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1

Karl-Heinrich, Schmidt, ed. Multimodal film analysis: How films mean. Routledge, 2012.

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2

Audissino, Emilio. Film/Music Analysis. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61693-3.

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3

Wildfeuer, Janina. Film Text Analysis. Routledge, 2016. http://dx.doi.org/10.4324/9781315692746.

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4

Lehman, Frank. Film Music Analysis. Routledge, 2024. http://dx.doi.org/10.4324/9781003001171.

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5

Friedbacher, Gernot, and Henning Bubert, eds. Surface and Thin Film Analysis. Wiley-VCH Verlag GmbH & Co. KGaA, 2011. http://dx.doi.org/10.1002/9783527636921.

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6

Jeffrey, Geiger, and Rutsky R. L, eds. Film analysis: A Norton reader. W.W. Norton, 2005.

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7

Nierop, Leon Van. Seeing sense: On film analysis. J.L. van Schaik Academic, 1998.

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8

Jeremy, Grant, and British Film Institute, eds. Teaching analysis of film language. BFI Education, 2007.

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9

Ambrósio Garcia, Carla. Bion in Film Theory and Analysis. Routledge, 2016. http://dx.doi.org/10.4324/9781315639604.

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10

Center, Langley Research, and United States. National Aeronautics and Space Administration., eds. PIV/HPIV film analysis software package. National Aeronautics and Space Administration, Lewis Research Center, 1997.

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11

Beaver, Frank E. Dictionary of film terms: The aesthetic companion to film analysis. Twayne, 1994.

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12

Beaver, Frank Eugene. Dictionary of film terms: The aesthetic companion to film analysis. Twayne Publishers, 1994.

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13

H, Bubert, and Jenett H, eds. Surface and thin film analysis: Principles, instrumentation, applications. Wiley-VCH, 2002.

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14

Rozbor filmu: Film analysis. Filozofická fakulta Masarykovy Univerzity, 2015.

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15

Cardullo, Bert. Film Analysis. Wiley & Sons, Incorporated, John, 2015.

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16

John, Bateman, and Karl-Heinrich Schmidt. Multimodal Film Analysis: How Films Mean. Taylor & Francis Group, 2013.

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17

Multimodal Film Analysis: How Films Mean. Taylor & Francis Group, 2014.

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18

Multimodal Film Analysis: How Films Mean. Routledge, 2013.

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19

Multimodal Film Analysis: How Films Mean. Taylor & Francis Group, 2013.

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20

John, Bateman, and Karl-Heinrich Schmidt. Multimodal Film Analysis: How Films Mean. Taylor & Francis Group, 2013.

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21

Multimodal Film Analysis: How Films Mean. Taylor & Francis Group, 2013.

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22

White, Timothy R. Film Analysis Guide. Kendall Hunt Publishing Company, 2021.

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23

FILM ANALYSIS GUIDE. Kendall-Hunt, 2005.

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24

Film Text Analysis. 2016.

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25

Film Text Analysis. Taylor & Francis Group, 2016.

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26

Aumont, Jacques, and Michel Marie. Analisis del film/Analysis of Film. Ediciones Paidos Iberica, 1990.

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27

Mroz, Matlida. Temporality and Film Analysis. Edinburgh University Press, 2012.

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28

Benshoff, Harry. Film and Television Analysis. Routledge, 2015. http://dx.doi.org/10.4324/9780203129968.

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29

Cardullo, Bert. Film Analysis: A Casebook. Wiley & Sons, Incorporated, John, 2015.

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30

Mroz, Matilda. Temporality and Film Analysis. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748643479.

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31

Cardullo, Bert. Film Analysis: A Casebook. Wiley & Sons, Incorporated, John, 2015.

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32

Cardullo, Bert. Film Analysis: A Casebook. Wiley-Blackwell, 2015.

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33

Temporality and Film Analysis. Edinburgh University Press, 2012.

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34

Cardullo, Bert. Film Analysis: A Casebook. Wiley & Sons, Incorporated, John, 2015.

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35

Mroz, Matilda. Temporality and Film Analysis. Edinburgh University Press, 2013.

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36

Temporality And Film Analysis. Edinburgh University Press, 2013.

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37

Mroz, Matlida. Temporality and Film Analysis. Edinburgh University Press, 2012.

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38

The Analysis of Film. Indiana University Press, 2000.

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39

(Editor), Constance Penley, ed. The Analysis of Film. Indiana University Press, 2002.

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40

Audissino, Emilio. Film/Music Analysis: A Film Studies Approach. Springer, 2018.

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41

Film/Music Analysis: A Film Studies Approach. Palgrave Macmillan, 2017.

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42

Radner, Hilary, and Alistair Fox. Film Analysis: Image and Movement. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0002.

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This chapter assesses Raymond Bellour’s contribution to the area of research known as “film analysis,” arguing that it is best understood as an “art” rather than a scientific practice. Grounded in the French tradition of “explication du texte” as a means of approaching literature, Bellour was among the first film scholars to bring a French literary sensibility to the analysis of Classical Hollywood film, which enabled him to recognize the rhetorical refinements of the cinematic medium and its potential for poetic expression. The chapter explores the significant concepts that define Bellour’s a
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43

Radner, Hilary, and Alistair Fox. Film Analysis and the Symbolic. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0007.

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Raymond Bellour explains the difference between Christian Metz’s semiological approach and his own approach to film analysis, and the degrees by which he became disenchanted with psychoanalysis, despite his debt to Lacan’s notion of the imaginary, the real, and the symbolic. With reference to his analysis of Alfred Hitchcock’s North by Northwest, he proceeds to comment on how he evolved such key notions as “symbolic blockage” (“le blocage symbolique”) and “the undiscoverable text” (also referred to as “the unattainable text” or “le texte introuvable”). He then describes the influence of Anti-O
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44

Bubert, Henning, and Holger Jenett, eds. Surface and Thin Film Analysis. Wiley, 2002. http://dx.doi.org/10.1002/3527600167.

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45

Fundamentals of Nanoscale Film Analysis. Springer US, 2007. http://dx.doi.org/10.1007/978-0-387-29261-8.

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46

Film Analysis: A Norton Reader. W. W. Norton, 2005.

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47

Ryan, Michael, and Melissa Lenos. An Introduction to Film Analysis. Continuum International Publishing Group Inc, 2012. http://dx.doi.org/10.5040/9781501351105.

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48

(Editor), R. L. Rutsky, and Jeffrey Geiger (Editor), eds. Film Analysis: A Norton Reader. W. W. Norton, 2005.

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49

Feldman, L. C., James W. Mayer, and Terry L. Alford. Fundamentals of Nanoscale Film Analysis. Springer, 2008.

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50

Feldman, L. C., James W. Mayer, and Terry L. Alford. Fundamentals of Nanoscale Film Analysis. Springer, 2007.

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