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Books on the topic 'Film and cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Useful cinema. Durham [NC]: Duke University Press, 2011.

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2

Roma, Istituto svizzero di, ed. Film, Kino, Zuschauer: Filmrezeption = Film, cinema, spectator : film reception. Marburg: Schüren Verlag, 2010.

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3

Brito, João Batista de. Literatura no cinema. São Paulo: Unimarco, 2006.

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4

Cinema di carta: Storia fotografica del cinema italiano. Alessandria: Falsopiano, 2000.

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5

Reteuna, Dario. Cinema di carta: Storia fotografica del cinema italiano. Alessandria: Falsopiano, 2000.

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6

Expanded cinema: Art, performance, film. London: Tate Gallery Pub., 2011.

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7

International Short Film Festival (1988- ) (3rd 1993 Dhaka, Bangladesh). Short film as alternative cinema. Edited by Mokāmmela Tānabhīra. Dhaka, Bangladesh: Festival Committee, Gold Leaf 3rd International Short Film Festival, Dhaka '93, 1993.

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8

Italian film. Cambridge: Cambridge University Press, 2000.

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9

A cinema of nonfiction. Rutherford: Fairleigh Dickinson University Press, 1990.

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10

Silent cinema: An introduction. London: BFI Pub., 2000.

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11

Cinema by other means. Oxford: Oxford University Press, 2012.

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12

Powrie, Phil. French cinema. London: Arnold, 2002.

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13

History of film. New York, N.Y: Thames and Hudson, 1996.

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14

Parkinson, David. History of film. London: Thames and Hudson, 1995.

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15

History of film. 2nd ed. New York: Thames & Hudson Ltd., 2012.

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16

Pimenta, Fernando. O cinema brasileiro em cartaz. [Brazil]: PimentaDesign & Comunicação, 2006.

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17

Engaging film criticism: Film history and contemporary American cinema. New York: P. Lang, 2004.

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18

Soundings on cinema: Speaking to film and film artists. Albany: State University of New York Press, 2008.

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19

Rikki, Morgan-Tamosunas, ed. Contemporary Spanish cinema. Manchester: Manchester University Press, 2001.

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20

Roger, Philippe. Au tympan du cinema. Lyon: Aléas éditeur, 1993.

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21

Casadio, Gianfranco. Opera e cinema: La musica lirica nel cinema italiano dall'avvento del sonoro ad oggi. Ravenna: Longo Editore, 1995.

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22

Weisser, Thomas. Japanese cinema: The essential handbook : featuring Japanese cult cinema since 1955. 5th ed. Miami, Fl: Vital Books, 2003.

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23

Irene, Bignardi, ed. Di cosa parliamo quando parliamo di cinema: Riflessioni su cinema, critica e quant'altro. Firenze: Loggia de' Lanzi, 1997.

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24

Il cinema russo attraverso i film. Roma: Carocci editore, 2013.

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25

Deocampo, Nick. Film: American influences on Philippine cinema. Manila, Philippines: Published and exclusively distributed by Anvil Pub., 2011.

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26

Saturnino, Braga Rodrigo, De Luca, Luiz Gonzaga Assis, Dias Adriana, and Souza Letícia de, eds. Film busine$$: O negócio do cinema. Rio de Janeiro, RJ, Brasil: Elsevier, 2010.

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27

Film hieroglyphs: Ruptures in classical cinema. Minneapolis: University of Minnesota Press, 1991.

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28

Il cinema francese attraverso i film. Roma: Carocci, 2011.

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29

Moralizing cinema: Film, Catholicism and power. New York: Routledge, Taylor & Francis Group, 2015.

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30

Film hieroglyphs: Ruptures in classical cinema. Minneapolis: University of Minnesota Press, 2006.

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31

Wasson, Haidee, and Charles R. Acland. Useful Cinema. Duke University Press, 2011.

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32

Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema. Amsterdam University Press, 2020.

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33

Albera, François, and Maria Tortajada, eds. Cinema Beyond Film. Amsterdam University Press, 2012. http://dx.doi.org/10.1017/9789048508075.

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34

Neale, Steve. Film, Cinema, Genre. Edited by Frank Krutnik and Richard Maltby. University of Exeter Press, 2021. http://dx.doi.org/10.47788/yrcc6901.

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Abstract:

This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neale’s vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies’ position as an innovative discipline within the humanities. Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles scrutinizing individual genres – the melodrama, the war film, science fiction and film noir – this Reader provides critical examinations of cinema and technology, art cinema, gender and cinema, stereotypes and representation, cinema history, the film industry, New Hollywood, and film analysis. Many of the articles included are recommended reading for a range of university courses worldwide, making the volume useful to students at undergraduate level and above, researchers, and teachers of film studies, media studies, gender studies and cultural studies. The collection has been selected and edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with Neale and been inspired by his diverse and often provocative critical innovations. Their introduction assesses the significance of Neale’s work, and contextualizes it within the development of UK film studies.

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35

Isenberg, Noah. Weimar Cinema. Columbia University Press, 2008.

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36

Film Isms Understanding Cinema. Universe Publishing(NY), 2011.

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37

McKernan, Luke. Early Cinema (Inside Film). Longman Higher Education Division (a Pearson Education company), 2002.

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38

Améry, Jean. Cinema. Arbeiten zum Film. Klett-Cotta, 1994.

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39

Kobena, Mercer, and Institute of Contemporary Arts, eds. Black film, British cinema. London: ICA, 1988.

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40

Weinstock, Jeffrey. Vampire Film: Undead Cinema. Columbia University Press, 2012.

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41

FLESH CINEMA. MANCHESTER UNIVERSITY PRESS, 2014.

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42

Kelly, Andrew. Cinema and the Great War. Taylor & Francis Group, 2011.

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43

Serceau, Michel. Etudier le cinema. Temps, 2001.

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44

de AS 159/160: Cinema Anarchistica. Moerkapelle, Netherlands: Stichting de AS, 2007.

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45

Cinema. Weidenfeld & Nicholson, 1995.

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46

Film Lighting. Fireside, 1986.

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47

(Editor), Martin McLoone, and Kevin Rockett (Editor), eds. Irish Films, Global Cinema (Studies in Irish Film). Four Courts Pr Ltd, 2007.

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48

Kothari, Jitendra, and Dinesh Raheja. The Bollywood Saga. Aurum Press Ltd, 2004.

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49

Mark, Goodall, Good Jill, and Godfrey Will, eds. Crash cinema: Representation in film. Newcastle, UK: Cambridge Scholars Pub., 2007.

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50

Bondanella, Peter E. Italian Cinema (Ungar Film Library). Ungar Pub. Co., 2000.

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