Relevant bibliographies by topics / Film aesthetics

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film aesthetics'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Film aesthetics"

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ZHAO, Xiaoran. "The evolution and development of "slow film" aesthetics in China: time, meditation and poetic expression." Region - Educational Research and Reviews 6, no. 9 (2024): 97. https://doi.org/10.32629/rerr.v6i9.2845.

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As a unique film aesthetics, slow film has experienced the process of development from introduction, imitation to localization. By sorting out the changing trajectory of slow film aesthetics in China, this paper focuses on the three core dimensions of time, meditation and poetic expression, and discusses how Chinese slow films absorb and draw on Western aesthetics while combining Chinese philosophy and aesthetic tradition, to form a unique aesthetic style with Chinese characteristics.
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O, Michaela. "Dividual Film Aesthetics." Philosophy International Journal 6, no. 2 (2023): 1–6. http://dx.doi.org/10.23880/phij-16000294.

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The term “dividual” aims to present a critical view of the Western conception of persons and artworks as individuals. It is used in Euro-American anthropology in order to analyze the practical and ethical interferences between single persons and communities mainly in non-Western cultures. It is also used by Gilles Deleuze in Cinema 1. The Movement-Image in order to describe the aesthetic and self-affective character of films: since the filmic images cannot be temporarily fixed and individualized, he calls them “dividual”, much like contemporary plurivocal musical compositions. He reads their a
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Chen, Changhai. "New Aesthetic Characteristics Emerging in the Digital Cinema Era." International Journal of Education and Humanities 2, no. 1 (2022): 1–6. http://dx.doi.org/10.54097/ijeh.v2i1.224.

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Digital film technology has constantly transformed and enhanced the fundamental aesthetic elements in the traditional aesthetic categories of film aesthetics during its gradual penetration into the film art system, enabling these fundamental aesthetic elements to take on new forms and appearances that enrich the artistic communication of film and mark This is a sign of artistic advancement. The fusion of old and new technologies in synergy with the original film system has also accelerated the development of digital film technology as an aesthetic model, and in adapting to the original film ar
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Zhang, Yifan. "The Violent Aesthetic Embodiment of the Charm of the Villains in the Films." Communications in Humanities Research 15, no. 1 (2023): 18–24. http://dx.doi.org/10.54254/2753-7064/15/20230530.

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The aesthetics of violence are mainly in the sense that violence is presented in an aesthetic way, and poetic pictures and even imaginary shots are used to express the violence and violence of human nature. Viewers themselves are often amazed at the artistic expression and have no specific discomfort with the content. This paper mainly analyzes the three films from many aspects. The three films have different backgrounds and plots, and their commonalities are bright aesthetic expressions and rich lens language. This paper analyzes the aesthetic embodiment of the unique charm of the villain in
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Tian, Yi nong, and Guanwen Diao. "Research and analysis of the development of news film and television based on the integrated media environment." SHS Web of Conferences 167 (2023): 02014. http://dx.doi.org/10.1051/shsconf/202316702014.

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The expansion of the digital integration mode of contemporary digital cinema from creation to projection and the change of cinematic language both herald the breakthrough of technology once again and the opening of a new era of digital cinematic art. From the aesthetic point of view, digital cinema has overturned and dismantled some of the theoretical essentials and important concepts of traditional film aesthetics about film ontology, and the changes and progress of digital cinema’s generation principle, audiovisual environment and media properties have profoundly influenced film art creation
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Tronconi, Giulia. "Aesthetics of Slowness, Aesthetics of Boredom." Screen Bodies 8, no. 1 (2023): 33–54. http://dx.doi.org/10.3167/screen.2023.080104.

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Abstract Within the contemporary discourse on slow cinema and independent arthouse filmmaking, emerges the figure of Malaysian-born, Taiwan-based director Tsai Ming-liang. His works, situated at a crossing between different forms of expression—film and installation, narrative film and ethnography—have often been deemed tiresome, boring. The following article explores where and how boredom may be identified in his films, and questions whether the languid feeling can be considered an aesthetic achievement. In particular, the article offers close textual analysis of I Don't Want to Sleep Alone (2
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Chen, Shan. "The Imaginative Impulse: Philosophies of Film and Chinese Aesthetic Sensibilities." Journal of Chinese Film Studies 1, no. 2 (2021): 399–414. http://dx.doi.org/10.1515/jcfs-2021-0023.

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Abstract This article investigates the similarities between inherent Chinese aesthetic sensibilities and modern cinematic thought and introduces Chinese films’ exploration of oriental film aesthetics during the “seventeen-year period” (1949–1966). It serves to remind us that in seeking to understand the developmental trajectory and driving forces behind Chinese film art, it is important to examine the changes in and contexts of modern Chinese modes of thought—especially artistic thought—so as to reveal the aesthetic sensibilities of modern Chinese films; the true nature of their artistic inher
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Cui, Huaguo, Lingling Ding, and Dong-yeul Jang. "Simulation Analysis of Aesthetic Effects of Context in Film and Television Animation Based on Unity 3D." Tobacco Regulatory Science 7, no. 5 (2021): 2549–58. http://dx.doi.org/10.18001/trs.7.5.1.24.

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Film and television animation generally belongs to the art form of film and television category, but it also contains a large number of characteristics of art visual communication. To explore the research scope of visual communication of film and television animation aesthetics, we may as well start from the perspective of methodology. If the methodology of aesthetics is also applicable to the study of film and television animation aesthetics, we can choose the most commonly used methodology in literature and art and aesthetics to analyze the aesthetic application of film and television animat
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Han, Mengke. "Accept the Aesthetic Art Analysis with Tim Burton's Big Fish as An Example." Advances in Humanities Research 12, no. 1 (2025): 44–48. https://doi.org/10.54254/2753-7080/2025.22128.

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Reception aesthetics posits that audiences are not passive recipients of information but active participants in the interpretation and creation of films. From the perspective of reception aesthetics, the interactive relationship between audiences and films can be explored more comprehensively. This approach enables an analysis of how films derive vitality and meaning through audience interaction, reveals the socio-cultural connotations and aesthetic value of cinematic art, and examines the variations in audience reception across different social, historical, and cultural contexts. Ultimately,
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Miao, Zheng. "Fragmented viewing of movies in contemporary society." Journal of Education, Humanities and Social Sciences 3 (September 22, 2022): 117–28. http://dx.doi.org/10.54097/ehss.v3i.1556.

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With the popularity and rapid development of the Internet, online video has played a very important role in promoting film and television communication. On the basis of online video, the rise of the short video industry has also brought about a huge change in people's movie habits. The fragmented aesthetics of movies are increasingly prominent under the influence of digital technology. The effects stemming from market forces are particularly profound. Marketization requires film production to take into account the types of audiences and to take care of the audience's spiritual fragments, and t
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Dissertations / Theses on the topic "Film aesthetics"

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Wood, Sarah. "Lost film found film." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/48012/.

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In an age where the historical event is mediated increasingly through the still and moving image, new stress is placed on the archival image as surviving evidence of and performer of history. Lost Film Found Film asks what the scope is for re-intervention by artists who engage with the documentary archival. What is found in their reappropriation? What is lost in the remix? Through a discussion of key works by Jean-Luc Godard, Hito Steyerl, Harun Farocki, Jayce Salloum, Johan Grimonprez and Eyal Sivan, Lost Film Found Film offers a definition and a description of what I have called the Cinema o
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Downey, John William. "Aesthetics, critical theory, and cinema." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260587.

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Hoffman, Sarah G. "Not Just Entertainment: Hollywood Animation and the Corporate Merchandising Aesthetics and Narratives for a Children’s Audience." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490966620486322.

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Rocha, Antunes Luis. "The multisensory film experience : a cognitive model of experiential film aesthetics." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/62461/.

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This thesis introduces the concept of the multisensory film experience through a cognitive model of experiential film aesthetics in which we argue in favour of the idea that spectators can have perceptual experiences of film in the realm of thermoception, nociception and the vestibular sense-all of which are senses outside of the classic senses of sight and hearing examined in the context of film studies. We examine each of these senses in relation to the work of three contemporary film directors who have taken stylistic and experiential advantage of these senses to build their own authorial v
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Isaacs, Bruce. "Film Cool: Towards a New Film Aesthetic." Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1156.

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The influential theorist, David Bordwell, talks about various modes of watching film: the intellectual, the casual, or the obsessive interaction with cinema practiced by the film-buff. This thesis is an attempt to come to terms with film and film culture in a number of ways. It is first an attempt at reinscribing a notion of aesthetics into film studies. This is not an easy task. I argue that film theory is not adequately equipped to discuss film in affective terms, and that instead, it emphasises ways of thinking about film and culture quite removed from the act of film ‘spectating’ – individ
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Isaacs, Bruce. "Film Cool: Towards a New Film Aesthetic." English, School of Letters, Art and Media, 2006. http://hdl.handle.net/2123/1156.

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PhD<br>The influential theorist, David Bordwell, talks about various modes of watching film: the intellectual, the casual, or the obsessive interaction with cinema practiced by the film-buff. This thesis is an attempt to come to terms with film and film culture in a number of ways. It is first an attempt at reinscribing a notion of aesthetics into film studies. This is not an easy task. I argue that film theory is not adequately equipped to discuss film in affective terms, and that instead, it emphasises ways of thinking about film and culture quite removed from the act of film ‘spectating’ –
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McCann, G. K. "The keys to dreamland : Marxism, aesthetics and film." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236971.

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Mokoena, Katleho Karabo. "Black aesthetics and the son of man film." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/63033.

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The Son of Man (2006) is the first film in the Jesus film genre with an entirely black cast, including the leading role of a black Jesus. Historically, the Jesus film genre has been produced by western filmmakers with a white cast in ancient film sets, portraying how the world of Jesus would have been in first century Palestine. Portrayals of Jesus are, thus, typically portrayed as a white man with long blonde hair, blue eyes, and long white/brown robes with sandals. Son of Man however, places the narrative of Jesus in a contemporary South African context. Jesus is black, bald-headed, sp
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Mroz, Matilda. "The aesthetics of cinematic duration in theory and film." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612172.

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Taylor, James. "Hollywood superheroes : the aesthetics of comic book to film adaptation." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/93641/.

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This thesis develops a theoretically-informed approach with which to analyse the aesthetics of the adaptation of superhero comic books into blockbuster films. Pervasive modes of thinking present superhero blockbusters as artistically degraded products that are not worthy of aesthetic analysis. I demonstrate that exploring the ways in which superhero blockbusters adapt comic book style and form reveals aesthetic sophistication and multiplicities of meaning. Engaging with comic book and film history also enables me to identify ways in which superhero blockbusters have contributed to the developm
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Books on the topic "Film aesthetics"

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J, Aumont, ed. Aesthetics of film. University of Texas Press, 1992.

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Wiegand, Daniel. Aesthetics of Early Sound Film. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463727372.

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This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to-be-perfected forerunners of ‘classical’ sound film. Instead, authors highlight the sense of ‘fruitful uncertainty’ in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, a
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Rabiger, Michael. Directing: Film techniques and aesthetics. 4th ed. Elsevier, 2008.

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Rabiger, Michael. Directing: Film techniques and aesthetics. 2nd ed. Focal Press, 1997.

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Rabiger, Michael. Directing: Film techniques and aesthetics. Focal Press, 1989.

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editor, Pauleit Winfried, ed. Childhood, Cinema and Film Aesthetics. Bertz + Fischer, 2018.

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Mick, Hurbis-Cherrier, ed. Directing: Film techniques and aesthetics. 5th ed. Focal Press, 2013.

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Irving, Massey, and Morrison James, eds. On film theory: Indeterminacy in film. I. Massey, 1987.

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O'Pray, Michael. Film, form, and phantasy: Adrian Stokes and film aesthetics. Palgrave Macmillan, 2004.

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Stam, Robert, Richard Porton, and Leo Goldsmith. Keywords in Subversive Film/Media Aesthetics. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118340660.

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Book chapters on the topic "Film aesthetics"

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Joyce, James B. "Aesthetics." In Aesthetics of Film Production. Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-1.

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del Río, Elena. "Film." In Handbook of Phenomenological Aesthetics. Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_21.

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Szeman, Imre. "Crude Aesthetics." In A Companion to Contemporary Documentary Film. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118884584.ch1.

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Powell, Mandy. "‘Nothing Similar in England’: The Scottish Film Council, the Scottish Education Department and the Utility of ‘Educational Film’ to Scotland." In Regional Aesthetics. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137532831_14.

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Lombardo, Patrizia. "Minimalist Aesthetics in Gerry." In Memory and Imagination in Film. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137319432_7.

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Joyce, James B. "Applying Active Characters." In Aesthetics of Film Production. Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-8.

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Joyce, James B. "Engaging and Surprising Characters." In Aesthetics of Film Production. Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-7.

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Joyce, James B. "What's Your Point (of View)?" In Aesthetics of Film Production. Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-9.

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Joyce, James B. "Cinematography Without a Camera." In Aesthetics of Film Production. Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-12.

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Joyce, James B. "Respecting the Audience." In Aesthetics of Film Production. Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-2.

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Conference papers on the topic "Film aesthetics"

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Meilus, Leo. "Innovative Solutions for Anti Corrosive Protection Using New Generation Coatings." In CORROSION 2004. NACE International, 2004. https://doi.org/10.5006/c2004-04032.

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Abstract For many years a traditional approach to provide corrosion protection for exterior steel applications has been the application of two coats of epoxy followed by a high performance two-part aliphatic polyurethane. The latter is used because epoxies do not have good color and gloss retentive properties. Other limitations of this traditional approach arise from the coating’s dew point and relative humidity restrictions as well as occasional concerns due to free isocyanates in the polyurethane finish. This paper describes a new two or three coat epoxy coating system specifically developed
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Nassar, Samah. "INTELLIGENT CINEMATIC ADVANCEMENT: AI WORKFLOW AS A CATALYST FOR CULTURALLY ADAPTIVE AND SUSTAINABLE AESTHETICS IN FILMMAKING PRACTICES, CREATIVE POTENTIALS AND ENVIRONMENTAL IMPACT IN ALIGNMENT WITH SDGS." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/vs16/95.

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While technical breakthroughs, including the utilization of AI tools, have continuously advanced filmmaking over the years, the leveraging of such tools in the context of creativity and sustainable development has remained elusive and role of AI in fostering sustainable practices aligned with the SDGs remains under-researched. This paper will explore how the AI driven innovations in the film industry have led to the enhancement in creativity and efficacy of the films produced lately while promoting sustainable practices that align with the United Nations� Sustainable Development Goals (SDGs).
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Hall, Garth D., Kenneth M. Lies, and Sarah K. Flock. "How Vapor Resistance Properties of Coatings Affect Exterior Wall Moisture Performance." In Paint and Coatings Expo (PACE) 2006. SSPC, 2006. https://doi.org/10.5006/s2006-00031.

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Abstract Vapor resistance properties of architectural coatings that are used on or within an exterior wall can directly influence the moisture performance of the assembly. Through the use of computer modeling, the effect that various coating applications have on common exterior wall assemblies are studied using varying indoor and outdoor climatic conditions. Such analysis is useful in the selection of appropriate coatings for both new and retrofit construction, and also in diagnosing performance problems in existing construction. Coatings are selected for use on or within building wall assembl
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Svansson, Einar. "THE BEAUTY OF GARBAGE_ART OF PHOTOGRAPHY MEETS ENVIRONMENTALISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.21.

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Artists and university professors face an increasingly complex environment. There is access to abundance of information and the AI revolution helps everyone to deliver more detailed and structured knowledge. This is an opportunity to try new methods and novel combinations in the artistic and learning processes and use more diverse ideas and methods. We want to highlight the development in recent years in our personal life in Iceland in the use of photography in this context. It all started in the Covid-19 pandemic crisis with lockout and exile at home. The parents of the university professor f
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Luchen, Fang, and Cai Sishi. "The Technical Aesthetics and Spectacular Narratives of Science Fiction Films in the Perspective of Digital Media." In 2024 5th Technology Innovation Management and Engineering Science International Conference (TIMES-iCON). IEEE, 2024. http://dx.doi.org/10.1109/times-icon61890.2024.10630760.

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Rossi, Stefano, Luiz G. Ecco, Michele Fedel, and Flavio Deflorian. "Influence of the Deposition Parameters on the Properties of Electrophoretic Acrylic Paints." In CORROSION 2016. NACE International, 2016. https://doi.org/10.5006/c2016-07448.

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Abstract Steel is generally coated with the purpose of improved anticorrosive protection and aesthetic properties. In the early 90’s, few strict environmental protection regulations boosted the replacement of the traditional solventborne coatings and consequently development of waterborne paint technologies. In this view, the aim of the present work is the study of the cathodic electrodeposition of a waterborne acrylic binder in presence of different color pigments considering the effect on the aesthetic properties of the coated panels in function of accelerated exposure. Essentially, the acti
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Sibychan, Jerrin Job, Nicola Sorace, Jason Melnick, et al. "Use of Discrete Element Method to Troubleshoot Aesthetic Defects in Pharmaceutical Tablets." In Foundations of Computer-Aided Process Design. PSE Press, 2024. http://dx.doi.org/10.69997/sct.148066.

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Pharmaceutically elegant tablets are an expectation from pharmacists, health care providers and consumers for solid oral dosage forms. The presence of non-aesthetically pleasing defects in solid oral dosage forms can result in complaints back to the manufacturer and potentially non-compliance with medicines. The purpose of this study was to simulate and analyze the design of a tablet core and the aqueous film-coating process, to gain a better understanding of tablet defect generation, and to help eliminate the defects from the finished product. This evaluation employs Discrete Element Method (
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Mameng, Sukanya Hägg, Rachel Pettersson, Lena Wegrelius, and Christofer Leygraf. "Effect of Surface Finishes on the Atmospheric Corrosion of Duplex Grade UNS S32205; Results of a Field Exposure Program in Dubai." In CORROSION 2016. NACE International, 2016. https://doi.org/10.5006/c2016-07231.

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Abstract The duplex grade UNS S32205 is an excellent choice in many marine environments where UNS S31603 is on the borderline in regards to atmospheric corrosion resistance. The properties of S32205 make it well suited for construction with respect to strength, reduced maintenance, durability and long-term service. In marine environments the use of a sufficiently highly alloyed stainless steel, often in combination with a good surface finish and adequate maintenance, is required to maintain pristine surfaces. The main objective with this paper is to present information about the effect of diff
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Arendt, J., G. Delmas, J. Mazajczyk, J. Lassalle, and C. Gaudré. "Very High Solid Acrylic Polyol Technology for Low VOC 2K Direct to Metal (DTM) Coatings." In Coatings+ 2020. SSPC, 2020. https://doi.org/10.5006/s2020-00002.

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Abstract Metals and their alloys offer high strength and outstanding mechanical properties. When exposed to corrosive conditions metals corrode first creating minor aesthetic problems then with time and further corrosion significant damage and a loss of service life. Corrosion has a demonstrated economic impact on all modern societies. Often multi-layer anticorrosion coatings systems protect the metal from corrosion. These systems usually consist of, at a minimum, a primer and a top coat. Each layer is often derived from a different chemistry to achieve different system objectives. The applica
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Ziarek, Zbigniew Jan. "DESIGNING GEOEDUCATIONAL TOOLS FOR GEOTOURISM NEEDS � A CASE STUDY OF THE OUTER FLYSCH CARPATHIANS." In 24th SGEM International Multidisciplinary Scientific GeoConference 24. STEF92 Technology, 2024. https://doi.org/10.5593/sgem2024/1.1/s01.06.

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A geoeducational tools are innovative solutions used to popularize knowledge in the field of Earth Sciences and the promotion of geotourism. These methods enhance the appreciation of geodiversity, raising awareness about cognitive and aesthetic values. By adopting this approach, there is a commitment to geoheritage protection for future generations. The efficacy of geoeducational instruments relates on a knowledge of geological processes and their outcomes, coupled with adept geointerpretation. During the geointerpretative phase it is important to maintain correctness and reliable explanation
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Reports on the topic "Film aesthetics"

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Harris, M. Environmental Baseline File: Aesthetics. Office of Scientific and Technical Information (OSTI), 1999. http://dx.doi.org/10.2172/761994.

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