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Books on the topic 'Film analysis'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 June 2024

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1

Rozbor filmu: Film analysis. Brno: Filozofická fakulta Masarykovy Univerzity, 2015.

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2

Karl-Heinrich, Schmidt, ed. Multimodal film analysis: How films mean. New York: Routledge, 2012.

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3

Audissino, Emilio. Film/Music Analysis. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61693-3.

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4

Wildfeuer, Janina. Film Text Analysis. New York: Routledge, [2016] | Series: Routledge advances in: Routledge, 2016. http://dx.doi.org/10.4324/9781315692746.

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5

Lehman, Frank. Film Music Analysis. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003001171.

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6

Jeremy, Grant, and British Film Institute, eds. Teaching analysis of film language. London: BFI Education, 2007.

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7

Friedbacher, Gernot, and Henning Bubert, eds. Surface and Thin Film Analysis. Weinheim, Germany: Wiley-VCH Verlag GmbH & Co. KGaA, 2011. http://dx.doi.org/10.1002/9783527636921.

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8

Nierop, Leon Van. Seeing sense: On film analysis. Pretoria: J.L. van Schaik Academic, 1998.

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9

Jeffrey, Geiger, and Rutsky R. L, eds. Film analysis: A Norton reader. New York: W.W. Norton, 2005.

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10

H, Bubert, and Jenett H, eds. Surface and thin film analysis: Principles, instrumentation, applications. Weinheim: Wiley-VCH, 2002.

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11

Film, Text, Kultur: Beiträge zur Textualität des Films. Marburg: Schüren, 2013.

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12

Ambrósio Garcia, Carla. Bion in Film Theory and Analysis. Abingdon, Oxon; New York, NY: Routledge, 2017. |: Routledge, 2016. http://dx.doi.org/10.4324/9781315639604.

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13

Semiotics and the analysis of film. Bloomington: Indiana University Press, 2000.

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14

Center, Langley Research, and United States. National Aeronautics and Space Administration., eds. PIV/HPIV film analysis software package. Hampton, Va: National Aeronautics and Space Administration, Lewis Research Center, 1997.

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15

Semiotics and the analysis of film. London: Athlone Press, 2000.

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16

Beaver, Frank E. Dictionary of film terms: The aesthetic companion to film analysis. New York: Twayne, 1994.

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17

Beaver, Frank Eugene. Dictionary of film terms: The aesthetic companion to film analysis. New York: Twayne Publishers, 1994.

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18

Movies made easy: A practical guide to film analysis. 2nd ed. Pretoria: Van Schaik, 2008.

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19

1930-, Mayer James W., ed. Fundamentals of surface and thin film analysis. New York: North-Holland, 1986.

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20

Breaking the glass armor: Neoformalist film analysis. Princeton, N.J: Princeton University Press, 1988.

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21

Film style and technology: History and analysis. 3rd ed. London: Starword, 2009.

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22

Cardullo, Bert. Film Analysis. Wiley & Sons, Incorporated, John, 2015.

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23

John, Bateman, and Karl-Heinrich Schmidt. Multimodal Film Analysis: How Films Mean. Taylor & Francis Group, 2013.

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24

John, Bateman, and Karl-Heinrich Schmidt. Multimodal Film Analysis: How Films Mean. Taylor & Francis Group, 2013.

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25

Multimodal Film Analysis: How Films Mean. Taylor & Francis Group, 2014.

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26

White, Timothy R. Film Analysis Guide. Kendall Hunt Publishing Company, 2021.

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27

Film Text Analysis. Taylor & Francis Group, 2016.

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28

FILM ANALYSIS GUIDE. Kendall-Hunt, 2005.

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29

Aumont, Jacques, and Michel Marie. Analisis del film/Analysis of Film. Ediciones Paidos Iberica, 1990.

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30

Film/Music Analysis: A Film Studies Approach. Palgrave Macmillan, 2017.

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31

Audissino, Emilio. Film/Music Analysis: A Film Studies Approach. Springer, 2018.

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32

Mroz, Matlida. Temporality and Film Analysis. Edinburgh University Press, 2012.

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33

Benshoff, Harry. Film and Television Analysis. Routledge, 2015. http://dx.doi.org/10.4324/9780203129968.

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34

Cardullo, Bert. Film Analysis: A Casebook. Wiley & Sons, Incorporated, John, 2015.

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35

Mroz, Matilda. Temporality and Film Analysis. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748643479.

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36

Cardullo, Bert. Film Analysis: A Casebook. Wiley & Sons, Incorporated, John, 2015.

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37

Cardullo, Bert. Film Analysis: A Casebook. Wiley-Blackwell, 2015.

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38

Mroz, Matilda. Temporality and Film Analysis. Edinburgh University Press, 2013.

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39

(Editor), Constance Penley, ed. The Analysis of Film. Indiana University Press, 2002.

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40

Temporality And Film Analysis. Edinburgh University Press, 2013.

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41

Temporality and Film Analysis. Edinburgh University Press, 2012.

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42

Mroz, Matlida. Temporality and Film Analysis. Edinburgh University Press, 2012.

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43

Cardullo, Bert. Film Analysis: A Casebook. Wiley & Sons, Incorporated, John, 2015.

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44

The Analysis of Film. Indiana University Press, 2000.

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45

Radner, Hilary, and Alistair Fox. Film Analysis: Image and Movement. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0002.

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This chapter assesses Raymond Bellour’s contribution to the area of research known as “film analysis,” arguing that it is best understood as an “art” rather than a scientific practice. Grounded in the French tradition of “explication du texte” as a means of approaching literature, Bellour was among the first film scholars to bring a French literary sensibility to the analysis of Classical Hollywood film, which enabled him to recognize the rhetorical refinements of the cinematic medium and its potential for poetic expression. The chapter explores the significant concepts that define Bellour’s approach: segmentation; “the unattainable text” (also referred to as “the undiscoverable text” or “le texte introuvable”); le blocage symbolique (also referred to as “the symbolic blockage”);“the textual volume”; Hitchcock and psychoanalysis; and enunciation.

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46

Radner, Hilary, and Alistair Fox. Film Analysis and the Symbolic. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0007.

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Raymond Bellour explains the difference between Christian Metz’s semiological approach and his own approach to film analysis, and the degrees by which he became disenchanted with psychoanalysis, despite his debt to Lacan’s notion of the imaginary, the real, and the symbolic. With reference to his analysis of Alfred Hitchcock’s North by Northwest, he proceeds to comment on how he evolved such key notions as “symbolic blockage” (“le blocage symbolique”) and “the undiscoverable text” (also referred to as “the unattainable text” or “le texte introuvable”). He then describes the influence of Anti-Oedipus by Gilles Deleuze and Félix Guattari, and his interest in American cinema and filmmakers like Alfred Hitchcock, Michael Curtiz, and Fritz Lang.

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47

Bubert, Henning, and Holger Jenett, eds. Surface and Thin Film Analysis. Wiley, 2002. http://dx.doi.org/10.1002/3527600167.

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48

Fundamentals of Nanoscale Film Analysis. Boston, MA: Springer US, 2007. http://dx.doi.org/10.1007/978-0-387-29261-8.

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49

Film Analysis: A Norton Reader. W. W. Norton, 2005.

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50

Film and Television Textual Analysis. Auteur Publishing, 2008.

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