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Relevant bibliographies by topics / Film costume / Dissertations / Theses

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Dissertations / Theses on the topic 'Film costume'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Cousins, Jennie. "Unstitching the 1950s film costumes : hidden designers, hidden meanings." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/42353.

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This thesis showcases the work of four costume designers working within the genre of costume drama during the 1950s in France, namely Georges Annenkov, Rosine Delamare, Marcel Escoffier, and Antoine Mayo. In unstitching the cinematic wardrobes of these four designers, the ideological impact of the costumes that underpin this prolific yet undervalued genre are explored. Each designer’s costume is undressed through the identification of and subsequent methodological focus on their signature garment and/or design trademark. Thus the sartorial and cinematic significance of the corset, the crinolin

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2

Kaza, Djina. "Decoding the Dress : Reading features of costume design in films of Emir Kusturica." Thesis, Stockholms universitet, Modevetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-134307.

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This thesis considers fashion and cinema as crucial embodiments of Yugoslavian culture. As such, it gives a shine to the potential inherent in film costume for the historical analysis of Yugoslavian national identity and its politics. The focus is on the semiotic analysis of costume design in two native films by Emir Kusturica: When Father Was Away on Business and Underground. Social relations are investigated through the lens of a critical theory, with particular interest in questions of gender, violence, and sexuality. Taking the idea from a critical theory - that power constitutes all human

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3

Hao, Priscilla Ruth. "An Interpretation of Modern: Costume Designs for An Adaptation of Shakespeare's The Two Gentlemen of Verona." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1486.pdf.

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4

van, Dam Bianca. "Disney's Fashionable Girls : Signs and symbols in the costume dress of Disney's female characters." Thesis, Stockholms universitet, Centrum för modevetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105532.

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Disney’s princesses and heroines have long captured the minds and hearts of young girls with their magical dress. This thesis researches the fashion symbols in a chosen set of animated movies and relate this to children’s reception, sexuality and gender issues and narrative identities. A semiotic analysis of the movies and relating them to read literature will shine a new light on this subject.

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5

Cagle, Natalie Kenra. "Costume Design and Production for City of AngelsBook by Larry Gelbart, Music by Cy Coleman, and Lyrics by David Zippel." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437645350.

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6

Ferrara, Flora. "Translating History of Fashion on Screen : A study of Piero Tosi’s costumes in Senso and their power of divulgation as historiophoty." Thesis, Stockholms universitet, Modevetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-183256.

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The aim of this thesis is to demonstrate that historical costumes can be a valid tool to crystallize and disseminate visual knowledge about fashion and dress history. In the specific, this thesis argues that the screen representation of dress and fashion of the 1860s in the adaptation Senso (1954) provides an evocative contextualization of their past use and meaning for modern viewers. It also discusses the historical accuracy attained by one of the film’s costume designers, Piero Tosi, and his mediation between on-page story and reality. To do this, it visually and textually compares the film

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7

Sutphin, Elizabeth Anne Hopkins. "The Last Two Years of David Brachman: Designing a Feature Film on a Micro Budget." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5523.

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This thesis documents my creative process as the Production Designer on the feature length micro budget film The Last Two Years of David Brachman, written and directed by Marc Casilli. The film is a dark comedy chronicling the life of David Brachman, a twenty-five year old with a stagnant life that is seemingly leading nowhere, as he pledges on his twenty-fifth birthday to change the path of his life in the next two years or commit suicide if he fails. The overall design concept of the film is rooted in realism, but allowed to contain elements that will remove the audience in order to lig

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8

Aldoukhi, Abdulmajeed. "The Misrepresentation of Arab Gulf Men Through Costumes on Stage and Screen." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1625843129706682.

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9

Yes, Melissa R. "Space Program." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494286481799127.

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10

Butt, Elizabeth Doreen. "The fabric of femininity : costume and stardom in contemporary British films of the 1940s." Thesis, University of Reading, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486337.

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This study highlights the vital work of the costume designer in selected contemporary British films of the 1940s. Despite the important function that their designs played within the narratives, it has still not been fully recognised that the costume designer held a key position in the teams responsible for the creation ofthe visual aspects in the production of these historically important films. This study is, ! therefore, an attempt to redress the balance, and it investigates the work ofthe British costume designer through primary source material that reveals their codes of practice that they

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11

Romanato, Daniella. "A história da roupa e da moda estudada pelos figurinos cinematográficos = The history of clothing and fashion studied film costumes." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284539.

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Orientador: Ernesto Giovanni Boccara<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-22T09:42:02Z (GMT). No. of bitstreams: 1 Romanato_Daniella_M.pdf: 8028639 bytes, checksum: 26be66290d763bd90b86172147fa5127 (MD5) Previous issue date: 2013<br>Resumo: Esta pesquisa pretende discutir a metodologia de ensino de história da roupa e da moda através do cinema. É pacífico que se aprende por observação e que o cinema exerce fascínio desde seu surgimento. Também é sabido que filmes apresentam figurinos, que nem sempre são roupa

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12

Pichette, Julie. "BALBUTIEMENT... de fil en aiguille." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/28068/28068.pdf.

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13

Rios, Edna Maria 1966. "A Finitude e seus Afetos : entre sabores e falas." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285324.

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Orientador: Francisco Elinaldo Teixeira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T09:40:46Z (GMT). No. of bitstreams: 1 Rios_EdnaMaria_M.pdf: 1169066 bytes, checksum: 9f2ceefed4050cc633a6ae7802e6de8a (MD5) Previous issue date: 2015<br>Resumo: A presente dissertação, apropria-se da experiência audiovisual do dispositivo-jantar como objeto de reflexão, perpassa as seis cerimônias realizadas entre as cidades de Salvador e São Paulo, e encontra, nos rituais instalados em situação de rua, a possibilidade tanto de si

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14

Chiovitti, Nanci Marti. "Discursos do Progresso : Sorocaba e o fim das Feiras de Muares (1850-1900)." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280175.

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Orientador : Cristina Meneguello<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-02T23:43:57Z (GMT). No. of bitstreams: 1 Chiovitti_NanciMarti_M.pdf: 12941680 bytes, checksum: c43cf3908fa4f3b4374a64e0fe4e1a58 (MD5) Previous issue date: 2003<br>Resumo: Esta pesquisa tem mo principal objetivo de analisar os motivos que levaram à extinção das feiras de muares de Sorocaba (SP), na segunda metade do século XIX. A vila de Nossa Senhora da Ponte de Sorocaba teve seu crescimento atrelado ao tropeirismo. A

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15

Reis, Vanessi. "Do Bom Fim à Cidade Baixa: o uso dos espaços de lazer noturno (1964-2006)." Pontifícia Universidade Católica do Rio Grande do Sul, 2013. http://hdl.handle.net/10923/5503.

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Made available in DSpace on 2013-10-11T13:35:54Z (GMT). No. of bitstreams: 1 000450843-Texto+Completo-0.pdf: 8551199 bytes, checksum: 9b818d1a42c6c31019fc754e1f51080b (MD5) Previous issue date: 2013<br>The present work proposes reconstitute, spatially, the places of night entertainment from Cidade Baixa district, since the beginning of Dictatorship until the year of 2006. Due your intrinsic relation with Bom Fim, the places of this neighboring district also are collected, as well as the nearby areas with which divided the public and shared routes, moves and uses. The dissertation covers four

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16

Reis, Vanessi. "Do Bom Fim ? Cidade Baixa : o uso dos espa?os de lazer noturno (1964-2006)." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2013. http://tede2.pucrs.br/tede2/handle/tede/2478.

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Made available in DSpace on 2015-04-14T13:48:05Z (GMT). No. of bitstreams: 1 450843.pdf: 8551199 bytes, checksum: 9b818d1a42c6c31019fc754e1f51080b (MD5) Previous issue date: 2013-08-26<br>The present work proposes reconstitute, spatially, the places of night entertainment from Cidade Baixa district, since the beginning of Dictatorship until the year of 2006. Due your intrinsic relation with Bom Fim, the places of this neighboring district also are collected, as well as the nearby areas with which divided the public and shared routes, moves and uses. The dissertation covers four periods of th

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17

CHEN, YU-WEN, and 陳郁文. "Cultural Reproduction: A Study of the Costume Designs for the Film “Seediq Bale”." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/94t8ap.

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碩士<br>輔仁大學<br>織品服裝學系碩士班<br>104<br>Different from general media which are as a rule presented only by written and spoken methods, historical films have a much broader space for their creation. In consequence, they can be used as an important means for reinterpreting culture. Basing on a Taiwanese historical story and arranging it in a heroic/epic style, the director Te-sheng Wei of the film “Seediq Bale” has created a new opportunity for the Taiwan film industry. Such a film adopts the aesthetics of visual expression in reproducing Taiwanese clothing of that era. This study applies the film “Se

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18

Akal, Shari Tamar. "Costuming gender : an investigation into the construction and perception of drag costume in mainstream film." Thesis, 2015. http://hdl.handle.net/10321/2423.

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Submitted in fulfilment of the requirements of the Degree of the Master of Technology in Fashion, Durban University of Technology, Durban, South Africa, 2015.<br>The years succeeding 1990 have seen a significant increase in the release of mainstream film featuring transgendered characters. The inclusion of such characters in popular film becomes a point of interest as transgendered identities differ from the hegemonic heterosexism of the audiences at whom these films are targeted. This investigation aims to gain a better understanding of how audience members read gendered identity through the

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19

Morena, Jill Kristine. "Costume and “the copy” : defining authenticity in the analogue original, the reproduction, and the digital garment within the museum and archive." Thesis, 2013. http://hdl.handle.net/2152/27208.

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A comparative examination of the original and reproduction Gone With the Wind costumes at the Harry Ransom Center is at the heart of this study, which proposes to trace the relationship between the analogue original costume, the replica garment, and the digital image reproduction. A discussion of definitions of authenticity and “the original” within such areas as conservation, film studies, and audience perception explores the questions: what is the role of the reproduction, and can it challenge the authority and “aura” of the original? This inquiry illustrates that authenticity is negotiated;

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20

Brandt, Monique. "The Letty Lynton dress : a case study of film costume and women's fashions of the 1930s." 1994. http://hdl.handle.net/1993/17838.

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21

Wang, Tzu-I., та 王姿懿. "Paradise of Ecstasy: Ａ Study of Evolution in Hong Kong’s erotic costume film since the 90’s". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/61068416144418116072.

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碩士<br>淡江大學<br>大眾傳播學系<br>99<br>This study focused on the popular genre cinema, the Hong Kong’s erotic cinema, also called ‘Category III’ in the 90’s. The analysis of texts concerning about sexuality, gender myths in this alternative genre. First of all, the“ancient costume”means the story came from China’s historical past or the Chinese literature and utilize the generic iconography of a period or costume film. Second, the term of‘erotic’means th genre cinema full of nude and classified at Category III by Hong Kong’s TELA. And find out the generic formula and the ideology of these formulas. Thi

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22

Berthelette, Renée C. "Tailoring for the visual learner : the vest." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5411.

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The foundation of Tailoring for the Visual Learner is the exploration of new and creative approaches to preserve, promote, and pass on the art of individually handcrafted menswear for theatre and film. This project culminated in the creation of an instructional video guide unlike anything currently available on the market. Using high definition cameras and a team of highly skilled professionals, I produced, wrote, directed and hosted an instructional video that takes the viewer through every step of the creation of a hand tailored vest: from fabric preparation and drafting to the final fitti

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23

Bolding, Lisa Ward. "Addressing the queen costumes and Elizabeth I in film /." 2005. http://purl.galileo.usg.edu/uga%5Fetd/bolding%5Flisa%5Fw%5F200512%5Fma.

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24

Hrnčířová, Denisa. "Genderové stereotypy v současném britském historickém kostýmním dramatu. Komparace Panství Downton a Pana Selfridge." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-267689.

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The diploma thesis named Gender Stereotypes in Contemporary British Period Drama. The Comparative Analysis of Downton Abbey and Mr Selfridge compares the marks of gender stereotypes and conservative principles in British period drama series. The analysis of their clash with progress in society and technology during the first two decades of the 20th century is performed on the method of qualitative content analysis of two examples of popular contemporary British costume drama Downton Abbey and Mr Selfridge. The theoretical framework of the thesis is based on the concept regarding history in fil

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25

"License to Thrill: Bond Girls, Costumes, and Representation." Master's thesis, 2013. http://hdl.handle.net/2286/R.I.18055.

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abstract: The connection between Hollywood costume design and the films of the 007/James Bond franchise, especially in regards to the changing perspective of the “Bond Girl”, is an intricate relationship that has previously been little researched. In the most recent Bond films, in particular, the female characters have become more powerful than the early characters and their roles within the narratives have changed with their characters taking on stronger and more integral roles. This thesis seeks to examine the films of the 007/James Bond franchise and how the rhetoric of the fran

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