Relevant bibliographies by topics / Film classification

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film classification'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Film classification"

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Covell, Tim. "Children’s Participation Rights in Film Classification Systems." International Journal of Children’s Rights 25, no. 2 (August 8, 2017): 438–55. http://dx.doi.org/10.1163/15718182-02502005.

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Film classification helps countries meet their obligations to protect children under Article 17(e) of the United Nations Convention on the Rights of the Child. Classifying films is an administrative proceeding that affects children, by limiting and setting conditions on what they can view. Therefore, children should have their interests represented or otherwise participate, as required by Article 12. This paper researches the degrees and methods of child participation in film classification systems, primarily by a survey of agencies. Based on data from 22 agencies in 17 countries, 73 per cent have some degree of child participation. This ranges from providing a website for children, to children’s panels reviewing and discussing classification for pre-screened films. Comparison with other international data sets suggests countries with a high degree of child participation in film classification are those which are generally making good progress implementing children’s rights.
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Liu, Bingxin, Ying Li, Guannan Li, and Anling Liu. "A Spectral Feature Based Convolutional Neural Network for Classification of Sea Surface Oil Spill." ISPRS International Journal of Geo-Information 8, no. 4 (March 27, 2019): 160. http://dx.doi.org/10.3390/ijgi8040160.

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Spectral characteristics play an important role in the classification of oil film, but the presence of too many bands can lead to information redundancy and reduced classification accuracy. In this study, a classification model that combines spectral indices-based band selection (SIs) and one-dimensional convolutional neural networks was proposed to realize automatic oil films classification using hyperspectral remote sensing images. Additionally, for comparison, the minimum Redundancy Maximum Relevance (mRMR) was tested for reducing the number of bands. The support vector machine (SVM), random forest (RF), and Hu’s convolutional neural networks (CNN) were trained and tested. The results show that the accuracy of classifications through the one dimensional convolutional neural network (1D CNN) models surpassed the accuracy of other machine learning algorithms such as SVM and RF. The model of SIs+1D CNN could produce a relatively higher accuracy oil film distribution map within less time than other models.
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Driscoll, Catherine, and Liam Grealy. "In the name of the nation: Media classification, globalisation, and exceptionalism." International Journal of Cultural Studies 22, no. 3 (July 5, 2018): 383–99. http://dx.doi.org/10.1177/1367877918784606.

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This article examines the relationship between exceptionalism and nationhood in media classification. The history of age-ratings is an international one, and the present challenges associated with digital media circulation are similarly international. We argue that the nation nevertheless provides an appropriate frame for understanding age-rating by attending to the ways national agencies have struggled to articulate the specificity of their work based on the specificity of domestic constituencies. Drawing on archival and ethnographic research, our central examples include the resistance of the Motion Picture Association of America to age-based film classification, the British Board of Film Classification’s examination of American films in the 1980s, contemporary Japanese videogame regulation, and the emergence of the International Age Rating Coalition. We argue that national exceptionalism is itself generalised and that media content regulation is less about producing national culture than about laying claim to a nation by differentiation.
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Демина, Наталья, Natal'ya Demina, Анна Титова, Anna Titova, Елена Бахрушина, Elena Bahrushina, Марина Вакина, Marina Vakina, Екатерина Булова, and Ekaterina Bulova. "Films as a trend in the creation of innovation medicine delivery systems (review)." Vestnik Roszdravnadzora 2019, no. 3 (June 26, 2019): 54–58. http://dx.doi.org/10.35576/article_5d135f4a4f3788.19551999.

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The review have been investigated the question of development of innovative medications in the film as dosage form. The article have been studied the history of created the films, using in medicine, the created medicines, film classification, film technology, excipients and development perspective.
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Pronin, Alexander A. "Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect." Journal of Flm Arts and Film Studies 7, no. 3 (September 15, 2015): 62–71. http://dx.doi.org/10.17816/vgik7362-71.

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The article analyzes the underresearched practice of using feature film quotations in portrait documentaries. A certain number of contemporary films help to single out the most typical sphere of quotations usage, demonstrate typical means of incorporating film quotations into the new film text, and present a classification of quotation variants according to their functional-semantic aspect.
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Muhtadan, Risanuri Hidayat, Widyawan, and Fahmi Amhar. "Weld Defect Classification in Radiographic Film Using Statistical Texture and Support Vector Machine." Advanced Materials Research 896 (February 2014): 695–700. http://dx.doi.org/10.4028/www.scientific.net/amr.896.695.

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Weld defect identification requires radiographic operator experience, so the interpretation of weld defect type could potentially bring subjectivity and human error factor. This paper proposes Statistical Texture and Support Vector Machine method for weld defect type classification in radiographic film. Digital image processing technique applied in this paper implements noise reduction using median filter, contrast stretching, and image sharpening using Laplacian filter. Statistical method feature extraction based on image histogram was proposed for describing weld defects texture characteristic of a radiographic film digital image. Multiclass Support Vector Machine (SVM) algorithm was used to perform classification of weld defects type. The result of classification testing shows that the proposed method can classify 83.3% correctly from 60 testing data of weld defects radiographic films.
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VEREȘ, SANDA, and IOANA MAGDAȘ. "The Use of the Educational Animated Film in Primary Education in Romania." Romanian Review of Geographical Education 9, no. 2 (November 14, 2020): 67–86. http://dx.doi.org/10.23741/rrge220204.

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This study aims to review, analyse and synthesize the literature, which refers to the use of educational film in education in Romania and which deepens aspects related to the use of animated film in primary education. The aim was to review the literature on: classification of animated films in the category of educational means; the functions of animated films; types and sources of animated films; teacher preparation for the use of film for educational purposes; integrating the film into the lesson; how to use animated films in primary education and the results of their use. Existing information in papers in the field of education sciences from the last three decades was analysed. Regarding the use of animation films in primary education, five studies were analysed in depth
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Olesen, Christian Gosvig, and Ivan Kisjes. "From Text Mining to Visual Classification." TMG Journal for Media History 21, no. 2 (November 1, 2018): 127. http://dx.doi.org/10.18146/2213-7653.2018.370.

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Focusing on the specific case of cinema owner and film distributor Jean Desmet’s digitised business archive, this article discusses how computational approaches may facilitate the archive’s unlocking for researchers in the Dutch national research infrastructure – CLARIAH –Media Suite. To this end, the article considers previous computational approaches to film- related sources in New Cinema History research in a historical perspective, suggesting a novel approach which combines text mining and visual classification. The article argues that such a combination is necessary to yield results which reflect the archive’s material heterogeneity and complexity, and that it offers a new direction for computational approaches in New Cinema History and their conceptualisations of film-related materials as historical sources.
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Upton, Julian. "Innocence Unprotected? Permissiveness and the AA Certificate 1970–82." Journal of British Cinema and Television 14, no. 1 (January 2017): 64–76. http://dx.doi.org/10.3366/jbctv.2017.0352.

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This article focuses on the British Board of Film Censors' (BBFC) relatively short-lived AA certificate, launched in 1970 in a revamp of the classification system amidst increasingly heated arguments around ‘permissiveness’ and the cinema. The AA was introduced by BBFC Secretary John Trevelyan in order to reduce the ubiquity of X-certificated films and to acknowledge a liberalisation of attitudes in the classification of material for teenage audiences. Although it arguably failed overall to meet its broader, progressive objectives, the AA did represent a degree of censorial relaxation and had the potential to help to bring British film classification further in line with the more relaxed systems in western Europe and the US. However, the rating met with trouble from the outset, with hostility from exhibitors, confusion from audiences and apathy from film distributors. Furthermore, its application would be restrained by excessive caution, indecisiveness and ‘quality’ concerns on the part of the BBFC, and ultimately would fall foul of a renewed vigilance around film censorship that took hold in Britain in the early 1980s.
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Yang, Yu-Pu, Te-Yun Lu, Hsiao-Han Lo, Wei-Lun Chen, Peter J. Wang, Walter Lai, Yiin-Kuen Fuh, and Tomi T. Li. "Machine Learning Assisted Classification of Aluminum Nitride Thin Film Stress via In-Situ Optical Emission Spectroscopy Data." Materials 14, no. 16 (August 8, 2021): 4445. http://dx.doi.org/10.3390/ma14164445.

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In this study, we submit a complex set of in-situ data collected by optical emission spectroscopy (OES) during the process of aluminum nitride (AlN) thin film. Changing the sputtering power and nitrogen(N2) flow rate, AlN film was deposited on Si substrate using a superior sputtering with a pulsed direct current (DC) method. The correlation between OES data and deposited film residual stress (tensile vs. compressive) associated with crystalline status by X-ray diffraction spectroscopy (XRD), scanning electron microscope (SEM), and transmission electron microscope (TEM) measurements were investigated and established throughout the machine learning exercise. An important answer to know is whether the stress of the processing film is compressive or tensile. To answer this question, we can access as many optical spectra data as we need, record the data to generate a library, and exploit principal component analysis (PCA) to reduce complexity from complex data. After preprocessing through PCA, we demonstrated that we could apply standard artificial neural networks (ANNs), and we could obtain a machine learning classification method to distinguish the stress types of the AlN thin films obtained by analyzing XRD results and correlating with TEM microstructures. Combining PCA with ANNs, an accurate method for in-situ stress prediction and classification was created to solve the semiconductor process problems related to film property on deposited films more efficiently. Therefore, methods for machine learning-assisted classification can be further extended and applied to other semiconductors or related research of interest in the future.
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Dissertations / Theses on the topic "Film classification"

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Stoppe, Sebastian. "Film in concert: film scores and their relation to classical concert music." Verlag Werner Hülsbusch, 2014. https://ul.qucosa.de/id/qucosa%3A15663.

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From the very beginning of cinema, music always played an important role in the history of filmmaking. Nonetheless, film music is judged by critics as a kind of low-grade art form. However, the majority of film score composers enjoyed a classical education and composed as well for the silver screen as for the concert hall. Film music also has its roots in the musical era of romanticism. Therefore, symphonic film scores can be regarded as program music in a broader sense. These scores were influenced by a motion picture instead of a poem, a landscape, or a painting. It is neither necessary nor supposed that film music must be subordinate to its belonging film. In fact, a well-written film score may enhance the impact of a film by using its own language—the language of music. Film music is still not truly recognized as an own style of music which is to be performed regularly in a concert hall. There are still strong prejudices about film music—too nice, too industrial, full of clichés, and unworthy to be performed live by an orchestra. This book wants to explore the nature of film music and its relation to classical music in this volume. How is film music perceived today? Does film music have its place on its own—uncoupled from its original film—in the concert hall? And how does film music relate to other musical genres in the 19th and 20th century? With contributions by Emilio Audissino, Marco Cosci, Kristjan Järvi, Irena Paulus, Gene Pritsker, Jaume Radigales, Lorenzo Sorbo, Sebastian Stoppe, and Pascal Vandelanoitte.:Sebastian Stoppe : Film Music in Concert: Introduction Sebastian Stoppe : Film Composing between Art and Business Emilio Audissino : Overruling a Romantic Prejudice: Film Music in Concert Programs Jaume Radigales : Wagner’s Heritage in Cinema: The Bernard Herrmann Case Irena Paulus : Williams versus Wagner — Or an Attempt at Linking Musical Epics Emilio Audissino : Golden Age 2.0: John Williams and the Revival of the Symphonic Film Score Gene Pritsker: On Film Music in the 21st Century Kristjan Järvi : “A Soundtrack to Our Lives...” Gene Pritsker : Composing Cloud Atlas Symphony Lorenzo Sorbo : The Dramatic Functions of Italian Spaghetti Western Soundtracks: A Comparison between Ennio Morricone and Francesco De Masi Marco Cosci : Musical Labyrinths in Time: Alain Resnais’ L’Année dernière à Marienbad Pascal Vandelanoitte : Ludwig: Consonant Music in a Dissonant Life Contributors
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Franklin, Peter. "Reger and Film Music." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2017. https://ul.qucosa.de/id/qucosa%3A32335.

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It is proper that I should begin by admitting that I am only an apprentice Reger-scholar. In planning this invited paper I evertheless learned much about how and why a British Mahler- and Schreker specialist, interested in the music of Hans fitzner and Franz Schmidt, might have remained so inconsistently ignorant of Reger. Setting aside, for the moment, the specific question of film music, what I have learned is clearly of levance to questions about why Reger appears not to ‘travel well’ internationally and about his reception by a UK audience.
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Böhnke, Dietmar. "Screening Scotland: The 'New' Scottish Film since the 1990s." Universität Hildesheim, 2008. https://ul.qucosa.de/id/qucosa%3A21356.

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In seinem Überblick über das neue schottische Kino geht Dietmar Böhnke (Leipzig) auf die politischen, ökonomischen und kulturellen Gründe der 'Renaissance' nach und diskutiert eine Reihe neuerer Filme, neben international bekannten wie Brave Heart und Trainspotting auch andere, die die Themen und stilistischen Merkmale dieses Kinos typisch zum Ausdruck bringen, etwa Lynne Ramsays Morvern Callar und Ken Loachs Ae Fond Kiss.
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Villessèche, Julie. "The Board and the Commission (1909-present) : study of a language criterion through film classification." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2084/document.

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Cette thèse pose la question du travail des examinateurs au travers des classifications britannique et française de films : au Royaume-Uni, le BBFC (British Board of Film Classification) est l’institution en charge de la classification des films ; en France, c’est la Commission de Classification des Œuvres cinématographiques qui s’en occupe. La problématique de ce sujet est : comment les pratiques des examinateurs et les évolutions sociales et institutionnelles ont façonné la création et le développement d’un critère langage au sein des systèmes de classification britannique et français ? En effet, selon les stéréotypes, ces classifications sont généralement mises en opposition : le BBFC est présenté comme une machine à compter les jurons, alors que la classification française est décrite comme étant libérale. Cette thèse vise à expliquer l’origine de ces stéréotypes et à mettre en lumière la place du critère langage au sein de ces classifications de films
This thesis wonders about the work of examiners within British and French filmclassifications: in the UK, the BBFC (British Board of Film Classification) is theinstitution in charge of film classification; in France, it is the Commission ofClassification of Cinematographic Works. The question here is: how have the work ofexaminers and institutional and societal evolutions shaped the creation and thedevelopment of a language criterion within British and French film classificationsystems? Indeed, stereotypically, those classifications are generally opposed: the BBFC is presented as a swearword-counting system, while the French classification is described as liberal. This thesis aims at explaining the origin of those stereotypes and at highlighting the true place of language within film classifications
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Donath, Matthias. "August der Starke im Film." Via Regia Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A76178.

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Die Popularisierung August des Starken im 20. Jahrhundert ist ganz maßgeblich dem Film und dem ab den 1950er-Jahren verbreiteten Fernsehen zu verdanken. Welche Filme dazu beitrugen und wie jede 'Film-Generation' den Stoff mit welcher Absicht bearbeitete, darüber gibt der Artikel Auskunft.:Der galante König – August der Starke (1920) August der Starke (1935/36) Der Gefangene des Königs (1935) Die blauen Schwerter (1949) Hrabina Cosel (1968) August der Starke – Ein ganzes Volk nennt ihn Papa (1970) Sachsens Glanz und Preußens Gloria (1982-1987) August der Starke (1984) Geschichte Mitteldeutschlands August der Starke und die Liebe (2010)
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Schulte, Strathaus Stefanie. "What has happened to this film?" map - media archive performance ; 2014/5 (E-Journal, URL: http://www.perfomap.de, ISSN 2191-0901), 2014. https://slub.qucosa.de/id/qucosa%3A7330.

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Mit seinen 8.000 Titeln spiegelt das Archiv des Arsenal – Institut für Film und Videokunst ein halbes Jahrhundert internationaler Filmkunst jenseits des Mainstreams anhand der lebendigen Geschichte einer Berliner Institution, die in ihrer Struktur weltweit einzigartig ist. In der Sammlung befinden sich Filme aus aller Welt, aller Genres, Längen und Formate. Das Arsenal versteht seine Sammlung als „Living Archive“ – ein Archiv, das nur in Bezug auf den Betrachter Bedeutung haben kann. Für das hier vorgestellte und kontextualisierte Projekt wurden über einen Projektzeitraum von zwei Jahren (2011–2013) 37 Künstler, Filmschaffende, Performer, Musiker, Kuratoren und Wissenschaftler, sowie vier Stipendiaten des Goethe-Instituts eingeladen, Projekte aus dem Archivbestand des Arsenal zu entwickeln. In der Umsetzung des Projekts wurde deutlich, dass Themen wie Forschung, Sicherung und Erhalt untrennbar mit heutigen Fragen zu Ausstellungspraxis, Kunstproduktion und Gegenwartspolitik verbunden sind.
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Kosub, Tobias. "Ferromagnet-Free Magnetoelectric Thin Film Elements." Doctoral thesis, Universitätsbibliothek Chemnitz, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-215612.

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The work presented in this thesis encompasses the design, development, realization and testing of novel magnetoelectric thin film elements that do not rely on ferromagnets, but are based entirely on magnetoelectric antiferromagnets such as Cr2O3. Thin film spintronic elements, and in particular magnetoelectric transducers, are crucial building blocks of high efficiency data processing schemes that could complement conventional electronic data processing in the future. Recent developments in magnetoelectrics have revealed, that exchange biased systems are ill-suited to electric field induced switching of magnetization due to the strong coupling of their ferromagnetic layer to magnetic fields. Therefore, ferromagnet-free magnetoelectric elements are proposed here in an effort to mitigate the practical problems associated with existing exchange biased magnetoelectric elements. This goal is achieved by establishing an all-electric read-out method for the antiferromagnetic order parameter of thin films, which allows to omit the ferromagnet from conventional exchange biased magnetoelectric elements. The resulting ferromagnet-free magnetoelectric elements show greatly reduced writing thresholds, enabled operation at room temperature and do not require a pulsed magnetic field, all of which is in contrast to state-of-the-art exchange biased magnetoelectric systems. The novel all-electric read-out method of the magnetic field-invariant magnetization of antiferromagnets, so-called spinning-current anomalous Hall magnetometry, can be widely employed in other areas of thin film magnetism. Its high precision and its sensitivity to previously invisible phenomena make it a promising tool for various aspects of thin solid films. Based on this technique, a deep understanding could be generated as to what physical mechanisms drive the antiferromagnetic ordering in thin films of magnetoelectric antiferromagnets. As spinning-current anomalous Hall magnetometry is an integral probe of the magnetic properties in thin films, it offers no intrinsic scale sensitivity. In order to harness its great precision for scale related information, a statistical framework was developed, which links macroscopic measurements with microscopic properties such as the antiferromagnetic domain size.
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Sanchez-Stockhammer, Christina. "How comics communicate on the screen: Telecinematic discourse in comic-to-film adaptations." Bloomsbury, 2020. https://monarch.qucosa.de/id/qucosa%3A74551.

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This paper explores the relation between the popular “Tintin” comics by the Belgian artist Hergé and Steven Spielberg’s successful film adaptation “The Adventures of Tintin” (2011) from a linguistic perspective. It explores how language use in the scriptovisual medium of the comic (which combines still images and printed text) is rendered in the audiovisual medium of film (which combines moving images and spoken language). After discussing general linguistic similarities between comics and films and the use of language in each of the two media, the paper compares the representation of voice, accent, thoughts, talking animals, sounds and written language in Spielberg’s screen adaptation to the original printed comic books. It analyses to what extent the language from comic books can be directly transferred to the filmic medium and investigates possible causes underlying any modifications in the above-mentioned domains.
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Jakobsson, Anna-Karin. "Klassifikation av litteratur om film och TV : En komparativ studie av Klassifikationssystem för svenska bibliotek (SAB) och FIAF Classification scheme for literature on film and television." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19049.

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The aim of this thesis is to compare two different classification schemes with each other and see what the differences and similarities are when classifying literature concerning film and television. One of the schemes is of general kind, Klassifikationssystem för svenska bibliotek (SAB) and the other is a special system, FIAF Classification scheme for literature on film and television. The focus of the examination is on comparing the structure, contents and division of firstly the main classes and secondly on comparing the notation and the auxiliary tables in the schemes. The theoretical framework of the comparison is based upon theory of classification but the conclusions drawn are though mostly of a more subjective character. In addition to the comparison itself interviews have been made with four libraries, two with experiences of SAB and two with experiences of FIAF. The results of the study showed that the special system had a better breadth overall and that the possibilities for better specificity were much greater with that system, as expected. When comparing the overall structure of the schemes and how the classes were divided, the differences were negligible. The comparison of notation showed that the notation of the universal system was generally shorter and that the elements within it could be more easily distinguished. With the help of its auxiliary tables, the universal system turned out to make use of its resources in an even better way than expected. The interviews showed that both classification schemes were suitable in each organization.
Uppsatsnivå: D
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Böhnke, Dietmar. "A Devolved Cinema?: The ‘New’ Scottish Film since the 1990s." Wissenschaftlicher Verlag, 2011. https://ul.qucosa.de/id/qucosa%3A31943.

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Books on the topic "Film classification"

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Moulds, Michael. FIAF classification scheme for literature on film and television. 2nd ed. London: International Federation of Film Archives, 1992.

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Falcon, Richard. Classified!: A teachers' guide to film and video censorship and classification. London: British Film Institute, 1994.

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Otte, Daniel. Orthoptera species file. Philadelphia, Pa: The Orthopterists' Society and the Academy of Natural Sciences of Philadelphia, Department of Entomology, 1994.

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Otte, Daniel. Orthoptera species file. Philadelphia, Pa: The Orthopterists' Society and the Academy of Natural Sciences of Philadelphia, Department of Entomology, 1994.

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Commission, United States Nuclear Regulatory. Public document room file classification system. 2nd ed. [Washington, D.C.?]: U.S. Nuclear Regulatory Commission, Office of the Secretary, 1995.

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United States. Nuclear Regulatory Commission. Public document room file classification system. 2nd ed. [Washington, D.C.?]: U.S. Nuclear Regulatory Commission, Office of the Secretary, 1995.

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Otte, Daniel. Orthoptera species file: A systematic catalog. Philadelphia, PA: Orthopterists' Society, 1994.

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Cyros, Kreon L. Postsecondary Education Facilities Inventory and Classification Manual (FICM). 2nd ed. Washington, D.C.]: The Institute, 2006.

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Data classification: Algorithms and applications. Boca Raton: CRC Press, Taylor & Francis Group, 2014.

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Otte, Daniel. Orthoptera species file.: Acrididae (part) : Cyrtacanthacridinae, Caryandinae, Eremogryllinae, Egnatiinae, Rhytidochrotinae, Coptacridinae, Copiocerinae, Illapeliinae, Leptysminae, Ommatolampinae, Proctolabinae, Gomphocerinae, Acridinae,. Philadelphia, Pa: The Orthopterists' Society and the Academy of Natural Sciences of Philadelphia, Department of Entomology, 1995.

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Book chapters on the topic "Film classification"

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Murube, J., A. Paterson, and E. Murube. "Classification of Artificial Tears." In Lacrimal Gland, Tear Film, and Dry Eye Syndromes 2, 693–704. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4615-5359-5_99.

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Murube, J., A. Murube, and Chen Zhuo. "Classification of Artificial Tears." In Lacrimal Gland, Tear Film, and Dry Eye Syndromes 2, 705–15. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4615-5359-5_100.

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Fu, Zhikang, Bing Li, Jun Li, and Shuhua Wei. "Fast Film Genres Classification Combining Poster and Synopsis." In Lecture Notes in Computer Science, 72–81. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-23989-7_8.

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Lemp, Michael A. "Epidemiology and Classification of Dry Eye." In Lacrimal Gland, Tear Film, and Dry Eye Syndromes 2, 791–803. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4615-5359-5_111.

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McMonnies, Charles, Arthur Ho, and Denis Wakefield. "Optimum Dry Eye Classification Using Questionnaire Responses." In Lacrimal Gland, Tear Film, and Dry Eye Syndromes 2, 835–38. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4615-5359-5_117.

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Muneesawang, Paisarn, Ning Zhang, and Ling Guan. "Audio-Visual Fusion for Film Database Retrieval and Classification." In Multimedia Database Retrieval, 279–303. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-11782-9_10.

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Bolón-Canedo, Verónica, Beatriz Remeseiro, Noelia Sánchez-Maroño, and Amparo Alonso-Betanzos. "Real-Time Tear Film Classification Through Cost-Based Feature Selection." In Transactions on Computational Collective Intelligence XX, 78–98. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-27543-7_4.

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Calvo, D., A. Mosquera, M. Penas, C. García-Resúa, and B. Remeseiro. "Color Texture Analysis for Tear Film Classification: A Preliminary Study." In Lecture Notes in Computer Science, 388–97. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13775-4_39.

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Lu, Ching-Ta, Jun-Hong Shen, Ling-Ling Wang, Chia-Hua Liu, Chia-Yi Chang, and Kun-Fu Tseng. "Film Classification Using HSV Distribution and Deep Learning Neural Networks." In Lecture Notes in Electrical Engineering, 144–53. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3648-5_17.

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Portolese, Giuseppe, Marcos Aurélio Domingues, and Valéria Delisandra Feltrim. "Exploring Textual Features for Multi-label Classification of Portuguese Film Synopses." In Progress in Artificial Intelligence, 669–81. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30244-3_55.

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Conference papers on the topic "Film classification"

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B, BOEV, D. ANGELOVA, and KARTUNOV S. "Classification of Thin Film and Ultra Thin Film Deposition Metods." In Fifth International Conference on Advances in Mechanical and Robotics Engineering - AMRE 2017. Institute of Research Engineers and Doctors, 2017. http://dx.doi.org/10.15224/978-1-63248-123-8-36.

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Wang, Hee Lin, and Loong-Fah Cheong. "Film shot classification using directing semantics." In 2008 19th International Conference on Pattern Recognition (ICPR). IEEE, 2008. http://dx.doi.org/10.1109/icpr.2008.4760960.

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H., Oswin Rahadiyan, Gloria Virginia, and Antonius Rachmat C. "Sentiment Classification of Film Reviews Using IB1." In 2016 7th International Conference on Intelligent Systems, Modelling and Simulation (ISMS). IEEE, 2016. http://dx.doi.org/10.1109/isms.2016.38.

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"Feature Selection Applied to Human Tear Film Classification." In International Conference on Agents and Artificial Intelligence. SCITEPRESS - Science and and Technology Publications, 2014. http://dx.doi.org/10.5220/0004809403950402.

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Portolese, Giuseppe, and Valéria Delisandra Feltrin. "On the Use of Synopsis-based Features for Film Genre Classification." In XV Encontro Nacional de Inteligência Artificial e Computacional. Sociedade Brasileira de Computação - SBC, 2018. http://dx.doi.org/10.5753/eniac.2018.4476.

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Technological advancements and the interest of companies that operate in digital environments have made the categorization of mediatic products increasingly popular. This is often a multi-label scenario, where an item may be labeled with many categories. Most of the literature approach film genre classification as a mono-label task, usually relying on audio-visual features. In this paper we explore the use of text-based features extracted from film synopses for multi-label film genre classification. We experimented with 19 feature extraction approaches combined with 4 multi-label classifiers. Our experimental results show f1-scores of up to 54.8%, which are significantly higher than other similar studies presented in the literature.
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Noh, Chung-Ho, Seok-Lyong Lee, Deok-Hwan Kim, and Chin-Wan Chung. "Effective defect classification for flat display panel film images." In the 2009 International Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1644993.1645044.

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Benatan, Matt, and Kia Ng. "Cross-Covariance-based Features for Speech Classification in Film Audio." In The 21st International Conference on Distributed Multimedia Systems. KSI Research Inc. and Knowledge Systems Institute Graduate School, 2015. http://dx.doi.org/10.18293/dms2015-023.

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Cruz, Luana Batista da, Jose Denes Lima Araujo, Johnatan Carvalho Souza, Jefferson Alves de Sousa, Joao Dallyson Sousa de Almeida, Geraldo Braz Junior, Aristofanes Correa Silva, and Anselmo Cardoso de Paiva. "Tear Film Classification Using Phylogenetic Diversity Indexes as Texture Descriptor." In 2018 IEEE Symposium on Computers and Communications (ISCC). IEEE, 2018. http://dx.doi.org/10.1109/iscc.2018.8538580.

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Su, Zhibin, Yahong Qian, Hui Ren, Chaohui Lv, Xiaoyi Zhang, and Weiwei Li. "Emotion Classification of Film and Television Scene Images for Audiences." In 2019 International Joint Conference on Information, Media and Engineering (IJCIME). IEEE, 2019. http://dx.doi.org/10.1109/ijcime49369.2019.00013.

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Moustafa, Mohamed, Tian Ruifeng, and Florencia Renteria. "Classification Water Film Critical Images Using Deep Convolutional Neural Networks." In ACAI 2019: 2019 2nd International Conference on Algorithms, Computing and Artificial Intelligence. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3377713.3377763.

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Reports on the topic "Film classification"

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Kroeker, L., and J. Folchi. Marine Corps Recruit Classification: The Program Fill-Rate Component. Fort Belvoir, VA: Defense Technical Information Center, January 1985. http://dx.doi.org/10.21236/ada150041.

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Ander, Kjell. An abdominal stridulation organ in Cyphoderris (Prophalangopsidae) and concerning the systematic classification of the Ensifera (Saltatoria). MacEwan University Library, January 2021. http://dx.doi.org/10.31542/r.gm:2687.

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Ensiferan insects (crickets, katydids, grigs and allies) are well known for rubbing parts of their cuticle together to produce sound: a process called stridulation. In this article Swedish entomologist Kjell Ander describes a novel (at the time) stridulatory apparatus in the great grig, Cyphoderris monstrosa (Prophalangopsidae), a relict ensiferan found in the mountainous regions of western North America. Ander used preserved specimens to predict the sound-producing function of a pair of abdominal file-scraper apparatuses, although he was never able to directly test his proposed mechanism nor did he speculate as to the adaptive significance of the structures. The article concludes with a review of the systematic placement of various higher level taxa within the order Orthoptera, of which Ensifera is one suborder.
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Ander, Kjell. An abdominal stridulation organ in Cyphoderris (Prophalangopsidae) and concerning the systematic classification of the Ensifera (Saltatoria). MacEwan University Library, January 2021. http://dx.doi.org/10.31542/r.gm:2687.

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Ensiferan insects (crickets, katydids, grigs and allies) are well known for rubbing parts of their cuticle together to produce sound: a process called stridulation. In this article Swedish entomologist Kjell Ander describes a novel (at the time) stridulatory apparatus in the great grig, Cyphoderris monstrosa (Prophalangopsidae), a relict ensiferan found in the mountainous regions of western North America. Ander used preserved specimens to predict the sound-producing function of a pair of abdominal file-scraper apparatuses, although he was never able to directly test his proposed mechanism nor did he speculate as to the adaptive significance of the structures. The article concludes with a review of the systematic placement of various higher level taxa within the order Orthoptera, of which Ensifera is one suborder.
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Evans, Julie, Kendra Sikes, and Jamie Ratchford. Vegetation classification at Lake Mead National Recreation Area, Mojave National Preserve, Castle Mountains National Monument, and Death Valley National Park: Final report (Revised with Cost Estimate). National Park Service, October 2020. http://dx.doi.org/10.36967/nrr-2279201.

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Vegetation inventory and mapping is a process to document the composition, distribution and abundance of vegetation types across the landscape. The National Park Service’s (NPS) Inventory and Monitoring (I&M) program has determined vegetation inventory and mapping to be an important resource for parks; it is one of 12 baseline inventories of natural resources to be completed for all 270 national parks within the NPS I&M program. The Mojave Desert Network Inventory & Monitoring (MOJN I&M) began its process of vegetation inventory in 2009 for four park units as follows: Lake Mead National Recreation Area (LAKE), Mojave National Preserve (MOJA), Castle Mountains National Monument (CAMO), and Death Valley National Park (DEVA). Mapping is a multi-step and multi-year process involving skills and interactions of several parties, including NPS, with a field ecology team, a classification team, and a mapping team. This process allows for compiling existing vegetation data, collecting new data to fill in gaps, and analyzing the data to develop a classification that then informs the mapping. The final products of this process include a vegetation classification, ecological descriptions and field keys of the vegetation types, and geospatial vegetation maps based on the classification. In this report, we present the narrative and results of the sampling and classification effort. In three other associated reports (Evens et al. 2020a, 2020b, 2020c) are the ecological descriptions and field keys. The resulting products of the vegetation mapping efforts are, or will be, presented in separate reports: mapping at LAKE was completed in 2016, mapping at MOJA and CAMO will be completed in 2020, and mapping at DEVA will occur in 2021. The California Native Plant Society (CNPS) and NatureServe, the classification team, have completed the vegetation classification for these four park units, with field keys and descriptions of the vegetation types developed at the alliance level per the U.S. National Vegetation Classification (USNVC). We have compiled approximately 9,000 existing and new vegetation data records into digital databases in Microsoft Access. The resulting classification and descriptions include approximately 105 alliances and landform types, and over 240 associations. CNPS also has assisted the mapping teams during map reconnaissance visits, follow-up on interpreting vegetation patterns, and general support for the geospatial vegetation maps being produced. A variety of alliances and associations occur in the four park units. Per park, the classification represents approximately 50 alliances at LAKE, 65 at MOJA and CAMO, and 85 at DEVA. Several riparian alliances or associations that are somewhat rare (ranked globally as G3) include shrublands of Pluchea sericea, meadow associations with Distichlis spicata and Juncus cooperi, and woodland associations of Salix laevigata and Prosopis pubescens along playas, streams, and springs. Other rare to somewhat rare types (G2 to G3) include shrubland stands with Eriogonum heermannii, Buddleja utahensis, Mortonia utahensis, and Salvia funerea on rocky calcareous slopes that occur sporadically in LAKE to MOJA and DEVA. Types that are globally rare (G1) include the associations of Swallenia alexandrae on sand dunes and Hecastocleis shockleyi on rocky calcareous slopes in DEVA. Two USNVC vegetation groups hold the highest number of alliances: 1) Warm Semi-Desert Shrub & Herb Dry Wash & Colluvial Slope Group (G541) has nine alliances, and 2) Mojave Mid-Elevation Mixed Desert Scrub Group (G296) has thirteen alliances. These two groups contribute significantly to the diversity of vegetation along alluvial washes and mid-elevation transition zones.
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Arbeit, Caren A., Alexander Bentz, Emily Forrest Cataldi, and Herschel Sanders. Alternative and Independent: The universe of technology-related “bootcamps". RTI Press, February 2019. http://dx.doi.org/10.3768/rtipress.2019.rr.0033.1902.

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In recent years, nontraditional workforce training programs have proliferated inside and outside of traditional postsecondary institutions. A subset of these programs, bootcamps, advertise high job placement rates and have been hailed by policymakers as key to training skilled workers. However, few formal data exist on the number, types, prices, location, or other descriptive details of program offerings. We fill this void by studying the universe of bootcamp programs offered as of June 30, 2017. In this report, we discuss the attributes of the 1,010 technology-related programs offered in the United States, Canada, and online. We find more diversity among bootcamp providers and programs than would be expected from public discourse. This primarily relates to the mode of delivery (online vs. in person), intensity (part time/full time), cost, and program types. Based on the data we collected, we present a classification structure for bootcamps focused on five distinct program types.
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Berney, Ernest, Naveen Ganesh, Andrew Ward, J. Newman, and John Rushing. Methodology for remote assessment of pavement distresses from point cloud analysis. Engineer Research and Development Center (U.S.), April 2021. http://dx.doi.org/10.21079/11681/40401.

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The ability to remotely assess road and airfield pavement condition is critical to dynamic basing, contingency deployment, convoy entry and sustainment, and post-attack reconnaissance. Current Army processes to evaluate surface condition are time-consuming and require Soldier presence. Recent developments in the area of photogrammetry and light detection and ranging (LiDAR) enable rapid generation of three-dimensional point cloud models of the pavement surface. Point clouds were generated from data collected on a series of asphalt, concrete, and unsurfaced pavements using ground- and aerial-based sensors. ERDC-developed algorithms automatically discretize the pavement surface into cross- and grid-based sections to identify physical surface distresses such as depressions, ruts, and cracks. Depressions can be sized from the point-to-point distances bounding each depression, and surface roughness is determined based on the point heights along a given cross section. Noted distresses are exported to a distress map file containing only the distress points and their locations for later visualization and quality control along with classification and quantification. Further research and automation into point cloud analysis is ongoing with the goal of enabling Soldiers with limited training the capability to rapidly assess pavement surface condition from a remote platform.
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Neeley, Aimee, Stace E. Beaulieu, Chris Proctor, Ivona Cetinić, Joe Futrelle, Inia Soto Ramos, Heidi M. Sosik, et al. Standards and practices for reporting plankton and other particle observations from images. Woods Hole Oceanographic Institution, July 2021. http://dx.doi.org/10.1575/1912/27377.

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This technical manual guides the user through the process of creating a data table for the submission of taxonomic and morphological information for plankton and other particles from images to a repository. Guidance is provided to produce documentation that should accompany the submission of plankton and other particle data to a repository, describes data collection and processing techniques, and outlines the creation of a data file. Field names include scientificName that represents the lowest level taxonomic classification (e.g., genus if not certain of species, family if not certain of genus) and scientificNameID, the unique identifier from a reference database such as the World Register of Marine Species or AlgaeBase. The data table described here includes the field names associatedMedia, scientificName/ scientificNameID for both automated and manual identification, biovolume, area_cross_section, length_representation and width_representation. Additional steps that instruct the user on how to format their data for a submission to the Ocean Biodiversity Information System (OBIS) are also included. Examples of documentation and data files are provided for the user to follow. The documentation requirements and data table format are approved by both NASA’s SeaWiFS Bio-optical Archive and Storage System (SeaBASS) and the National Science Foundation’s Biological and Chemical Oceanography Data Management Office (BCO-DMO).
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Kumar, Indraneel, Lionel Beaulieu, Annie Cruz-Porter, Chun Song, Benjamin St. Germain, and Andrey Zhalnin. An Assessment of the Workforce and Occupations in the Highway, Street, and Bridge Construction Industries in Indiana. Purdue University, 2020. http://dx.doi.org/10.5703/1288284315018.

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This project explores workforce and occupations within the highway, street, and bridge construction industries (NAICS 237310) in Indiana. There are five specific deliverable comprised of three data reports, one policy document, and a website. The first data report includes an assessment of the workforce based on the eight-part framework, which are industry, occupations, job postings, hard-to-fill jobs, Classification of Instructional Programs (CIP), GAP Analysis, compatibility, and automation. The report defines a cluster followed by a detailed analysis of the occupations, skills, job postings, etc., in the NAICS 237310 industry in Indiana. The report makes use of specialized labor market databases, such as the Economic Modeling Specialists International (EMSI), CHMURA JobsEQ, etc. The analysis is based only on the jobs covered under the unemployment insurance or the Quarterly Census of Employment and Wages (QCEW) data. The second data report analyzes jobs to jobs flows to and from the construction industry in Indiana, with a particular emphasis on the Great Recession, by utilizing the Bureau of Labor Statistics (BLS) data. The third data report looks into the equal employment opportunity or Section 1391 and 1392 data for Indiana and analyzes specific characteristics of that data. The policy report includes a set of recommendations for workforce development for INDOT and a summary of the three data reports. The key data on occupations within the NAICS 237310 are provided in an interactive website. The website provides a data dashboard for individual INDOT Districts. The policy document recommends steps for development of the highways, streets and bridges construction workforce in INDOT Districts.
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