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1

Baldissone, Giusi. Filippo Tommaso Marinetti. Mursia, 1986.

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2

Maurizio, Calvesi, and Marinetti Luce, eds. Filippo Tommaso Marinetti. La Nuova Italia, 1988.

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3

Filippo Tommaso Marinetti. Mursia, 1986.

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4

Centro internazionale studi futurismo (Museo d'arte moderna e contemporanea di Trento e Rovereto), ed. Filippo Tommaso Marinetti: Bibliografia. Skira, 2002.

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5

Viola, Gianni Eugenio. Filippo Tommaso Marinetti: Lo spettacolo dell'arte. Epos, 2004.

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6

Marinetti, Filippo Tommaso. Futurismo: Filippo Tommaso Marinetti, l'avanguardia giuliana e i rapporti internazionali. Edizioni della Laguna, 2009.

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7

Filippo Tommaso Marinetti: Invenzioni, avventure e passioni di un rivoluzionario. Mondadori, 2009.

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8

Hesse, Eva. Die Achse Avantgarde-Faschismus: Reflexionen über Filippo Tommaso Marinetti und Ezra Pound. Die Arche, 1991.

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9

Beyond Futurism: Filippo Tommaso Marinetti, writer for the centennial anniversary of the Italian avant-garde = Al di là del Futurismo : Filippo Tommaso Marinetti, scrittore per il centenario dell'avanguardia italiana : atti del convegno internazionle di studi, Columbia University, News York, 12-13 novembre 2009. Società editrice fiorentina, 2011.

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10

Chytraeus-Auerbach, Irene. Inszenierte Männertraume: Eine Untersuchung zur politischen Selbstinszenierung der italienischen Schriftsteller Gabriele D'Annunzio und Filippo Tommaso Marinetti in der Zeit zwischen Fin-de-Siècle und Faschismus. Die Blaue Eule, 2003.

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11

Fascist modernism: Aesthetics, politics and the avant-garde. Stanford University Press, 1993.

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12

Blum, Cinzia Sartini. The other modernism: F.T. Marinetti's futurist fiction of power. University of California Press, 1996.

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13

Grisi, Francesco. Il Natale: Storia e leggende ; tra cronaca e poesia la "festa più bella" rivive attraverso il racconto degli scrittori italiani: da Jacopo da Varagine a Gabriele d'Annunzio, da Gregorio Magno a Eduardo De Filippo, da Tommaso Campanella a Italo Calvino. Newton Compton editori, 1988.

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14

Fascist modernism: Aesthetics, politics, and the avant-garde. Stanford University Press, 1993.

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15

Reading visual poetry after futurism: Marinetti, Apollinaire, Schwitters, Cummings. P. Lang, 1995.

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16

Filippo e Fausto Tommasoli, la fotografia e la parola: Assonanze tematiche tra fotografie, arte e letteratura nel '900. QuiEdit, 2011.

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17

Filippo Tommaso Marinetti: The Artist and His Politics. Fairleigh Dickinson University Press, 2015.

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18

Ialongo, Ernest. Filippo Tommaso Marinetti: The Artist and His Politics. Fairleigh Dickinson University Press, 2016.

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19

Stung by Salt and War: Creative Texts of the Italian Avant-Gardist F.T. Marinetti (Reading Plus, Vol 2). Peter Lang Pub Inc, 1987.

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20

Franzinelli, Mimmo. Squadrism. Edited by R. J. B. Bosworth. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199594788.013.0006.

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Squadrism characterized fascism in a decisive manner, furnishing it with a special impulse in its struggle against its political adversaries from its first beginnings until its taking of power. The roots of the squadrists were nourished by the war experience, especially so-called arditismo, the spirit that had driven young men who had fought as volunteers in assault units. The initial brigade or manipolo of squadrists was founded in Milan in the winter of 1918–19 by ex-arditi officer Ferruccio Vecchi, attracting men who were finding it difficult to resume civilian life. Bound to the charismati
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21

Blum, Cinzia Sartini. Other Modernism: F. T. Marinetti's Futurist Fiction of Power. University of California Press, 1996.

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22

The Great Black Spider On Its Knockkneed Tripod Reflections Of Cinema In Early Twentiethcentury Italy. University of Toronto Press, 2012.

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23

Hewitt, Andrew. Fascist Modernism: Aesthetics, Politics, and the Avant-Garde. Stanford University Press, 1996.

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24

Institutions of Modernism: Literary Elites and Public Culture (Henry McBride Series in Modernism). Yale University Press, 1999.

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