obra, iniciando incursiones en los subtextos políticos, culturales y antropológicos que su trabajo ofrece. El presente artículo trata de contribuir a estas nuevas lecturas con un recorrido por la obra de Rossi que se detiene sobre un tema fundamental en los estudios de la antropología moderna: la cultura del cuerpo y de la muerte como aspecto central de las relaciones humanas más elementales. A través de una inda
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19

Apostol, Jane. "Life in the Open with Charles Frederick Holder." Southern California Quarterly 96, no. 2 (2014): 206–21. http://dx.doi.org/10.1525/scq.2014.96.2.206.

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Natural scientist Charles Frederick Holder settled in Pasadena in 1885. As a prolific author, lecturer, and editor, Holder was a key promoter of the region, sport fishing, and natural science. He wrote popular children’s books as well. He is also remembered as an influential figure in education and the arts and as a founder of the Tuna Club on Santa Catalina Island and the Valley Hunt Club in Pasadena and its Tournament of Roses.
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20

McEwan, Cameron. "Ludwig Hilberseimer and Metropolisarchitecture: The Analogue, the Blasé Attitude, the Multitude." Arts 7, no. 4 (2018): 92. http://dx.doi.org/10.3390/arts7040092.

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This article close-reads Modernist architect Ludwig Hilberseimer’s early architectural projects, which employed a language of uniform fenestration, repetition and geometrically reduced typical forms, as embodying Georg Simmel’s blasé attitude in analogical form, and places this reading in relation to Aldo Rossi’s concept of the analogical city and the political theorist Paolo Virno’s notion of the multitude. The first part outlines the discourse around Simmel, Hilberseimer and Rossi to note salient connections between these figures, their thought and the process of modernization. The second pa
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21

Moffitt, John F. "An Exemplary Humanist Hybrid: Vasari's “Fraude” with Reference to Bronzino's “Sphinx”." Renaissance Quarterly 49, no. 2 (1996): 303–33. http://dx.doi.org/10.2307/2863160.

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In an article recently published in this journal, I argued that a certain, often discussed, hybrid encountered in Bronzino's wellknown painting depicting The Exposure of Luxury (ca. 1545, National Gallery, London; also known as Venus, Cupid, Folly, and Time) was actually intended to represent a “sphinx” [fig. 1]. Whatever its proper designation, this is the bizarre figure that may be espied lurking in darkness (as much metaphorical as physical), just as she/it was placed in the middle ground of the far right side of Bronzino's carefully contrived composition [fig. 2]. This darkly crouching cre
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22

Yetty, Yetty, and Rosemary Rosemary. "Analysis Zhang Ailing’s Novel (Red Rose And White Rose) Image Of The Characters And Story Plot." Lingua Cultura 5, no. 1 (2011): 47. http://dx.doi.org/10.21512/lc.v5i1.374.

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Zhang Ailing is a heterogeneous novel writer in China literature’s history. Almost of her life, she already wrote so many literature’s works. One of her famous novel is (Red Rose and White Rose). The story is describe the image of main figure’s character and his emotional. Writer wants use the characterization, complexity of personality and story plot these three aspect to analysis the novel’s figure looks, figure character and the story. This novel story is a complication relationship between the man and two women, red roses as her lover and white rose as her wife. About a man that in his sta
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23

Honey, Maureen. "Maternal Welders: Women's Sexuality and Propaganda on the Home Front During World War II." Prospects 22 (October 1997): 479–519. http://dx.doi.org/10.1017/s036123330000020x.

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The cover of the may 29, 1943, Saturday Evening Post depicts our most famous image of Rosie the Riveter, a name that came to symbolize women's crossover into male-dominated industrial work during World War II (Figure 1). Norman Rockwell positioned his Rosie resting during her lunch break, calmly eating a bologna sandwich while stomping on a copy of Mein Kampf with author's name, Adolf Hitler, and Nazi swastika visible under the title. It was an image meant to reassure the American public that women would get the job done on America's home front and help defeat the Axis powers. It is also an im
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24

O’Connor, Patrick. "A Practical Daughter: Cristina Peri Rossi Reads Felisberto Hernández." Letras Femeninas 41, no. 2 (2015): 99–115. http://dx.doi.org/10.2307/44735033.

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Abstract Cristina Peri Rossi (1941) let herself be influenced by fellow Uruguayan Felisberto Hernández (1902-64), evoking him often in works of fiction and non-fiction in the 1980s. In a variation of Harold Bloom’s notions on the anxiety of influence, Peri Rossi is more devious than innocent in her uses of Felisberto as a literary precursor. On the one hand, her rendering of Felisberto as too innocent to engage in political activism allows her to appear politically committed without being strident; on the other, Peri Rossi can invoke Felisberto to keep the influence of her stronger literary fr
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25

Gomyde, Monalisa. "Las mujeres y la Musa." DUODA, no. 66 (June 6, 2024): 32–64. http://dx.doi.org/10.1344/duoda2024.66.02.

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La figura de la Musa atraviesa la literatura y la filosofíaoccidentales, y en este ensayo emprendo mi búsquedaparticular de la Musa con la ayuda de mujeres que hanhecho lo mismo en sus obras: Ana Luísa Amaral (1956-2022), Cristina Peri Rossi (1941), May Sarton (1912-1995),Virginia Woolf (1912-1941), Sor Juana Inés de la Cruz(1648-1695) y Emily Dickinson (1830-1886). Dentro deeste viaje con las escritoras, dedico mi atención y afecto ala conexión entre las mujeres y esta presencia vinculadaa nociones de divinidad de una figura inherentementefemenina que reina sobre el simbólico de la inspiració
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26

Woodbridge, Linda. "Black and White and Red All Over: The Sonnet Mistress Amongst the Ndembu*." Renaissance Quarterly 40, no. 2 (1987): 247–97. http://dx.doi.org/10.2307/2861708.

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Among terminally ill figures of speech, the cliché of rosy cheeks, ruby lips, and snow-white skin may be counted downright deceased. Even in medieval and Renaissance love poetry, roses in the cheeks, lips like cherries or rubies, skin like ivory, lilies, or snow were stiffly conventional: freshness of complexion prompted no freshness of metaphor. The mistress's red-and-white face was relentlessly emblazoned, “red and white” becoming a short-hand notation for feminine beauty: “With lilies white / And roses bright / Doth strive thy colour fair” (Wyatt 65); “Fair is my love … / A lily pale, with
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27

Biesbrouck, Maurits, and Theodoor Goddeeris. "Johann Bachoven von Echt (1515. – 1576.) i njegov rad na bolesti skorbuta." Acta medico-historica Adriatica 16, no. 2 (2018): 203–38. http://dx.doi.org/10.31952/amha.16.2.2.

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A discussion is given of the figure of Johann Bachoven von Echt and his family, and on his work on scurvy. The disease is evaluated as a possible cause of the death of Andreas Vesalius. Echt’s relationship with Jan Wier and his connections with Vesalius and Metellus are illustrated. A historical overview of the literature on scurvy is provided highlighting the importance of the work of Echtius and Ronsse for the early knowledge of that disease. A report by Metellus on the circumstances of Vesalius’ death is added.
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28

Álvarez-Castaño, Emilio-José. "Alejandro Magno en el cine: el ortograma de un imperio generador." Memoria y Civilización 26, no. 1 (2023): 9–28. http://dx.doi.org/10.15581/001.26.003.

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Alejandro Magno es una figura histórica que ha llamado el interés del mundo académico y artístico. En el cine hay que destacar los largometrajes de los directores norteamericanos Robert Rossen y Oliver Stone. El presente trabajo reflexiona sobre la idea de imperio que aquí se desarrolla, considerando que los Estados Unidos son el actual imperio y que ambos cineastas muestran una posición crítica con ciertas políticas de su país.
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29

Rossi Monti, Martino. "Atene e Alessandria Paolo Rossi tra magia, scienza e irrazionalismi." Prilozi za istraživanje hrvatske filozofske baštine 50, no. 2 (100) (2024): 579–622. https://doi.org/10.52685/pihfb.50.2(100).5.

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Questo saggio esamina l’evoluzione del pensiero e delle polemiche dello storico delle idee Paolo Rossi (1923–2012) a proposito di varie correnti culturali antimoderne, irrazionaliste e primitiviste del ventesimo secolo, collocandole all’interno del suo percorso intellettuale. Queste prese di posizione si intrecciano con i suoi studi sull’interazione tra magia e scienza e tra magia e modernità, con il suo rapporto con il marxismo, con le sue reazioni ai movimenti controculturali degli anni Sessanta e Settanta, e con il suo debito e le sue divergenze intellettuali rispetto a maestri e figure di
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30

Hałub, Sylwia. "The Motif of Persephone in Sarah J. Mass’ A Court of Thorns and Roses series." Acta Neophilologica 1, no. XXVI (2024): 29–44. https://doi.org/10.31648/an.9634.

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The Myth of Demeter and Kore is universally known. Over the years, various authors used the myth in their own retellings of the story. In these new versions the myth either possesses the same or similar message as the original myth, or offers a completely separate interpretation that would fit the modern world more. One of said versions is the book series A Court of Thorns and Roses by Sarah J. Maas. The goal of this paper is to prove the universal nature of the myth, but also to demonstrate how the story of Persephone is depicted in fantasy in Mass’ series of novels. To do so, the most import
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31

László, Zoltán, and Hunor Prázsmári. "Parasitoid community and parasitism in galls of the three Western Palaearctic oligo- and unilocular Diplolepis species (Hymenoptera: Cynipidae)." Folia Entomologica Hungarica 80 (2019): 231–38. http://dx.doi.org/10.17112/foliaenthung.2019.80.231.

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Three Western Palaearctic Diplolepis Geoffroy, 1762 species are known to cause oligoand unilocular galls on wild roses: Diplolepis spinosissimae (Giraud, 1859), D. eglanteriae (Hartig, 1840) and D. nervosa (Curtis, 1838). Several studies have focused on the species composition of parasitoid communities developing inside these galls; however their parasitism rates are still unknown. We analysed galls collected in the eastern Carpathian Basin (Hungary and Romania). Here we report for the first time parasitism rates from these species’ galls. With 6 figures.
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32

Martínez Puente, Lourdes Yunuen. "Lingüística de Cristina Peri Rossi y Poesía (P): devenires entre la Mujer y la Palabra." Revista Veritas de Difusão Científica 5, no. 3 (2024): 1028–43. https://doi.org/10.61616/rvdc.v5i3.254.

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Este escrito plantea un análisis de la indifirenciación entre el cuerpo femenino y la palabra planteada en el poema “Lingüística” de Cristian Peri Rossi, y la producción paralela de una obra de grabado en relieve: Figura 1. Poesía (P), que propone, mediante sus propios medios, un devenir recíproco entre el cuerpo y la palabra (emulando el poema perirrosiano). Además de la creación del grabado a manera de arte en segundo grado, se propone la descripción y análisis del uso del contorno, el fondo y la figura, como elementos que dialogan con el poema mencionado. Lo anterior para evidenciar el inte
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33

Macedo, Roberto. "Paulo Silva sobre Carlos Gomes: notas sobre o ensino de contraponto nos séculos XIX e XX." Revista Brasileira de Música 33, no. 1 (2020): 19–30. http://dx.doi.org/10.47146/rbm.v33i1.37017.

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Em 1936 era publicada uma edição da Revista Brasileira de Música comemorativa do centenário de nascimento de Antônio Carlos Gomes (1836-1896). Neste volume, um interessante artigo de Paulo Silva tratava dos estudos de contraponto e fuga do autor de Il guarany. Silva, professor de contraponto e fuga do então Instituto Nacional de Música, selecionou exemplos de exercícios de Gomes realizados na Itália sob a orientação de Lauro Rossi, professor e diretor do Conservatório de Milão. Em muitos desses exemplos, são apontados erros ou deslizes que Silva atribui, pelo menos em parte, às deficiências do
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34

Stevens, Calvin H., and Paul Stone. "New fusulinids from Lower Permian turbidites at Conglomerate Mesa, southeastern Inyo Mountains, east-central California." Journal of Paleontology 83, no. 3 (2009): 399–404. http://dx.doi.org/10.1666/08-162.1.

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Seven previously unrecognized fusulinid species from Lower Permian (Wolfcampian and Leonardian) turbidites near Conglomerate Mesa in east-central California, four of which are named as new species, are here described and figured. the four new species are Schwagerina merriami, S. wildei, Parafusulina mackevetti, and Skinnerella rossi. These fusulinid species have close affinities to similar taxa in Texas and northeastern Nevada, and they are distinct from some other faunas of slightly different age in the Conglomerate Mesa area that are dominated by endemic species and other species with Easter
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35

Ballet, Alexandra. "« Plus d’épines que de roses ». Le travail dans les intarsie au Quattrocento." Histoire de l'art 74, no. 1 (2014): 53–64. https://doi.org/10.3406/hista.2014.3493.

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Au Quattrocento, les marqueteurs ont attaché un soin particulier à la représentation du matériau dans toute sa diversité (brut ou travaillé, raboté, peint ou sculpté) comme à la représentation de leurs outils, lesquels sont représentés isolément, mis ensemble à l’image des trophées ou encore miniaturisés et répétés pour habiller les bordures. L’engagement idéologique de la figure de l’artiste au travail fut atteint par l’auto-portrait d’Antonio Barili au travail, accompagné de l’inscription « Hoc ego Antonius Barilis opus coelo non penicello excussi an. Dom. MCCCCCII », qui soulige toute l’adr
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Marzio, Anna. "IL MITO DELLA GRANDE MADRE: UNA POSSIBILITÀ DI LETTURA DI POESIA IN FORMA DI ROSA DI PASOLINI." Revista Internacional de Culturas y Literaturas, no. 8 (2009): 120–42. http://dx.doi.org/10.12795/ricl.2009.i08.10.

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Per Pasolini il titolo racchiude l’essenza della poesía o raccolta. Verra qui analizzato il significato di “poesia in forma di rosa” analizando le sue poesie. Rosa come richiamo alla figura materna ma nascondere anche significati esoterici o símbolo di perfezione, talismano contro il male o símbolo alchemico. Ma l’autore probabilmente si riferisce alla rosa come símbolo di rigenerazione.
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Jain, Aditya, and Dr Anshu Raj Purohit. "Female characters in the novels of R. K. Narayan." International Journal of Multidisciplinary Research Configuration 4, no. 1 (2024): 27–37. http://dx.doi.org/10.52984/ijomrc4103.

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R.K. Narayan is considered one of the most eminent Indian authors in the English language. Narayan mostly focuses on portraying middle-class folks from Malgudi, a fictional location he created in South India. His writings feature a diverse array of male and female characters. Within each of his novels, there exists a female character that holds a significant role in the narrative. Rosie, in The Guide, is one such female character. She embodies a contemporary woman who is well-educated and driven, who aspires to achieve financial independence based on her own preferences and abilities, despite
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Ronzani, Rocco. "Flauia Amala Amalafrida Theodenanda e un elogio funebre della famiglia reale ostrogota (ICUR I, 2794)." Augustinianum 60, no. 2 (2020): 543–69. http://dx.doi.org/10.5840/agstm202060228.

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The note reinterprets an important epigraphic testimony of the Ostrogoth age (ICUR I, 2794), published for the first time by Giovanni Battista de Rossi in 1894. It is a polymetric funeral eulogy commissioned among the Amali royal family, perhaps dedicated by Flavia Amala Amalafrida Theodenanda to one or more relatives, unless one wishes to identify her with one of the dedicatees of the eulogy. After a presentation of supportive material and a new edition of the text, the history of the discovery of the inscription is retraced, involving leading figures of the 19th century political and ecclesi
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KARABULUT, Tuğba. "Repositioning the Representation of Femininity in H.D.'s "Garden"." fe dergi feminist ele 14, no. 2 (2022): 90–102. http://dx.doi.org/10.46655/federgi.1176837.

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Hilda Doolittle, an American poet, playwright, and novelist known by the initials H.D., was one of the few female figures of the male-dominated early modernist era. Her early works are of crucial importance as they are associated with Imagism, the literary movement shaped by Ezra Pound as a reaction to the wordiness, indirectness, and sentimentality of Victorian and Romantic poetry. H.D. played an important role in Imagism. Ezra Pound, who suggested that Hilda Doolittle append the signature “H.D., Imagiste” to her works, introduced her as the leader of Imagism. Her first poetry collection, Sea
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Tristezza, Nora. "El arte de Borges." Cuadernos del Centro de Estudios de Diseño y Comunicación, no. 27 (October 25, 2019): 73–86. http://dx.doi.org/10.18682/cdc.vi27.1687.

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Se trata de un recorrido de los acercamientos del escritor hacia el campo de las artes visuales. Su labor de prologuista y crítico, que alterna con la de agradecido admirador, nos permite seguir un camino donde su gusto estético se pone en evidencia a través de las palabras que dedica a la figura de varios pintores y escultores. La obra de Figari, Pettoruti, Xul Solar y la de su propia hermana, Norah, son la parte conocida de su universo plástico, sin embargo, en ese universo también están presentes maestros como Attilio Rossi, Héctor Basaldúa o Santiago Cogorno. Su prosa amena nos convoca a d
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Souza, André Ricardo de. "A renovação popularizadora católica." Plural (São Paulo. Online) 9 (March 6, 2002): 89. http://dx.doi.org/10.11606/issn.2176-8099.pcso.2002.75766.

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Na década de 1990, a Igreja Católica teve intensificada a concorrência no mercado religioso brasileiro. Isso provocou primeiro o fortalecimento da Renovação Carismática Católica (RCC) e depois a valorização da música, da dança, das "missas-espetáculo", num processo de <em>renovação popularizadora. </em>Diferente da RCC, a renovação popularizadora não é um movimento orgânico de leigos, mas uma nova forma de reação católica ao mercado religioso, centrada nos chamados padres cantores. Padre Marcelo Rossi é a figura central dessa outra renovação em curso na Igreja Católica, que também
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Linazasoro Rodríguez, José Ignacio. "VICTORIANO SAINZ GUTIÉRREZ: ALDO ROSSI Y SEVILLA. EL SIGNIFICADO DE UNOS VIAJES." Proyecto, Progreso, Arquitectura, no. 25 (2021): 108–10. http://dx.doi.org/10.12795/ppa.2021.i25.08.

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Sainz Gutiérrez es un profundo conocedor de la historia urbana de la capital hispalense y, particularmente, de su desarrollo urbanístico durante la segunda mitad del pasado siglo, época en la que se produjeron los viajes de Rossi a Sevilla, que tuvieron importantes consecuencias que el libro relata. En ese sentido, constituye una crónica bien documentada sobre estos acontecimientos y su influencia en el proceso urbano de la ciudad, en lo cual resultó clave la acción de una joven generación de arquitectos, cuya influencia se hizo notar tanto en la docencia en la Escuela, entonces de reciente cr
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Sánchez-Blake, Elvira. "Locura y literatura: La otra mirada." La Manzana de la Discordia 4, no. 2 (2016): 15. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v4i2.1448.

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Resumen: Locura y literatura son dos temas queaparecen intrínsecamente unidos ya sea por esa fronteraliminal que existe entre el genio y la insensatez o quizápor la necesidad de poner en boca de personajes locosuna verdad peligrosa. La figura del loco se ha convertidoen un símbolo, analogía o parábola que significa unmundo en crisis y, en ocasiones, el espejo y catalizadorde la conciencia crítica de la humanidad. En este ensayose analizan dos textos de escritoras latinoamericanasque se acercan al tema de la locura desde la perspectivafemenina. En ambos textos, la locura ocupa un espaciocentral
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Suh, Mingyo. "Concientización y patriarcado en “Desastres íntimos” de Cristina Peri Rossi." Journal of Arts and Humanities 6, no. 11 (2017): 20. http://dx.doi.org/10.18533/journal.v6i11.1283.

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Cristina Peri Rossi, escritora reconocida por su carácter subversivo, continuamente ha cuestionado el orden patriarcal. “Desastres íntimos” muestra un proceso en el que la protagonista se concientiza de la injusticia de la realidad y reacciona contra el sistema vigente. Aunque algunos críticos han destacado las características antipatriarcales del cuento, no se ha formulado ninguna interpretación con respecto al funcionamiento del patriarcado y el proceso de la toma de conciencia de la protagonista. En este artículo, pretendo analizar dichas dimensiones, en relación con la postura declarada po
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Gibellini, Cecilia. "IL PASSERO SOLITARIO DI MONTALE: UN MERLO AZZURRO E UN FILO ROSSO." Nasledje, Kragujevac XX, no. 54 (2023): 119–31. http://dx.doi.org/10.46793/naskg2354.119g.

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Starting from a verse from the Psalms and one of Petrarca’s sonnets, the figure of the lonely sparrow was reclaimed by many poets, who sometimes transform it into an example of pained solitude and other times into a champion of melodic song or, more rarely, an expression of the joy of life. The poem by Giacomo Leopardi, rightly famous for its beauty and depth, casts a shadow on all the works that came before it. Leopardi, who partially identifies with the lonely sparrow, imposes the stamp of his style upon its image, and as a consequence the later poets will rarely dare to contend with that su
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Menegotto, Roberto Rossi, and João Claudio Arendt. "“Tudo o que se ajunta espalha”: o duplo em “Conversa de bois”, de Guimarães Rosa." Raído 12, no. 29 (2018): 67–80. http://dx.doi.org/10.30612/raido.v12i29.7705.

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Em “Conversa de bois”, oitavo conto de Sagarana, de Guimarães Rosa, percebe-se a ocorrência do fenômeno do duplo: uma instabilidade do Eu que acarreta no surgimento de uma representação corpórea com as características inversas de um personagem. O Outro de Tiãozinho surge, gradativamente, ao longo da narrativa, na figura dos bois que puxam a carroça de Agenor Soronho. O objetivo deste artigo é investigar como ocorre esse processo e analisar as etapas que culminam no duplo. O amparo bibliográfico buscado é oriundo dos Estudos Literários, com autores como Antonio Candido (1989), Jean Chevalier e
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Mahmodpour, Kamran, Mohammad Nabi Shahiki Tash, and Mohammad Hassan Fotros. "Assessing Market Structure in Iranian Banking Sector Based on the Multiproduct Approach." Modern Applied Science 11, no. 2 (2016): 79. http://dx.doi.org/10.5539/mas.v11n2p79.

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This article’s first aim is to find, the primary level of poly-product in Iranian banking section that causes the layout of the market between the banks become lower and bank concentration higher. To do that we use, the instance of Omni-product banks which is one of the most common approach developed by Penza & Rosse (1987). The first strand is related to bank cost function; and the other one to earnings multiproduct approach.In evaluating this experience-based examination and defining the effects of Omni-production on market penetration, we have applied a structural model to estimate dema
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Ray, Ankita, Nicholas D. Spencer, Akinori Kuzuya, and Yoko Yamakoshi. "(Invited) DNA Kirigami with Tripod-C60 Scalpel." ECS Meeting Abstracts MA2022-01, no. 11 (2022): 814. http://dx.doi.org/10.1149/ma2022-0111814mtgabs.

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A tripod-C60 molecule was synthesized and attached onto a Au-coated AFM tip. Using the tripod skeleton of the molecule, tripod-C60 was immobilized onto the Au surface in a dispersed and stable manner, as observed by XPS and AFM imaging. Using an AFM tip functionalized with the tripod-C60, waffle-type DNA origami was scanned under visible light irradiation. Upon scanning, DNA damage was clearly observed by AFM imaging at the single molecule level. Control experiments in the absence of C60 (tripod only), in the dark, or in the presence of L-histidine or D2O confirmed that the observed DNA damage
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Poggi, Stefano. "Antonio Banfi e le filosofie della Germania del novecento." Trans/Form/Ação 37, no. 3 (2014): 201–16. http://dx.doi.org/10.1590/s0101-31732014000300015.

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Tra le figure più importanti del dibattito filosofico italiano del Novecento, Antonio Banfi ha svolto nell'Italia del secondo dopoguerra anche un ruolo politico di rilievo come senatore del PCI. La sua interpretazione del marxismo ha presentato una forte accentuazione umanistica. Tra i suoi scolari filosofi e storici della filosofia come Giulio Preti, Enzo Paci, Remo Cantoni, Paolo Rossi. Il saggio prende in esame la prima fase della riflessione filosofica di Banfi, nella quale ha una importanza decisiva la conoscenza diretta del dibattito tedesco tra le due guerre mondiali, in primo luogo del
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Ramos Monteiro, Lúcia. "Remaking a European, Post-catastrophic Atmosphere in 2000s China: Jia Zhangke’s Still Life, Iconology and Ruins." Cinémas 25, no. 2-3 (2016): 97–117. http://dx.doi.org/10.7202/1035774ar.

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Jia Zhangke’s Still Life (Sānxiá hǎorén, 2006) was shot in Fengjie, shortly before its flooding brought about by the construction of the Three Gorges Dam, the world’s largest hydropower station in terms of capacity. The film remakes the post-apocalyptic atmosphere found in European films made after the Second World War. From a web of cinephilic, intermedial and intertextual references, which inscribes Still Life in a local and global history of art and of film, this text compares the way Jia films his characters in a disappearing Fengjie with sequences from Roberto Rossellini’s Germany Year Ze
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