Relevant bibliographies by topics / Film contexts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film contexts'

Author: Grafiati
Published: 24 April 2022
Last updated: 30 July 2025

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Journal articles on the topic "Film contexts"

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Shreve, Adam T. "Religious Films in Zimbabwean Contexts." International Journal of Public Theology 9, no. 2 (2015): 193–211. http://dx.doi.org/10.1163/15697320-12341392.

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This article presents the author’s original research of a reception study of religious films amongst Shona peoples in the Gora and Chikara villages, which are located in the Mashonaland West Province of Zimbabwe. The two central questions of the author’s study are: First, in what ways might pre-existing Shona images of Jesus shape Shona responses to and interpretations of Jesus as he is portrayed in The Jesus Film (1979) and in indigenous, short, Jesus films in Zimbabwe today? Secondly, how might the viewing of these films affect these images of Jesus? This article addresses how indigenous, sh
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Davydov, Dmitry M., Emmanuelle Zech, and Olivier Luminet. "Affective Context of Sadness and Physiological Response Patterns." Journal of Psychophysiology 25, no. 2 (2011): 67–80. http://dx.doi.org/10.1027/0269-8803/a000031.

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This study was conducted to test the hypothesis that two films that induce a sad feeling would elicit different physiological responses depending on an additional context of the film contents related to either avoidance (disgust) or attachment (tenderness). Reactivity was evaluated for facial behavior, heart rate, pulse transit time, skin conductance, and subjective experience. Participants reported feeling less happy and showed increased facial activity related to the sad content of both films. The sad film related to avoidance induced an increase in skin conductance level and response rate.
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Webb, Dominique. "Contexts of film practice." Media Practice and Education 20, no. 2 (2019): 131–33. http://dx.doi.org/10.1080/25741136.2019.1620474.

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White, Jerry. "Cold War Contexts: Pawlikowski in Film, Television, and European History." Film Quarterly 72, no. 3 (2019): 44–51. http://dx.doi.org/10.1525/fq.2019.72.3.44.

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Jerry White compares Paweł Pawlikowski's new film Zimna wojna (Cold War, 2018) to Karpo Godina's classic Slovenian film Rdeči boogie ali Kaj ti je deklica (Red Boogie, 1982), discussing the narrative and thematic continuities between the two films in the context of Cold War history and cinema. White also explores Pawlikowski's prior incarnation as a British documentary filmmaker named Paul to suggest a curious evolution; that in returning to his native Poland in his most recent films (Cold War and Ida), Pawlikowski has gone astray, abandoning the authenticity of his early British films such as
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Noordegraaf, Julia, Kathleen Lotze, and Jaap Boter. "Writing Cinema Histories with Digital Databases." TMG Journal for Media History 21, no. 2 (2018): 106. http://dx.doi.org/10.18146/2213-7653.2018.369.

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The increasing availability of films and cinema-related heritage in digital form, as well as the creation and use of structured datasets related to the contexts of film production, distribution and consumption, have invited the use of new, computational approaches for studying cinema and its history. In this article, we review the online database Cinema Context (www.cinemacontext.nl) and its impact on the study of historical film cultures. Cinema Context is a relational database and research instrument for studying the history of film culture in the Netherlands. After an introduction to Cinema
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Müllner, András. "Displacements. Contexts for a Participatory Media Project." Acta Universitatis Sapientiae, Film and Media Studies 23, no. 1 (2023): 86–109. http://dx.doi.org/10.2478/ausfm-2023-0005.

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Abstract This paper presents a participatory film intervention focused on young people, which was held within the framework of a grant coordinated by the Minor Media/Culture Research Centre and took place in the form of a summer camp in 2021. After revisiting some historical examples and definitions of participatory film, the author focuses on the concept of displacement as used in film theory and psychology, which he attempts to redefine and thereby reverse its negative connotations. The author analyses the catalyst method, one of the various forms of implementing participatory video as a vis
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Mattos, Marina Baltazar, and Gustavo Silveira Ribeiro. "Dois filmes, imensas constelações: Pan-cinema permanente e A paixão de JL / Two Films, Immense Constelations: Permanent Pan-cinema and The passion of JL." Cadernos Benjaminianos 15, no. 1 (2019): 131. http://dx.doi.org/10.17851/2179-8478.15.1.131-143.

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Resumo: Este ensaio tem como ponto central pensar os filmes Pan-cinema permanente (2008) e A paixão de JL (2015), ambos do diretor Carlos Nader, a partir de diferentes chaves de leitura, tentando entender seus distanciamentos e aproximações a partir da análise de seus respectivos contextos e, principalmente, como cada filme elabora as imagens e as narrativas, do passado e do presente, construindo constelações muito particulares. Enquanto o primeiro parte de movimentos tropicalistas e suas expansões, com base na prisão, desejo de ser escritor e a obra multifacetada de Waly Salomão, que, basta s
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Campos, Patrick. "The Intersection of Philippine and Global Film Cultures in the New Urban Realist Film." Plaridel 8, no. 1 (2010): 1–20. http://dx.doi.org/10.52518/2011.8.1-01cmps.

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With the rise of indie cinema in the Philippines, many say that another golden age is again in the making, and, like its predecessor, the films are being produced in the midst of widespread poverty and political instability. Understandably, a significant number of indie films has consciously returned to and explored the limits of the urban realist film of the ‘golden age’ (1975-1984), revisioning city spaces and signifying patterns in Philippine and global film cultures. The essay has three intricately connected sections. On the one hand, it delineates the shifting contexts of Philippine and g
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Woodward, Ashley. "Dispositif, Matter, Affect, and the Real: Four Fundamental Concepts of Lyotard's Film-Philosophy." Film-Philosophy 23, no. 3 (2019): 303–23. http://dx.doi.org/10.3366/film.2019.0118.

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Jean-François Lyotard's work remains a largely untapped resource for film-philosophy. This article surveys four fundamental concepts which indicate the fecundity of this work for current studies and debates. While Lyotard was generally associated with the “theory” of the 1980s which privileged language, signs, and cultural representations, much of his work in fact resonates more strongly with the new materialisms and realisms currently taking centre stage. The concepts examined here indicate the relevance of Lyotard's work in four related contemporary contexts: the renewed interest in the disp
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Otto, Wojciech. "Wajda autotematyczny. Wszystko na sprzedaż i Tatarak Andrzeja Wajdy." Przestrzenie Teorii, no. 27 (December 15, 2017): 151–70. http://dx.doi.org/10.14746/pt.2017.27.12.

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Mise-en-abîme discourse reveals itself most clearly in 2 films by Andrzej Wajda – Everything for sale and Sweet Rush. These are connected by collective reflexive contexts, as well as by a tendency to promote formal novelty. They can be analysed from the perspective of “a film in a film”, which is a story about making a film or “a film about a film”, which is a reflection on the cinematographic means of expression.
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Dissertations / Theses on the topic "Film contexts"

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Marks, Martin Miller. "Music and the silent film : contexts and case studies, 1895-1924 /." New-York ; Oxford : Oxford university press, 1997. http://catalogue.bnf.fr/ark:/12148/cb36988683h.

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Veith, Errol, and n/a. "Screening Science: Contexts, Texts and Science in Fifties Science Fiction Film." Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20051012.112131.

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Science fiction films may be viewed as existing as threads within a web, and at the same time constituting the web. The metaphor is apt: texts and contexts and their relationship have a difficult accommodation with each other, an interdependent and dynamic relationship. The text is a thread in the web, as are elements of context, yet the threads are in a symbiotic and constantly changing relationship with each other, as the web is constantly in a state of renewal and change. At the same time, the text itself is a web, as are the various contexts. The threads are both ephemeral and fleeting, wh
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Veith, Errol. "Screening Science: Contexts, Texts and Science in Fifties Science Fiction Film." Thesis, Griffith University, 1999. http://hdl.handle.net/10072/366488.

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Science fiction films may be viewed as existing as threads within a web, and at the same time constituting the web. The metaphor is apt: texts and contexts and their relationship have a difficult accommodation with each other, an interdependent and dynamic relationship. The text is a thread in the web, as are elements of context, yet the threads are in a symbiotic and constantly changing relationship with each other, as the web is constantly in a state of renewal and change. At the same time, the text itself is a web, as are the various contexts. The threads are both ephemeral and fleeting, wh
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Wessels, Chelsea. "Once upon a time outside the West : rethinking the western in global contexts." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6355.

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This project argues for rethinking the western as a global genre, rather than one rooted in a particular construction of the American West. First, by considering the western's global origins through an examination of early cinema, I challenge the singular connection to an American origin. Through tracing an alternative history of the genre in early cinema, we can see that the assumed connections between America and the western can be challenged by way of examples from France, Argentina, and Australia. Moving to the post-war and contemporary periods, this project highlights the popular and poli
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Wreyford, Natalie Louise. "The gendered contexts of screenwriting work : socialized recruitment and judgments of taste and talent in the UK film industry." Thesis, King's College London (University of London), 2016. https://kclpure.kcl.ac.uk/portal/en/theses/the-gendered-contexts-of-screenwriting-work(41c1b788-cccd-4a41-bf31-0a6d0fd05b4d).html.

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A substantial amount of data is available to illustrate just how few films have women in key creative positions, and how little the situation is changing. Critical sociological studies of work in creative industries have revealed a reestablishment of inequality along traditional lines such as gender but reasons for this continued inequality has only recently become a focus of creative labour studies. This thesis examines the dynamics of socialized recruitment processes that rely on subjective judgments of creative talent and ability. I identify the rhetorical work done in the UK film industry
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Gruber, Martin [Verfasser], Dorle [Akademischer Betreuer] Dracklé, and Peter [Akademischer Betreuer] Crawford. "Liparu Lyetu - Our Life : Participatory Ethnographic Filmmaking in Applied Contexts [[Elektronische Ressource]] / Martin Gruber. Gutachter: Dorle Dracklé ; Peter Crawford. Betreuer: Dorle Dracklé." Bremen : Staats- und Universitätsbibliothek Bremen, 2015. http://d-nb.info/1072304201/34.

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May, Christopher Jonathan. "System, gesture, rhetoric : contexts for rethinking tintinnabuli in the music of Arvo Pärt, 1960-1990." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:b54c2749-f35b-4fdc-91d7-8fd1d28e91b3.

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This thesis addresses critical strategies that have been used, or might be used, to approach Pärt's tintinnabuli music. It has three main objectives: to question prevalent narratives drawn around the tintinnabuli concept, to suggest interpretative frameworks that could yield fresh insights into that concept's 'meaning', and to introduce new and neglected materials to anglophone Pärt discourse. In studying the mediating role of the tintinnabuli scholar, I also confront some of the ethical challenges associated with research on living composers. This project places special emphasis on localise
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Beneke, Nanette. "The formation and transformation of identity in the novel and film of Great expectations by Charles Dickens / N. Beneke." Thesis, North-West University, 2008. http://hdl.handle.net/10394/582.

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The research done in this study was motivated by the notion that individuals (or societies) create their own reality through the specific space they occupy at a certain moment in time. This concept of reality implies an "interspace" between (con)texts that could be described as a hybrid (a term that is used to describe the mixing or intermingling of different aspects or liminal space between various (con)texts. As the notion of identity is closely related to the interaction of the individual with a specific context, the main aim of the research was to promote hybridity as a form of identity by
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Kydd, Christopher. "A mongrel tradition : contemporary Scottish crime fiction and its transatlantic contexts." Thesis, University of Dundee, 2013. https://discovery.dundee.ac.uk/en/studentTheses/965af68c-99ba-4b38-a20b-a23e052646cf.

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This thesis discusses contemporary Scottish crime fiction in light of its transatlantic contexts. It argues that, despite participating in a globalized popular genre, examples of Scottish crime fiction nevertheless meaningfully intervene in notions of Scottishness. The first chapter examines Scottish appropriations of the hard-boiled mode in the work of William McIlvanney, Ian Rankin, and Irvine Welsh, using their representation of traditional masculinity as an index for wider concerns about community, class, and violence. The second chapter examines examples of Scottish crime fiction that exp
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Wecker, Danièle Anne Irène. "What do you mean you lost the past? : agency, expression and spectacle in amateur filmmaking." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC135.

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La thèse ci-après présente une étude de films amateurs, fournis par le Centre National d'Audiovisuel au Luxembourg, dit CNA. Elle examine certaines notions de sens et d’interprétation en l’absence de métadonnées et du contexte d'origine. Plutôt que de prendre le film amateur comme genre ou pratique à part, cette étude porte sur le seul langage cinématographique. La première partie de ce travail identifie ainsi des modes filmiques hautement différenciés et interprétés à partir des images. Sans contexte original, ces films perdent leur principale source de signification, à savoir les commentaire
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Books on the topic "Film contexts"

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Susan, Hayward, and Vincendeau Ginette 1948-, eds. French film: Texts and contexts. Routledge, 1990.

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1945-, Hayward Susan, and Vincendeau Ginette 1948-, eds. French film: Texts and contexts. 2nd ed. Routledge, 2000.

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1945-, Hayward Susan, and Vincendeau Ginette 1948-, eds. French film, texts and contexts. Routledge, 1989.

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Kim, Soyoung. Korean Cinema in Global Contexts. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729147.

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Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.
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Stoker, Bram. Dracula: Authoritative text, contexts, reviews and reactions, dramatic and film variations, criticism. W.W. Norton, 1997.

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Skal, David J. Dracula: Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism. Norton & Company, 2021.

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Markus, Nornes, Yukio Fukushima, and Yamagata International Documentary Film Festival '91 (1991), eds. The Japan/America film wars: World War II propaganda and its cultural contexts. Harwood Academic Publishers, 1994.

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Auerbach, Nina, and David J. Skal, eds. Dracula: An Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism. W.W. Norton & Co., 1997.

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Wiegand, Daniel. Aesthetics of Early Sound Film. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463727372.

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This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to-be-perfected forerunners of ‘classical’ sound film. Instead, authors highlight the sense of ‘fruitful uncertainty’ in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, a
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Henry, James. The portrait of a lady: Complete text with introduction, historical contexts. Houghton Mifflin Co., 2001.

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Book chapters on the topic "Film contexts"

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Mazur, Krystyna. "1970s: Contexts." In Experimental Film and Artists’ Moving Image. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-59695-7_2.

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Peralta García, Lidia, and Lhoussain Simour. "Framing Migration Discourses: Contexts and Evolution." In Framing Film Festivals. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-63693-6_2.

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Benyahia, Sarah Casey, John White, and Freddie Gaffney. "Historical, social, and cultural contexts." In A Level Film Studies. Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-10.

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Benyahia, Sarah Casey, and John White. "Historical, social, political, and cultural contexts." In A Level Film Studies, 4th ed. Routledge, 2025. https://doi.org/10.4324/9781003495901-13.

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Ramon, Alex. "Murdoch on Film: ‘Re-Seeing Reality’ in Richard Eyre’s Iris (2001)." In Iris Murdoch: Texts and Contexts. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271365_15.

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Wood, Mary. "Chiaroscuro: The Half-Glimpsed Femme Fatale of Italian Film Noir." In The Femme Fatale: Images, Histories, Contexts. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282018_12.

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Hanson, Helen. "The Big Seduction: Feminist Film Criticism and the Femme Fatale." In The Femme Fatale: Images, Histories, Contexts. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282018_16.

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Bell, Melanie. "Fatal Femininity in Post-War British Film: Investigating the British Femme." In The Femme Fatale: Images, Histories, Contexts. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282018_8.

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Hermansson, Casie, and Janet Zepernick. "Children’s Film and Television: Contexts and New Directions." In The Palgrave Handbook of Children's Film and Television. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17620-4_1.

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Sanchez, Alexandra J. "Four Factors of Translation: Contexts, Agents, Practices, and Discourses." In Discourses of Migration in Documentary Film. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06539-2_3.

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Conference papers on the topic "Film contexts"

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Asakura, Y., H. Karasawa, M. Sakagami, and S. Uchida. "Relationships between Corrosion Behavior of SUS 304 in High Temperature Pure Water and Structure of Its Oxide Filmes." In CORROSION 1986. NACE International, 1986. https://doi.org/10.5006/c1986-86277.

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Abstract Effects of dissolved oxygen concentration on corrosion rates of SUS304 in high temperature pure water were examined at temperatures between 200 and 320 C by using impedance analysis techniques. A significant reduction of the corrosion rate above 260 °C and independency of the corrosion rate on dissolved oxygen concentrations at 320 °C were observed as unique phenomena. To understand these, the structures of oxide films were examined by scanning electron microscopy, secondary ion mass spectroscopy, and electrical capacity measurements. The oxide films could be divided into outer and in
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Pucić, Irina, Milko Jakšić, Tadija Madžar, and Ivan Rogan. "PIXE Spectroscopy for Determination of Volatile Corrosion Inhibitor Concentration in Anticorrosion Polymer Films." In CORROSION 2008. NACE International, 2008. https://doi.org/10.5006/c2008-08364.

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Abstract Anti-corrosion polymer films used from 0 to 6 years were investigated to determine the type and content of volatile corrosion inhibitors (VCI) and how long the films emit them to protect the metal surface encased in the film. Using FTIR and DSC low density polyethylene (LDPE) was identified as the polymer carrier. Particle induced X-ray emission (PIXE) spectroscopy of anti-corrosion polymer films revealed significant concentration of molybdenum (Mo) implying that corrosion inhibitor composition was molybdate based. The films were divided into three groups according to different rates
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Shifler, David A., and Denise M. Aylor. "Considerations for the Testing of Materials and Components in Seawater." In CORROSION 2002. NACE International, 2002. https://doi.org/10.5006/c2002-02217.

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Abstract Seawater is an aggressive, complex fluid that affects nearly all common structural materials to some extent. There are two competing processes that operate simultaneously in seawater environments: (1) the chloride ion activity tends to destroy the passive film, and (2) dissolved oxygen, which acts to promote and repair the passive film on metallic materials of construction. Metals and alloys that develop protective films by the formation of thin metal oxides can have the formation of passive films be delayed or have films destroyed by chloride ions in seawater. The type of corrosion t
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Kumai, C. S., and T. M. Devine. "Influence of Oxygen Concentration of 288°C Water and Alloy Composition on the Films Formed on Fe-Ni-Cr Alloys." In CORROSION 2001. NACE International, 2001. https://doi.org/10.5006/c2001-01150.

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Abstract In situ identification of the films formed on alloys of Fe-13Cr-10Ni, Fe-5Cr-10Ni and 304 stainless steel immersed in high temperature, high purity water was performed using Raman spectroscopy and surface enhanced Raman spectroscopy. The films were examined as a function of the dissolved oxygen of the water. The results were complemented by scanning electron microscopy of the oxide films. The films were determined to be a function of the alloy’s chromium concentration and the water’s dissolved oxygen concentration. The results are consistent with the hypothesis that susceptibility to
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Sakai, T., K. Aoki, K. Matsumoto, and F. Nakayasu. "Study on Oxide Thin Film of Alloy 600." In CORROSION 1989. NACE International, 1989. https://doi.org/10.5006/c1989-89490.

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Abstract Several pressurized water reactor nuclear plants around the world have experienced intergranular attack (IGA) on the secondary surface of the steam generator tubes in the hot leg crevices. The most common explanation for this type of tube defect is caustic attack. Boric acid is sometimes added to the secondary water as a counter measure for this problem. However, the exact cause of the IGA is not always positively identified and thus the boric acid additions may not ameliorate the problem. Therefore, an alternate approach to identify the causative agent is suggested. When a metal is p
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Fierro, G., G. M. Ingo, and F. Mancia. "XPS Investigation on the Corrosion Behaviour of 13Cr Martensitic Stainless Steel in CO2-H2S-Cl- Environments." In CORROSION 1988. NACE International, 1988. https://doi.org/10.5006/c1988-88215.

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Abstract The corrosion behaviour of 13Cr-Martensitic Stainless Steel was investigated in CO2-H2S-Cl- environments, typical of oil and gas wells, under different CO2 and H2S partial pressures, with NaCl content of 50 g/l, pH = 2.7 and 4.8, T = 80°C. The 13Cr steel was highly corrosion resistant as far as phenomena induced by CO2 presence (general corrosion and carbonatic SCC), while the presence of H2S caused high SSCC (Sulphide Stress Corrosion Cracking) susceptibility and high corrosion rates. Moreover, CO2 in CO2-H2S-Cl- systems was evidenced to inhibit general corrosion and SSCC phenomena b
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Ramenzoni, Marco F., Luis E. Urbán, and Eliana V. Cunha. "Film Re-Galvanizing Technology with High Metallic Zinc Content." In LatinCORR 2023. AMPP, 2023. https://doi.org/10.5006/lac23-21136.

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Summary High Metal Zinc Film Re-Galvanizing (RFETZM) Technology was developed so that carbon steel structures and many other hot-dip galvanized (HDG) structures could be galvanized or re-galvanized in-situ, with and without interrupting the operational availability of the asset considered. Studies comparing them with HDG available in the bibliography and tests carried out measuring the electrochemical potential for 52 days according to Petrobras N-1277 standard, cyclic aging test according to ISO 12944-9 and salt fog test according to ISO 9227, show the importance of zinc content and type, in
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Kusaiko, Roman. "Film Remaking and Practices: “Infernal Affairs” Versus “Double Face” – Film Repetition Networks, Contexts and Taxonomy." In The Asian Conference on Media, Communication & Film 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2186-5906.2023.5.

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Bui, QL. "INLAND WATER REPRESENTATION IN FOREIGN FILMS SHOT IN VIETNAM IN THREE DECADES: REFLECTION ON THE FILM CONTEXTS AND FILM TOURISM." In The International Conference on Media and Digital Communication. The International Institute of Knowledge Management, 2022. http://dx.doi.org/10.17501/29506530.2021.1102.

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Dong, Hanzhang. "A cross-cultural contextual study of Wong Kar-wai’s films driven by online reviews." In Human Interaction and Emerging Technologies (IHIET-AI 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004562.

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With the development of science and technology, the distance between people in space is getting smaller and smaller, and economic globalization has been a historical inevitability. At the time of accelerating globalization, the film and television industry, as a part of the economy, cannot escape the impact of globalization. Moreover, compared with other industries, film and television works often carry more cultural connotations. How should filmmakers cope with the cultural differences in storytelling, create cross-cultural works, and get the same or different word-of-mouth feedback from diff
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Reports on the topic "Film contexts"

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Rujiravanit, Ratana. Preparation and characterization of hydrogel from chitin derivative and silk fibroin. Thailand Research Fund, 2003. https://doi.org/10.58837/chula.res.2003.80.

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Natural polymer blend films composed of chitosan and silk fibroin were prepared by solution casting technique with various ratios of chitosan to silk fibroin, using glutaraldehyde as crosslinking agent. The effects of the ratio of chitosan to silk fibroin and crosslinking agent on mechanical properties, swelling behavior and drug releasing property of the blend films were studied. For the swelling behavior, the blend films exhibited a dramatic change in the degree of swelling when immersed in acidic solutions. The blend film with 80% chitosan content had the maximum degree of swelling. It appe
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Siripatrawan, Ubonratana. Active Chitosan-Based Film with Antimicrobial Property for Food Packaging Application. Chulalongkorn University, 2010. https://doi.org/10.58837/chula.res.2010.22.

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This research was aimed to develop an active film from chitosan film incorporated with green tea extract to enhance antioxidant and antimicrobial properties in order to be used for food shelf life extension. The experiments were divided into 3 parts. Firstly, chitosan-based film preparation and modification were determined. The results suggested that the optimum chitosan films could be prepared from 2% chitosan in 1% acetic acid. However, the chitosan film was brittle and had low flexibility. Mechanical property of chitosan film was modified by adding different concentrations of glycerol, as a
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ตัณฑะพานิชกุล, วิวัฒน์. การศึกษาผลกระทบของปริมาณน้ำในเซลลูโลสไนเตรตต่อคุณสมบัติของน้ำยาทาเล็บ ที่มีดินเหนียวเป็นสารปรับสภาพการไหล : รายงานวิจัยแบบสมบูรณ์. จุฬาลงกรณ์มหาวิทยาลัย, 2004. https://doi.org/10.58837/chula.res.2004.55.

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Cellulose nitrate (CN) is a semi-synthetic polymer rendering outstanding film properties such as good transparency, and water resistance, thus finds its major utilization in coating industry. Raw CN has water and isopropyl alcohol by-product at maximum content of approximately 3 and 30 wt%, respectively. The tolerance water level in the CN powder for a potential application as nail polish is investigated in order to produce good film-forming properties. The effect of adding layered silicate clay particles as thixotropic agent in the nail enamel is also examined. The water content was varied at
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จักกะพาก, รัตนา. จินตทัศน์ทางสังคมและกลวิธีการเล่าเรื่องในภาพยนตร์ของ อาคิระ คุโรซาว่า : การวิเคราะห์. จุฬาลงกรณ์มหาวิทยาลัย, 2004. https://doi.org/10.58837/chula.res.2004.15.

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The aims of this research are to analyse the films directed by Akira Kurosawa in the narrative structure, the patterns of plot and the model of binary oppositions of structuralism; to analyse their contents based on the quest model and the semiotic square, to study the film language regarding point of view, the mise-en scene, the montage, the use of sound effect, and the narrative system in relation to the media, the types of the story and the auteurship. The results of the research finds that the plots reflect social problems. The contents are mostly represented by mise-en scene, motage, soun
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Pryt, Karina. Polish-German film relations in the process of building German cultural hegemony in Europe 1933-1939. Universitätsbibliothek Johann Christian Senckenberg, 2022. http://dx.doi.org/10.21248/gups.70888.

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The article presents Polish-German film relations in the framework of Nazis cultural diplomacy between 1933 and 1939. The Nazi effort to create a cultural hegemony through the unification of the European film market under German leadership serves as an important point of reference. On the example of the Polish-German relationship, the article analyses the Nazi “soft power” in terms of both its strength and limits. Describing the broader geopolitical context, the article proposes a new trail in the research on both the film milieus and the cinema culture in Poland in the 1930s. In mythological
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Támola, Alejandro. Credit, Labor Formality and Firm Size: Analytical Framework and Regional Evidence in the Context of the IDB's Country Strategy Dialogue. Inter-American Development Bank, 2014. http://dx.doi.org/10.18235/0009194.

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This work summarizes the results from a series of papers prepared within the framework of the project "Credit, Formalization, and Firm Growth." Those papers were prepared to help inform the overall policy dialogue and the IDB's technical assistance work with its borrowing members, particularly in regard to financing the lending programs of small and medium enterprises (SMEs). The main results can be summarized as follows: i) a positive association between formality and credit conditions in the region appears to be empirically relevant but dependent on idiosyncratic conditions and unevenly dist
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Paslavskyi, Ihor. Ukrainian television: problem-content analysis. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11397.

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The article highlights and analyzes the factors influencing the activities of television editorial teams in the period of new political, economic and security circumstances. It is noted that all-Ukrainian influential television channels, which have the highest popularity and high ratings, are oligarchic media with a high level of political involvement. Ukrainian television is widely practicing to narrow the thematic range of programs, reports and programs resulting in unjustified dominance in the television space of entertainment and humorous genres, «ravel journalism», excessive overweight of
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Busso, Matías, Kyunglin Park, and Nicolás Irazoque. Research Insights: Which Managerial Skills Training Policies Are Most Effective? Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0005302.

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Job training programs for firm managers or entrepreneurs are effective at increasing firm productivity, profits, and firm survival rates. Training skills in human resources, soft skills, marketing, and finance-accounting are most likely to improve firm performance. The impact was maximized when delivering training sessions for entrepreneurs and managers in the manufacturing and services sector. The key is to design training programs tailored to different participant groups, based on the demand in their respective industry and business contexts.
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Ryan, Mark David, Andrew Couzens, Peter Innes, and Sue Cake. A Re-Evaluation of Screen Production on the Gold Coast After COVID-19. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244107.

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This study was commissioned by the City of Gold Coast to re-evaluate the size and activity of the film and television production industry on the Gold Coast since the outbreak of COVID-19 in March 2020. Focusing on the period between June 2020 and mid-2023, the study examines the production activity and characteristics of the local screen ecology; the size and growth of the local film, television and games workforce; and the current capacity of film and television sound stages and production facilities. Using both qualitative and quantitative research methodology, primary data was generated thr
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Fischer, Greg, and Dean Karlan. The Catch-22 of External Validity in the Context of Constraints to Firm Growth. National Bureau of Economic Research, 2015. http://dx.doi.org/10.3386/w20971.

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