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Books on the topic 'Film contexts'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Susan, Hayward, and Vincendeau Ginette 1948-, eds. French film: Texts and contexts. Routledge, 1990.

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2

1945-, Hayward Susan, and Vincendeau Ginette 1948-, eds. French film: Texts and contexts. 2nd ed. Routledge, 2000.

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1945-, Hayward Susan, and Vincendeau Ginette 1948-, eds. French film, texts and contexts. Routledge, 1989.

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4

Kim, Soyoung. Korean Cinema in Global Contexts. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729147.

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Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.

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5

Stoker, Bram. Dracula: Authoritative text, contexts, reviews and reactions, dramatic and film variations, criticism. W.W. Norton, 1997.

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6

Skal, David J. Dracula: Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism. Norton & Company, 2021.

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7

Markus, Nornes, Yukio Fukushima, and Yamagata International Documentary Film Festival '91 (1991), eds. The Japan/America film wars: World War II propaganda and its cultural contexts. Harwood Academic Publishers, 1994.

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8

Auerbach, Nina, and David J. Skal, eds. Dracula: An Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism. W.W. Norton & Co., 1997.

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9

Wiegand, Daniel. Aesthetics of Early Sound Film. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463727372.

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This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to-be-perfected forerunners of ‘classical’ sound film. Instead, authors highlight the sense of ‘fruitful uncertainty’ in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, a

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10

Henry, James. The portrait of a lady: Complete text with introduction, historical contexts. Houghton Mifflin Co., 2001.

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11

Wharton, Edith. The age of innocence: Authoritative text, background and contexts, sources, criticism. W.W. Norton, 2003.

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12

Radak, Sanja Lazarević. Film i politički kontekst: O jugoslovenskom i srpskom filmu = Film and political context : reflections on Yugoslav and Serbian film. Mali Nemo, 2016.

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13

Wharton, Edith. The age of innocence: Authoritative text, background and contexts, sources, criticism. W.W. Norton & Co., 2000.

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14

Wharton, Edith. The age of innocence: Complete text with introduction, historical contexts, critical essays. Houghton Mifflin, 2000.

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15

Ania, Loomba, ed. Antony and Cleopatra: Authoritative text, sources, analogues, and contexts, criticism, adaptations, rewritings, and appropriations. W.W. Norton & Co., 2011.

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16

Rollyson, Carl. Documentary Film: Contexts and Criticism. iUniverse, Inc., 2006.

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17

French Film: Texts and Contexts. Routledge, 2014.

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18

Hayward, Susan, and Ginette Vincendeau. French Film: Texts and Contexts. Taylor & Francis Group, 2014.

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19

Hayward, Susan. French Film : Texts and Contexts. Routledge, 2000.

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20

Hayward, Susan. French Film : Texts and Contexts. Routledge, 2000.

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21

Hayward, Susan, and Ginette Vincendeau. French Film: Texts and Contexts. Taylor & Francis Group, 2014.

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22

Paryz, M., and J. Leo. Post-2000 Film Western: Contexts, Transnationality, Hybridity. Palgrave Macmillan Limited, 2015.

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23

Japanese cinema: Texts and contexts. Routledge, 2007.

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24

Paryz, M., and J. Leo. The Post-2000 Film Western: Contexts, Transnationality, Hybridity. Palgrave Macmillan, 2015.

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25

More than night: Film noir in its contexts. University of California Press, 1998.

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26

Naremore, James. More Than Night: Film Noir in Its Contexts. University of California Press, 2010.

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27

Naremore, James. More Than Night: Film Noir in Its Contexts. University of California Press, 2008.

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28

The Post-2000 Film Western: Contexts, Transnationality, Hybridity. Palgrave Macmillan, 2015.

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29

More than Night: Film Noir in Its Contexts. 2nd ed. University of California Press, 2008.

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30

Marks, Martin Miller. Music and the Silent Film: Contexts and Case Studies, 1895-1924. Oxford University Press, 1997.

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31

Barham, Jeremy. The Music of Gustav Mahler in Experimental Film Contexts. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0015.

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The anniversary years of the composer Gustav Mahler (150 years of his birth in 2010, 100 years of his death in 2011) took place in the age of digital media, whose technological possibilities afforded strikingly diverse opportunities to mark the occasion. Various experimental sound and video artists, produced audiovisual translations and interpretations of the composer’s music at this time, including Danish composer Henrik Marstal with VJ Dark Matters, and Austrian experimental composer Fennesz with Berlin-based video artist Lillevan. Building on a tradition which had begun in the 1990s, this r

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32

Celluloid Symphonies Texts And Contexts In Film Music History. University of California Press, 2011.

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33

Hubbert, Julie. Celluloid Symphonies: Texts and Contexts in Film Music History. University of California Press, 2011.

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34

Hubbert, Julie. Celluloid Symphonies: Texts and Contexts in Film Music History. University of California Press, 2011.

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35

Celluloid Symphonies Texts And Contexts In Film Music History. University of California Press, 2011.

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36

Kim, Soyoung. Korean Cinema in Global Contexts. Amsterdam University Press B.V., 2022. http://dx.doi.org/10.5040/9789048561933.

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Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.

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37

Screening science: Contexts, texts, and science in fifties science fiction film. Scarecrow Press, 2001.

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38

Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts. Lexington Books/Fortress Academic, 2023.

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39

Music and the Silent Film: Contexts and Case Studies, 1895-1924. Oxford University Press, Incorporated, 1997.

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40

Swedish Porn Scene: Exhibition Contexts, 8mm Pornography and the Sex Film. Intellect, Limited, 2016.

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41

Music and the silent film: Contexts and case studies, 1895-1924. Oxford University Press, 1997.

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42

Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts. Lexington Books/Fortress Academic, 2023.

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43

Arriola, Joyce L. Postmodern Filming of Literature : Sources, contexts and adaptations. University of Santo Tomas, 2006.

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44

Nornes, Abé Mark, and Fukushima Yukio. Japan/America Film Wars: World War II Propaganda and Its Cultural Contexts. Taylor & Francis Group, 2021.

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45

Japan/America Film Wars: World War II Propaganda and Its Cultural Contexts. Taylor & Francis Group, 2021.

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46

Nornes, Abé Mark, and Fukushima Yukio. Japan/America Film Wars: World War II Propaganda and Its Cultural Contexts. Taylor & Francis Group, 2021.

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47

Japan/America Film Wars: World War II Propaganda and Its Cultural Contexts. Taylor & Francis Group, 2023.

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48

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different exam

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49

Katherine Anne Porter's Ship of Fools: New Interpretations and Transatlantic Contexts. University of North Texas Press, 2015.

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50

Dobris, Catherine A., Rachel D. Davidson, and Kim White-Mills. Maternal Narratives in Public Contexts. Lexington Books, 2025. https://doi.org/10.5040/9781978747616.

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Maternal Narratives in Public Contexts: Shaping Perspectives and Enacting Identities brings together critical research on the construction and enactment of mothering and motherhood in public spheres. The book is divided into two parts – in the first part, authors examine how prevailing ideals of motherhood influence twenty-first century culture by exploring iterations of maternal identity in various media forms, from Dr. Spock’s self-help guide to film and small-screen entertainment. In the second part, the authors investigate how tropes of motherhood manifest and operate in academia, the work

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