Relevant bibliographies by topics / Filipe (1934-....)

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  2. Dissertations / Theses
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Academic literature on the topic 'Filipe (1934-....)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Filipe (1934-....)"

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Лызлова, Анастасия Сергеевна. "Литературные источники сказок вепса Ф. С. Смирнова (1863-1938)." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 5 (December 10, 2019): 196–203. http://dx.doi.org/10.26158/tk.2019.20.5.017.

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Статья посвящена репертуару вепсского сказочника Филиппа Семеновича Смирнова (1863 - 1938), тексты которого были зафиксированы в 1935-1936 гг. преимущественно на русском языке, и позднее составили отдельную архивную коллекцию русскоязычного фольклорного фонда Научного архива Карельского научного центра РАН. Основная часть сказок вошла в опубликованный в 1941 г. в Петрозаводске сборник «Вепсские сказки», подготовленный к изданию Г. Е. Власьевым. Ф. С. Смирнов, будучи грамотным человеком, пополнял свой репертуар за счет различных литературных произведений: многие тексты, записанные от него, восходят к сказкам А. С. Пушкина, П. П. Ершова, Х. К. Андерсена, лубочным сказкам, а также переводным рыцарским романам и повестям XVIII в. The article is devoted to the repertoire of the Vepsian taleteller Filipp Semenovich Smirnov (1863 - 1938), whose texts were recorded in 1935 - 1936 mainly in Russian and later made up a separate archival collection of the Russian-language folklore fund of the Scientific Archives of the Karelian Research Center of the Russian Academy of Sciences. Most of the tales were included in the collection "Vepsian tales", published in 1941 in Petrozavodsk and compiled by G. E. Vlasyev. F. S. Smirnov, being a literate person, replenished his repertoire with various literary works: many of the texts recorded from him go back to the tales of A. S. Pushkin, P. P. Ershov, Kh. K. Andersen, cheap popular (luboc) fairy tales, translated knightly novels and stories of the 18th century.
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Bujakiewicz, Anna. "Macromycetes occurring in the Violo odoratae-Ulmetum campestris in the Bielinek Resene on the Odra river." Acta Mycologica 32, no. 2 (August 20, 2014): 189–206. http://dx.doi.org/10.5586/am.1997.016.

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In the paper the results of a 3-year mycocoenological study carried out on 2 permanent plots marked in the <i>Violo odoratae-Ulmetum</i> association are presented and several ecological groups of fungi as regards substratum are discussed. Moreover, records made accidentally on macrofungi in the xerothermophilous <i>Lithospermo-Quercelum</i> Br.-Bl. 1932 and the <i>Linosyridi-Stipetum pulcherrimae</i> (Libb. 1932/1933) Filipek 1974 communities are mentioned.
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Camps-fabrer, H. "Filage." Encyclopédie berbère, no. 19 (February 1, 1998): 2839–45. http://dx.doi.org/10.4000/encyclopedieberbere.1937.

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Ruiz-del-Olmo, Francisco-Javier. "Language and collective identity in Buñuel. Propaganda in the film «España 1936»." Comunicar 18, no. 35 (October 1, 2010): 69–77. http://dx.doi.org/10.3916/c35-2010-02-07.

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The Spanish Civil War occupies an important place in the European collective memory. The film language and depiction of that conflict provide an important platform from which to study certain features of the European cultural matrix. This paper examines propaganda films produced by the Republican government, especially those films produced under the supervision of Luis Buñuel, the Spanish surrealist filmmaker. At the start of the war, the Aragonese filmmaker returned to Paris following a summons by the Spanish Foreign Ministry to collaborate with the Spanish embassy in Paris in counterespionage and propaganda. Buñuel’s main task was to gather, organize and edit pro-Republican footage. Unlike films made for viewing in Spain, the Paris-produced propaganda films were aimed at audiences in Europe with the objective of changing the doctrine of non-intervention in the conflict. They are also characterized by Buñuel’s theories and conception of documentary film-making, in which reflection and the psychological resources that motivate action or move an individual conscience predominate. This paper describes and analyses the film language and practice of that era, in particular the unique and emblematic film «España 1936» (1937). En la memoria colectiva de los europeos, la Guerra Civil española ocupa un lugar destacado. El lenguaje cinematográfico y la representación fílmica de esa contienda forman un ámbito relevante en el que estudiar algunos rasgos de la matriz cultural europea. El presente trabajo selecciona parte de la producción fílmica de propaganda del gobierno republicano, en concreto los filmes de montaje supervisados por Luis Buñuel. Al inicio de la contienda el cineasta aragonés vuelve a París siguiendo las indicaciones del Ministerio español de Asuntos Exteriores para colaborar, en la embajada española en la capital francesa, en diversas labores de contraespionaje y propaganda. Entre ellas y principalmente, Buñuel se ocupa de reunir, organizar y montar diverso material fílmico prorrepublicano. A diferencia de otras producciones proyectadas en España, los filmes parisinos de propaganda republicana se caracterizaron, en términos generales, por estar dirigidas a públicos de distintos países europeos con el objetivo de romper la doctrina de no intervención en el conflicto y se inscriben dentro de las teorías y concepción de Buñuel sobre el documentalismo filmado, donde primaba lo reflexivo y los recursos psicológicos que motivaran a la acción o a la toma de conciencia individual. El presente texto se ocupa, en ese contexto, de la descripción y el análisis del lenguaje y las prácticas fílmicas en esos años. De todas ellas, el filme «España, 1936» (1937), es a la vez un ejemplo emblemático y singular.
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VAN KAMPEN, Hendrik S., and Gerrit J. DE VOS. "Effects of Primary Imprinting On the Subsequent Development of Secondary Filial Attachments in the Chick." Behaviour 125, no. 3-4 (1993): 245–63. http://dx.doi.org/10.1163/156853993x00272.

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AbstractThis study reinvestigates the effects of primary imprinting of chicks with either a naturalistic stimulus or an artificial object on subsequent imprinting with artificial objects. Initial experience with a live chick (group C) or a yellow cylinder (group Y) had differential effects on the development of a secondary filial attachment in chicks. In chicks of both groups, growth of attachment to the novel imprinting object manifested itself rather abruptly, but the change in response to the novel object occurred later in C- than in Y-chicks. There was no difference between the groups in the outcome of secondary imprinting: chicks in groups C and Y eventually became equally strongly attached to their novel imprinting stimulus, and when exposed to a third object, chicks in both groups imprinted equally well on this object. Thus, (1) initial imprinting on a naturalistic stimulus postponed, but did not block secondary imprinting on an artificial object, and (2) within the lengths of exposure used, the capacity to form new filial attachments was not limited, contrary to the prediction of the competitive exclusion model for imprinting. Secondary imprinting was delayed for a longer time when chicks were exposed to the novel imprinting stimulus in an unfamiliar environment. This indicates that induction of fear in chicks interfered with the occurrence of secondary imprinting. This effect may havc contributed to the difference between groups C and Y in the length of delay of secondary imprinting. Possibly, separation from the first stimulus and exposure to the second stimulus was more fearful to C-chicks than to Y-chicks. Introduction Imprinting was originally described by LORENZ (1935, 1937) as an irreversible process. This does not necessarily mean that a young animal cannot form secondary filial attachments after having been imprinted on a
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Fernandez, Sandra Rita. "Olga Cossettini y el Colegio Libre de Estudios Superiores en Rosario (Argentina), 1939-1940." Historia y sociedad, no. 36 (January 1, 2019): 133–59. http://dx.doi.org/10.15446/hys.n36.69454.

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Este artículo explora la organización de la filial Rosario del Colegio Libre de Estudios Superiores (CLES), emblemática agrupación de fuerte impronta intelectual en el escenario argentino entre los años treinta, cuarenta y cincuenta del siglo XX. En particular, haremos énfasis en el contexto de inserción de la filial y en las tramas de sociabilidad que reunieron a un ecléctico grupo de colaboradores y simpatizantes, con plurales posiciones intelectuales, estéticas y políticas. En tal sentido, pretendemos detenernos especialmente en la figura de Olga Cossettini y su rol dentro de la gestación de la filial, de la que fue secretaria general entre los años 1951 y 1954.
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McDowall, Duncan. "A Game of Thrones, 1936-Style: How Three Canadians Shaped the Abdication of Edward VIII." University of Toronto Quarterly 90, no. 1 (June 2021): 1–20. http://dx.doi.org/10.3138/utq.90.1.01.

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King Edward VIII’s 1936 abdication has remained fixed in modern memory as a traumatic constitutional crisis wrapped in what many consider the most fateful love story of the century. The King’s determination to marry Wallis Simpson, “the woman he loved,” still feeds the mills of popular and academic history. The narrative, however, habitually focuses on the Anglocentric world of the Court of St. James, the Anglican hierarchy, and Stanley Baldwin’s Conservative government. This focus overlooks the key role of non-British participants in the crisis. This article views the abdication through a significant Canadian prism. In London, Ontario-born banker Sir Edward Peacock (1871–1962) served as the Receiver-General of the Duchy of Cornwall, the investment trust designed to support the duties of the Prince of Wales. As such, Peacock became Edward’s most intimate financial advisor as abdication loomed, a role now fully elaborated in light of hitherto unconsulted papers held at Queen’s University. Press baron Lord Beaverbrook played a more public role, joining with Churchill, as the King’s champion, using his mass-circulation newspapers to curry public sympathy for the beleaguered monarch. In Ottawa, Prime Minister Mackenzie King trod a characteristically cautious line between guarding Canada’s autonomy, won under the 1931 Statute of Westminster, while still preserving its filial tie to Britain.
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Porto, Fernando, Paulo Fernando de Souza Campos, and Taka Oguisso. "Cruz Vermelha Brasileira (filial São Paulo) na imprensa (1916-1930)." Escola Anna Nery 13, no. 3 (September 2009): 492–99. http://dx.doi.org/10.1590/s1414-81452009000300006.

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Este estudo teve como objeto dimensionar a visibilidade da Cruz Vermelha Brasileira, Filial de São Paulo, na imprensa escrita no período de 1916-1930. Seus objetivos foram: descrever e analisar sua visibilidade na imprensa escrita e discutir os efeitos da crença simbólica da Cruz Vermelha Brasileira à sociedade. Os documentos de análise foram oriundos de um portfólio, do Centro Histórico Cultural da Enfermagem Ibero-americana, da Escola de Enfermagem, da Universidade de São de Paulo. Os resultados foram analisados com base nas concepções de Pierre Bourdieu, que apontaram para o círculo da crença simbólica, quando foram veiculadas 1.089 notícias na imprensa nacional e internacional. Neste sentido, a cada publicação de notícia sobre a Cruz Vermelha Brasileira, esta divulgava o órgão central no Brasil e, consequentemente, também a Cruz Vermelha Internacional.
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Brems, Elke. "A case of “cultural castration”?" Target. International Journal of Translation Studies 22, no. 2 (December 31, 2010): 212–36. http://dx.doi.org/10.1075/target.22.2.03bre.

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In his Belgian period, around the time of the Second World War, the famous literary scholar Paul de Man not only wrote his much discussed articles in the national socialist press, he also worked as a literary translator. As opposed to Paul de Man’s other writings, his work as a translator has received little scholarly attention. In this article I focus on De Man’s translation activity in the context of the complex cultural-political situation in Belgium during World War II. I analyse the link between poetics and politics in his French translation of the Dutch novel De soldaat Johan by the Belgian author Filip de Pillecyn (1939). The article undertakes both a contextualisation of De Man’s position and a textual analysis of his translation.
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Mota, Teresa, and Ana Carneiro. "‘A Time for Engineers and a Time for Geologists’: Scientific Lives and Different Pathways in the History of Portuguese Geology." Earth Sciences History 32, no. 1 (January 1, 2013): 23–38. http://dx.doi.org/10.17704/eshi.32.1.e213j2306j736128.

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For quite a while, scientific biography was relegated to a subordinate status in the history of science. In the last two decades, however, it has seen a revival, which can be explained both by its popularity among general audiences as it conveys a closer image of scientists and scientific practice, and science historians' reappraisal of biography as a literary genre and as a source for their research. When writing scientific biographies or using them as a source, however, historians have to contend with complex questions, such as the extent to which a particular biography is representative of larger patterns, and they face a variety of problems associated with the use of sources such as oral testimonies and obituaries. In this paper, the scientific lives of Joaquim Filipe Nery da Encarnação Delgado (1835-1908) and Francisco Luís Pereira de Sousa (1870-1931), both engineers working at the Portuguese Geological Survey, and Carlos Teixeira (1910-1982), a leading geologist working in the academia, will be analysed. Through this comparison, the authors aim to characterize the development of Portuguese geology in different contexts in the period spanning from the mid-nineteenth to the twentieth century.
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Dissertations / Theses on the topic "Filipe (1934-....)"

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Soveral, Madalena. "Quatre compositeurs, quatre oeuvres : la musique pour piano portugaise des années 90." Paris 8, 2005. http://www.theses.fr/2005PA082533.

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Spatialisation, forme ouverte, musique répétitive, théâtre musical, sérialisme, dodécaphonisme, diatonisme, chromatisme, géométrie fractale, électroacoustique et recherches sonores de la musique concrète, alliance musique-science-technologie, multiplicité stylistique, sont, globalement, les notions centrales qui caractérisent l'orientation musicale et esthétique de la musique portugaise des années 90. Ces notions sont illustrées par des exemples tirés des catalogues d'oeuvres de quatre compositeurs et ensuite exemplifiées par des analyses de quatre pièces pour piano : "Mirrors" d'António Pinho Vargas, "Réitérations" de João Rafael, "Pirâmides de Cristal" de João Pedro Oliveira et, "Estudos de sonoridades" de Filipe Pires. Des questions sur l'interprétation sont également soulevées. A travers la notion de geste musical, il nous a été possible par cette étude de confronter interprétation musicale et interprétation analytique. Cette confrontation, nous en rendrons compte succintement en postface. La place de cette réflexion répondant peut-être au choix d'un lien aujourd'hui établi qui aura permis ce travail - de l'exécution à l'analyse -, le même enfin - de l'analyse à l'interprétation
Spatialization, open form, repetitive music, music-theatre, serialism, dodecaphonism, diatonicism, chromatism, fractal geometry, electroacoustic and sound explorations of concrete music, alliance music-science-technology, stylistic multiplicity, are altogether the key notions that characterise the musical and aesthetic orientation of Portuguese music during the nineties. These concepts are illustrated by examples drawn from the work list of four composers and then exemplified by analyses of four piano pieces : "Mirrors", by António Pinho Vargas, "Réitérations", by João Rafael, "Pirâmides de cristal", by João Pedro Oliveira and "Estudos de sonoridades", by Filipe Pires. Issues on interpretation are also raised. Using the notion of musical gesture, the present study confronts musical interpretation and analytical interpretation, as discussed in the postscript. This reflexion resulted from the establishment of a new association, that ultimately made this work possible - from performance to analysis - or else - from analysis to interpretation
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Marotta, Antonella. "Pirandello nel teatro di Eduardo." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79793.

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The subject of this thesis is an intertextual and psycho-analytic study of the relationship between two major dramatists of twentieth century Italian Theatre, Luigi Pirandello and Eduardo De Filippo. The analysis is in part conducted according to the concept of influence developed by Harold Bloom in The Anxiety Of Influence and expressed in "Freudian" terms, in which one poet, the later (Eduardo De Filippo), is presumed to "struggle" with or try to surpass his precursor (Luigi Pirandello).
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Marchezin, Lucas Tadeu. "Um samba nas quebradas do mundaréu : a história do samba paulistano na voz de Geraldo Filme, Zeca da Casa Verde, Toniquinho Batuqueiro e Plínio Marcos." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/31/31131/tde-11102016-151333/.

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O presente trabalho tem como objeto de estudo o disco Plínio Marcos em prosa e samba, com Geraldo Filme, Zeca da Casa Verde e Toniquinho Batuqueiro, gravado em 1974 pela gravadora Chantecler. O objetivo da pesquisa é compreender o processo de construção, por parte dos quatro artistas, de uma narrativa sobre a história do samba de São Paulo. Para tanto, busca-se compreender o contexto em que se deu o encontro entre eles, a constituição de trabalhos conjuntos e a gravação do disco. Da mesma forma, analisamos a estrutura da obra, as intervenções do narrador, os elementos musicais e as canções que compõem o álbum. A combinação desses elementos constitui um discurso que busca legitimar a existência de um samba paulista, com uma história e características distintas em relação a outras vertentes de samba. Trata-se, a nosso ver, de um processo de identificação a partir da construção de um texto híbrido sobre o samba paulista e a cidade de São Paulo.
The present dissertation has as its object of study the album \"Plínio Marcos em Prosa e samba, com Geraldo Filme, Zeca da Casa Verde e Toniquinho Batuqueiro\", recorded in 1974 by the Chantecler studio. The research\'s goal is to understand the process through which those four artists have created a historical narrative about the samba in São Paulo. Accordingly, the research investigates the social context in which the artists met, worked together and recorded the album. To accomplish that, this study analyzes the album\'s structure and its constituting elements: the songs, the musical structure and narrative interventions made by Plínio Marcos. The combination of those components creates a discourse that aims at giving legitimacy to the idea of a samba paulista, featuring a distinctive history and different features from other regional samba traditions. The research finds a process of identity construction as present in the production of the record, a hybrid text about the samba paulista and the city of São Paulo.
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Medina, Palacios Milagritos, and Tapia Rosa Amelia Nizama. "Vivencia del amor paterno-filial en las familias de los estudiantes del 2do. grado del nivel secundario de la IE Ramón Castilla distrito de Pucalá, año 2011." Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2012. http://hdl.handle.net/20.500.12423/1924.

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Toda familia está sustentada en el amor, la familia es el primer ambiente vital con el que el hombre se encuentra al venir a este mundo y su experiencia de amar es decisiva para toda su vida; el amor ayuda a cada uno, especialmente a los hijos, a desarrollar todas sus potencialidades y así alcanzar sus objetivos en la vida. El mejor bien que los padres deben buscar en sus hijos es que aprendan a amar, que no se recluyan sobre sí mismos, sino que aprendan a pensar en los demás y en lo mucho que pueden hacer en beneficio de ellos. Y será el hijo el más beneficiado con este tipo de amor, que se centra en el otro. Este es el amor en sentido más pleno que lleva al perfeccionamiento último de la persona. Pero para la persona llegue aprender este tipo de amor ha de vivir el amor plenamente en su familia, especialmente en la relación con sus padres y hermanos. Este trabajo de investigación, trata de una investigación cuantitativa-descriptiva que busca conocer y describir la realidad mencionada, utilizando un instrumento, validado a través de un juicio de 2 expertos; en donde se han recogido la información sobre las cuatro dimensiones estudiadas: el amor de los padres entre sí, el amor de los padres hacia sus hijos, el amor de los hijos hacia sus padres y las formas de corrección ante los defectos de los hijos, como expresión del amor. Entre los resultados de la investigación tenemos que la mayoría de padres de familia no viven el amor entre sí; así como la mayoría de padres solo viven el amor hacia sus hijos en algunos indicadores, pero en otros no; la mayoría de hijos no viven el amor hacia sus padres; así como la mayoría de padres no corrigen a sus hijos con prudencia, haciendo uso preferente de métodos verbales y castigos físicos.
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Oliveira, Patrícia Abreu Chumbo dos Santos. "A Cultura Política no Filme Documentário em Portugal (1974-2012)." Doctoral thesis, Instituto Superior de Ciências Sociais e Políticas, 2019. http://hdl.handle.net/10400.5/20588.

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Tese de Doutoramento em Ciência Política
Nesta tese de doutoramento investigamos o modo como o filme documentário se constitui enquanto objeto sensível da cultura política. Pretendemos analisar a cultura política considerando, desde logo, a complexidade das suas teorias e práticas, e a relação do filme documentário com a cultura política na perspetiva da ciência política. Entendemos a cultura política como o conjunto de valores, crenças e atitudes politicamente orientadas e manifestadas através das práticas culturais, devido às suas qualidades interpretativas e simbólicas. Tomando como referência a revolução do 25 de Abril de 1974, em Portugal, e acompanhando o processo de transição democrática, analisaremos os pontos convergentes e divergentes registados pelo filme documentário, cujos referenciais de sentido para a cultura política são convocados por esta prática cultural e pela memória política e social. O trabalho encontra-se estruturado em três partes: A primeira parte é dedicada às abordagens conceptuais, revisão da literatura e enquadramento metodológico. A segunda parte é dedicada às perspetivas analíticas e ao enquadramento temático do filme documentário no estudo da ciência política, bem como à avaliação históricoempírica dos eventos de transição democrática, em Portugal. A terceira parte resulta na acomodação e síntese do filme documentário enquanto instrumento de diagnóstico sobre a cultura política.
The thesis aims to study the path through which documentary film is established as a sensible object of political culture. We focus our analysis in a concept of political culture, firstly considering the complexity of its theories and practices, secondly exploring the relationship between documentary film and political culture from the perspective of political science. Thus, we comprehend political culture as a set of values, beliefs, and attitudes politically oriented and demonstrated through cultural practices, due to its interpretive and symbolic elements. Taking into consideration the revolution of April 25, 1974 in Portugal, and following its process of democratic transition, we will examine the convergent and divergent points recorded by documentary film and grasp political culture as a cultural practice and political and social memory. This thesis is structured in three parts: The first part is committed to conceptual approaches, state of the art, and methodological framework. The second part is committed to analytical perspectives and thematic framework of cinema and documentary film in the study of political science, and to the historical-empirical evaluation of the events of democratic transition in Portugal. The third part results in the accommodation and synthesis about documentary film as a tool for the analysis of political culture.
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Gonzaga, Vilmar [UNESP]. "Caracterização morfológica, morfométrica e multiplicação in vitro das seis espécies mais comuns de Pratylenchus Filipjev, 1936 que ocorrem no Brasil." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/105288.

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Made available in DSpace on 2014-06-11T19:33:40Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-11-06Bitstream added on 2014-06-13T19:23:57Z : No. of bitstreams: 1 gonzaga_v_dr_jabo.pdf: 2262058 bytes, checksum: 9f1c54256f73cca2fe58faf334cc3382 (MD5)
Empresa Brasileira de Pesquisa Agropecuária (EMBRAPA)
Os nematóides das lesões radiculares (Pratylenchus spp.) são considerados o segundo grupo de fitonematóides de maior importância econômica em todo o mundo. A morfologia e a morfometria das seis espécies mais comuns desses nematóides, no Brasil, a saber: Pratylenchus brachyurus, P. coffeae, P. jaehni, P. penetrans, P. vulnus e P. zeae, foram estudas aos microscópios óptico composto e eletrônico de varredura. Os dados foram analisados, também, por análise discriminante e análise canônica, tendo sido determinada uma equação da função de classificação para cada uma das espécies. Conquanto cada uma das espécies possa ser identificada por qualquer das ferramentas utilizadas, a análise morfológica, a análise morfométrica, assim como as análises discriminante e canônica devem ser consideradas ferramentas complementares no processo de identificação das espécies, aumentando a confiabilidade da identificação. Uma grade politômica ilustrada para identificação rápida dessas espécies foi elaborada. A técnica de multiplicação in vitro dessas espécies em cilindro de cenoura mostrou-se adequada para produção massiva desses nematóides, sendo que P. penetrans e P. jaehni foram as espécies que produziram, respectivamente, o maior e o menor número de indivíduos e ovos por cilindro de cenoura, aos 120 dias após a inoculação.
The lesion nematodes (Pratylenchus spp.) are considered the second largest group of plant parasitic nematodes of economic importance in the world. The morphology and morphometry of the six more common species of these nematodes in Brazil, namely: Pratylenchus brachyurus, P. coffeae, P. jaehni, P. penetrans, P. vulnus and P. zeae, were studied at the light and scanning electron microscopes. The data were also submitted to discriminant and canonical analyses and an equation of the classification function for each one of the species was determinated. Althought each one of the species can be identified by any of the tools used, the morphologic and morphometric analyses, as well as the discriminant and canonical analyses, must be considered complementary tools in the process of species identification, thus increasing the reliability of the identification. An illustrated polytomous key for a fast identification of these species was elaborated. The in vitro multiplication technique of these species in carrot cylinder was suitable for massive production of these nematodes. Pratylenchus penetrans and P. jaehni were the species that produced, respectively, the greatest and the smallest number of individuals and eggs for carrot cylinder, 120 days after the inoculation.
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Gonzaga, Vilmar. "Caracterização morfológica, morfométrica e multiplicação in vitro das seis espécies mais comuns de Pratylenchus Filipjev, 1936 que ocorrem no Brasil /." Jaboticabal : [s.n.], 2006. http://hdl.handle.net/11449/105288.

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Orientador: Jaime Maia dos Santos
Banca: Marineide Mendonça Aguillera
Banca: Maria Amélia dos Santos
Banca: Arlindo Leal
Banca: Modesto Barreto
Resumo: Os nematóides das lesões radiculares (Pratylenchus spp.) são considerados o segundo grupo de fitonematóides de maior importância econômica em todo o mundo. A morfologia e a morfometria das seis espécies mais comuns desses nematóides, no Brasil, a saber: Pratylenchus brachyurus, P. coffeae, P. jaehni, P. penetrans, P. vulnus e P. zeae, foram estudas aos microscópios óptico composto e eletrônico de varredura. Os dados foram analisados, também, por análise discriminante e análise canônica, tendo sido determinada uma equação da função de classificação para cada uma das espécies. Conquanto cada uma das espécies possa ser identificada por qualquer das ferramentas utilizadas, a análise morfológica, a análise morfométrica, assim como as análises discriminante e canônica devem ser consideradas ferramentas complementares no processo de identificação das espécies, aumentando a confiabilidade da identificação. Uma grade politômica ilustrada para identificação rápida dessas espécies foi elaborada. A técnica de multiplicação in vitro dessas espécies em cilindro de cenoura mostrou-se adequada para produção massiva desses nematóides, sendo que P. penetrans e P. jaehni foram as espécies que produziram, respectivamente, o maior e o menor número de indivíduos e ovos por cilindro de cenoura, aos 120 dias após a inoculação.
Abstract: The lesion nematodes (Pratylenchus spp.) are considered the second largest group of plant parasitic nematodes of economic importance in the world. The morphology and morphometry of the six more common species of these nematodes in Brazil, namely: Pratylenchus brachyurus, P. coffeae, P. jaehni, P. penetrans, P. vulnus and P. zeae, were studied at the light and scanning electron microscopes. The data were also submitted to discriminant and canonical analyses and an equation of the classification function for each one of the species was determinated. Althought each one of the species can be identified by any of the tools used, the morphologic and morphometric analyses, as well as the discriminant and canonical analyses, must be considered complementary tools in the process of species identification, thus increasing the reliability of the identification. An illustrated polytomous key for a fast identification of these species was elaborated. The in vitro multiplication technique of these species in carrot cylinder was suitable for massive production of these nematodes. Pratylenchus penetrans and P. jaehni were the species that produced, respectively, the greatest and the smallest number of individuals and eggs for carrot cylinder, 120 days after the inoculation.
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Pastore, Margherita. "Fantômes et fantasmes dans le théâtre "réaliste" d'Eduardo De Filippo." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA016.

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Ce travail de recherche vise à mettre au jour un aspect particulier de l’œuvre d’Eduardo De Filippo (Naples, 1900 – Rome, 1984), à savoir l’intrusion du surnaturel dans la production théâtrale de l’auteur-acteur-metteur en scène. Nous avons structuré notre thèse en deux phases. Nous analysons d’abord l’adhésion de De Filippo au théâtre dit “réaliste”, sa conception de la fonction du théâtre, l’ancrage thématique dans l’Histoire du XXe siècle et dans le vécu personnel de l’auteur ; nous nous attachons à la manière dont De Filippo intègre la tradition littéraire et théâtrale du XXe siècle et propose une autre vision du réel faisant appel aux catégories du fantastique. Puis nous examinons l’espace scénique, lieu de l’ailleurs et du fantasme par excellence, dans les différentes composantes de la scène (scénographie, objets), du jeu actoriel (la parole, la corporéité, le personnage et le fantôme) et du contrat spectatoriel pour mettre en lumière la relation que tous les participants au spectacle entretiennent avec le surnaturel. Enfin, nous mettons à l’épreuve de l’analyse la traduction sur scène des problématiques liées au fantôme et au fantasme dans deux interprétations exemplaires et très différentes de La grande magia : celle de Giorgio Strehler au Piccolo Teatro de Milan en 1985 et celle de Dan Jemmett à la Comédie-Française en 2009
This research work focuses on a specific point of Eduardo De Filippo’s work (Naples, 1900 – Rome, 1984), that is to say the irruption of the supernatural in the production of the author-actor-stage director. We have structured our thesis in two phases. We first analyse the authors’s compliance with the so called « realistic » theatre, his vision of the role of theatre, the thematic foothold in the 20th century history and in his personal experience ; we are concerned with how De Filippo integrates the literary and theatrical tradition of fantasy and offers a realistic vision appealing to the Fantastic categories. Then we investigate the stage space as an ideal place for fantasy and fantasies, we examine the stage varied components (stage design, objects), the acting of the actors (voice, corporeality, the character and the ghost) within the stage-audience conventions to bring to light the particular link that all those who participate to the performance maintain with the supernatural. Finally, we study the process of traduction on stage of problematics linked to ghost and fantasy in two remarkable and very different interpretations of La Grande magia : the one by Giorgio Strehler at the Piccolo Teatro of Milan in 1985 and one by Dan Jemmett at Comédie-Française in 2009
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Cescutti, Tatiana. "Les origines mythiques du Futurisme : F.T. Marinetti poète symboliste français." Paris 4, 2007. http://www.theses.fr/2007PA040120.

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L’anti-passéisme radical est le mot d’ordre essentiel du Futurisme. Marinetti en prône le concept dans le Manifeste publié dans Le Figaro du 20 février 1909 et l’applique à la lettre lorsqu’il renie en 1911 ses « maîtres symbolistes » (Baudelaire, Verlaine, Mallarmé). Mais en est-il vraiment ainsi ? Une lecture de la poésie en langue française de Marinetti, composée avant 1909 (La Conquête des Étoiles, Destruction, La Ville Charnelle), montre que la doctrine futuriste s’édifie « par rapport » aux auteurs du passé, fût-il récent puisqu’il s’agit du Symbolisme et post-Symbolisme français et de la poésie italienne de l'époque (principalement D’Annunzio et Pascoli). La présente étude s’attache à retracer ce parcours qui se déploie comme une série de « réécritures » ou de métamorphoses successives, déterminées par la mort du modèle antérieur et sa conversion en une oeuvre personnelle inédite. La mise à jour de cette incessante dynamique de mort et de régénérescence permet d’appréhender le Futurisme dans sa dimension «mythique » fondamentale qui constitue à notre avis le véritable acte de naissance du mouvement dont le Manifeste aura pour fonction de théoriser les principes
Radical anti-traditionalism es a key watchword of Futurism. Marinetti enhances this concept in the Manifesto published in Le Figaro on 20th February 1909 and applies it literally when in 1911 he denies his « Symbolist Masters » (Baudelaire, Verlaine, Mallarmé). Is that really so? A reading of the poetry that Marinetti composed in French before 1909 (La Conquête des Étoiles, Destruction, La Ville Charnelle) shows that Futurist doctrine sets itself up “in comparison with” the authors of the past – although it is a recent past, since it refers to French Symbolism and Post-Symbolism and to the Italian poetry of that time (above all D’Annunzio and Pascoli). Our study aims at drawing up a scheme that unfolds like a series of « rewritings » or successive metamorphoses brought about by the death of the previous model and its conversion to a new personal work. The updating of this unceasing mechanism of death and regeneration lets Futurism be comprehended in its essential « mythical » dimension which is, in our opinion, the real birth of a movement whose principles the Manifesto will theorize
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Martinez, Sergio Mora. "La representación del espacio fronterizo en la narrativa mexicano y méxicoamericana, 1974-1998." Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1045%5F1%5Fm.pdf&type=application/pdf.

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Books on the topic "Filipe (1934-....)"

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"Delo kraevedov T︠S︡ChO" 1930-1931 godov: Kurskiĭ "filial". Kursk: Kurskiĭ gos. med. universitet, kafedra filosofii, 2007.

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Filip na konju: Letopis smešnog ratnika. Beograd: Delta Press, 1985.

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Kosiński, Jan. Niemieckie obozy koncentracyjne i ich filie. [Kassel?]: Drukarnia Polska "Kontrast", 1999.

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Filie obozu koncentracyjnego Gross-Rosen: Informator. Wałbrzych: Muzeum Gross-Rosen, 2008.

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Gross-Rosen, Muzeum. Filie obozu koncentracyjnego Gross-Rosen: Informator. Wałbrzych: Muzeum Gross-Rosen, 2008.

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Samsŏng Misul Munhwa chaedan (Korea). Hyohaengsang, 1975 (1-hoe)--1984 (10-hoe). Sŏul: Samsŏng Misul Munhwajaedan, 1985.

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Konieczny, Alfred. AL Bunzlau I i AL Bunzlau II: Filie KL Gross-Rosen w Bolesławcu. Wałbrzych: Muzeum Gross-Rosen, 2004.

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Konieczny, Alfred. AL Bunzlau I i AL Bunzlau II - filie KL Gross-Rosen w Boleslawcu. Walbrzych: Muzeum Gross-Rosen w Walbrzychu, 2004.

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Service, United States Internal Revenue. Ogden IRS Center presents... electronic filing, 1994. [Washington, D.C.?: Dept. of the Treasury, Internal Revenue Service, 1993.

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Hackbarth, Doris. DEFA 1946-1964: Studio für Populärwissenschaftliche Filme (und Vorläufer) : Filmografie. Edited by Schulz Günter 1906-. Berlin: Henschel, 1997.

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Book chapters on the topic "Filipe (1934-....)"

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Drubek-Meyer, Natascha. "Schlachtfeld und Schauplatz Polen: 1944 bis heute." In Filme über Vernichtung und Befreiung, 179–237. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-30531-4_4.

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Drubek-Meyer, Natascha. "KL Lublin und Vernichtungslager Majdanek 1944–45: Namen der Orte – Personen – Filme." In Filme über Vernichtung und Befreiung, 1–56. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-30531-4_1.

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Singh, Harjit, Arpan Kumar Kar, and P. Vigneswara Ilavarasan. "Adoption of e-Government Services: A Case Study on e-Filing System of Income Tax Department of India." In Operations Research in Development Sector, 109–23. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1954-9_8.

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Morgan, Iwan. "Introduction: Hollywood and the Great Depression." In Hollywood and the Great Depression. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748699926.003.0001.

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This examines the economic impact of the Great Depression on Hollywood’s profitability in 1930-34 and how the film business changed in the course of seeking renewed financial success. It considers technological advances associated with the new dialogue-based medium, changes in movie genres and how particular studios became identified with these, the adaptation of the star system and its significance for studio profitability, and the move towards industry self-regulation with the establishment of the Production Code Administration in 1934.. It finally considers the New Deal’s response to monopoly in Hollywood and the Justice Department’s filing of the U.S. v Paramount et al suit in 1938
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"4. Family Mononchidae Filipjev, 1934." In Mononchida, 51–88. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004174641.i-298.26.

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Ritterhouse, Jennifer. "Tenants Are Able to Hold Their Heads a Little Higher." In Discovering the South. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469630946.003.0006.

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This chapter begins with Daniels's interview with Southern Tenant Farmers Union (STFU) president J. R. Butler, then presents an overview of the union's founding and early years from 1934-1937. The union's struggles to achieve biracial unity and reconcile white leaders' Socialist vision with rank-and-file members' preference for independent landownership within the capitalist system are explored. The chapter briefly explains the disruptive effects of the Agricultural Adjustment Act of 1933 and divisions within the Agricultural Adjustment Administration (AAA) and the Department of Agricultural. Planters' violent reprisals against the STFU are also a major theme. The chapter recounts Daniels's visits to the Dyess Colony in Arkansas and the Delta Cooperative Farm at Hillhouse, Mississippi. Delta's relationship to the subsequent Providence Farm community in Holmes County, Mississippi, is noted. The STFU declined after its 1937 merger with the United Cannery, Agriculture, Packing, and Allied Workers of America (UCAPWA), which was affiliated with the Congress of Industrial Organizations (CIO). Meanwhile, the creation of the Farm Security Administration (FSA) brought belated and ultimately inadequate federal attention to the problems of sharecroppers and tenant farmers.
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Drozd, Anna. "Obraz medycyny nowożytnej w filmie Paracelsus (1943)." In Film a historia: Szkice z dziejów wizualnych. Ksiegarnia Akademicka Publishing, 2019. http://dx.doi.org/10.12797/9788381380614.03.

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Fisher, Austin. "Nostalgic Gangsters and the Mafia Filone." In Blood in the Streets, 77–113. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474411721.003.0004.

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This chapter examines a filone of mafia films that proliferated in Italy between 1972 and 1974, and analyses how they inherit, recycle and perpetuate a number of pre-existing popular myths that frame the mafia as a repository for elegiac nostalgia. Transatlantic myths that crystallised in The Godfather are themselves shown to emerge from traditions of representation and stereotyping, in which the mafia film has always acted as a chronicle of cultural displacement. The Italian mafia film, meanwhile, is shown to be a component part of a broader tendency to stereotype the 'backward' southern regions of Italy as a window into the nation's history and a forum for taking stock of the contemporary moment in relation to a benighted past. The mafia filone of 1972-1974 is thereby seen to be an illuminating document of production decisions, marketing ploys and ruminations on the state of contemporary Italy.
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Klinger, William, and Denis Kuljiš. "The Stalinists." In Tito's Secret Empire, 85–90. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197572429.003.0013.

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This chapter details how Marshal Tito, with a forged passport in the name of John Alexander Karlsson, left Leningrad for Copenhagen and arrived in Paris on 27 January 1939. It discusses the publication of the illegal Paris-based party bulletin Proleter, which was dispatched to the Comintern by well-established channels. It also recounts the arrest of the entire “Dalmatian faction” of the incorrigible “Petkovites” in Graz after the Eighth Conference in 1928. The chapter mentions Filip Filipović, who was not mentioned in the Bohinjska Bistrica decision but was arrested in 1938 and shot with other demoted cadres. It talks about the end of the Bohinj anathema, the petty factionalists from Paris and Dalmatia, and the major sinners who were shot in Moscow as soon as Proleter reached its subscribers in the Comintern apparatus.
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Kozicharow, Nicola. "‘Racy of the Soil’: Filipp Maliavin’s London Exhibition of 1935." In A People Passing Rude: British Responses to Russian Culture. Open Book Publishers, 2012. http://dx.doi.org/10.11647/obp.0022.17.

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Conference papers on the topic "Filipe (1934-....)"

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Honeyman-Buck, Janice C., Vidhya Krishnaprasad, and Edward V. Staab. "Multimedia electronic teaching file." In Medical Imaging 1994, edited by Yongmin Kim. SPIE, 1994. http://dx.doi.org/10.1117/12.174019.

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Morimoto, Kouji, Michio Kimura, and Toshiyuki Fujii. "Image save and carry system-based teaching-file library." In Medical Imaging 1994, edited by R. Gilbert Jost. SPIE, 1994. http://dx.doi.org/10.1117/12.174318.

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Ebling, Maria R., and M. Satyanarayanan. "SynRGen: an extensible file reference generator." In the 1994 ACM SIGMETRICS conference. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/183018.183030.

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Sen, Sandip. "File placement over a network using simulated annealing326741." In the 1994 ACM symposium. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/326619.326740.

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Martinez, Ralph, and Bijal N. Sutaria. "Distributed file-management system for remote consultation and diagnosis in global PACS." In Medical Imaging 1994, edited by R. Gilbert Jost. SPIE, 1994. http://dx.doi.org/10.1117/12.174356.

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Vingralek, Radek, Yuri Breitbart, and Gerhard Weikum. "Distributed file organization with scalable cost/performance." In the 1994 ACM SIGMOD international conference. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/191839.191889.

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Noble, Brian D., and M. Satyanarayanan. "An empirical study of a highly available file system." In the 1994 ACM SIGMETRICS conference. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/183018.183033.

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Kotz, David, and Nils Nieuwejaar. "Dynamic file-access characteristics of a production parallel scientific workload." In the 1994 ACM/IEEE conference. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/602770.602876.

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Dahlin, Michael D., Clifford J. Mather, Randolph Y. Wang, Thomas E. Anderson, and David A. Patterson. "A quantitative analysis of cache policies for scalable network file systems." In the 1994 ACM SIGMETRICS conference. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/183018.183034.

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Burkhard, Walter A., Bruce E. Martin, and Jehan-Francois Paris. "The Gemini replicated file system test-bed." In 1984 IEEE First International Conference on Data Engineering. IEEE, 1987. http://dx.doi.org/10.1109/icde.1987.7272410.

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Reports on the topic "Filipe (1934-....)"

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Burgess, M. M. Norman wells pipeline monitoring sites, ground temperature data file: 1984-1985. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1985. http://dx.doi.org/10.4095/293484.

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Bonnell, G. W. Nova Scotia coal resources evaluation project: progress and status of coal chemistry file January 1, 1984 to December 31, 1984. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1985. http://dx.doi.org/10.4095/304784.

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Bonnell, G. W., G. R. Corbett, and D. A. Young. Nova Scotia peat resources evaluation: Progress and status of peat chemistry file 1984. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1985. http://dx.doi.org/10.4095/304780.

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Hunter, Richard. Voices of our past: the rank and file movement in social work, 1931-1950. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.1601.

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Research Department - Central Bank - General - Economic Conditions - Australia - File 2 - c. 1938 - 1939. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16601.

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Research Department - Central Bank - General - Board & Advisory Council Memoranda - Economic Conditions - File 1 - 1935 - 1936. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16012.

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Research Department - Central Bank - General - Board & Advisory Council Memoranda - Economic Conditions - File 2 - 1936 - 1937. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16013.

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Research Department - Banking Section - Commonwealth Bank Balance Sheet - Proposed Alterations - Correspondence and Memoranda (including Board memos) - File 2 - December 1934 - October 1937. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/14681.

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Research Department - Central Bank - General - Financial & Economic Committee Papers (F & E) - File 3 - Minutes - 1939 - 1943. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16528.

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Research Department - Central Bank - General - Financial & Economic Committee Papers (F & E) - File 2 - Miscellaneous Papers - 1939 - 1943. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16524.

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