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Books on the topic 'File Generator'

Author: Grafiati

Published: 28 June 2021

Last updated: 29 July 2025

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1

(Firm), Macromedia, ed. Macromedia Generator 2 developer edition: Using Generator. 2nd ed. Macromedia, 2000.

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2

Chambers, Mike. Macromedia Generator and Flash demystified: The official guide to using Generator with Flash. Peachpit Press, 2001.

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3

Smith, Donald R. SUBHUL, submarine pressure hull finite element model generator user's manual. Defence Research Establishment Atlantic, 1992.

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4

Johnson, Yvonne. Enable menu generation. Key Publications, 1987.

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5

Mikhaĭlovich, Aruti͡u︡ni͡a︡n Vladimir, and Erevani Petakan Hamalsaran. Nauchno-issledovatelʹskiĭ institut fiziki kondensirovannykh sred., eds. Teorii͡a︡ tonkoplenochnogo kvazivolnovodnogo usiliteli͡a︡-generatora. Izd-vo Erevanskogo universiteta, 1988.

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6

Skipidarov, Sergey, and Mikhail Nikitin, eds. Thin Film and Flexible Thermoelectric Generators, Devices and Sensors. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-45862-1.

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7

Gatenby, James. Windows 8 and RT for the older generation. Bernard Babani, 2013.

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8

Williams, Edward. The effects of computer generated imagery on film. LCP, 1999.

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9

Gatenby, James. Windows 8.1 & RT 8.1 for the older generation. Bernard Babani (Publishing) LTD, 2014.

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10

Cagin, Seth. Born to be wild: Hollywood and the sixties generation. 2nd ed. Coyote Books, 1994.

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11

Wojtkowski, W. Gregory. Applications software programming with fourth-generation languages. Boyd & Fraser Pub. Co., 1990.

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12

Yan, Jacky Chun Kit. Statistical methods for film grain noise removal and generation. National Library of Canada = Bibliothèque nationale du Canada, 1999.

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13

Sentā, Shōbō Daigakkō (Japan) Shōbō Kenkyū. Taiyōkō hatsuden shisutemu kasai to shōbō katsudō ni okeru anzen taisaku. Shōbōchō Shōbō Kenkyū Sentā, 2014.

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14

Hamakawa, Yoshihiro. Thin-Film Solar Cells: Next Generation Photovoltaics and Its Applications. Springer Berlin Heidelberg, 2004.

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15

Hise, James Van. Trek: The next generation. 3rd ed. Pioneer Books, 1994.

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16

Kageyama, Yuki. Shinsedai editāzu fairu: Ekkyōsuru henshū : dejitaru kara komyuniti, gyōsei made = New generation editors file. Kabushiki Kaisha Bī Enu Enu, 2021.

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17

Slafer, Dennis. Novel R2R manufacturable photonic-enhanced thin film solar cells: January 28, 2010 - January 31, 2011. National Renewable Energy Laboratory, 2012.

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18

Rector, Brent. Introducing Microsoft WinFX: The application programming interface for the next generation of Microsoft Windows, code name "Longhorn". Microsoft Press, 2004.

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19

Sandler, Corey. Star Trek, the next generation: Future's past. Brady Pub., 1994.

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20

Fossati, Giovanna, and Annie Oever, eds. Exposing the Film Apparatus. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462983168.

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Film archives have long been dedicated to preserving movies, and they've been nimble in recent years in adapting to the changing formats and technologies through which cinema is now created and presented. This collection makes the case for a further step: the need to see media technologies themselves as objects of conservation, restoration, presentation, and research, in both film archives and film studies. Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by such conservation efforts and consider their potential to

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21

Ni, Zhen. Memoirs from the Beijing Film Academy: the genesis of China's fifth generation. Duke University Press, 2003.

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22

Anders, Kindem Gorham, ed. The live television generation of Hollywood film directors: Interviews with seven directors. McFarland, 1994.

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23

Association, Aluminum, ed. Guidelines for handling aluminum fines generated during various aluminum fabricating operations. Aluminum Association, 2002.

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24

Next Generation Fire Suppression Technology Program (U.S.). Advanced technology for fire suppression in aircraft: The final report of the. Edited by Gann Richard G. 1944-, National Institute of Standards and Technology (U.S.), Building and Fire Research Laboratory (U.S.), and Next Generation Fire Suppression Technology Program (U.S.). National Institute of Standards and Technology, 2007.

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25

Chernikowski, Stephanie. Dream baby dream: Images from the blank generation : a documentary film in stills. Two Thirteen Sixty-one., 1996.

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26

Afzal, M. N. The role of particle stiffness in asperity generation in uniaxially drawn PET film. UMIST, 1995.

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27

Long, Edward R. Spectroscopic analysis of radiation-generated changes in tensile properties of a polyetherimide film. National Aeronautics and Space Administration, Scientific and Technical Information Branch, 1985.

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28

Chernikowski, Stephanie. Dream baby dream: Images from the blank generation : a documentary film in stills. 2.13.61, 1996.

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29

Institute, American Film, ed. Conversations at the American Film Institute with the great moviemakers: The next generation. Alfred A. Knopf, 2012.

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30

Rector, Brent. Introducing Microsoft WinFX: The application programming interface for the next generation of Microsoft Windows, code name "Longhorn". Microsoft Press, 2004.

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31

Seligson, Paul, Clive Oxenden, and Christina Latham-Koenig. American English File - Test Generator, Level 3. Oxford University Press, 2008.

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32

Motion Artifact Pattern Generator. Society for Information Display, 2012. http://dx.doi.org/10.55410/depi8030.

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MAPG.exe is designed to generate and display test patterns for demonstration, subjective evaluation, and measurement of moving pattern artifacts. MAPG uses its embedded C interpreter to process an external text control file (mapgdemov004.c) to create images (or loads images from .bmp files), and then uses these images to create moving sprites.

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33

Recanati, François. Cognitive dynamics. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198714217.003.0011.

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This chapter offers an elaboration and defense of the mental-file approach to singular thought. Mental files are supposed to account for both cognitive significance and coreference de jure. But these two roles generate conflicting constraints: files must be fine-grained to play the first role and coarse-grained to play the second role. To reconcile the constraints, we need to distinguish two sorts of file (static files and dynamic files), and two forms of coreference de jure (strong and weak). Dynamic files are sequences of file-stages united by the weak coreference de jure relation. It is at

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34

Goldberg, Bernie. Your House File : A Goldmine for Lead Generation. Direct Marketing Publishers, 2000.

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35

Trager, Oliver. America's Children: New Generation, New Troubles (Editorials on File Book). Facts on File, 1991.

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36

Nikitin, Mikhail, and Sergey Skipidarov. Thin Film and Flexible Thermoelectric Generators, Devices and Sensors. Springer International Publishing AG, 2022.

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37

Nikitin, Mikhail, and Sergey Skipidarov. Thin Film and Flexible Thermoelectric Generators, Devices and Sensors. Springer, 2020.

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38

Kaklamanidou, Betty, and Margaret Tally. Millennials on Film and Television: Essays on the Politics of Popular Culture. McFarland & Company, Incorporated Publishers, 2014.

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39

FY2000 Annual Report: Next Generation Fire Suppression Technology Program. United States Government Printing Office, 2001.

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40

Anderson, Michael, and Miranda Jefferson. Teaching the Screen: Film Education for Generation Next. Taylor & Francis Group, 2020.

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41

Anderson, Michael, and Miranda Jefferson. Teaching the Screen: Film Education for Generation Next. Allen & Unwin, 2009.

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42

Anderson, Michael, and Miranda Jefferson. Teaching the Screen: Film Education for Generation Next. Taylor & Francis Group, 2020.

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43

Anderson, Michael, and Miranda Jefferson. Teaching the Screen: Film Education for Generation Next. Taylor & Francis Group, 2020.

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44

Anderson, Michael, and Miranda Jefferson. Teaching the Screen: Film Education for Generation Next. Taylor & Francis Group, 2020.

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45

Wynn, Hugh. The Generation-X Files: Dare to Be Average. Writers Club Press, 2002.

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46

Using SuperCalc: The next generation : a self-teaching guide. J. Wiley, 1985.

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47

HaCohen, Ruth. Between Generation and Suspension. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.13.

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The chapter discusses two modes of combining music and moving images that developed in modernism. The first mode, which the author termsgeneration, relates to a type of animated narrative film in which the music precedes the visual sequence which generates the will or thought (modality) that gives rise to the narrative action. “The Sorcerer’s Apprentice,” from the Disney filmFantasia, is examined as an example. In the second mode,suspension, the picture appears as if preceding the music, even if the creative order was different, or the work does not have an actual visual manifestation. The vis

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48

Thin film materials and processing techniques for a next generation photovoltaic device. National Renewable Energy Laboratory, 2013.

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49

Chandarlapaty, Raj. Seeing the Beat Generation: Entering the Literature Through Film. McFarland & Company, Incorporated Publishers, 2019.

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50

Israel, John. Finding China's Lost Generation. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9798881813390.

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In December 1968 Mao Zedong proclaimed that China’s educated urban youth should move to the countryside to be reeducated by the poor and lower middle peasants. Some seventeen million who responded to his call spent the better part of a decade laboring in remote and impoverished regions. Returning to the cities in the late 1970s, undereducated, unemployed, and manifestly unprepared to contribute to China’s post-Maoist future, the rusticated youth were dubbed the “Lost Generation”. How then, could China transform itself into an economic and military behemoth without the support of an entire gene

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