Relevant bibliographies by topics / Film and TV industries / Dissertations / Theses
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Dissertations / Theses on the topic 'Film and TV industries'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Berg, Su-Hyun. "Like a wave : Understanding the film and TV industries in Korea and Sweden." Doctoral thesis, Uppsala universitet, Kulturgeografiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-300017.

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This doctoral dissertation is concerned with the complex dynamics of knowledge in the South Korean film and TV industry and Swedish filmmaking from a spatiotemporal perspective. The film and TV industries are highly dependent on knowledge and innovation. Production in the film and TV industries usually takes place in the form of projects in which creative professionals form teams for a limited time period to complete creative tasks. Moreover, the film and TV industries are facing rapid and constant changes to work practices, technology, markets and demand. Therefore, the dynamics of knowledge
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2

Olsson, Martin. "Film och tv-program i engelskundervisningen." Thesis, Karlstad University, Faculty of Arts and Education, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4942.

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<p>The aim of this essay is to investigate to what degree films and TV-programs are shown in two Swedish 8<sup>th</sup> grade English classes today and to see if this is a fruitful teaching method. The investigation was carried out with the help of a student survey, two teacher interviews and interviews following directly on their viewing of the TV-show <em>Goal</em>.  The result was that the students do not seem to learn a great deal from watching films or TV-shows in English class. They hear words that they already know and this provides reinforcement, but they learn very few new words. Howe
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3

Oruc, Sercan. "Modeling The Dynamics Of Creative Industries: The Case Of Film Industries." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12611988/index.pdf.

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Dynamic complexity occurs in every social structure. Film industry, as a type of creative industries, constitutes a dynamic environment where uncertainty is at high levels. This complexity of the environment renders the more traditional operations research models somewhat ineffective, and thus, requires a dynamic analysis. In this study, a model showing the dynamics of film exhibition is given. The interactions within and between the theatrical and the DVD sales channels are implemented by the model. Later on, the possible effects of piracy to the model are discussed, using the inferences obta
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4

Persson, Cecilia, and Kristofer Gray. "TV och film i högstadie - och gymnasieskolan." Thesis, Kristianstad University College, School of Teacher Education, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-4826.

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<p>Den tekniska utvecklingen i samhället gör att medieanvändning i dagens skola är ett ämne som ställer krav på både lärare och elever. Den teoretiska utgångspunkten grundas på en sociokulturell syn på lärande och den potential visuella medier som TV och film har som ett pedagogiskt verktyg i klassrummet. Detta arbete undersöker vidare en grupp lärares attityder om och användning av medier som TV och film på högstadie- och gymnasieskolor i en kommun i södra Sverige. En undersökning baserad på 43 enkäter och sex intervjuer ligger till grund för den analys och diskussion som belyser hur denna gr
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5

Fringuelli, Pietro. "Internet-TV : Filmurheberrecht im Internet /." Frankfurt am Main : Lang, 2004. http://www.gbv.de/dms/spk/sbb/recht/toc/472654349.pdf.

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6

Lange, Shara K. "ETSU Radio, TV, Film 1969-2011: Partnerships, Promise, Hope." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/3663.

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7

Ohlsjö, David. "Tomtemaskinen : En jämförelse mellan tv-serie, bok och film." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-50654.

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8

Collins, Alan, and Jen Snowball. "The effectiveness and impacts of subsidies to film industries." South African Cultural Observatory (SACO), 2016. http://hdl.handle.net/10962/68511.

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Publisher version<br>Conference paper presented at the South African Cultural Observatory, First National Conference: Counting Culture, The Cultural and Creative Industries in National and International Context, 16-17 May 2016, The Boardwalk International Convention Centre, Nelson Mandela Bay.
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9

Reid, Ashley. "Parallel fluid dynamics for the film and animation industries." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/9021.

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Includes bibliographical references (leaves 142-149).<br>The creation of automated fluid effects for film and media using computer simulations is popular, as artist time is reduced and greater realism can be achieved through the use of numerical simulation of physical equations. The fluid effects in today’s films and animations have large scenes with high detail requirements. With these requirements, the time taken by such automated approaches is large. To solve this, cluster environments making use of hundreds or more CPUs have been used. This overcomes the processing power and memory limitat
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10

Ahl, Jennifer [Verfasser]. "Web-TV. Entstehungsgeschichte, Begriffe, Ästhetik / Jennifer Ahl." München : GRIN Verlag, 2019. http://d-nb.info/1192578163/34.

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11

Bradley, Peri. "Altered states : the transforming body in contemporary film and TV." Thesis, University of Southampton, 2011. https://eprints.soton.ac.uk/350644/.

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This thesis investigates the employment of the transforming body in contemporary television and film investigating how these particular media operate as models of instruction and guidance in a political manner. The transforming body is examined within a framework constructed upon specific key theories that include: Foucault’s sociological and political analysis of the manipulation of the body; Kristeva’s exploration of the abject body and contemporary anthropological studies of the body’s meaning and function in Western culture. These theories are used to execute in-depth analysis of particula
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12

Roslund, Ann-Charlotte, and Jenny Staxlund. "Barns TV- och filmerfarenheter i förskolan." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-31689.

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Vårt problemområde handlar om barns TV- och filmerfarenheter i förskolan. Vårahuvudfrågor är: Vilka erfarenheter ser vi i förskolan som barn har fått genommassmedia samt hur kommer dessa till uttryck? Hur möter förskollärarna dessaeventuella erfarenheter? Hur ser förskollärarna på att tillvarata barns TV- ochfilmerfarenheter i förskolan? Vi tar utgångspunkt i det sociokulturella perspektivet. I vårframtida roll som förskollärare är det av stor vikt att vi känner till barns erfarenheter,även de från TV och film. Vi måste känna till vad det är barnen ser på för att kunnahjälpa dem att ifrågasätt
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13

Folkesson, Jenny. "SAMHÄLLSANDA, MONSTERRENOVERINGAR OCH STUKADE SJÄLVFÖRTROENDEN : En kritisk diskursanalys av amerikansk välgörenhets-TV." Thesis, Stockholm University, Department of Cinema Studies, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6609.

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<p>Denna uppsats syftar till att diskursanalytiskt kritiskt granska den sorts amerikanska TV-program som tematiserar underhållande välgörenhet för att påvisa att de ur flera aspekter understödjer en kapitalistisk marknadsekonomi. Med stöd av bland annat Norman Faircloughs diskursteori och analysmetod samt Pierre Bourdieus sociologiska teoribygge om klass och smak så har jag valt att i tre näranalyser söka reda på hur olika deltagares utsatthet och klasstillhörighet gestaltas och hur programmens åtgärder iscensätts och rättfärdigas. Uppsatsen söker besvara flera frågor som sy
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14

Israelsson, Kathrin, and Susanne Söderström. "Fyra förskollärares uppfattning om hur TV och film påverkar barns samspel." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, CHILD, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-29925.

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Syftet med denna studie är att undersöka hur fyra förskollärare upplever att tre- till femåriga förskolebarns samspel påverkas av deras TV- och filmupplevelser. Frågeställningarna berör på vilket sätt förskollärarna upplever att TV och film påverkar barns samspel positivt och/eller negativt. Fyra förskollärare vales med hjälp av idealtypiskt urval och intervjuades med hjälp av öppna frågeställningar vilka förväntades ge oss möjlighet att fördjupa oss i vad informanterna sett och upplever när det gäller förskolebarnens TV- och filminspirerade samspel. Det teoretiska ramverk som använts i analys
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15

Byström, Christer. "Hyra film med fjärrkontrollen." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-70461.

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Att utforma interaktiva TV-tjänster skiljer sig på flera sätt från att designa för webb eller för vanliga PC-tillämpningar. Faktorer som lägre bildupplösning, längre avstånd mellan användare och skärm, och inte minst användandet av fjärrkontroll istället för tangentbord och mus gör att villkoren ser annorlunda ut än för PC-tillämpningar. I detta arbete beskrivs hur en videobutik för en set-top-box för digital-TV utformas via iterativ hifi-prototypning och utvärdering. Lärdomarna är tillämpbara på andra interaktiva TV-tillämpningar.<br>Designing interactive TV applications is in many ways diffe
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16

Krämer, Carmen [Verfasser]. "Menschenwürde und Reality TV : Ein Widerspruch? / Carmen Krämer." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://d-nb.info/122016240X/34.

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17

Hahn, Sönke Verfasser], Lorenz [Akademischer Betreuer] [Engell, Wolfgang [Akademischer Betreuer] Kissel, Lorenz [Gutachter] Engell, and Björn [Gutachter] Bartholdy. "Bunker—TV, TV—Bunker: Heterotope Mechanismen am Beispiel von Schutzbauwerken und (Fernseh-)Serien / Sönke Hahn ; Gutachter: Lorenz Engell, Björn Bartholdy ; Lorenz Engell, Wolfgang Kissel." Weimar : Fakultät Kunst und Gestaltung / Promotionsstudiengang Kunst und Design/Freie Kunst/Medienkunst (Ph.D), 2017. http://d-nb.info/114909110X/34.

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18

Hahn, Sönke [Verfasser], Lorenz [Akademischer Betreuer] Engell, Wolfgang [Akademischer Betreuer] Kissel, Lorenz [Gutachter] Engell, and Björn [Gutachter] Bartholdy. "Bunker—TV, TV—Bunker: Heterotope Mechanismen am Beispiel von Schutzbauwerken und (Fernseh-)Serien / Sönke Hahn ; Gutachter: Lorenz Engell, Björn Bartholdy ; Lorenz Engell, Wolfgang Kissel." Weimar : Fakultät Kunst und Gestaltung / Promotionsstudiengang Kunst und Design/Freie Kunst/Medienkunst (Ph.D), 2017. http://d-nb.info/114909110X/34.

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19

Di, Fede Corella Ann. "Bio-logics of bodily transformation| Biomedicine and makeover TV." Thesis, University of California, Irvine, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10246999.

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<p>This dissertation began as an attempt to understand how biomedical concepts and practices, which undermine the salience of norms drawn from the ?natural order? are relayed through mass media and inform self-understanding, social being, self-care, and practices of everyday life. The project tracks makeover TV?s valorization of the metamorphic or transformative body as an ideal that emerges through, and across, various contexts in science and popular culture. This genre of programming is one of the few sites at which the aesthetics of biotechnology are made visible in non-fiction representati
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20

Connors, Marianne Dorothy. "The pragmatic particles 'enfin' and 'écoute' in French film and TV dialogue." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/27764.

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This thesis investigates the use of the pragmatic particles (PPs) 'enfin' and 'écoute' in French film dialogue, and their translations in British English subtitles. Using a corpus of nine films and eight episodes drawn from two television series – all released in the UK between 2005 and 2015, and equating to approximately twenty-two hours – the study identifies tokens across a much wider range of contexts than has previously been possible using traditional corpora. The main contribution is an analysis of PP functions. The results for 'enfin' show a different functional distribution of the part
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21

Fain, Rob Jason. "Uncovering local history : 16 mm TV news film remaining in U.S. television stations /." Online version of thesis, 2007. http://hdl.handle.net/1850/5957.

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Thesis (M.S.)--Rochester Institute of Technology, 2007.<br>Typescript. Accompanying CD-ROM contains versions of the thesis in Word document and PDF forms. Includes bibliographical references (leaves 35-42).
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22

Winqvist, Martina, and Linda Nilsson. "Möjligheter med film/tv-program i undervisningen för grundskolans år 0 till 9." Thesis, Kristianstad University College, Department of Teacher Education, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-3386.

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<p>Denna uppsats syfte är att undersöka hur lärare använder film/tv-program i sin undervisning. I litteraturgenomgången framställs forskares syn på hur lärare bör/ska använda film/tv-program i undervisningen. De som själva är lärare använder sig regelbundet av film/tv-program i sin undervisning och denna användning studeras. Uppsatsen berör också upphovsrätten och ger en kort sammanfattning av vad lagen säger om användning av film/tv-program i skolan. Uppsatsens empiriska del utgår från en enkätundersökning bland yrkesverksamma lärare. En del av frågorna är öppna och ger lärarna möjlighet att
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23

MARINS, AARAO IRVING MANHAES. "A METHOD FOR MASSIVE AGENTS SIMULATION OF SEA SCENES FOR TV / FILM PRODUCTIONS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=24036@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>PROGRAMA DE EXCELENCIA ACADEMICA<br>Esta dissertação de mestrado apresenta um método para simular cenas de mar para TV/Cinema com um grande número de agentes de vários tipos (embarcações, portos, pessoas, ...) para produções com elevado grau de realismo de imagem e comportamento dos agentes. Este método usa modelagem em lógica nebulosa (fuzzy) e programação no sistema MASSIVE de maneira a integrar os resultados com sist
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Simcock, Alexandra Jane. "Exploding texts : rethinking film and television through the American made-for-TV movie." Thesis, Lancaster University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531728.

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Maasdorp, Liani. "Shorts : the potential role of the short film in the development of the South African film and television industries." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51908.

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Thesis (MDram)--Stellenbosch University, 2000.<br>ENGLISH ABSTRACT: The study starts with a general analysis of the South African film industry and finds that lack of funding, the shortage of dedicated, industry-accredited training, the political climate of the past, censorship, the subsidy system, local distribution problems, and the success of Hollywood films have all played a part in bringing about a veritable dearth in local film production in South Africa. While the local film industry may not be able to repair itself fully in the short term, I do believe the energy and talent is th
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Ortner, Christina. "Migranten im Tatort : das Thema Einwanderung im beliebtesten deutschen TV-Krimi /." Marburg : Tectum-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=3001385&prov=M&dok_var=1&dok_ext=htm.

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27

Ho, Wing Shan. "How Far Can We Go: Popular Film and TV Drama in Post-1989 China." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/17937.

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295 pages<br>My dissertation addresses two major issues in Chinese contemporary film and TV studies: the first is the proliferations of new forms of subjectivities and the state’s attempt to regulate them via the construction of an ideal citizenship on the film and TV screen; the second is to develop an approach to understand the political economy of screen culture (yingshi wenhua), as well as freedom and control in post-1989 China. My project investigates key contemporary state-sponsored (zhuxuanlü) and state-criticized/banned screen products as a way to explore socialist values advance
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Bernquist, Maria, and Emma Persson. "Tv och film i lekens värld - Är det möjligt att träffa Superman i förskolan?" Thesis, Malmö högskola, Lärarutbildningen (LUT), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-36438.

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Vårt problemområde berör TV/filmens inflytande på barn. Anledningen till vårt val avproblemområde beror på att både vuxna och barn ägnar mycket tid av sin vardag åt TV/film. Ivår framtida roll som lärare är det av stor vikt att vi ser till barns upplevelser och erfarenheter.Vuxna är viktiga för att hjälpa barn att sortera, ifrågasätta och reflektera kring saker som harhänt. Vårt syfte med undersökningen är att förstå hur TV/film inspirerar barn. Vår huvudfrågaär; På vilket sätt kan vi se att TV/film är en inspirationskälla för barn? Hur yttrar det sig?Underfrågor till denna är; På vilket sätt
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Fernández-Meneses, Jara. "Contemporary Spanish film policies, 1982-2010." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/58339/.

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This thesis examines how the Spanish film legislation that was passed between 1982 and 2010 has shaped the production, circulation and reception of contemporary Spanish cinema. The study of film legislation is crucial to understanding how the cultural value of contemporary Spanish cinema is created since laws are the main instrument through which the Spanish state has established the funding policies directed towards the production of films. Owing to the weak nature of the Spanish production sector since its inception, and the lack of private investment, the Spanish state, and, since 1999, the
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Ireland, Andrew. "'Conditions of time and space' : a re-enactment experiment with the British TV series Doctor Who." Thesis, Bournemouth University, 2012. http://eprints.bournemouth.ac.uk/20444/.

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The aim of this thesis is to provide a contribution to knowledge in two areas. Firstly, it seeks to further our understanding of the historical conditions of British television drama production; in particular the constraining and liberating influences of production space on the role of the director, and their decision-making process to bring script to screen. Secondly, the work develops the concept of re-enactment as a practice-based augmentation for archive-based textual reconstruction. As such, the thesis offers deeper discussions on the human context missing from current historiographic app
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Edrén, Mattias, and Maria Palmestål. "En riktig jul med julkalendern? : Utveckling, innehåll och målgrupp för SVT:s julkalender." Thesis, Karlstad University, Faculty of Arts and Education, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-3838.

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<p><p><p><strong>Abstract</strong></p><p><strong> </strong></p><p>The purpose with this essay is to get an understanding of how the christmascalender has</p><p>evolved throughout the history, and why its shape looks like it does. We have made an</p><p>analysis of the 21-centurys calendars to get a look on the content and tried to track a target</p><p>group. Which themes have characterized the 21-century and how can you put these in relation</p><p>to earlier calendars? To get a greater insight in the design of the christmascalendar, we made</p><p>an interview with SVT's Susanne Kvarforth. After
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Kadenbach, Stefanie [Verfasser]. "Vernetzte Erzählungen : Wechselwirkungen von Digitaltechnologie und serieller Narration in US-amerikanischen TV-Dramen / Stefanie Kadenbach." Berlin : Neopubli GmbH, 2016. http://www.epubli.de/.

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Hoffman, Christopher, and Gustav Grönskog. "TV-seriers påverkan på destinationsimage: : En fallstudie om Peaky Blinders och Birmingham." Thesis, Mittuniversitetet, Institutionen för ekonomi, geografi, juridik och turism, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-39254.

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Film-induced tourism, or film tourism, is in a simplified sense the phenomenon that occurs when a person visits a place selected by inspiration from a film/TV series. A prerequisite for film tourism is that within a film/TV series, features appear that inspires the viewer to visit either recording locations or other places associated with the film/TV series. In the study of film tourism, destination image plays a central role, which can be explained as an individual's collection of expectations, ideas, feelings, and impressions that have been built up over time for a destination. This study ai
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Kling, Martin. "När film och tv blev religion : En kvantitativ studie om i vilken utsträckning gymnasieelever använder sig av film och tv (och i synnerhet webb-serien SKAM) som en resurs för religiöst meningsskapande och livstolkning." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-80117.

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The purpose in this paper is to examine in which extent students in the Swedish gymnasium use film and tv (with a special focus on the Norwegian youth series SKAM) as a resource to create religious meaning and interpretation of life in the aspects of their view on e.g. knowledge, society, cosmology and theology. To examine this I have used a web survey which were completed by 139 pupils from different programs in the grades 1 to 3. As goes for theory I have used Stig Hjarvards thoughts about meditiazation and banal religion. This study has shown that students, whatever they are male, female, “
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Jakobsson, Anna-Karin. "Klassifikation av litteratur om film och TV : En komparativ studie av Klassifikationssystem för svenska bibliotek (SAB) och FIAF Classification scheme for literature on film and television." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19049.

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The aim of this thesis is to compare two different classification schemes with each other and see what the differences and similarities are when classifying literature concerning film and television. One of the schemes is of general kind, Klassifikationssystem för svenska bibliotek (SAB) and the other is a special system, FIAF Classification scheme for literature on film and television. The focus of the examination is on comparing the structure, contents and division of firstly the main classes and secondly on comparing the notation and the auxiliary tables in the schemes. The theoretical fram
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Andersson, Emelie. "Religionskunskapen och de rörliga bilderna : Vad gör film och TV till meningsfulla redskap i undervisningen?" Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-108492.

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Filmer är fulla av dolda värden samt religiösa och anti-religiösa budskap. Det blir mer och mer vanligt att man tar vara på detta i religionsstudier. Detta examensarbete syftar till att belysa frågan om och i så fall vad som gör att film och TV kan vara användbara pedagogiska redskap i religionskunskapsundervisning. Detta görs genom att undersöka tidigare forsknings syn på att använda film och TV i undervisning. Metoden som används är en systematisk litteraturstudie. Examensarbetet undersöker närmre vad är det som gör film och TV till användbara pedagogiska redskap samt vilka negativa effekter
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Blaney, Martin John. "The relationship between the film industry and television in the Federal Republic of Germany, from 1950 to 1985." Thesis, University of Bath, 1987. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.378898.

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38

Josefíková, Eva. "Herecká postava na divadle a ve filmu/TV - prostředky a proces tvorby." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-252275.

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The goal of the thesis set by a student is to summarize her studies at DAMU as well as to reflect her later experience of hosting in professional theatres and short engagement in Kladno theatre. Appearance in front of the camera is addressed as well. The thesis describes the school dramatic seminars, stage or film and television projects, which helped to change her reasoning about the work as an actor. These projects taught her new processes and allowed her to professionally evolve. Based on this experience, she tries to find and define mainly the common ground for both disciplines, what resou
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Nyström, Jesper, and Sissela Winberg. "Öppen innovation för ett ökat värdeskapande : En undersökning av innovationsprocesser inom film & TV-produktion." Thesis, Umeå universitet, Institutionen för informatik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135394.

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The complexity of today’s challenges for companies and organisations are constantly increasing and seldom they possess the knowledge to solve these by themselves. One way to overcome these obstacles is to engage in open innovation; to open the corporate boundaries and allow external knowledge to contribute to the knowledge that the company lacks. In doing this, the company also allows internal information to be shared and an exchange of knowledge between the companies occurs and provides added value for both parties. This kind of cooperation is especially useful when it comes to industries tha
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Julia, Hauggaard, and Redig Emmy. "Syns det inte, finns det inte : En studie om produktplaceringar i tv-serier och film." Thesis, Stockholms universitet, Institutionen för mediestudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-130908.

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Tidigare har den vanligaste typen av reklam varit den i form av avbrott i tv­sändningar men i takt med våra ändrade tv­vanor söker reklamföretagen nya sätt att marknadsföra sig själva på. Så kallade produktplaceringar, är ett sådant marknadsföringssätt. Ett av de tydligaste exempel på detta är år 1982 då filmen E.T: The Extra Terrestrial hade premiär och huvudkaraktären åt godiset Reeses Pieces, en produktplacering som medförde en försäljningsökning på hela 65%. Produktplaceringar är sedan dess en blomstrande bransch och drar årligen in mångmiljardbelopp men attity
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Madden, Oliver. "”On the Side of the Angels?” : Representationer av kristendomar i TV-serien Arkiv X." Thesis, Karlstads universitet, Institutionen för samhälls- och kulturvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-30938.

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The X-Files (svensk titel Arkiv X) är en TV-serie som producerades mellan 1993-2002. Serien har gått till historien för att fånga tidsandan och dess postmoderna misstro mot myndigheter och intresse för nyandlighet. I ett flertal avsnitt kommer huvudpersonerna i kontakt med den kristna religionen. Uppsatsen undersöker hur olika former av kristendom gestaltas i The X-Files. Frågeställningen berör de bikaraktärer som dyker upp i serien och som kan beskrivas som representationer av kristendomar. Genom närläsningar av sex avsnitt nås följande resultat: Generellt sett kan man inte säga att framställ
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Dupuy-Salle, Manuel. "La médiatisation des cinéphilies ordinaires sur internet : enjeux sociaux, économiques et organisationnels." Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENL026.

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La médiatisation des pratiques et goûts cinéphiles sur Internet semble se développer dans un temps où l'idéologie du « Web 2.0 » place l'acte collaboratif en son centre. Quelle est la place actuelle des amateurs au sein de la filière cinématographique et audiovisuelle ? Comment s'opère la rencontre entre cinéphiles ordinaires et professionnels sur Internet ? Afin de répondre à ces questions, la recherche s'appuie sur l'analyse des pratiques, usages, représentations, stratégies et logiques d'action intervenant dans le recours aux blogs de cinéphiles ordinaires, tant du point de vue des blogueur
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Olivo, Juliana Christina. "Where have all the queer kids gone?How Queers Got Abandoned by Film Then Got Adopted by The Cooler Sibling, TV." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1620130222346199.

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Eklund, Thorbjörn. "The use of Digital Visual Effects in contemporary TV-series : An analysis of the use of digital visual effects as a narrative device in the television series Doctor Who, Defiance and Terra Nova." Thesis, Linköpings universitet, Avdelningen för Kultur, samhälle, mediegestaltning – KSM, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-109066.

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In this thesis the argument of a new visual language as a narrative device will be discussed and looked at, by analyzing four different TV-series in the science-fiction genre: Terra Nova 2011, Defiance 2013-, Doctor Who 1963 – 1989 and Doctor Who 2005-. It will be possible to see the use of digital visual effects as a narrator in the image. To do this one main question has been asked and to be able to answer that question a framework model has been created, consisting of seven different questions: How are DVFx used as a visual language in the TV-series? What key elements drive the TV-series fo
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Homman, Lina. "AVVIKANDE KROPPAR I DET SAMTIDA TV-UTBUDET." Thesis, Stockholm University, Department of Cinema Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6604.

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<p>This thesis discusses the representation of bodies in todays non-fiction television in Sweden. I have chosen to focus on deviant bodies (sexual, deformed or unhealthy) on display in reality-shows and documentaries on SVT, TV4 but especially on the commercial channels TV3 and Kanal5. Also discussed are the viewers emotional and bodily reactions. Altough these shows are different from one another in many respects, I argue that there is also a common thread between them. From a sociological and cultural perspective, and with help of some historical examples, I try to illustrate how we view the
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Kelland, Dean. "Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/9189/.

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This practice-based PhD has at its core six short films, made by and featuring the author (Dean Kelland), which take as their inspiration certain male characters from TV sitcoms from the 1950s-1970s. Those characters are: Tony Hancock (Hancock’s Half- Hour, 1956-59, BBC1 UK); Harold Steptoe (Steptoe and Son, 1962-65, BBC1 UK); and the two “Likely Lads”, Bob Ferris and Terry Collier, (Whatever Happened To The Likely Lads?, 1973-74, BBC1 UK). The research is an investigation into the construction of masculine gender stereotypes, explored through a process of a performance-led visual arts practic
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Swenberg, Thorbjörn. "Framing the Gaze : (Audio-) Visual Design Intentions and Perceptual Considerations in Film Editing." Doctoral thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-35769.

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The theme for this doctoral thesis focuses on how a film editor strives actively to perceptually frame and direct the film viewer’s gaze across film edits. The editor’s (audio-)visual intentions concerning the film viewing correspond to perceptual considerations that the editor makes during film editing. Film editing in this thesis is considered as a kind of design work, foremost motivated by the possibilities of many new approaches, questions, and answers that a design perspective brings, stretching well beyond what previously adopted perspectives have done. The research questions asked, as w
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Darefelt, Niklas, and Christoffer Stenström. "Företags incitament till produktplacering i film och tv-serie : en fallstudie om Toyota Lexus och Volvo." Thesis, Högskolan i Halmstad, Sektionen för ekonomi och teknik (SET), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-18928.

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Zhou, Yuanzhi. "Capitalizing China's media industry : the installation of capitalist production in the Chinese TV and film sectors /." online access from Digital Dissertation Consortium, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3290456.

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Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.<br>Source: Dissertation Abstracts International, Volume: 68-11, Section: A, page: 4535. Adviser: Daniel Schiller. Includes bibliographical references (leaves 250-259) Available on microfilm from Pro Quest Information and Learning.
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Kim, Ju Young. "Rethinking media flow under globalisation : rising Korean wave and Korean TV and film policy since 1980s." Thesis, University of Warwick, 2007. http://wrap.warwick.ac.uk/1153/.

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The rising popularity of Korean contents in Asia known as Hanryu ('Korean Wave'), which was partly supported by Korean cultural policy, has many implications with regard to cultural policy in periphery countries under globalisation and the open-door versus cultural diversity debate. This thesis assesses how recent cultural opening under globalisation in Korea has affected Korea's cultural industries both quantitatively in terms of economic performance and qualitatively in terms of cultural content, identity and diversity. These questions are examined in the context of the changing relationship
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