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Books on the topic 'Filipino martial art'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Eskrima: Filipino martial art. Ramsbury, Marlborough, Wiltshire [England]: Crowood Press, 2010.

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2

Gary, Cagaanan, and Umpad Sonny, eds. Balisong: The lethal art of Filipino knife fighting. Boulder, Colo: Paladin Press, 1986.

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3

Filipino martial culture. Rutland, Vt: C.E. Tuttle Co., 1997.

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4

Wiley, Mark V. Filipino martial arts: Cabales serrada escrima. Rutland, Vt: C.E. Tuttle, 1994.

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5

International Philippine Martial Arts Federation., ed. Filipino knife fighting. Pasay City, Metro Manila, Philippines: E.A. Presas, 1998.

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6

Yore, George M. Sonny Umpad's Eskrima: The life and teachings of a Filipino martial arts master. Berkeley, CA: Blue Snake Books, 2012.

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7

Wiley, Mark V. Filipino fighting arts: Theory and practice. Burbank, Calif: Unique Publications, 2000.

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8

Cagaanan, Gary, Sonny Umpad, and Sid Campbell. Balisong: The Lethal Art Of Filipino Knife Fighting. Paladin Press, 1986.

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9

Cody, Mark Edward, and Ray Dionaldo. Filipino Combat Systems: An Introduction to An Ancient Art For Modern Times. AuthorHouse, 2005.

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10

Paman, Jose G. Arnis Self-Defense: Stick, Blade, and Empty-Hand Combat Techniques of the Philippines. Blue Snake Books, 2007.

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11

Wiley, Mark V. Filipino Martial Culture. Tuttle Publishing, 2004.

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12

S, Galang Reynaldo, ed. Filipino martial arts: Exploring the depths. The Crowood Press, 2016.

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13

Meadows, Tom. Filipino Fighting Whip: Advanced Training Methods and Combat Applications. Paladin Press, 2005.

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14

V, Wiley Mark, ed. Arnis: History and development of the Filipino martial arts. Boston: Tuttle Pub., 2001.

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15

Wiley, Mark V. Filipino Fighting Arts: Theory and Practice. Unique Publications, 2001.

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16

Complete Sinawali: Filipino Double Weapon Fighting (Complete Series). Tuttle Publishing, 2000.

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17

O'Shea, Janet. Risk, Failure, Play. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190871536.001.0001.

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Decried as mere brutality on display and celebrated as viscerally real, combat sport has escaped nuanced reflection. Risk, Failure, Play addresses this gap, signaling the many ways in which competitive martial arts differentiate themselves from violence through risk-based play. Despite its association with frivolity and ease, play is not the opposite of danger, rigor, or failure. Indeed, Risk, Failure, Play demonstrates the ways in which physical recreation allows us to manage the complexities of our current social reality. This book suggests that play gives us the ability to manage difficult conditions with intelligence and that physical play, with its immediacy and its heightened risk, is particularly effective at accomplishing this task. Presented from the perspective of a dancer and writer, this book takes readers through considerations of the politics of everyday life exemplified in martial arts practices such as jeet kune do, Brazilian jiu jitsu, kickboxing, Filipino martial arts, and empowerment self-defense. Risk, Failure, Play intertwines personal experience with phenomenology, social psychology, dance studies, performance studies, and theories of play and competition in order to produce insights on pleasure, mastery, vulnerability, pain, agency, individual identity, and society. Ultimately, this book suggests that play allows us to rehearse other ways to live than the ones we see before us, challenging us to reimagine our social reality.
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18

Fuentecilla, Jose V. The First Exiles. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037580.003.0001.

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On September 22, 1972, a nationwide dragnet swept up hundreds of Filipinos deemed hostile to the sudden imposition of martial law that day. They included politicians, journalists, civil rights activists, lawyers, and suspected members of the Communist-leaning insurgent New People's Army. In the days to come, more people would be apprehended and moved to detention centers. President Marcos declared that this drastic action was necessary because these sectors had all threatened to overthrow the government. Marcos had been impelled to act, it was reported, because of an assassination attempt on Defense Minister Juan Ponce Enrile while he was reportedly riding in his car in the late evening of September 22. Senator Raul Manglapus was in a Tokyo hotel on September 23, on his way to California for a series of speaking engagements, when he read about the assassination attempt in the Japan Times. He had left Manila the previous afternoon. This chapter presents a slightly edited account of that day, which Manglapus wrote on October 15, 1983, in Washington, D.C. This account appears in A Pen for Democracy, a compilation of published articles, letters, and U.S. congressional testimonies compiled by the Movement for a Free Philippines. It omits details about how those who managed to escape the dragnet made it out of the country, because when it was written, Marcos was still in full control, rounding up more suspects.
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19

Lindner, Ralf, Michael Decker, Elisabeth Ehrensperger, Nils B. Heyen, Stephan Lingner, Constanze Scherz, and Mahshid Sotoudeh, eds. Gesellschaftliche Transformationen. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748901556.

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The intensively discussed term transformation refers to the comprehensive restructuring of processes and behaviour in order to address societal challenges posed by far-reaching changes in energy, transport, production and agricultural systems. Since such complex transformations are always accompanied by uncertainties about their effects and consequences, the contributions in this volume critically examine the opportunities and risks involved in these processes and discuss the possibilities and limits of technology assessment in the context of societal transformations. The volume brings together the academic contributions to the 8th international conference of the Technology Assessment Network, which took place in Karlsruhe from 7th to 8th November 2018. With contributions by Fabian Adelt, Marius Albiez, Annika Arnold, Walaa Bashary, Anja Bauer, Richard Beecroft, Alexander Bogner, Stefan Böschen, Tanja Bratan, Simone Colombo, Michael Decker, Rico Defila, Antonietta Di Giulio, Marion Dreyer, Elisabeth Ehrensperger, Philipp Ellett, Lorenz Erdmann, Ali Abdelshafy Ezzat, Erik Fisher, Michael Friedewald, Livia Fritz, Daniela Fuchs, Maryegli Fuss, Armin Grunwald, Niklas Gudowsky, Kristin Hagen, Simeon Hassemer, Alexandra Hausstein, Nils B. Heyen, Diego Iván Hidalgo Rodriguez, Peter Hocke, Florian Hoffmann, Sebastian Hoffmann, Michael Jonas, Dorothee Keppler, Jeanette Klink-Lehmann, Hannah Kosow, Cordula Kropp, Sophie Kuppler, Bastian Lange, Wolfgang Liebert, Ralf Lindner, Stephan Lingner, Andreas Lösch, Maria Maia, Martin Nicholas, Melanie Mbah, Franziska Meinherz, Rolf Meyer, Johanna Myrzik, Lisa Nabitz, Linda Nierling, Oliver Parodi, Witold-Roger Poganietz, Carmen Priefer, Filippo Reale, Ernst Dieter Rossmann, André Schaffrin, Dirk Scheer, Constanze Scherz, Jan Cornelius Schmidt, Maike Schmidt, Flurina Schneider, Andreas Seebacher, Astrid Segert, Mahshid Sotoudeh, Helge Torgersen, Ulrich Ufer, Karsten Weber, Matthias Weber and Johannes Weyer.
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