Relevant bibliographies by topics / Film analysis

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film analysis'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 June 2024

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Journal articles on the topic "Film analysis"

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Kapetanović, Amir. "“Kaya” from Novella to Film." Colloquia Humanistica, no. 7 (December 18, 2018): 135–52. http://dx.doi.org/10.11649/ch.2018.008.

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Kaya from Novella to FilmThis paper analyses the transformation of K. Quien's novella Kaya into a screenplay adaptation and a film of the same name by eminent Croatian director Vatroslav Mimica. The analysis points out both significant characteristics of the transformation of the text and the transformation of the portrayed Mediterranean urban area (a crime in Trogir), as well as the linguistic stylisation of the characters' Trogir dialect, which contributes to the atmosphere of the film. Discussion of this film has so far only unfolded on the basis of a comparison of Quien's novella and Mimica's film. This analysis thus contributes important information about the structural and narrative characteristics of the unpublished screenplay, which sheds more light on the paths towards the creation of this Croatian film,which is considered V. Mimica's best work and one of the best Croatian films. Kaya, od noweli do filmuW artykule analizowane jest przekształcenie noweli Kaya, zabiję cię K. Quiena w scenariusz adaptacji filmowej, a następnie w film pod tym samym tytułem, nakręcony przez wybitnego chorwackiego reżysera Vatroslava Mimicę. Analiza skupia się na dwóch kwestiach. Po pierwsze, dotyczy przekształcenia tekstu i obrazu przestrzeni śródziemnomorskiego miasteczka (Trogiru). Po drugie, omawiana jest stylizacja językowa, wykorzystanie cech dialektu trogirskiego, przyczyniające się do stworzenia atmosfery filmu. Dotychczasowa dyskusja o filmie jedynie powierzchownie dotykała związków z nowelą Quiena na poziomie porównawczym. Niniejszy artykuł przynosi ważne informacje o strukturalnych i narracyjnych cechach niepublikowanego dotąd scenariusza, co rzuca nowe światło na proces tworzenia filmu, uznawanego za najwybitniejsze dzieło Mimicy i jeden z najlepszych chorwackich filmów w ogóle. Kaya, od novele do filmaU ovom radu analizira se transformacija novele K. Quiena Kaja, ubit ću te preko scenarističke adaptacije u istoimeni film istaknutoga hrvatskoga redatelja Vatroslava Mimice. U analizi se ističu ne samo bitne značajke transformacije teksta nego i transformacija predočene mediteranske urbane sredine (zločin u Trogiru) te jezična stilizacija trogirskoga govora likova, koji doprinosi ambijentalnom ugođaju filma. Do sada se o filmu raspravljalo samo na temelju usporedbe Quienove novele i Mimičina filmskoga ostvarenja, pa ova analiza donosi neke važne podatke o strukturnim i narativnim značajkama neobjavljenoga scenarija, čime se jače osvjetljavaju putovi kreacije toga hrvatskoga filma, koji se smatra najboljim redateljskim ostvarenjem V. Mimice i jednim od najboljih hrvatskih filmova.
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Ağın, Besna. "An Analysis on Ambivalence in Cinema: “The Last Tycoon” Elia Kazan." Etkileşim 2, no. 4 (October 2019): 220–35. http://dx.doi.org/10.32739/etkilesim.2019.4.71.

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Involved in filmmaking more than four decades, Elia Kazan had been a witness and an influence for significant change in the American film industry. His final phase includes four films, respectively, America America, The Arrangement, The Visitors and The Last Tycoon which are his most neglected films in film studies, compared to his previous successful films such as On the Waterfront, A Streetcar Named Desire, East of Eden and Splendor in the Grass. This study has focused on one of his late films for mainly two reasons; to fill the gap in the literature and present an analyses of Kazan’s most structurally different film regarding its narrative complexities with the concept of realism. Realism is one of the key concepts to study Kazan in the research field, but distinctively, I have tried to find the realism within the mise-en-scène and ambivalence in the narrative.
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Sinulingga, Kinanthi N. V. M., and Satrya Wibawa. "GENRE ANALYSIS THE FILM GUNDALA." Capture : Jurnal Seni Media Rekam 14, no. 1 (December 1, 2022): 30–40. http://dx.doi.org/10.33153/capture.v14i1.3832.

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Gundala (2019) is the latest Indonesian action film that was commercially successful, won national and international awards, and even ranked second in viewership in 2019. This study aims to identify the genre characteristics of Gundala. This paper utilized Nick Lacey's genre analysis, which analyzes films based on the repertoire of elements (narratives, characters, settings, iconography, and styles). The research shows that Gundala adopted the action genre characteristics, especially in the narrative, character, and style. However, the setting and iconography of the film have been modified to fit the local cultural context. Hence, the distinctiveness of Indonesian films can expand similar studies in film genres.
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Yin, Hong, and Yanbin Sun. "Analysis of China’s Film Industry in 2020." Journal of Chinese Film Studies 1, no. 2 (November 1, 2021): 295–328. http://dx.doi.org/10.1515/jcfs-2021-0029.

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Abstract The influence of the coronavirus disease 2019 pandemic impacted the global film market in 2020. Across the world, the Chinese film market was the first to recover and, as a result, assumed a leading position. This was because the government launched a return-to-work policy, the capital market became more rational, the integration of film companies accelerated, the film industry model trended toward centralization, and market structures underwent deep adjustments. Despite shrinking market space and declining film production during 2020, the industry produced films that remained diverse in genre and subject. Where the “Matthew effect” of accumulated advantage is much more acute in the film industry, a more diverse distribution approach has emerged in the field of new media. With box office returns approaching a ceiling, it has become more urgent to stabilize the quality of top films, enrich and enhance the competitiveness of genre films, and strengthen the theatricality of art films. It also became urgent to improve the film industry system, the product system, the market system, and the box office window system.
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Cheng, Dan Dan, Yun Cheng Shi, Wei Ping Yang, Yan Feng Xie, and Ze Yuan Zong. "Analysis on Wrinkling of Polyimide-Base Metal Film Prepared by Pulse Arc." Advanced Materials Research 482-484 (February 2012): 1097–100. http://dx.doi.org/10.4028/www.scientific.net/amr.482-484.1097.

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Metal films are deposited on polyimide by pulsed cathode arc. Metal film wrinkles are found by SEM. These wrinkles are caused by film stress which is from inherent defect of film materials. The soft substrate will deform with metal films because there is shear force between metal films and soft substrate surface. The film stress with soft substrate together is discussed in detail.
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Faulstich, Werner. "Film Aesthetics and New Methods of Film Analysis." Empirical Studies of the Arts 7, no. 2 (July 1989): 175–90. http://dx.doi.org/10.2190/bv3j-09br-1p56-c4gu.

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Almost every piece of scientific or critical work which is concerned with the film expresses at the same time opinions both about the nature of film and about the methods of film analysis, in most cases only implicitly. In contrast to such implicit statements, I will try here to make these theoretical and methodological positions explicit and demonstrate them with examples. First of all, I should like to refresh our memory about the basic theoretical premises of what I call “film aesthetics” (a concept which was presented in 1982 at great length). Then we have to name the rather more practical prerequisites essential to any serious film analysis. Third, we should concentrate on new methods of film analysis paying special attention to quantitative analysis. It would hardly be possible to give a full picture of all the various methods which in the past have been applied to various feature films with various results-many of them are presented and discussed in several introductory books on the analysis of film [1]. The new methods will be described here as suitable for analyzing that part which one could call the narrative structure of a film, i.e., its formal construction and the conceptional ordering of the action (this is more than just story and plot).
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Ma, Youwen, and Yi Wan. "Data Analysis Method of Intelligent Analysis Platform for Big Data of Film and Television." Complexity 2021 (April 16, 2021): 1–10. http://dx.doi.org/10.1155/2021/9947832.

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Based on cloud computing and statistics theory, this paper proposes a reasonable analysis method for big data of film and television. The method selects Hadoop open source cloud platform as the basis, combines the MapReduce distributed programming model and HDFS distributed file storage system and other key cloud computing technologies. In order to cope with different data processing needs of film and television industry, association analysis, cluster analysis, factor analysis, and K-mean + association analysis algorithm training model were applied to model, process, and analyze the full data of film and TV series. According to the film type, producer, production region, investment, box office, audience rating, network score, audience group, and other factors, the film and television data in recent years are analyzed and studied. Based on the study of the impact of each attribute of film and television drama on film box office and TV audience rating, it is committed to the prediction of film and television industry and constantly verifies and improves the algorithm model.
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Islam, Muhammad Sajidul, Md-Khairul Islam, and Sabbir Hasan. "Commercial Films in Bangladesh: Impact Analysis (2009-2019)." International Journal of Social, Political and Economic Research 8, no. 1 (April 11, 2021): 226–35. http://dx.doi.org/10.46291/ijospervol8iss1pp226-235.

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After the independence of Bangladesh (1971), new generation film development making take a place. Bangla commercial films can be divided before liberation, post liberation and modern era. Before liberation era; A. J. Kardar, Zahir Raihan, Khan Ataur Rahman, were the commercial Bengali film makers. During the Post liberation time, we have some extra ordinary movies like Sareng Bou (1978), Surjo Dighal Bari (1979) and so on. But in the modern era definition of commercial film has got a change. From 2009 to 2019 Bangladeshi audience got difference in commercial films. But having DT (Digital Technology) and other advancement given a development of Bangladeshi commercial film. But story making, acting, making, socialization and other things are gradually developing in Bangladeshi commercial films. This research will evaluate prospects and challenges of Bangladeshi commercial films from 2009 to 2019. However further research is recommended to develop making of Bangladeshi commercial films in respect of lifelike story, cultural dissemination and so on.
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Orifjonovich, Ollomurodov Arjunbek. "COGNITIVE-DISCURSIVE APPROACH TO THE ANALYSIS OF FILM DISCOURSE." International Journal Of Literature And Languages 3, no. 10 (October 1, 2023): 25–31. http://dx.doi.org/10.37547/ijll/volume03issue10-05.

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This article analyses the cognitive-discursive sides of film discourse and its importance in modern linguistics. Cinematography is one of the most effective forms of public communication. This singular cultural phenomena is distinguished by its quick emergence, widespread appeal, and global viewership. Cinematographers utilize a new language in which numerous expressive means have become intimately entwined after synthesizing the works of literature, painting, music, theater, and photography. The purpose of this study is to make a brief review of how researchers attempt to analyse the cognitive –discursive nature of film discourse and an overall description of the cognitive characteristics of film discourse will help to understand why films are such a powerful tool of media communication.
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Tobing, Deddy Stevano H. "MOVIE ANALYSIS WITH TERRORISM DEED USING ANALYSIS OF MOVIE TO SUPPORT STATE DEFENSE (FILM 22 MINUTES)." Jurnal Ilmiah Publipreneur 8, no. 1 (August 30, 2020): 17–25. http://dx.doi.org/10.46961/jip.v8i1.53.

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This research is a follow-up study using film analysis theory to support national defense developed by Tobing, Deddy (2015) which emphasizes that films that are part of the mass media can be used to strengthen national defense. One of the threats in national defense is terrorism. The 22 Minutes film is a docudrama-type film which reviews the terrorist acts that took place in the Tamrin area of Central Jakarta on January 14, 2016. The film illustrates how terrorist acts take their toll on the police and the general public. In the end, this film shows actions to combat terrorism by using all the attributes of the Indonesian National Police forces.
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Dissertations / Theses on the topic "Film analysis"

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Audissino, Emilio. "Film music as a film device : a neoformalist approach to the analysis of music in films." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/414097/.

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In the last ten years there has been a significant shift of interest in film music from Film departments to Music departments. This study seeks to balance the situation and bring film music back into the sphere of action of Film Studies. Film scholars can still give an important specialistic contribution by tackling the music as one of the cinematic devices, and focussing on the analysis of its interplay with the other formal elements of film. In this view, the scope of this study is to develop an approach and a set of analytical tools that serve as a guidance to film scholars to address music in film from their discipline-specific perspective. The analytical approach here offered stems from a mix of Neoformalism – from Film Studies – and concepts drawn from Leonard Meyer's music theories. Neoformalism describes and explains the filmic system focussing on the overall form and style, not only on the interpretation of the film's contents and meanings. In particular, the analysis concentrates on the function(s) and motivation(s) of a series of devices, whose interplay is at the basis of the film's formal system. Being one of the film's devices, music carries out specific functions and responds to specific motivations. Yet, film music is also music. Hence, Neoformalism is coupled with Leonard B. Meyer's theories. According to Meyer the meaning and emotional effect of a tonal piece of music derives from the way in which the composition plays with the listener’s expectations and anticipations, which are based on a shared knowledge of norms and conventions. This interest in norms and conventions and in the psychology of perception links Meyer's studies to Neoformalism. And their common interest in the 'whole,' in formal stabilisation, and closure makes Gestalt Psychology a fitting overarching theoretical framework to integrate Neoformalism with Meyer's musicology. The combination of the micro-configuration of the music and that of the visuals produces a macro-configuration in which the whole is something different from the sum of its parts. In this audiovisual interaction, three areas of musical agency are identified in the film: music can have a perceptive function; an emotive function; a cognitive function. The findings are valuable for both the disciplines involved. To film scholars, it presents film music as a topic that can be handled with more confidence and breadth, because the musicological analysis of the musical text (the score) is not required in this approach. To musicologists, it provides a way to deepen their understanding of and insights into the formal and stylistic ways in which music interacts and combines with the other cinematic components.
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Bennett, James Cameron, and james bennett@student rmit edu au. "Mathematical Analysis of Film Blowing." RMIT University. Mathematical and Geospatial Sciences, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20081128.115021.

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Film blowing is a highly complex industrial process used to manufacture thin plastic films for uses in a wide range of applications; for example, plastic bags. The mathematical modelling of this process involves the analysis of highly nonlinear differential equations describing the complex phenomena arising in the film blowing process, and requires a sophisticated mathematical approach. This dissertation applies an innovative combination of tools, namely analytic, numerical and heuristic mathematical techniques to the analysis of the film blowing process. The research undertaken examines, in particular, a two-point boundary value problem arising from the modelling of the radial profile of the polymer film. For even the simplest modelling of this process, namely the isothermal Newtonian model, the resulting differential equation is a highly nonlinear, second order one, with an extra degree of difficulty due to the presence of a small parameter multiplying the highest derivative. Thus, the problem falls into the category of a nonlinear singular perturbation problem. Analytic techniques are applied to the isothermal Newtonian blown film model to obtain a closed form explicit approximation to the film bubble radius. This is then used as a base approximation for an iterative numerical scheme to obtain an improved numerical solution of the problem. The process is extended to include temperature variations, varying viscosity (Power law model) and viscoelastic effects (Maxwell model). As before, closed form approximations are constructed for these models which are used to launch numerical schemes, whose solutions display good accuracy. The results compare well with results obtained by purely numerical solutions in the literature.
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Erickson, Mary P. A. 1977. "Independent Filmmaking in the Pacific Northwest: A Critical Analysis of the Regional Film Landscape." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11527.

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xvii, 397 p. : ill., maps.
Thousands of films are produced every year in the United States, and only a fraction of these is made by mainstream Hollywood film studios. Independent filmmakers working in regional locations produce the majority of these films, retaining financial, creative and distribution control and working with locally-based cast and crew members. This film activity must be acknowledged in order to fully understand the American film industry. This study examines regional independent filmmaking through case studies of two film communities: Portland, Oregon and Seattle, Washington. Using political economy of communication as the primary theoretical foundation, this study focuses on the infrastructure (systems, policies, resources and practices) that supports and/or limits the production and distribution of independent films. The research utilizes extensive document analysis of historical materials and contemporary documents produced by organizations and individuals, as well as a survey of 60 film professionals and interviews with over 40 film professionals. A central challenge to independent filmmaking is the term "independent," which has been contested by film professionals and scholars; therefore, this study analyzes and offers a new definition of "independent filmmaking." The history of filmmaking activity in Portland and Seattle is presented, as well as an extensive discussion of the contemporary landscape of regional independent filmmaking in these two communities. The study finds that there are a multitude of contradictions pertaining to financing, distribution, labor and myths of independent filmmaking. These contradictions present a range of opportunities and challenges that often simultaneously conflict with each other. The filmmaking communities in Portland and Seattle have notable networks of support, including professional and educational organizations, film festivals, government initiatives and a few locally-operated distributors. However, filmmakers in both cities also share challenges in financing, distribution and labor. The study argues that regional independent filmmaking has made a dynamic and influential contribution to the American film industry and cultural production but has been under-explored in academic scholarship. The research also points to the need to examine and understand the contradictions of independent filmmaking to improve the circumstances and infrastructure that support regional independent filmmaking.
Committee in charge: Dr. Janet Wasko, Chairperson; Dr. Gabriela Martinez, Member; Dr. H. Leslie Steeves, Member; Dr. Michael Aronson, Outside Member
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Severtson, Yuan C. "Stability analysis of thin film coating systems." Diss., Georgia Institute of Technology, 1996. http://hdl.handle.net/1853/17965.

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Craib, Glenn R. G. "Thin film structural determination and surface analysis." Thesis, University of Aberdeen, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320771.

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A combined approach to the use of surface analysis techniques and X-ray diffraction has been introduced. In particular the development of the microstructure of UHV evaporated thin metallic films has been investigated with a view to clarifying influences on microstructure (particularly texture). This study has shown the wide range of experimental parameters which affect the final film structure, such as temperature, oblique incidence and substrate roughness. An automated energy dispersive X-ray diffractometer has been developed for the study of thin film texture. The required corrections for loss of intensity due to sample positioning have been developed and verified. Pole figures have been collected for erbium and nickel thin films (thickness 200-1200 nm) grown on molybdenum or glass substrates. Results for the erbium films show a substantial effect on the texture of the film, contributed by the temperature of the substrate during deposition. The texture varies from mixed fiber at low temperature, to a strong single fiber orientation at around 663 K, to mixed fiber at higher temperatures. The strong orientation at 663 K has been shown to vary from either (002) to (101) depending on as yet unknown experimental conditions. The effect of substrate roughness appears to be only in the degree of orientation and it does not affect the overall nature of the texture of the film. The texture of the nickel films shows a form of "granular epitaxy" at substrate temperatures above 300 K. The presence of tensile stress within one of these nickel thin film samples has been determined and is interpreted to give support to a proposed mode of granular epitaxy.
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Parshall, Elaine Ruth 1962. "Phase-conjugate interferometry for thin film analysis." Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/291358.

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A phase-conjugate interferometric method of thin film analysis obtains three independent parameters with which to determine a film's refractive index n, absorption coefficient kappa, and thickness d. Because dimensionless intensity ratios are used, this method is self-calibrating except for light source polarization and incident angle. The use of self-pumped phase-conjugate reflectors makes the interferometer self-aligning and results in infinite spacing of fringes of equal thickness. A single layer thin film sample was analyzed by this technique, and the results compared to those of ellipsometry.
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Pottage, John Mark. "Analysis of thin-film photonic crystal microstructures." Thesis, University of Bath, 2003. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269994.

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Xu, Shuo. "The Curious case of Chinese film Censorship: An analysis of the film administration regulations." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23166.

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The commercialization and global transformation of the Chinese film industry demonstrates that this industry has been experiencing drastic changes within the new social and economic environment of China in which film has become a commodity generating high revenues. However, the Chinese government still exerts control over the industry which is perceived as an ideological tool. They believe that the films display and contain beliefs and values of certain social groups as well as external constraints of politics, economy, culture, and ideology. And, ironically, the films censored in China often gain great fame outside of China becoming worldwide blockbusters. This study will look at how those films are banned by the Chinese film censorship system through analyzing their essential cinematic elements, including narrative, filming, editing, sound, color, and sponsor and publisher. The study will also analyze how the combination of government control and market forces influence the Chinese film industry and its production.
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Tei, Chiew Siah. "Chinese texts, Western analysis : from film to novel." Thesis, University of Glasgow, 2007. http://theses.gla.ac.uk/3992/.

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This study explores perceptions of Chinese texts by Western audiences while looking into the interrelation between film and literature. This is done by two means: firstly, through a detailed discussion of film adaptations with the focus on Chinese cinema, and secondly, through a practical demonstration of a filmic style in prose fiction in the form of an original book-length piece of fiction. Using Bakhtin’s ‘dialogism’ as the point of departure, the research on adaptations adopts an intertextual approach of adaptation theory as developed by Robert Stam, looking into the intertextual relationship between a hypotext (a source text) and a hypertext (film adaptation). The analysis of Raise the Red Lantern by Zhang Yimou (1991) and Crouching Tiger, Hidden Dragon by Ang Lee (2001) concludes that both films contain elements of familiarity and strangeness for Western audiences, an uneasy mix of intimacy and exoticism which underpins their appeal. However, this phenomenon is unintended by the filmmakers themselves, chiefly because, firstly, the directors’ exposure to Western film art has contributed to the use of techniques that are familiar to Western audiences in the making of their films, and, secondly, the elements of strangeness are related to the natures of the films, the cultural elements involved and the locations in which the films are made, which are unfamiliar to a Western audience. The writing of the novel, Little Hut of Leaping Fishes, reveals the necessity of incorporating cultural elements into a narrative that is set in a time and place where the culture is deeply rooted. My background as a fourth-generation Chinese in Malaysia informs my urge as an artist and critic to explore aspects of my own cultural identity. The main concern, which is the key discovery of this experiment, is that once a writer understands the shared creative mechanism between film and literature, he can place a camera before his pages to capture the scenes he carefully arranged, making the page a screen onto which images as well as words can be projected.
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Ramesh, Sridharan. "Analysis of film cooling performance of tripod hole." Diss., Virginia Tech, 2016. http://hdl.handle.net/10919/72912.

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The thermal efficiency of a gas turbine directly depends on the rotor inlet temperature. The ever increasing demand for more power and advances in the field of engineering enabled this temperature to be pushed higher. But the material strength of the blades and vanes can often impose restrictions on the thermal load it can bear. This is where gas turbine cooling becomes very critical and a better cooling design has the potential to extend the blade life span, enables higher rotor inlet temperatures, conserves compressor bleed air. Among various kinds of cooling involved in gas turbines, film cooling will be the subject of this study. A novel concept for film cooling holes referred to as anti-vortex design proposed in 2007 is explored in this study. Coolant exits through two bifurcated cylindrical holes that branched out on either side of the central hole resulting in a tripod-like arrangement. Coolant from the side holes interacted with the mainstream and produced vortices that countered the main central rotating vortex pairs, weakening it and pushing the coolant jet towards the surface. In order to understand the performance of this anti-vortex tripod film cooling, a flat plate test setup and a low speed subsonic wind tunnel linear cascade were built. Transient heat transfer experiments were carried out in the flat plate test setup using Infrared thermography. Film cooling performance was quantified by measuring adiabatic effectiveness and heat transfer coefficient ratio. In order to gauge the performance, other standard hole geometries were also tested and compared with. Following the results from the flat plate test rig, film cooling performance was also evaluated on the surface of an airfoil. Adiabatic effectiveness was measured at different coolant mass flow rates. The tripod hole consistently provided better cooling compared to the standard cylindrical hole in both the flat plate and cascade experiments. In order to understand the anti-vortex concept which is one of the primary reason behind better performance of the tripod film cooling hole geometry, numerical simulations (CFD) were carried out at steady state using RANS turbulence models. The interaction of the coolant from the side holes with the mainstream forms vortices that tries to suppress the vortex formed by the central hole. This causes the coolant jet from the central to stay close to the surface and increases its coverage. Additionally, the coolant getting distributed into three individual units reduces the exit momentum ratio. Tripod holes were found to be capable of providing better effectiveness even while consuming almost half the coolant used by the standard cylindrical holes.
Ph. D.
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Books on the topic "Film analysis"

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Rozbor filmu: Film analysis. Brno: Filozofická fakulta Masarykovy Univerzity, 2015.

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Karl-Heinrich, Schmidt, ed. Multimodal film analysis: How films mean. New York: Routledge, 2012.

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Audissino, Emilio. Film/Music Analysis. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61693-3.

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Wildfeuer, Janina. Film Text Analysis. New York: Routledge, [2016] | Series: Routledge advances in: Routledge, 2016. http://dx.doi.org/10.4324/9781315692746.

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Lehman, Frank. Film Music Analysis. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003001171.

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Jeremy, Grant, and British Film Institute, eds. Teaching analysis of film language. London: BFI Education, 2007.

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Friedbacher, Gernot, and Henning Bubert, eds. Surface and Thin Film Analysis. Weinheim, Germany: Wiley-VCH Verlag GmbH & Co. KGaA, 2011. http://dx.doi.org/10.1002/9783527636921.

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Nierop, Leon Van. Seeing sense: On film analysis. Pretoria: J.L. van Schaik Academic, 1998.

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Jeffrey, Geiger, and Rutsky R. L, eds. Film analysis: A Norton reader. New York: W.W. Norton, 2005.

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H, Bubert, and Jenett H, eds. Surface and thin film analysis: Principles, instrumentation, applications. Weinheim: Wiley-VCH, 2002.

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Book chapters on the topic "Film analysis"

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Southern, Alex. "Film Analysis." In The Ministry of Education Film Experiment, 115–58. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59230-9_6.

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Hooks, Ed. "Film analysis." In Acting for Animators, 109–95. 5th ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003289753-25.

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Kanai, Toshitaka. "Flat Die Analysis." In Film Processing, 14–38. München: Carl Hanser Verlag GmbH & Co. KG, 1999. http://dx.doi.org/10.3139/9783446401792.002.

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Perdikoullas, J., J. Vlachopoulos, and J. Vlcek. "Spiral Die Analysis." In Film Processing, 39–57. München: Carl Hanser Verlag GmbH & Co. KG, 1999. http://dx.doi.org/10.3139/9783446401792.003.

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Hocquaux, Hubert. "Thin Film Analysis." In Glow Discharge Spectroscopies, 329–72. Boston, MA: Springer US, 1993. http://dx.doi.org/10.1007/978-1-4899-2394-3_8.

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Morris, G. C. "Thin Film Analysis." In Springer Series in Surface Sciences, 489–503. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-662-05227-3_21.

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Morris, G. C. "Thin Film Analysis." In Springer Series in Surface Sciences, 403–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-662-02767-7_21.

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Schuh, Anna Maria. "Tear Film Analysis." In Cataract and Lens Surgery, 127–32. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-05394-8_19.

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Lee, Chong-Won. "Fluid Film Bearings." In Vibration Analysis of Rotors, 99–132. Dordrecht: Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-015-8173-8_3.

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Bourne, Janet. "Topic Theory and Film." In Film Music Analysis, 87–109. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003001171-5.

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Conference papers on the topic "Film analysis"

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Stephens, D. A., and P. W. Bohn. "Absorption and Scattering: Thin Film Analogs of Classical Experiments." In Laser Applications to Chemical Analysis. Washington, D.C.: Optica Publishing Group, 1987. http://dx.doi.org/10.1364/laca.1987.tha1.

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Absorption measurements in thin films made perpendicular to the film plane are hampered by the extremely short pathlength available for typical transmission based measurements. Analytical chemists have traditionally dealt with low absorbances such as those generated in thin film media in two ways: by increasing the pathlength or by increasing the intrinsic absorption cross section of the system being measured (1). Although the latter approach works well enough in solution where some transforming chemistry may be carried out, the possibilities for rendering thin film matrices more absorbing are not abundant. Thus one must concentrate on improving the sensitivity of the measurement or increasing the optical pathlength. Another problem squarely facing accurate absorption measurements in thin films is the separation of the scattering loss from true absorption (2-4). Any transmission based measurement has this problem, however it is particularly severe when there are no readily available methods for making scattering background corrections.
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Xu, Kexuan. "Analysis of the Roles of Film Soundtracks in Films." In 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.071.

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Vemuru, Srivishnu M., Satish Nagarajaiah, and Pulickel M. Ajayan. "MWCNT Based Thin Film Strain Sensor." In 19th Analysis and Computation Specialty Conference. Reston, VA: American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41131(370)15.

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Sakai, Kazunori, Kenji Mochida, Shinichi Nakamura, Tooru Kimura, Kazuhiro Yoshikawa, Naoki Man, Hirofumi Seiki, and Masaaki Takeda. "Novel thin film analysis to investigate actual film formation." In SPIE Advanced Lithography, edited by Thomas I. Wallow and Christoph K. Hohle. SPIE, 2015. http://dx.doi.org/10.1117/12.2085717.

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Shimizu, Nobuhiro, Junya Yuguchi, and Hideo Takahashi. "Heterodyne interferometer for film thickness and refractive index measurements of optical thin film." In International Symposium on Polarization Analysis and Applications to Device Technology, edited by Toru Yoshizawa and Hideshi Yokota. SPIE, 1996. http://dx.doi.org/10.1117/12.246196.

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Inoue, Masashi, and Sakie Sakuma. "Analysis of the Film Selection Process for a Film Festival." In 2014 28th International Conference on Advanced Information Networking and Applications Workshops (WAINA). IEEE, 2014. http://dx.doi.org/10.1109/waina.2014.96.

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Tabacniks, M. H., A. J. Kellock, and J. E. E. Baglin. "PIXE for thin film analysis." In The fourteenth international conference on the application of accelerators in research and industry. AIP, 1997. http://dx.doi.org/10.1063/1.52493.

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Na, Sangkwon, Bin Zhu, M. Bryden, and Tom Shih. "CFD Analysis of Film Cooling." In 44th AIAA Aerospace Sciences Meeting and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2006. http://dx.doi.org/10.2514/6.2006-22.

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Luchi, Riccardo, Simone Salvadori, and Francesco Martelli. "Heat Transfer Prediction of Film Cooling in Supersonic Flow." In NUMERICAL ANALYSIS AND APPLIED MATHEMATICS: International Conference on Numerical Analysis and Applied Mathematics 2008. American Institute of Physics, 2008. http://dx.doi.org/10.1063/1.2991037.

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Rares, A. "Statistical analysis of pathological motion areas." In IEE Seminar Digital Restoration of Film and Video Archives. IEE, 2001. http://dx.doi.org/10.1049/ic:20010028.

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Reports on the topic "Film analysis"

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Suggs, Maria E. Graphene resonators : analysis and film transfer. Office of Scientific and Technical Information (OSTI), May 2012. http://dx.doi.org/10.2172/1055606.

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Dabrovolskas, Audrius. In Search of Film Policy and Film Exhibition Model Based on Mission Economy: the Case of the Baltic Film Industries. Publishing House - Vilnius Business College, June 2023. http://dx.doi.org/10.57005/ab.2023.1.2.

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In Europe film industries are regulated through film policies at national and supra-national levels. The biggest attention is paid to film production and distribution, because they are considered as the most crucial sectors regarding financial investment. Film exhibition on the other hand is more about whole commercial life of a film and since theatrical admissions in European Union increased by 5.3 % (in 2019) before covid-19 pandemic it demonstrates that theatrical release is still among one of the most important release windows. Yet Lithuanian, Latvian, and Estonian film exhibition trends and their role for developing film policy were not examined. The qualitative and quantitative research methods applied: descriptive statistics and its analysis of secondary sources such as cinema attendance, the number of multiplexes and digital screens, premieres of national films and box-office and the analysis of film policy (regulatory) documents in Lithuania, Latvia, and Estonia. Economically film exhibition sector during covid-19 pandemic was heavily influenced and challenged by enormous decline in cinema attendance and the competition and rising role of audiovisual video-on-demand platforms. The article provides insights and findings based on the analysis of current role of film exhibition for the development of film policy and its possible model in the Baltic film industries.
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Stoffer, James, George D. Weddill, Thomas O'Keefe, Richard Brow, and Matt O'Keefe. Acquisition of Surface/Thin Film Analysis System. Fort Belvoir, VA: Defense Technical Information Center, January 2002. http://dx.doi.org/10.21236/ada402919.

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Collins, W. E., and B. Rambabu. Experimental thin film deposition and surface analysis techniques. Office of Scientific and Technical Information (OSTI), January 1986. http://dx.doi.org/10.2172/5705694.

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Zumalde-Arregi, Imanol. The filmic emotion. A comparative analysis of film theories. Revista Latina de Comunicación Social, 2011. http://dx.doi.org/10.4185/rlcs-66-2011-936-326-349-en.

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Chen, K. S., and R. A. Cairncross. Non-deterministic analysis of a liquid polymeric-film drying process. Office of Scientific and Technical Information (OSTI), April 1997. http://dx.doi.org/10.2172/468574.

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Jones, L. Ruthenium-Platinum Thin Film Analysis Using Grazing Incidence X-ray Diffraction. Office of Scientific and Technical Information (OSTI), September 2004. http://dx.doi.org/10.2172/833117.

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Nastasi, M. Ion beam analysis and modification of thin-film, high-temperature superconductors. Office of Scientific and Technical Information (OSTI), October 1989. http://dx.doi.org/10.2172/5658129.

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Kostecki, Robert. Analysis of SEI film on graphitic anode material using NFIR and LIBS. Office of Scientific and Technical Information (OSTI), March 2018. http://dx.doi.org/10.2172/1436866.

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Renault, Jacques, and Chris McKee. Method of XRF analysis for environmental Pb using thin film principles: Preliminary tests. New Mexico Bureau of Geology and Mineral Resources, 1993. http://dx.doi.org/10.58799/ofr-395.

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