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Journal articles on the topic 'Film crafts'

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1

Iqbal Maulana Irsyadi and Defrizal Saputra. "Film Dokumenter Talempong Sungai Pua." Jurnal Riset Rumpun Seni, Desain dan Media 3, no. 1 (2024): 220–38. http://dx.doi.org/10.55606/jurrsendem.v3i1.2658.

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The Talempong River craft is located in the West Sumatra region, l. Lukok No.125, Sungai Pua, Kec. Pua River, Agam Regency, West Sumatra province. The Talempong Sungai Pua craft does not yet have documentation starting from history, the beginning of the founding of the Talempong Sungai Pua craft and others which make people unaware of the unique history. The design of this documentary film aims to collect various explanations that can be seen by the public, especially the millennial generation, early communities or people living outside West Sumatra who want to know about this craft. The desig
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Hanssen, Eirik Frisvold. "The cultural and social memory of film history online: Norwegian educational films on YouTube." Journal of Scandinavian Cinema 10, no. 3 (2020): 259–69. http://dx.doi.org/10.1386/jsca_00028_1.

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In this article, I identify forms of cultural and social memory, represented by a number of digitized Norwegian educational films on traditional crafts published on the YouTube channel of the National Library of Norway and how the online dissemination of analogue film history might impact notions of memory. This discussion is placed within the context of earlier JSCA articles on film archives.
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Yamaguchi, Mitsugu, Shun Kambayashi, Satoshi Sakamoto, Yasuo Kondo, and Kenji Yamaguchi. "Decorative Film Formation by Inkjet Printing with Gold Nanoparticles for Synthetic Resin Crafts." Key Engineering Materials 825 (October 2019): 51–55. http://dx.doi.org/10.4028/www.scientific.net/kem.825.51.

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The crafts such as lacquerware have made unique strides through decorating techniques using gold such as “Makie”, the technique to draw picture by scattering powdered gold, and “Chinkin”, the technique to rub gold into the design engraved by carving knives. In conventional techniques, practical knowledge and ability are essential to produce craft products. Therefore, screen printing which consists of simple processes has been developed. However, screen printing requires a masking plate made of silk or nylon to create patterns for transcribing ink into objects. This paper presents the formation
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Trilaksono, Yunanto. "Documentary biography films violin luthiers A media education on the nivel of art work." Terob : Jurnal Pengkajian dan Penciptaan Seni 14, no. 2 (2024): 81–93. http://dx.doi.org/10.20111/terob.v14i2.65.

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The study aims to analyze the use of signs or symbols in the film to convey deeper messages or meanings as educational media about the value of artwork in the creation of violin instruments in Sidoarjo. The film can be considered as an educational medium because it provides information about the process of making violin instruments in detail. The film can provide knowledge of the materials used, manufacturing techniques, and crafts required in making violin instruments. In addition, the film can also provide an understanding of the value of art in the manufacture of violin instruments. In the
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Zheng, You Yi, Chun Lin Zhang, and Xing Xin Xu. "Preparation and Study of the Hot Filament CVD Diamond Coated Tools." Applied Mechanics and Materials 372 (August 2013): 181–85. http://dx.doi.org/10.4028/www.scientific.net/amm.372.181.

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The surface of the carbide YG6 milling insert was roughened by using three different pretreatment crafts, the diamond films was deposited on the substrate surface, after deposition, the morphology and quality of the diamond films were detected by using the scanning electron microscopy and the laser Raman spectroscopy, the adhesion strength of the membrane-based was discovered by using the method of indentation test. The results showed that: the surface of the substrate had the lower surface roughening with the hydrochloric acid aqueous solution and methanol solution pretreated, in addition the
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Raengo, Alessandra, and Lauren McLeod Cramer. "“There Is No Form in the Middle”." liquid blackness 5, no. 2 (2021): 121–51. http://dx.doi.org/10.1215/26923874-9272822.

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Abstract Across his vast body of multimedia art, Kevin Jerome Everson pursues sophisticated formal exercises that deploy representational devices with the aim of achieving “massive abstractions.” Focusing on the sculptural potential of film as a time-based medium, Everson crafts his films as sculptural objects. It is a process that works toward a point of critical density in which time's material effects on a space, a body, or the screen are rendered visible. In order to reach this point, Everson has developed a rigorous practice that includes casting his own solid rubber props, carefully chor
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Andriano-Moore, Stephen. "The Motion Picture Editors Guild Treatment of the Film Sound Membership: Enforcing Status Quo for Hollywood’s Post-Production Sound Craft." Labor Studies Journal 45, no. 3 (2020): 273–95. http://dx.doi.org/10.1177/0160449x20912337.

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The Motion Picture Editors Guild (MPEG) is the labor union representing post-production workers in the Hollywood motion picture industry, including seven sound craft classifications. The sound craft has low status within the hierarchical structure of the Hollywood film industry in comparison to other filmmaking crafts. This article evaluates the workings of the MPEG in concerns with the sound craft and status within the industry through a thirty-plus year review of their professional journal, website, sound practitioner discourse, and other industrial documents. The article argues that the uni
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Vũ Trinh, Dinh Thi. "Victor Vu’s Filmmaking Approach: From Literary Script to Film Set in Contemporary Vietnamese Cinema." International Journal of Research and Innovation in Social Science IX, no. XIII (2025): 286–95. https://doi.org/10.47772/ijriss.2025.913com0026.

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This article examines the filmmaking approach of Victor Vu, a leading figure in contemporary Vietnamese cinema, focusing on his process from constructing literary scripts to directing film productions. Through direct collaboration with the director and analysis of 19 of his feature films and television works, the study elucidates how Victor Vu crafts narrative scripts that integrate literary depth with cinematic structure, creating a unique multimodal communication framework. The research applies theories of narratology, stylistics, and film poetics to analyze his storytelling style, dialogue,
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Babalola, Oluyinka Smart. "An appraisal of cinematography technique in select Yorùbá films." International Journal of Current Research in the Humanities 28, no. 1 (2025): 222–44. https://doi.org/10.4314/ijcrh.v28i1.16.

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Visual storytelling is a deliberate and highly technical form of storytelling that involves a lot of arts, crafts and techniques as well as specialized professionals in different fields. It is impossible to contemplate the film phenomenon without dissecting the art of visual storytelling – cinematography. This technical demand may be the reason scholars have written sparsely on cinematographic technique in Yorùbá films. Therefore, this paper interrogates the art of cinematography in Yorùbá films to ascertain their technical reliability. Using the historical-analytical method, and relying on th
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Auliya, K., A. N. Sulistyati, and D. Nurcahyanti. "Water-soluble plastic as a medium to make polyester patchwork embroidery craft." IOP Conference Series: Earth and Environmental Science 905, no. 1 (2021): 012118. http://dx.doi.org/10.1088/1755-1315/905/1/012118.

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Abstract This study aimed to describe the process of polyester fabric waste to be an alternative material to make interior textiles. The characteristics of polyester fabric waste meet the qualities needed to be used as the material for making interior textile. The problem in this study is the effectiveness of using water soluble film paper as a medium for the application of manual embroidery techniques to make polyester patchwork. This study used experimental and implementation methods on textile crafts. The results of this study show that water soluble film paper can be used as a medium for a
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Horbach, Ihor. "«The Color of Pomegranates»/«Sayat-Nova» as a decolonial act by Sarkis Parajanyan. Review of Serghii Parajanov movie «The Color of Pomegranates»." Text and Image: Essential Problems in Art History, no. 2 (2024): 137–43. https://doi.org/10.17721/2519-4801.2024.2.09.

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The review reveals aspects of decoloniality in the film of the famous Armenian director of the second half of the 20th century Sarkis Parajanyan «The Color of the Pomegranates». It was first shown in 1968 in the Armenian SSR, and then, the cutted edition, in 1973 throughout the USSR. However, the film did not become popular during the Soviet period. In addition, it underwent many changes due to censorship: editing, deletion of some scenes, film frames, audio, etc. In 2014, the film was restored with funds from the Martin Scorsese Foundation. In the same year, it was shown at many international
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Rohmah, Siti, and Nurdiana Tri Mulatsih. "LOCAL WISDOM-BASED CREATIVE ECONOMY DEVELOPMENT STRATEGY TO ACHIEVE COMPETITIVE ADVANTAGE IN THE ERA OF THE INDUSTRIAL REVOLUTION 4.0 IN GUNUNGKIDUL REGENCY." Jurnal REP (Riset Ekonomi Pembangunan) 7, no. 2 (2022): 221–43. http://dx.doi.org/10.31002/rep.v7i2.370.

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The Creative Economy prioritizes one's ability to create a product in the form of goods or services, both arts and crafts followed by creative ideas, culture, and technology which will later become a new concept to contribute to national economic growth. Gunungkidul Regency has excellent creative economic potential, namely culinary, fashion, craft, performance art, and film. Bobung hamlet, Putat village, Patuk district has a center for making batik wooden masks where the creations are made with superior local wisdom patterns. The study was conducted using the Mix Methods by examining objects b
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Ombagi, Eddie. "Filming the invisible: Rubrics of ordinary life in Stories of Our Lives (2014)." Journal of African Cinemas 11, no. 3 (2019): 261–76. http://dx.doi.org/10.1386/jac_00020_1.

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Abstract In this article, I offer a reading of Stories of Our Lives (2014), a documentary about the experiences of queer people who live in the city of Nairobi. I am interested in how through the use of the documentary film, the director of the film and the queer people whose lives are represented, articulate new forms of inhabiting and being in the city. This is despite the legal and political hurdles that govern queer liveability in Kenya. I argue that when queer individuals inhabit, move through, move in, occupy or transit through city spaces in their daily habits, practices, rituals and pe
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Guo, Hua, and Hao Yan Wang. "Development of Auto-Correct System towards Circle Precise Carbon-Film Potentiometer." Key Engineering Materials 621 (August 2014): 687–92. http://dx.doi.org/10.4028/www.scientific.net/kem.621.687.

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Circle film carbon potentiometer, as a kind of position feedback device, is widely used in the servo feedback system in the field of aviation and aerospace technology. In the processes of making circle potentiometer, the process of correction on the linearity is an important factor which affects the pass rate of precise carbon-film potentiometer. Now people usually correct the linearity of potentiometer manually, with a lowefficiency and bad effect. Accordingly, in this work we develop a set of correct system on the linearity correction of circle precise carbon-film potentiometer by some resea
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Güven, Zühre Canay. "Slowness and Diverging Aesthetics: Nuri Bilge Ceylan and Zeki Demirkubuz in New Turkish Cinema." İnsan ve İnsan Dergisi 12, no. 40 (2025): 37–50. https://doi.org/10.29224/insanveinsan.1658448.

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New Turkish Cinema embraces minimalist audio-visual elements, with long takes, contemplative narratives, and a mediated film experience that invites slow engagement and introspection. Through a focused comparison of Nuri Bilge Ceylan and Zeki Demirkubuz, two of the most influential and internationally recognized figures in this movement, this article examines how their distinct directorial styles articulate the aesthetics of slowness. Both emerged in the 1990s as central figures in the post-Yeşilçam cinematic landscape, yet their approaches differ markedly. Ceylan’s films employ rural landscap
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Retsikas, Konstantinos. "Unleashing the Future: Deleuze's Crystals of Time and Theo Angelopoulos's The Travelling Players." Deleuze and Guattari Studies 18, no. 4 (2024): 570–94. http://dx.doi.org/10.3366/dlgs.2024.0573.

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This article discusses The Travelling Players (1975), Theo Angelopoulos's provocative film, by upholding the priority the director's audio-visual images assign to the future as what Deleuze calls ‘the pure and empty form of time’. It also argues that The Travelling Players supplements the Deleuzian quartet of crystal-images with a new type of crystal-image: Angelopoulos crafts images of extraordinary consistency that act as filters, splitting and sieving time at once, a kind of audio-visual refinery laid out on the silver screen, with the distillation process dedicated to blocking repression,
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Bauerová, Zuzana, and Tereza Frodlová. "Possibilities of Application of the Principles of Documentation of Conservation-restoration of Arts and Crafts to the Documentation of Film Restoration." Iluminace 33, no. 2 (2021): 77–96. http://dx.doi.org/10.58193/ilu.1703.

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Akhiyar, Dinul, Vivi Nila Sari, and Abulwafa Muhammad. "Analysis and Development of Marketing for the Creative Industry of West Sumatra Based on E-Commerce with the Concept of Customer Relationship Management (Crm) (Analisa Dan Pengembangan Pemasaran Industri Kreatif Sumatera Barat Berbasis E-Commerce Dengan K." Jurnal KomtekInfo 6, no. 2 (2019): 144–54. http://dx.doi.org/10.35134/komtekinfo.v6i2.53.

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West Sumatra is an area in Indonesia that has many Creative Industries, this is the reason the government places representatives of the Ministry of Creative Industries in this region. This is done to foster, oversee and develop the Creative Industries that exist today. The Creative Industries that exist today are very diverse there are 15 fields that are very potential to be developed in Indonesia, Advertising (Advertising), Architecture, Art Goods Market, Crafts (Craf), Design, Video, Film, Photography, Interactive Games (Games), Music , Performing Arts (Showbiz), Publishing and Printing, Com
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Niang, Sada. "La Colère dans le vent: Entrevue avec Amina Weira." International Journal of Francophone Studies 23, no. 3 (2020): 307–13. http://dx.doi.org/10.1386/ijfs_00024_7.

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This is an interview with Amina Weira, born in Niger in the second decade after the wave of African independences. It addresses her life and work as a filmmaker. Along with Sani Magori and Aicha Macky, she came to cinema in the dry years of the 2000s yet managed to position herself at the forefront of film production in Niger. For Weira, the documentary form, a much-maligned genre due to its association with mass political manipulation in the 1960s and 1970s, is the tool of choice for artistic creation. The introduction focuses on the images she crafts in La Colère dans le vent expounding a be
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Tugui, Catalin Andrei, Petrică Vizureanu, Carmen Nejneru, Manuela Cristina Perju, Dragoş Cristian Achitei, and Mihai Axinte. "Study of Various Thin Films Obtained by Several Deposition Methods ." Advanced Materials Research 1036 (October 2014): 201–6. http://dx.doi.org/10.4028/www.scientific.net/amr.1036.201.

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Properties of metallic materials can be improved with special materials depositions. Materials deposited on base materials are qualitatively better than the base materials, with a better hydroabrasive wear and corrosion resistance, also with a chemical attack or mechanical stress improved resistance.The thin layer deposition represents depositions (coatings) with hardening, lubricating, or decorative function, having a thickness of less than 10 micrometers.Such special materials are used in cutting-edge technology, such as nuclear turbines and turbine airplanes, space crafts or submarines, whi
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Singh, Binti. "Social Media, Cultural Activism and Place-making in Contemporary Lucknow." Society and Culture in South Asia 5, no. 1 (2018): 1–18. http://dx.doi.org/10.1177/2393861718787869.

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The growing presence of the virtual world has made inroads into new ways of citizen cultural activism that call for an exploration and re-imagining of the idea of place and place-making in contemporary networked societies, cities in particular. This article is based on an analysis of such activism in contemporary Lucknow around its distinct cultural forms such as cuisine, heritage architecture, dance, music and literature actively deploying social media. It argues that social media has bolstered new and existing citizen cultural activism and facilitates place-making by connecting citizens to t
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Stümer, Jenny. "A time of broken futures: biopolitical temporalities, postmemory and apocalyptic affect in Larissa Sansour’s In Vitro." Journal of Visual Culture 23, no. 1 (2024): 95–120. https://doi.org/10.1177/14704129241276167.

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With a particular view to the workings of intergenerational time and postmemory within (and against) hegemonic power formations, Larissa Sansour’s sci-fi short film In Vitro (2019) examines the biopolitics of temporality under conditions of occupation. Starting from the premise of a post-apocalyptic Palestine, the film stages postmemory as a form of inversed futurity or speculative futurism that provides insight into the enduring repercussions of political world-breaking and world-making. In Vitro thereby highlights the affective operations of political violence by tapping into a wider biopoli
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Matsin, Ave. "Seminar "Päritud oskused. Visuaalse dokumenteerimise võimalused" / Visual documentation in words and images." Studia Vernacula 5 (November 5, 2014): 142–45. http://dx.doi.org/10.12697/sv.2014.5.142-145.

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On 20 November 2013, the Department of Estonian Native Crafts University of Tartu Viljandi Culture Academy organized a seminar in Viljandi devoted to studying native artisanal skills. The best way to acquire and pass on skills is to work with a master. But how and how much can technical processes be visually documented so that they are a valuable resource for other masters and researchers? At the seminar, Ave Matsin, Helgi Põllo, Anu Pink, Imre Annus and Vaike Reemann delivered presentations that drew attention to questions and problems related to visual documentation. Setting of goals was con
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Matsin, Ave. "Seminar "Päritud oskused. Visuaalse dokumenteerimise võimalused" / Visual documentation in words and images." Studia Vernacula 5 (November 5, 2014): 142–45. http://dx.doi.org/10.12697/sv.2014.5.142-145.

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On 20 November 2013, the Department of Estonian Native Crafts University of Tartu Viljandi Culture Academy organized a seminar in Viljandi devoted to studying native artisanal skills. The best way to acquire and pass on skills is to work with a master. But how and how much can technical processes be visually documented so that they are a valuable resource for other masters and researchers? At the seminar, Ave Matsin, Helgi Põllo, Anu Pink, Imre Annus and Vaike Reemann delivered presentations that drew attention to questions and problems related to visual documentation. Setting of goals was con
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Lin, Dongqing, Wenhua Zhang, Hang Yin, et al. "Cross-Scale Synthesis of Organic High-k Semiconductors Based on Spiro-Gridized Nanopolymers." Research 2022 (January 12, 2022): 1–12. http://dx.doi.org/10.34133/2022/9820585.

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High dielectric constants in organic semiconductors have been identified as a central challenge for the improvement in not only piezoelectric, pyroelectric, and ferroelectric effects but also photoelectric conversion efficiency in OPVs, carrier mobility in OFETs, and charge density in charge-trapping memories. Herein, we report an ultralong persistence length (lp≈41 nm) effect of spiro-fused organic nanopolymers on dielectric properties, together with excitonic and charge carrier behaviors. The state-of-the-art nanopolymers, namely, nanopolyspirogrids (NPSGs), are synthesized via the simple cr
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Zevaya, Faradina, Risti Putri, Khairul Asrori, Maina Fitria, Fadwa Rhogib Asfahani, and Suci Afrianita. "A Portrait of the Creative Economy Sub-Sector in the Growth Triangle Area." International Journal of Asian Social Science 12, no. 12 (2022): 520–29. http://dx.doi.org/10.55493/5007.v12i12.4688.

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The aim of the current paper is to analyze other potentials of the creative economy sub-sector in the growth triangle area. The growth triangle area is a strategic location located in the growth triangle area of Indonesia, Malaysia and Singapore (IMS-GT) and very close to the Straits of Malacca (80 miles). Its location is in Jambi province. In addition to culinary, crafts and fashion as the leading creative economy sub-sectors in Jambi Province, the Analytic Hierarchy Process is used to determine other potential creative economy sub-sectors that may be able to expand. The result shows that the
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Depuydt, Stef, Lucy Traub, Gilles Van Eygen, Santosh Kumar, Georg Held, and Bart Van der Bruggen. "Overcoming the Trade-Off between Methanol Rejection and Proton Conductivity via Facile Synthesis of Crosslinked Sulfonated PEEK Proton Exchange Membranes." Applied Sciences 14, no. 7 (2024): 3089. http://dx.doi.org/10.3390/app14073089.

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In this work, homogeneous, thin-film proton exchange membranes (PEMs) with superior proton conductivities and high methanol rejection were fabricated via a facile synthesis procedure. Sulfonated polyether ether ketone (sPEEK) was crosslinked via a Friedel–Crafts reaction by α,α′-dichloro-p-xylene, a non-hazardous and hydrophobic compound. PEMs with varying crosslinking and sulfonation degrees were fabricated to overcome the traditional trade-off between methanol rejection and proton conductivity. The sulfonation of PEEK at 60 °C for 24 h resulted in a sulfonation degree of 56%. Those highly su
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Depuydt, Stef, Lucy Traub, Eygen Gilles Van, Santosh Kumar, Georg Held, and der Bruggen Bart Van. "Overcoming the Trade-Off between Methanol Rejection and Proton Conductivity via Facile Synthesis of Crosslinked Sulfonated PEEK Proton Exchange Membranes." Applied Sciences 14, no. 7 (2024): 3089. https://doi.org/10.3390/app14073089.

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In this work, homogeneous, thin-film proton exchange membranes (PEMs) with superior proton conductivities and high methanol rejection were fabricated via a facile synthesis procedure. Sulfonated polyether ether ketone (sPEEK) was crosslinked via a Friedel–Crafts reaction by α,α′-dichloro-p-xylene, a non-hazardous and hydrophobic compound. PEMs with varying crosslinking and sulfonation degrees were fabricated to overcome the traditional trade-off between methanol rejection and proton conductivity. The sulfonation of PEEK at 60 °C for 24 h resulted in a sulfonation de
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Fujimori, Yuji, Masahiro Shimizu, Tadashi Kurashina, and Susumu Arai. "(Digital Presentation) Crack-Free Ni-P Film for Power Devices." ECS Meeting Abstracts MA2022-02, no. 22 (2022): 943. http://dx.doi.org/10.1149/ma2022-0222943mtgabs.

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Demands for power devices are expanding with the electrification of automobiles. Power devices are soldered using Ni-P films prepared by an electrochemical method to withstand required high currents. However, cracks are inevitably induced in Ni-P films during high mounting temperatures. Ni-P films play an important role as a solder joint material and the P concentration is a critical factor that affects the mechanical properties of Ni-P films. Therefore, in this work, we focused on the P concentration and tried to prepare Ni-P films without cracks induced by high heat treatments. Ni-P films wi
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Mohd Rosli, Zulkifli, Jariah Mohamad Juoi, Nur Najwa Aqilah Kamrul Zaman, Norhafizah Zaharuddin, Muharniza Azinita Musa, and Toshihiro Moriga. "Effect of SiO2 Content on the Microstructure and Photocatalytic Activity of TiO2 Films on Ceramic Substrate." Journal of Advanced Research in Micro and Nano Engineering 24, no. 1 (2024): 95–104. https://doi.org/10.37934/armne.24.1.95104.

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TiO2 films has been widely used and deposited on various substrates due to its potential application as a photocatalyst. However, on unglazed or glazed ceramic tiles, TiO2 films on both substrates commonly resulted in a cracked morphology of the film. The cracks present usually lead to delamination and peel off of film from substrate and reduce its photocatalytic efficiency. Therefore, a binder needs to be added into the composition of TiO2 sol in an effort to eliminate cracking when deposited on ceramic substrates. In this work, silica (SiO2) powders were added into TiO2 sol preparation as an
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Nakamura, Kae, Yuta Shimada, Tomohiro Miyashita, Ai Serizawa, and Takahiro Ishizaki. "Effect of Vapor Pressure During the Steam Coating Treatment on Structure and Corrosion Resistance of the Mg(OH)2/Mg-Al LDH Composite Film Formed on Mg Alloy AZ61." Materials 11, no. 9 (2018): 1659. http://dx.doi.org/10.3390/ma11091659.

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Corrosion resistant films with almost the same film thickness were prepared on the magnesium alloy AZ61 by steam coating at different vapor pressure and treatment times. The effect of the vapor pressure on the structures and the corrosion resistance of the films was investigated by using FE-SEM, SEM-EDX, GAXRD, and potentiodynamic polarization curve measurements in a 3.5 mass percentage NaCl aqueous solution. These studies clarified that the interlayers of Mg-Al Layered Double Hydroxide (LDHs) increased and its structure became non-uniform with an increase in the vapor pressure. The corrosion
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Mariaty, Mariaty, and Ise Afitah. "Peningkatan Pengetahuan Pendidikan Lingkungan dan Konservasi Siswa/Siswi SDN Tumbang Nusa 2 di Desa Taruna Jaya." PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat 6, no. 2 (2021): 105–12. http://dx.doi.org/10.33084/pengabdianmu.v6i2.2038.

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This program's main objective is to instill character education in loving the environment in children, improve thinking skills, and increase children's creativity. The relationship between children and their surroundings is an important foundation for building a good relationship between humans and nature. Community service activities at SDN Tumbang Nusa 2, located in Taruna Jaya Village, Jabiren Raya, Pulang Pisau, Central Kalimantan, were held from July to August 2019. Activities carried out included counseling on environmental education and film screenings. It provides education to school-a
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Maduwinarti, Ayun, Eko April Ariyanto, Luvia Friska Narulita, Sayidah Auli'ul Haque, and Hikmah Husniyah Farhanindya. "The impact of independent campus learning program (MBKM) through matching fund program for lecturers, students and partners in Minggirsari Village, Blitar." Technium Social Sciences Journal 27 (January 8, 2022): 60–64. http://dx.doi.org/10.47577/tssj.v27i1.5570.

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One of the activities in the implementation of the Independent Campus Learning Program (MBKM) has been implemented through the Matching Fund program which was held in Minggirsari Village, Blitar. This activity has succeeded in establishing the Creative Economy and Tourism Research Center. The potential of Minggirsari village is divided into 17 sub-sectors based on creative economy sub sector, namely game development, architecture, interior design, music, fine arts, product design, fashion, culinary, film-animation-video, photography, visual communication design, TV-radio, crafts, advertising,
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Li, Yong Hua, F. L. Meng, Chang Sheng Liu, and Y. M. Wang. "Crack Spacing and the Flow Stress in NiTi Thin Films Deposited on Cu Substrate." Key Engineering Materials 385-387 (July 2008): 89–92. http://dx.doi.org/10.4028/www.scientific.net/kem.385-387.89.

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Ti-51.45at.%Ni thin films were deposited onto copper substrates by magnetron sputtering. The copper substrates were pre-punched into dog-bone specimens with 4.5mm×30mm(gauge portion) ×35µm( thickness). The substrate temperature was about 673K. The thin films were about 20µm thick. The as-deposited films were first solution treated at 1073K for 1h, and then aged at 773K for 30min. The grain size was estimated to be 1.5µm from scanning electron microscopy micrographs. Tensile tests were carried out on CSS-44100 electron universal test-machine. The strain rate was 1.1×10-4 s-1. The stress-strain
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Wang, Yin Bo, Yi Ling Chen, and Qing Rong Feng. "The Effect of Nano-Particles in Superconducting MgB2 Thin Films on Stainless Steel Substrates." Advanced Materials Research 530 (June 2012): 62–67. http://dx.doi.org/10.4028/www.scientific.net/amr.530.62.

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We have fabricated several superconducting MgB2thin films on stainless steel substrates by using hybrid physical-chemical vapor deposition (HPCVD) in pure argon atmosphere. These films were observed by scanning electron microscopes (SEM) and used the energy dispersive X-ray spectroscopy (EDX) to make elements analyses. The film thickness is about 800~1000 nm. There were some cracks on the film surface when the film is bent by different angle. The number of cracks and their width increased with the increasing bending angle. Nevertheless, the films were attached to the substrates firmly. It conc
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36

Bico, J. "Cracks in bursting soap films." Journal of Fluid Mechanics 778 (July 30, 2015): 1–4. http://dx.doi.org/10.1017/jfm.2015.376.

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The rupture of soap films is traditionally described by a law accounting for a balance between momentum and surface tension forces, derived independently by Taylor and Culick in the 1960s. This law is highly relevant to the dynamics of thin liquid films of jets when viscous effects are negligible. However, the minute amounts of surfactant molecules present in soap films play a major role in interfacial rheology, and may result in complex behaviour. Petit et al. (J. Fluid Mech., vol. 774, 2015, R3) challenge standard thin film dynamics via intriguing experiments conducted with highly elastic su
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37

Gorohova, M. M., A. N. Shulunova, N. V. Fedota, and A. N. Kvochko. "Laboratory testing of film-forming substances for the manufacture of ophthalmic medicinal films." International Journal of Veterinary Medicine, no. 2 (July 22, 2022): 53–58. http://dx.doi.org/10.52419/issn2072-2419.2022.2.53.

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In the manufacture of ophthalmic medicinal films, special attention should be paid to the choice of a film-forming substance, since both the shape of the future film and its medicinal properties as a whole depend on it. This article provides a laboratory analysis with a comparative assessment of the optimal concentrations of two film-forming substances, polyvinyl alcohol and gelatin. Most of the presented film formers have a number of disadvantages, such as thickness, insufficient strength and elasticity, heterogeneity, formation of cracks and creases. One of the requirements for ophthalmic me
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38

Flores-Johnson, E. A., Lu Ming Shen, R. K. Annabattula, P. R. Onck, Yao Gen Shen, and Zhen Chen. "Finite Element Modelling of Stress-Induced Fracture in Ti-Si-N Films." Applied Mechanics and Materials 553 (May 2014): 10–15. http://dx.doi.org/10.4028/www.scientific.net/amm.553.10.

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Nanocomposite coating films have been increasingly used in industrial applications because of their unique mechanical and physical properties. Residual stresses generated during the growth of sputter-deposited thin films due to a strain mismatch between the film and the substrate may lead to significant failure problems. Large residual stresses may generate buckling, delamination and film fracture. Although buckles with cracks in thin films have been experimentally observed, their origins are still not well understood.
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ZHANG, YONG-JU, SEN-JIANG YU, HONG ZHOU, and PING-GEN CAI. "FRACTURE AND WRINKLE PATTERNS IN METAL FILMS DEPOSITED ON LIQUID MENISCUSES." Surface Review and Letters 25, no. 04 (2018): 1850088. http://dx.doi.org/10.1142/s0218625x18500889.

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Liquid meniscuses were prepared by spraying silicone oil drops with different sizes onto clean glass slides. Metal (iron) films with varied thicknesses were then deposited on the liquid meniscuses by direct current magnetron sputtering. The fracture and wrinkle behaviors of the films resulting from residual stresses are investigated in detail. It is found that cracks nucleate and propagate in the film during deposition owing to the thermal expansion of the liquid substrate. Subsequent cooling of the system creates a high compressive stress, resulting in the formation of various wrinkles in the
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40

Zhu, Xiang Rong, Nai Ci Bing, Zhong Ling Wei, and Qiu Rong Chen. "Surface Properties of TiN Films on AZ 31 Magnesium Alloys Deposited by Magnetron Sputtering Technique." Advanced Materials Research 314-316 (August 2011): 53–57. http://dx.doi.org/10.4028/www.scientific.net/amr.314-316.53.

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TiN films were deposited on the AZ 31 magnesium alloy substrates by d.c. magnetron sputtering technique. The surface properties of the films were investigated. The scanning electronic microscope observations reveal the dense structure characteristics of as-deposited TiN films. Under 200°C heat treatment for 30 minutes or 4 times’ heat cycles at 85°C for one hour, no structural defects such as cracks are observed on the surface of the films. Adhesion experiment further demonstrates the stability of the film and the strong combination between the film and the substrate. Nano-indentation experime
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41

Kim, Young-Soon, Hae-Jin Park, Young-Seok Kim, Sung-Hwan Hong, and Ki-Buem Kim. "Influence of the Gas Flow Rate on the Crack Formation of AlCoCrNi High-Entropy Metallic Film Fabricated Using Magnetron Sputtering." Coatings 14, no. 1 (2024): 144. http://dx.doi.org/10.3390/coatings14010144.

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In the present study, the AlCoCrNi high-entropy metallic film was deposited on a Si wafer using a magnetron sputtering system. To capture the effects of the sputtering parameters on the microstructure and mechanical properties of the film, the flow rate of Ar gas injected into the chamber (5, 7, and 8 sccm) was controlled. All films were identified as being of BCC phase with compositions of near equiatomic proportions, regardless of the gas flow rates. Nano-scale clusters were observed on the surfaces of all films, and nano-cracks were found in the film deposited at the Ar gas flow rate of 8 s
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42

Bazhenov, S. L., I. N. Nasrullaev, I. V. Razumovskaya, S. K. Kudaikulova, B. A. Zhubanov, and Marc J. M. Abadie. "Multiple Cracking of Metallized Polyimide Kapton Films." Eurasian Chemico-Technological Journal 6, no. 1 (2016): 41. http://dx.doi.org/10.18321/ectj332.

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Mechanical behaviour of metallized polyimide Kapton films was studied. The adhesion of metallized films to Kapton films is approximately hundred-folds higher than that of coatings made by usual sputter deposition of a metal on a polymer substrate. Multiple cracking of a metallized film was observed. Cracks<br />of two different scale levels are observed. The cracks of the first type (microcracks) are short with 1-2 μm length. The cracks of the second type are much longer and have length of several hundreds microns. The cracks of this type appear at higher strains as compared with the sho
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43

Du, Jun, Xiao Ying Zhu, Zhi Hai Cai, and Ping Zhang. "Toughing of ZrAlN Film through Superlattice Design." Advanced Materials Research 291-294 (July 2011): 141–45. http://dx.doi.org/10.4028/www.scientific.net/amr.291-294.141.

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Two kinds of magnetron sputtering ZrAlN films containing 23%atAl were deposited. The first was multicomponent ZrAlN film, the second was structure gradient and mulilayer film, named superlattice ZrAlN film. The microstructure was studied by FESEM, TEM , XRD, its mechanical properties were evaluated by nano-indentation method. The fracture toughness of films were determined from the length of ‘radial cracks’ on the applied diamond identer load 1.96N. the results show that, multicomponent ZrAlN film has hardness value of 35GPa, fracutre toughness value of 1.97MPa·m-0.5; while superlattice ZrAlN
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44

Roeder, Ryan K., and Elliott B. Slamovich. "Measuring the critical thickness of thin metalorganic precursor films." Journal of Materials Research 14, no. 6 (1999): 2364–68. http://dx.doi.org/10.1557/jmr.1999.0315.

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Successful application of sol-gel, metalorganic decomposition, or hydrothermal routes to ceramic thin films depends on the mechanical integrity of the precursor film. Above a critical thickness, a precursor film will crack or decohere from the substrate during drying. The cracking and thickness of thin metalorganic precursor films were simultaneously observed during drying using a standard optical microscope. Isochromatic color fringes produced by interference of reflected white light were used to monitor film thickness. The critical film thickness was determined by the color fringe correspond
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45

Yue, Yan Ping, Min Huang, Yuan Qi Jiao та ін. "UV Resistance of γ-Glycidoxypropyltrimethoxysilane / TiO2-ZrO2 Hybrid Nanocomposite Films Prepared by Sol-Gel Method". Advanced Materials Research 557-559 (липень 2012): 538–43. http://dx.doi.org/10.4028/www.scientific.net/amr.557-559.538.

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UV resistance of hybrid nanocomposite films of γ-Glycidoxypropyltrimethoxysilane (GPTMS)/TiO2-ZrO2prepared by Tetrabutoxytitanate, Zirconium n-tetrabutanoxide and GPTMS via sol-gel method were analyzed by observation of the film appearance, thermal gravimetric analysis (TGA), UV-visible spectroscopy, Fourier transform infrared spectroscopy (FTIR) before and after UV irradiation. It was found that cracks on the hybrid films increase with irradiation time, total inorganic content and the content of TiO2. The transmittance of the hybrid film increased with the increase of ZrO2content, which block
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46

Low, Sze Hsien, and Gih Keong Lau. "Effect of Crack Formation on Stretchable Silver Electrode for Dielectric Elastomer Actuators." Advances in Science and Technology 79 (September 2012): 26–31. http://dx.doi.org/10.4028/www.scientific.net/ast.79.26.

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Thin metal films are not commonly used electrodes for dielectric elastomer actuators as it is a common presumption that they are too stiff to allow large actuated strains. However, using thin metal film electrodes can improve reliability due to their ability to self heal, as shown from their use in metalized plastic film capacitors. Typically, from literature, actuated area strains do not exceed 10% when using thin, un-patterned, metal films formed by sputtering. However, in this present work, large actuated area strains of up to 50% have been demonstrated. This was accomplished by using thin
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47

Watazu, Akira, and Tsutomu Sonoda. "Mechanical Property of Magnesium Alloy Surface with Dense Oxide." Materials Science Forum 941 (December 2018): 1827–32. http://dx.doi.org/10.4028/www.scientific.net/msf.941.1827.

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Low Al single-phase magnesium alloy surfaces with dense magnesium oxide films were uniformly formed. The films were deposited with a radio frequency magnetron sputtering process with a planar magnetron sputtering system. The thickness of deposited magnesium oxide thin films was around 240 nm. According to the XRD results, a magnesium oxide phase film was formed on the substrate. The surface was uniform, and no cracks or exfoliation were observed. The deposited magnesium oxide film did not have any cracks or pores, and the surface of the sample was covered by magnesium oxide. The hardness of th
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48

YU, SEN-JIANG, and YONG-JU ZHANG. "FORMATION MECHANISM AND SURFACE EVOLUTION OF SILVER FILMS SPUTTERING DEPOSITED ON SILICONE OIL SUBSTRATES." Surface Review and Letters 15, no. 05 (2008): 525–30. http://dx.doi.org/10.1142/s0218625x0801172x.

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The formation mechanism and surface evolution of thin silver films deposited on silicone oil substrates by a DC-magnetron sputtering method are reported. As the film thickness increases, the deposited silver atoms first form compact clusters, then transfer to ramified aggregates and finally form a continuous film on the liquid substrate. After deposition, the surface morphology of the silver film is susceptible to evolve successively in the atmosphere condition, resulting in the formation of broad cracks and straight-sided (or worm-like) wrinkles. The evolution behaviors and underlying physica
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49

CHEN, X. M., Y. WANG, C. X. LIU, et al. "THE EFFECT OF ANNEALING TEMPERATURES ON THE MICROSTRUCTURE OF La0.5Ca0.5MnO3 FILMS." Modern Physics Letters B 16, no. 27 (2002): 1049–59. http://dx.doi.org/10.1142/s0217984902004573.

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La 0.5 Ca 0.5 MnO 3 (LCMO) thin films grown by pulsed laser deposition (PLD) and annealed at different temperatures were investigated by high angle X-ray diffraction, atomic force microscope (AFM), scanning electron microscope (SEM), and energy dispersive spectroscopy (SEM-EDS). The lattice parameters, surface morphology as well as the metal compositions of the films were obtained. It was found that the surface morphology of the films strongly depends on the annealing temperatures. The difference of the thermal expansion coefficients between the film and the substrate plays an important role i
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50

Xiao, Zhigang, Kim Kisslinger, and Rebhadevi Monikandan. "Atomic Layer Deposition of Nanolayered Carbon Films." C 7, no. 4 (2021): 67. http://dx.doi.org/10.3390/c7040067.

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In this paper, carbon thin films were grown using the plasma-enhanced atomic layer deposition (PE-ALD). Methane (CH4) was used as the carbon precursor to grow the carbon thin film. The grown film was analyzed by the high-resolution transmission electron micrograph (TEM), X-ray photoelectron spectroscopy (XPS) analysis, and Raman spectrum analysis. The analyses show that the PE-ALD-grown carbon film has an amorphous structure. It was found that the existence of defective sites (nanoscale holes or cracks) on the substrate of copper foil could facilitate the formation of nanolayered carbon films.
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