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1

Wivel, Henrik. Spejlet: Bille Augusts film. Gyldendal, 2008.

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2

Meyer, Michael Leverson. File on Strindberg. Methuen, 1986.

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3

Trolle, Karin. Frøken Smillas fornemmelse for sne: Bogen om Bille Augusts film efter Peter Høegs roman. Munksgaard, 1996.

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4

(Firm), August Stukenbrok. Illustrierter Hauptkatalog 1931: August Stukenbrok, Einbeck. Olms Presse, 1989.

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5

Godfrey, Donald G. Early Film Experiments. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0003.

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This chapter focuses on C. Francis Jenkins' early film experiments. The large-screen projector and the concept of intermittent motion remain Jenkins' most lasting contributions to the industries of film and motion pictures in television. His projector was the first to freeze a frame of film for a fraction of a second, as it flowed past the lamp and lens of the projector. The late 1870s into the early 1900s was a time of growing industrial opportunity. Still photography was becoming a popular hobby, while inventors such as Louis and Auguste Lumiere, Emile Reynaud, Thomas A. Edison, George Eastm
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6

Campbell, Bonita J. Wendell August Forge: Seventy Five Years of Artistry in Metal. Dragonflyer Pr, 1998.

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7

The Pinochet File: A Declassified Dossier on Atrocity and Accountability. New Press, 2013.

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8

The Pinochet File: A Declassified Dossier on Atrocity and Accountability. New Press, 2004.

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9

Eller, Jonathan R. New Stories and New Opportunities. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0020.

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This chapter discusses Ray Bradbury's new short stories and the new opportunities that became available to him as a writer during the war years. In the spring of 1945 Bradbury wrote his first quality novella-length story. Although he had written long stories for both the detective and the science fiction pulps, only “Chrysalis” had staying power in the genre. His next project, “Eight Day World,” sold to Planet Stories in June 1945, and reached print a year later in the Fall 1946 issue, as “The Creatures That Time Forgot.” This chapter considers Bradbury's venture into radio and film, including
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10

Lurie, Peter. Seeing in the Dark Houses. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199797318.003.0002.

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This chapter uses historicist criticism of William Faulkner to suggest a limit to even the best approaches to this deeply historical writer. Attending to what his novels cannot say—or—see about history and racial understanding, I draw on Maurice Blanchot’s philosophy of language to show the category error that scholars make when assuming that Faulkner’s texts yield the historical secret lodged in the imagined structures and complicated texts Absalom, Absalom! and Light and August, each of which bore the title “Dark House” in manuscript form. The chapter shows the more meaningful aporias and la
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11

The Pinochet File: A Declassified Dossier on Atrocity and Accountability (A National Security Archive Book). New Press, 2003.

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12

Grewal, J. S. Master Tara Singh Emerges as the Foremost Sikh Leader. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199467099.003.0008.

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The Akalis joined the civil disobedience movement, and Master Tara Singh was arrested while leading an Akali jathā to Peshawar and sent to jail. The Communal Award of August 1932 recommended statutory Muslim majority in the Punjab Legislative Assembly. The leaders of Sikh parties formed the Khalsa Darbar to resist implementation of the Award. But the Akali leadership was soon divided. Master Tara Singh’s agitation against the Maharaja of Patiala in 1935 led to a compromise. Master Tara Singh took a firm stand against the Muslim leaders of the Shahidganj agitation. In 1936, he took serious inte
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13

Safran, Meredith, ed. Screening the Golden Ages of the Classical Tradition. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474440844.001.0001.

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Screening the Golden Ages of the Classical Tradition explores how films and television programs have engaged with one of the most powerful myths in the Western classical tradition: that humans once lived under ideal conditions, as defined by proximity to the divine. We feel nostalgia for this imagined origin, regret at being born too late to enjoy it, and worry over why we lost it. We seek to recover that “golden age” by religious piety—or, by technological innovation, try to create our own utopia. The breach between this imagined world and lived reality renders these mythical constructs as po
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14

Rutter, Emily Ruth. Invisible Ball of Dreams. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817129.001.0001.

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Although many Americans think of Jackie Robinson when they consider the story of race and racism in baseball, a long history of tragedies and triumphs precede Robinson’s momentous debut with the Brooklyn Dodgers on April 15, 1947. From the pioneering Cuban Giants (1885-1915) to the Negro Leagues (1920-1960), black baseball was a long-standing, if underdocumented, staple of African American communities. This book examines creative portraits of this history by William Brashler, Jerome Charyn, August Wilson, Gloria Naylor, Harmony Holiday, Kadir Nelson, and Denzel Washington, among others. Divide
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15

Gardner, Hunter H. Pestilence and the Body Politic in Latin Literature. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198796428.001.0001.

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Lucretius, Vergil, and Ovid developed important conventions of the Western plague narrative as a response to the breakdown of the Roman res publica in the mid-first century CE and the reconstitution of stabilized government under the Augustan Principate (31 BCE–14 CE). Relying on the metaphoric relationship between the human body and the body politic, these authors use largely fictive representations of epidemic disease to address the collapse of the social order and suggest remedies for its recovery. Plague as such functions frequently in Roman texts to enact a drama in which the concerns of
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