Relevant bibliographies by topics / Film editing

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film editing'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Film editing"

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Winters, Ben. "Catching Dreams: Editing Film Scores for Publication." Journal of the Royal Musical Association 132, no. 1 (2007): 115–40. http://dx.doi.org/10.1093/jrma/fkm001.

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There is a need for published film-score editions in film musicology, both to preserve the contents of manuscripts and to aid critical readings of films. How to accomplish this, without re-inscribing the Romantic conceptions of authorship commonly associated with edition creation, is the subject of this article. After considering the relevant editorial problems and models, a postmodern ‘anti-edition’ is proposed, using examples drawn from Korngold's score for The Adventures of Robin Hood (1938).
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Chmil, Hanna, and Kateryna Pshenychna. "Film Editing: From Avant-garde Films to Modern Editing Practice." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 2 (2018): 98–106. https://doi.org/10.31866/2617-2674.2.2018.151823.

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The purpose of the study is to analyze the history and theory of film editing from the Soviet avant-garde films to modern editing practice, the influence of L. Kuleshov, S. Eisenstein, D. Vertov and other founders of the theory and practice of editing on modern cinema. The purpose of the study is also an analysis of the history and functions of editing as a highly specialized cinematographic technique and an assessment of the avant-garde editing relevance in our time. Research methodology. The proposed publication has used a system-analytical approach to define the goals and str
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Liang, Along. "Multi-Agent-Based Film Editing Collaboration System." Computational Intelligence and Neuroscience 2022 (July 1, 2022): 1–6. http://dx.doi.org/10.1155/2022/1327620.

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In order to realize the effective cooperation between editor agents in the film and television editing collaboration system, it is analyzed that the state change of the film and television editing and production process is affected by the cross influence of multiple factors. A single agent can no longer satisfy the current film and television production. From the point of view of system theory, this article constructs the learner agent in the film and television editing system by introducing a new cooperation mechanism—the multi-agent collaborative system model. Collaboration and cooperation b
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Dr. RR Ella Evrita H, S.E, M.M,, Dr RR Ella Evrita H, S. E, M. M,, and Dewi Alibasah Dewi Alibasah. "Konstruksi Emosi dan Narasi melalui Teknik Editing dalam Film “Ada Apa denganCinta?”: Analisis Visual dan Naratif dalam Konteks Sinema Modern Indonesia." Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian 3, no. 2 (2025): 59–74. https://doi.org/10.56849/jpf.v3i2.59.

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The study examines the editing techniques used in the film "What's with Love?" (AADC) and how the technique affects the development of emotions, narratives, and character development. The film, released in 2002, became a milestone in the revival of Indonesian cinema post-reform, and had a significant impact on the development of youth films in Indonesia. This study investigates how continuity editing, montage, cross-cutting, and the use of music successfully create a cohesive and emotional narrative through a qualitative approach and visual-narrative analysis. AADC's editing techniques not onl
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Permana, Rangga Saptya Mohamad, Lilis Puspitasari, and Sri Seti Indriani. "Pelatihan Post-Produksi (Audio-Visual Editing) Film Indie di Armidale English College Soreang, Bandung." Jurnal Pengabdian Pada Masyarakat 4, no. 1 (2019): 19–28. http://dx.doi.org/10.30653/002.201941.88.

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INDIE FILM EDITING TRAINING AT ARMIDALE ENGLISH COLLEGE OF SOREANG, BANDUNG REGENCY. A film can be seen as a medium of mass communication because in a film there are elements of entertainment, education, and information. In fact, a film can be an advocacy media that encourages a social change. In the film production management, there are major label and indie label concepts, where the indie label focuses on film content and filmmakers' freedom of expression. The stages that must be passed by a filmmaker in producing a film starts from the stages of development, pre-production, production, post
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Cao, Zhengcao, Yashu Wang, Liangyu Wu, et al. "Reexamining the Kuleshov effect: Behavioral and neural evidence from authentic film experiments." PLOS ONE 19, no. 8 (2024): e0308295. http://dx.doi.org/10.1371/journal.pone.0308295.

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Film cognition explores the influence of cinematic elements, such as editing and film color, on viewers’ perception. The Kuleshov effect, a famous example of how editing influences viewers’ emotional perception, was initially proposed to support montage theory through the Kuleshov experiment. This effect, which has since been recognized as a manifestation of point-of-view (POV) editing practices, posits that the emotional interpretation of neutral facial expressions is influenced by the accompanying emotional scene in a face-scene-face sequence. However, concerns persist regarding the validity
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Chmil, Hanna, and Kateryna Pshenychna. "Film Editing: From Avant-garde Films to Modern Editing Practice." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production, no. 2 (December 26, 2018): 98–106. http://dx.doi.org/10.31866/2617-2674.2.2018.151823.

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Prama Saputra, Ary. "RITME EDITING DALAM KONVENSI GENRE DAN MOOD FILM: STUDI KASUS FILM KKN DI DESA PENARI DAN WANALATHI." IMAJI: Film, Fotografi, Televisi, & Media Baru 15, no. 1 (2024): 56–67. http://dx.doi.org/10.52290/i.v15i1.167.

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Untuk bisa mengetahui keberadaan ritme editing sebuah film sangatlah mudah. Kita cukup dengan sadar menyimak pergantian gambar yang terjadi akibat cutting. Selanjutnya kita akan menyimpulkan tentang irama serta tempo film sebagai cepat atau lambat dimana kemudian disebut sebagai pace, berdasarkan sebuah pola. Tapi apakah ritme dan pace film hanya terbentuk melalui apa yang disebutkan sebelumnya? Juga apakah ritme editing keberadaannya hanya untuk sekedar membuat irama tanpa arah dan fungsi? Jawabannya adalah tidak. Keberadaan ritme editing film tidak boleh seperti itu karena dia harus bersiner
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Efimova, Natalia Nikolaevna. "Sound Editing in Screen Works." Journal of Flm Arts and Film Studies 7, no. 2 (2015): 73–81. http://dx.doi.org/10.17816/vgik7273-81.

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The article pinpoints peculiarities of sound editing in movies basing on analysis of partitions of popular films of40-90s; the most frequent principles of sound track arrangement are examined for the first time. The stuff selection is conditioned by measure of popularity of screen works in question. Due to talent of such famous composers as I. Dunaevsky, S. Prokofiev, A. Khachaturian, A. Pakhmutova, A. Petrov et al and their ability to hear plastic imagery, to comprehend filmic atmosphere music plays an extremely important part in these films. Many songs from these films are still in circulati
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Middleton, Jason. "Documentary Comedy." Media International Australia 104, no. 1 (2002): 55–66. http://dx.doi.org/10.1177/1329878x0210400108.

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While documentaries like Roger and Me and mock documentaries such as This is Spinal Tap differ in terms of the ontological status of their referents, they share many formal characteristics, particularly in their editing strategies. This essay examines the editing techniques in these two influential films of the 1980s in order to theorise exactly how film-makers combine conventions of documentary with those of comedy in an attempt to produce laughter in audiences. Having demonstrated the formal qualities of an editing technique prevalent in these films which I term ‘cutting on the absurd’, the
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Dissertations / Theses on the topic "Film editing"

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McMillan, Matthew Christopher. "Editing the independent, digital feature film, mosaic." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16558/1/Matt_McMillan_Thesis.pdf.

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The production of the independent, digital feature film titled Mosaic was performed on a very low budget. The design and implementation of the post-production of the film required consideration of budgetary constraints, and solutions to these constraints that would still allow the creative freedom of the editor and the director. The technical design was based around digital filmmaking technology. The choice of this technology influenced how the editor was able to address aesthetic and technical challenges.
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McMillan, Matthew Christopher. "Editing the independent, digital feature film, mosaic." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16558/.

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The production of the independent, digital feature film titled Mosaic was performed on a very low budget. The design and implementation of the post-production of the film required consideration of budgetary constraints, and solutions to these constraints that would still allow the creative freedom of the editor and the director. The technical design was based around digital filmmaking technology. The choice of this technology influenced how the editor was able to address aesthetic and technical challenges.
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Houseton, Fran. "Saved By the Edit." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/505.

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Smith, Tim J. "An attentional theory of continuity editing." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/1076.

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The intention of most film editing is to create the impression of continuous action (“continuity”) by presenting discontinuous visual information. The techniques used to achieve this, the continuity editing rules, are well established yet there exists no understanding of their cognitive foundations. This thesis attempts to correct this oversight by proposing that “continuity” is actually what perceptual and developmental psychologists refer to as existence constancy (Michotte, 1955): “the experience that objects persist through space and time despite the fact that their presence in the visual
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Pelling, Kate. "Select, reject, reconfigure : editing speech in artists' direct address to camera." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/10825/.

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This practice-based thesis offers a new approach to editing processes that take place during the recording and subsequent editing of an individual speaking directly to a camera. Rosalind Krauss identified all performance to camera as narcissistic (1976), which includes the subset of artists’ direct address to camera, and since then the area has been widely understood within a psychoanalytical framework. This new approach provides a non-psychoanalytical perspective on direct address to camera, taking into account linguistic self-editing during the generation of speech (Skinner, 1957, p. 370) an
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Marti, Cécile Marie. "Shakespeare on film : film editing and authorship : 'It is only in the editing room that the director has the power of a true artist'." Thesis, University of Sheffield, 2006. http://etheses.whiterose.ac.uk/14705/.

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The purpose of the thesis is to question the hegemony of auteurist, director-based criticisms of Shakespearean films by rescuing the film-editor from anonymity. By drawing my attention to the determining, yet largely disregarded work of editorial creation, I offer a reading of a selection of Shakespearean films that acknowledges the centrality of collaborative work in representing Shakespeare on film. In order to recreate the editor as a 'collaborative auteur', I propose to trace the authorial signature(s) of the editore(s) by examining and identifying in which ways and according to which spec
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Mikael, Johansson. "Videoproduktion : En rapport om produktionsprocessen av beställningsfilm." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-25790.

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Denna rapport beskriver produktionsprocessen för framtagandet av två filmer till ett svensktupplevelseföretag. Filmernas syfte är att informera potentiella kunder vad de kan förvänta sig. Dessa filmer ska efter leverans implementeras på upplevelseföretagets hemsida. Rapporten visar olika steg i processen från beställning till leverans samt de metoder somanvänds för att nå det resultat beställaren önskar. Projektet resulterade i två filmer, från två olika upplevelser, som efter leverans implementerades på upplevelseföretagets hemsida.<br>The aim of the project is to use different theories to de
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Orpen, Valerie Anne. "Splicing emotion : the expressive dimensions of editing in the sound film." Thesis, University of Warwick, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340096.

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Daneau, Daniel. "THE ATTIC DOOR: A FEATURE LENGTH MOTION PICTURE." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2224.

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THE ATTIC DOOR is the feature-length film co-written and directed by Danny Daneau while pursuing a Master of Fine Arts at the University of Central Florida. Many challenges had to be met to produce a feature-length motion picture utilizing digital technology on an ultra-low budget as part of a graduate education. Beyond gaining a profound understanding of the physical, financial, and emotional strength it takes to complete a feature-length motion picture, Daneau experienced the creative challenges that all filmmakers must meet when applying the principles of filmmaking theory to an actual work
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Blazevic, Sasha, and Carl Johan Kesten. "Editing within The Thriller Genre." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-21915.

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Thriller är en favoritgenre för många och har funnits längre än de flesta tror. Ursprungligen som en litteraturgenre har den utvecklats till en av de mest eftertraktade genrerna inom film. Tidiga anmärkningsvärda verk som Alfred Hitchcocks filmer i mitten av 1900-talet har banat vägen för genren och utformat dess redigering och cinematografi till vad vi har idag. Trots sin ödmjuka början i mitten av 1900-talet lyckas teknikerna, även om dem är aningen repetitiva, fortfarande vara relevanta idag och har bara utvecklats med åren. I den här artikeln studerar vi grunderna inom thrillergenren, redi
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Books on the topic "Film editing"

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Balmuth, Bernard. Introduction to film editing. Focal Press, 1989.

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Maitland, Ian. Maitland's film editing glossary. Kendall/Hunt Pub. Co., 1990.

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Balmuth, Bernard A. Introduction to film editing. Focal, 1989.

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Dmytryk, Edward. On Film Editing. Routledge, 2018. http://dx.doi.org/10.4324/9780429506086.

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Hollyn, Norman. The film editing room handbook. 2nd ed. Lone Eagle, 1990.

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Ohanian, Thomas A. Digital nonlinear editing: New approaches to editing film and video. Focal Press, 1993.

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Gavin, Millar, ed. The technique of film editing. 2nd ed. Focal, 1995.

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Gavin, Millar, ed. The technique of film editing. 2nd ed. Focal Press/Elsevier, 2010.

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Oldham, Gabriella. First cut: Conversations with film editors. University of California Press, 2012.

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Dancyger, Ken. The technique of film and video editing. Focal Press, 1993.

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Book chapters on the topic "Film editing"

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Benyahia, Sarah Casey, John White, and Freddie Gaffney. "Editing." In A Level Film Studies. Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-3.

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Benyahia, Sarah Casey, and John White. "Editing." In A Level Film Studies, 4th ed. Routledge, 2025. https://doi.org/10.4324/9781003495901-5.

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kydd, Elspeth. "Editing." In The Critical Practice of Film. Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_9.

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Jacob, Dodd. "Film bench editing." In 16mm and 8mm Filmmaking. Routledge, 2020. http://dx.doi.org/10.4324/9781003000334-13.

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Jacob, Dodd. "Film editing machines." In 16mm and 8mm Filmmaking. Routledge, 2020. http://dx.doi.org/10.4324/9781003000334-14.

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Dixon, Mark. "Editing." In Essential Revision for A Level Film Studies. Routledge, 2021. http://dx.doi.org/10.4324/9781003119241-4.

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Pearlman, Karen. "On Rhythm in Film Editing." In The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_7.

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Willett, Amanda. "Editing film." In Media Production, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429276118-25.

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"Film editing." In Beginning film studies (second edition). Manchester University Press, 2020. http://dx.doi.org/10.7765/9781784997304.00009.

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"Editing." In Film Production Theory. SUNY Press, 2000. http://dx.doi.org/10.1515/9780791492833-010.

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Conference papers on the topic "Film editing"

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Jiang, Yujie, and Luying Wang. "Digital Non-Linear Editing System in Film Post Production." In 2024 3rd International Conference on Artificial Intelligence and Autonomous Robot Systems (AIARS). IEEE, 2024. http://dx.doi.org/10.1109/aiars63200.2024.00108.

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Fang, Yuxin, and Liyuan Fu. "Effective Application of Computer Multimedia Technology in Film and Television Post-Editing." In 2024 Global Conference on Communications and Information Technologies (GCCIT). IEEE, 2024. https://doi.org/10.1109/gccit63234.2024.10862252.

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Anandhi, R. J., Shaik Anjimoon, Sandeep Kumar Tiwari, Navdeep Singh, Ashish Parmar, and Alabboodi Ahmed Sahib Faisal. "Harnessing the Capabilities of OpenAI’s CLIP and RNN for Visual Sequence Understanding in Film Editing." In 2024 OPJU International Technology Conference (OTCON) on Smart Computing for Innovation and Advancement in Industry 4.0. IEEE, 2024. http://dx.doi.org/10.1109/otcon60325.2024.10687926.

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Walker, Cameron, and Vaughn O’Dea. "Why Voltage Matters for High Voltage Holiday Testing on Steel – The Final Edition." In CONFERENCE 2025. AMPP, 2025. https://doi.org/10.5006/c2025-00249.

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In corrosive environments it is considered essential to produce a continuous protective coating for long term performance. Non continuous films provide opportunities for premature failure of the coating system and substrate degradation through isolated corrosion and undercutting. Elements that cause coatings to become non continuous are commonly known as discontinuities or holidays. As such, holiday testing is the method used to find these discontinuities so they can be located and fixed prior to service. The colloquial rule of thumb throughout the coatings industry for high voltage holiday te
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Chopra, Palak, and Makarand G. Kulkarni. "A Secure File Encapsulation System for File Sharing in the Absence of a Trusted Channel." In 2024 3rd Edition of IEEE Delhi Section Flagship Conference (DELCON). IEEE, 2024. https://doi.org/10.1109/delcon64804.2024.10866565.

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Dambra, Savino, Giuseppe Samela, Lucile Sassatelli, Romaric Pighetti, Ramon Aparicio-Pardo, and Anne-Marie Pinna-Déry. "Film editing." In MMSys '18: 9th ACM Multimedia Systems Conference. ACM, 2018. http://dx.doi.org/10.1145/3204949.3204962.

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Prasetyaningsih, Sandi, and Gretchen Coombs. "Continuity Editing in Documentary Film." In The International Conference on Applied Engineering. SCITEPRESS - Science and Technology Publications, 2020. http://dx.doi.org/10.5220/0010351200270033.

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Prasetyaningsih, Sandi. "Creative Editing in Documentary Film." In The Second International Conference on Social, Economy, Education, and Humanity. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009121902650271.

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Yang, Zuye, and Haoyuan Yu. "Detection of Image Significance in Film Editing." In 2020 IEEE 3rd International Conference on Information Systems and Computer Aided Education (ICISCAE). IEEE, 2020. http://dx.doi.org/10.1109/iciscae51034.2020.9236845.

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Hodge, Winston, Bill Harvey, and Robert S. Block. "A Film Quality Digital Archiving & Editing System." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1993. http://dx.doi.org/10.5594/m00673.

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Reports on the topic "Film editing"

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Rangiwai, Byron, Marcel Croul, Allanna Goldsmith, Manaaki Fletcher, and Atareta Moses. Using Kaupapa Māori Research to Inform Practice. Unitec ePress, 2023. http://dx.doi.org/10.34074/ocds.104.

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This paper explores the profound connections between Kaupapa Māori research and practice through the reflections of Māori practitioners. As part of a Kaupapa Māori research internship funded by Te Whatu Ora, hosted at Ngā Wai a Te Tūī, and co-led by Dr Hinekura Smith and Associate Professor Byron Rangiwai, this paper presents the perspectives of four Māori practitioners. Marcel Croul (Ngāti Tamaterā) discusses his film-editing practice in the context of a collaboration with Dr Hinekura Smith to create a short documentary on the wahine-led practice of whatuora. Allana Goldsmith (Ngāti Porou, Ng
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Rosenblatt, David, Diether Beuermann, Sylvia Dohnert, et al. aribbean Economics Quarterly: Volume 13, Issue 3: Innovation for Faster Economic Growth in the Caribbean: Are We There Yet? Inter-American Development Bank, 2024. https://doi.org/10.18235/0013347.

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As discussed in several editions of the Caribbean Economics Quarterly, the Caribbean has seen anemic growth, high volatility, and low productivity over the past few decades. This edition of the Caribbean Economics Quarterly focuses on innovation which has been proven to be a key driver of productivity growth across economies. The underlying dataset for the analysis is the Innovation, Firm Performance, and Gender (IFPG) Survey conducted by the Compete Caribbean Partnership Facility in 2020. The survey was administered to 1,979 formal firms across 13 Caribbean countries. The report summarizes in
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Smith, N. A., K. J. Austin, J. Lecocq, et al. Guide for the Lighting of Sports Events for Colour Television and Film Systems, 3rd Edition. International Commission on Illumination (CIE), 2019. http://dx.doi.org/10.25039/tr.083.2019.

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Rosenblatt, David, Diether Beuermann, Henry Mooney, et al. Caribbean Economics Quarterly: Volume 12, Issue 1: Reflections on Innovation and Productivity as Caribbean Businesses Emerge from the Pandemic. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0004902.

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This edition of the Caribbean Economics Quarterly focuses on the issue of long-term economic growth. As economies have recovered from the pandemic, the main question is: Will the region return to the slow long-run growth of the pre-pandemic period? The key lies in innovation and productivity. To understand the challenges facing businesses to innovate and increase productivity, the authors draw on recent firm-level data from the Compete Caribbean Partnership Facilitys Innovation, Firm Performance and Gender (IFPG) survey. This edition starts with an overview of past performance of Caribbean cou
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Kolaj, M., S. Halchuk, and J. Adams. Sixth Generation seismic hazard model of Canada: final input files used to generate the 2020 National Building Code of Canada seismic hazard values. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331387.

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The enclosed files provide OpenQuake compatible input files to reproduce the 6th Generation Seismic Hazard Model of Canada (CanadaSHM6) as used to produce the seismic hazard values for the 2020 edition of the National Building Code of Canada (NBCC 2020). Example hazard values at selected localities are included, in order for other users to verify that the model has been implemented as we intended. This report contains minimal technical information on CanadaSHM6; complete documentation will be released as a separate Open File. This report supersedes Open File 8630, and the values derived from t
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Prasad, Aathira, Salma Refass, Nasser Saidi, Fadi Salim, and Ben Shepherd. Global Economic Diversification Index 2023. Mohammed bin Rashid School of Government, 2023. https://doi.org/10.46993/1/52.

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Economic diversification has gained traction in major commodity-producing nations given its multiple benefits including to macroeconomic stability, economic growth, job creation, and development alongside promoting greater private sector activity, more sustainable public finances as well as greater skill diversity in the labour force. However, despite policy interest in economic diversification, there is no uniformly agreed or available measure or index of economic diversification. The first edition of the Global Economic Diversification Index (EDI) was published in 2022, specifically aiming t
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Peterson, Warren. PR-663-20208-Z02 CO2e Economic Analysis Tool. Pipeline Research Council International, Inc. (PRCI), 2021. http://dx.doi.org/10.55274/r0012191.

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The CO2e Economic Analysis Tool (CEAT) is a spreadsheet-based application for comparing project alternatives that are sensitive to GHG emission rates, emission levies, or other financial parameters. The tool is applicable to hydrocarbon transportation systems, with an emphasis on natural gas transmission. CEAT provides a comparative forecast of benefits and expenses (including levies) from initial cash flow to arrival at the forecast horizon. Along with financial forecasting functions, the tool estimates the emissions associated with a wide range of hydrocarbon fluids (gas and liquid), electri
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Focusing on Multiple Micronutrient Supplements in Pregnancy: Second Edition. Sight and Life, 2011. http://dx.doi.org/10.52439/uznq4230.

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Abstract:
Despite marked progress in improving nutrition and health globally, micronutrient deficiencies remain prevalent in low and middle income countries (LMIC), especially among pregnant women with far-reaching consequences for mother and baby including preterm birth, stillbirth or neonatal death, impaired fetal growth. Multiple micronutrient supplements (MMS) taken during pregnancy provide 15 vitamins and minerals to fill the dietary gaps often present in LMIC and the increased nutrient needs of pregnancy. Crucially, MMS provide benefits far beyond those of traditional iron and folic acid supplemen
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