Academic literature on the topic 'Film editors'
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Journal articles on the topic "Film editors"
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Swenberg, Thorbjörn, and Per Erik Eriksson. "Effects of Continuity or Discontinuity in Actual Film Editing." Empirical Studies of the Arts 36, no. 2 (2017): 222–46. http://dx.doi.org/10.1177/0276237417744590.
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The film editor’s task in refining film edits by frame-by-frame matching is an important undertaking in perceptual precision. This article investigates whether the failure of a few frames jeopardizes the perceived continuity of a film. Thirty-three Swedish students were eye-tracked while watching two versions of the same documentary film sequence; one version was completed to continuity satisfaction by a film editor, while the other had some frames altered toward discontinuity. Gaze hits in Areas-of-Interest appointed by the film editor, saccade frequency, and pupil dilation after edit points were measured. No significant difference was found for hits in Areas-of-Interest, whereas saccade frequency and relative pupil size increased after edits in the altered version of the film sequence. Results indicate that the altered film sequence constrained viewers with possible cognitive effects, implying that frame-by-frame matching of film edits achieved by film editors is crucial to film continuity.
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Yeremenko, Evgeniy D., and Zoya V. Proshkova. "Editor as a phenomenon of Soviet art culture." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 31–38. http://dx.doi.org/10.30725/2619-0303-2021-2-31-38.
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The article is devoted to understanding the image of the Soviet editor in Russian art (using examples of fiction and cinema). The author examines the personal qualities that contributed to the entry of a person into the profession («editorial character») and provides a chronological observation of the «editorial evolution» – in publishing and film production-throughout the Soviet period and the first years of Russia in the 1990s. An important aspect that has been updated since the early 1920s is the active inclusion of women in editorial work. The characteristics of editors of different Soviet periods are analyzed using examples from the prose of M. Bulgakov, V. Shishkov, L. Rakhmanov, A. Tobolyak, V. Astafyev. Portraits of Soviet film editors are considered in the works of J. Gausner, N. Bogoslovsky, V. Makanin, D. Rubina and M. Kuraev. Representatives of the editorial profession are also represented in the films of A. Tarkovsky, V. Zheregy, K. Shakhnazarov and A. Benckendorf. There are two main types in the artistic depiction of editors and their activities: satirical (in a pointed form ridiculing personal and professional shortcomings) and dramatic (reflecting the complexity of editorial characters in their inseparability with the influence of society, historical era). In the final part of the article, the vectors of professional diffusions in the film-editing corps are outlined with the end of the Soviet era and the need to adapt to the new, post-Soviet realities.
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Meyer, Birgit, and Stephen Hughes. "Guest Editors' Preface." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 1, no. 2-3 (2005): 149–53. http://dx.doi.org/10.1558/post.v1i2_3.149.
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This special issue of Postscripts addresses the interace of religion and film by exploring both hos religion is deployed through film and how film is utilized in service of religion. The issues is based on a workshop, Mediating Religion and Film in a Post-Secular World held June 16-17, 2005, at the University of Amsterdam.
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Missero, Dalila. "Titillating Cuts." Feminist Media Histories 4, no. 4 (2018): 57–82. http://dx.doi.org/10.1525/fmh.2018.4.4.57.
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The article analyzes the experiences of Italian women editors as examples of the complex interplay between modes of resistance and acceptance developed by women professionals in a male-dominant film industry. Retracing the evolution of the profession of editor from the silent era to the 1970s, the article navigates the genealogies of Italian women who worked in the cutting room. These women used their creative and professional skills to overcome obstacles imposed by a film industry that otherwise reproduced entrenched patterns of gender and class discrimination. In particular the case of Ornella Micheli, a professional editor who worked on more than sixty films between the 1950s and the 1970s, reveals a practitioner who fitted into the mechanisms of her working environment, but also developed her own personal strategies to affirm her professional status and ensure the continuity of her career.
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Kwiatkowska, Paulina. "Zofia Dwornik: Becoming a Female Film Editor." Panoptikum, no. 23 (August 24, 2020): 63–76. http://dx.doi.org/10.26881/pan.2020.23.05.
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In this article the author intends to recall the figure of Zofia Dwornik, one of the most appreciated and nowadays rather forgotten female film editors of post-war communist Poland. For the twenty-five years of her creative activity, Dwornik cooperated in the production of more than thirty films with the most important directors of the Polish cinema in the 1950s, 60s and 70s. In the Polish post-war cinema, the profession of film editor was strongly feminised. In the case of Dwornik, her decision to choose this particular profession was, however, based on additional objective considerations, closely related to the context of the Stalinist period in Poland, and was not her first choice of career – she had wanted to become a film director. In this article the author takes a closer look not so much at the achievements of Dwornik in the 1960s and 70s, but at the complex circumstances that influenced her later career. Therefore, the author tries to reconstruct the most important moments in Dwornik’s student and professional life in the first years after WWII and analyse one of the film études she made at the Film School in Łódź, in order to examine the reasons for her decision to become a film editor. This allows also to formulate some hypotheses how her career might have developed, had she been given the chance to graduate and try her hand at directing.
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Pantenburg, Volker. "From the golden age of television: The case of Westdeutscher Rundfunk (WDR)." Critical Studies in Television: The International Journal of Television Studies 14, no. 1 (2019): 106–24. http://dx.doi.org/10.1177/1749602018818263.
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The mid-1970s proved a particularly fertile moment in the encounter between cinema and television in West Germany. Focusing on different editorial units at Cologne-based Westdeutscher Rundfunk (WDR), this dossier traces the sense of experimentation at the public service broadcaster. Commissioning editors like Werner Dütsch at the film unit, Angelika Wittlich and the series Telekritik, but also those at the department ‘Language and Literature’ made it possible for critics and film-makers like Harun Farocki to explore essayistic formats and programmes. The dossier combines a retrospective essay by WDR commissioning editor Dütsch, several archival documents from 1974 to 1976, and starts with a contextualising essay by Pantenburg.
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Cutting, James E., and Karen Pearlman. "Shaping Edits, Creating Fractals." Projections 13, no. 1 (2019): 1–22. http://dx.doi.org/10.3167/proj.2019.130102.
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We investigated physical changes over three versions in the production of the short historical drama, Woman with an Editing Bench (2016, The Physical TV Company). Pearlman, the film’s director and editor, had also written about the work that editors do to create rhythms in film (Pearlman 2016), and, through the use of computational techniques employed previously (Cutting et al. 2018), we found that those descriptions of the editing process had parallels in the physical changes of the film as it progressed from its first assembled form, through a fine cut, to the released film. Basically, the rhythms of the released film are not unlike the rhythms of heartbeats, breathing, and footfalls—they share the property of “fractality.” That is, as Pearlman shaped a story and its emotional dynamics over successive revisions, she also (without consciously intending to do so) fashioned several dimensions of the film— shot duration, motion, luminance, chroma, and clutter—so as to make them more fractal.
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Murphy, Amanda, Rowan Aust, Vanessa Jackson, and John Ellis. "16mm Film Editing for Television." Archaeologies of Tele-Visions and -Realities 4, no. 7 (2015): 7. http://dx.doi.org/10.18146/2213-0969.2015.jethc077.
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Two television editors who once worked with 16mm film discuss and explore their former working methods and demonstrate how to make a picture cut using film. The method of ‘hands-on history’ used for this simulation is discussed, as are the problems of presenting such data.
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Vaughn, Stephen, and Bruce Evensen. "Democracy's Guardians: Hollywood's Portrait of Reporters, 1930–1945." Journalism Quarterly 68, no. 4 (1991): 829–38. http://dx.doi.org/10.1177/107769909106800424.
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Reporters in films of the early 1930s were often portrayed as drunks or as less than glamorous, as evidenced by the 1930 film “The Front Page.” By the end of the decade, pressure from the American Newspaper Publishers Association, American Society of Newspaper Editors, and other professional organizations, plus film-makers' need for good press, caused a change in the way reporters appeared, as evidenced by “His Girl Friday,” the 1940 remake of “The Front Page.” World War II films often portrayed reporters as searchers for truth in a free democratic system, a striking contrast to fascist control of information abroad. This study is based on the recently opened files of the Production Code Administration plus the viewing of 35 key films of the period.
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Jacob, Clarissa K. "Women & Film." Feminist Media Histories 1, no. 1 (2015): 153–62. http://dx.doi.org/10.1525/fmh.2015.1.1.153.
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This short essay provides an introduction to the short-lived but influential magazine Women & Film, published in California between 1972 and 1975. Two graduate students, Siew-Hwa Beh (b. 1945) and Saundra Salyer (b. 1946), from the University of California, Los Angeles, and San Francisco State, respectively, were the founders of this pioneering publication devoted entirely to providing a feminist perspective on film. They set up the magazine in response to a collision between their radical leftist and feminist politics and their cinephilia. This essay contextualizes some examples, which are reproduced here, of the first issue's contents. It also sheds light on the eclectic and impassioned approach adopted by the magazine's editors and contributors, bolstered by accompanying excerpts and images.
Dissertations / Theses on the topic "Film editors"
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de, Selincourt Chris. "Where is the mind of the media editor? : an analysis of editors as intermediaries between technology and the cinematic experience." Thesis, Cardiff Metropolitan University, 2016. http://hdl.handle.net/10369/8682.
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What space does the mind occupy? A standard response to this question might be to locate the mind within the brain. However some argue that our mental processes also extend beyond the boundaries of the brain. Gallagher & Zahavi (2008) have termed these two views of the mind: internalism and externalism. In cinema, the role of editor as mediator between the cognitive activities of filmmakers, audiences and the editing equipment, makes their practice particularly suited for investigating these two seemingly incompatible views. When editors cut or join chunks of sound and image, they assemble externally what some would recognise internally as the mind’s fluctuations between one object of attention and the next. Their activities reveal a side of cinema, but also of the mind, which is usually hidden from view. The purpose of this thesis will therefore be to show how studying the process of editing contributes to our understanding of the relationship between mind and world. In order to address the question of where the editor’s mental processes are located, this study applies a phenomenographic methodology. Rather than attempt to understand cognition from a preconceived or objectively constituted position, phenomenography starts by examining variation in how a group of individuals view a particular process. This leads toward research findings that are presented from a ‘second-order perspective’ (Marton, 1981). In this thesis an understanding of how audiovisual material is selected and sequenced is revealed through fourteen interviews with British editors and directors. From the analysis of these interviews a framework emerged of five critical interrelated ways to approach the editing process. This evidence suggests that the cognitive process occurs in virtue of an editor’s physical activities, the editing equipment, plus a broader network of social and cultural relations that support the filmmaking environment. Refuting the belief that the mind is separate from the world, the editor’s mental processes are to be found distributed amongst a variety of internal and external features of their environment. The outcome of this thesis is a phenomenographic perspective on the editing process. This, I conclude, will help to inform cognitive scientists of the kinds of mental processes that editors are aware of. It also provides a wider audience of scholars with a framework for further research on variation in the process and practice of editing.
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Vemuri, Suresh P. "Jedit : a graph editor in Java." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1036185.
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There are increasing demands for graphics-oriented software packages for graph theory teaching and research. G-Net, a departmental research project headed by Dr. Jay Bagga, is an effort to create a software package that comprises of a graph database, a graph editor, 'and a collection of graph algorithms. Also, with widespread use of the World Wide Web, the graph editor should be accessible through the Web. Taking these issues into consideration Jedit (Java Graph editor) is developed. This thesis concentrates on the design and implementation of a graph editor and a graph object (Jgraph). Jgraph is developed in java to implement the graph algorithms in future. One of the unique features of this graph editor is that it can be used as stand-alone application or as an applet for the Web. In addition, it also provides a friendly user interface.<br>Department of Computer Science
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Moura, Fábio Viana de. "Pressões institucionais e o isomorfismo estrutural e contábil dos relatórios de administração publicados por empresas dos subsetores de energia elétrica e de transporte." http://www.contabeis.ufba.br/Site/arquivos/Editor/file/Mestrado/Disserta%C3%A7%C3%B5es/DISSERTACAO_FABIO_VIANA.pdf, 2012. http://www.contabeis.ufba.br/Site/arquivos/Editor/file/Mestrado/Disserta%C3%A7%C3%B5es/DISSERTACAO_FABIO_VIANA.pdf.
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DISSERTACAO_FABIO_VIANA.pdf: 1455578 bytes, checksum: de88baaa05f097f627bb950e59e6a493 (MD5)<br>cnpq<br>Tendo como ponto de partida conhecimentos da Teoria Institucional, principalmente as ideias de Meyer e Rowan (1977), Dimaggio e Powell (1983, 1991), Scott (1987, 1991) e Zucker (1977, 1999), este estudo visou testar a hipótese de que quanto mais forças institucionais fos-sem percebidas por empresas dos subsetores de Energia Elétrica e de Transporte, ambientes estudados, mais isomórficos, a certo padrão ambiental, seriam os RA — Relatórios de Admi-nistração publicados por elas. Foram observados 29 (vinte e nove) relatórios de administração publicados por empresas do subsetor de Energia Elétrica e 21 (vinte um) divulgados por em-presas do subsetor de Transporte. Esses documentos foram selecionados aleatoriamente e co-letados via sítio da Comissão de Valores Mobiliários (CVM). Técnicas e protocolos da Análi-se de Conteúdo foram manuseados para capturar, nos RA, dados das variáveis dependentes, que serviram de base para a avaliação do Isomorfismo e, dados das variáveis independentes observadas, proxies das pressões institucionais presentes nos contextos estudados. Análises das Componentes Principais foram empregadas para resumir as variáveis dependentes, carac-terísticas contábeis e estruturais dos textos observados, em uma única variante que, não sendo diretamente observável, formasse um índice que representasse tais aspectos. De modo seme-lhante, Análises Fatoriais permitiram resumir o conjunto de doze variáveis independentes, pressões institucionais, em apenas poucas variantes que as melhor representassem. Os fatores extraídos foram interpretados teoricamente em dois tipos: Pressões Institucionais Coercitivas de natureza formal e Pressões Institucionais Coercitivas de natureza informal e foram valida-dos por testes de: Dimensionalidade, com auxílio do índice KMO e do teste de esfericidade de Bartlett; de Confiabilidade, por meio do Alfa de Cronbach e; de Convergência, via ρ de Spe-arman. Testados, tais fatores foram utilizados para estimar escores que serviram de amostra das variáveis independentes. Posteriormente, testes de regressão múltipla foram aplicados com o objetivo de verificar em que medida as pressões institucionais influenciariam o isomor-fismo contábil e estrutural dos Relatórios de Administração observados. Os resultados vão ao encontro das predições da Teoria Institucional, corroborando seu poder de explicar o compor-tamento contábil organizacional. Eles revelam que pressões institucionais fazem com que empresas do subsetor de Energia Elétrica tendam a publicar RA mais próximos a um padrão ambiental, no que tange características contábeis e estruturais. Essa relação não é percebida em empresas do subsetor de Transporte. Entretanto, esse achado coloca em evidência a exis-tência de uma relação de causalidade entre estrutura institucional dos ambientes e efeitos dos mecanismos institucionais vigentes sobre os indivíduos que nele operam, preditos pela Teoria Institucional, mas não abrangidos pelo escopo deste estudo. O que demonstra a existência de uma grande avenida de pesquisa em contabilidade a ser explorada com o auxílio do pensa-mento Neoinstitucional. Dessa forma, espera-se que este esforço de pesquisa traga contribui-ções, mesmo que modestas, para aqueles que desejam melhor compreender os fatores deter-minantes do comportamento das organizações em relação à Contabilidade. De igual modo, almeja-se que este estudo contribua, mesmo de modo incipiente, para o desenvolvimento da pesquisa contábil orquestrada pelo pensamento Neoinstitucional.
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Kedfors, Fredrik. "Reaching a creative common ground : Enhancing the creative collaboration between a film editor and its respective client." Thesis, Umeå universitet, Institutionen för informatik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-119515.
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The aim of this thesis is to locate current problems concerning the process of finding common ground between a creative producer and its respective client, furthermore it aims to propose a solution to this problem in the context of collaborative video editing. The paper starts off by exploring research related to the topic. After that, it establishes, through interviews with experts within fields of video editing and graphic design, what the currently existing problems are concerning communication within their line of work. As a solution to these problems, a collaborative software is proposed with the idea of bridging the understanding between the video editor and its client. The paper ends with some conclusions surrounding the current state of the topic and proposes a way forward for both practitioners and researchers.
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Pereira, Antonio Gualberto. "Aspectos intuitivos, preferências intertemporais e decisões orçamentárias: um estudo quase-experimental envolvendo práticas de alocação de recursos." http://www.contabeis.ufba.br/Site/arquivos/Editor/file/Mestrado/Disserta%C3%A7%C3%B5es/2011/Dissertacao_Final_Antonio.pdf, 2012. http://www.contabeis.ufba.br/Site/arquivos/Editor/file/Mestrado/Disserta%C3%A7%C3%B5es/2011/Dissertacao_Final_Antonio.pdf.
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Dissertacao_Final_Antonio.pdf: 1278529 bytes, checksum: ce32aecde531b3a4ba65e24ecb77ffff (MD5)<br>CNPQ<br>Vieses comportamentais, como os gerados pela assimetria informacional, permeiam o
processo de alocação de recursos às atividades organizacionais, uma vez que para além de
números, o orçamento requer pessoas, com limitações de ordem cognitiva, afetiva e
emocional e, portanto, sujeitos a serem impelidos a “erros” em suas atividades diárias. Com o
objetivo identificar de que forma os aspectos intuitivos dos seres humanos impactam as
preferências intertemporais em práticas de alocação de recursos em atividades organizacionais
foi realizada uma pesquisa com 125 estudantes de cursos de pós-graduação em Salvador –
Bahia, nas áreas de Contabilidade, Administração e de outras áreas. A metodologia utilizada
para realização deste trabalho foi a pesquisa quase-experimental com a separação da amostra
em um grupo com alto nível de habilidade cognitiva e outro grupo com baixo nível de
habilidade cognitiva para definição dos comportamentos intertemporais. Foi adotada como
suposição inicial a não existência de diferença entre indivíduos intuitivos e racionais no que
tange às escolhas intertemporais em decisões de alocação de recursos. Os resultados obtidos
por meio da regressão logística apontam para a inexistência de uma relação significativa entre
o nível de habilidade cognitiva dos respondentes e as preferências intertemporais na utilização
do orçamento para a alocação de recursos às atividades organizacionais. Entretanto, a
utilização de uma análise não paramétrica permitiu verificar que existe diferença significativa
entre os indivíduos classificados como possuidores de um baixo nível de habilidade cognitiva
e aqueles classificados como possuidores de um alto nível de habilidade cognitiva. A
associação entre a participação no processo orçamentário e preferências intertemporais dos
respondentes quando de suas escolhas para a alocação de recursos por meio do orçamento
também não se mostrou estatisticamente significativa. Também não foi verificada associação
entre o comprometimento com a ocupação e a amenização dos aspectos intuitivos nas
preferências intertemporais dos respondentes em termos de alocação de recursos às atividades
organizacionais, fugindo daquilo que se estabeleceu nos pressupostos da pesquisa.
Entretanto, por meio da matriz de correlações cruzadas de Pearson, pode-se observar uma
associação negativa significativa entre o nível de habilidade dos respondentes e o
comprometimento afiliativo com a ocupação, permitindo identificar que quanto maior o nível
de habilidade cognitiva dos respondentes menor o comprometimento afiliativo com a
ocupação.
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Lima, Filho Raimundo Nonato. "Quanto mais faço, mais erro? Um estudo sobre a associação entre prática de Controladoria, Cognição e Heurísticas." http://www.contabeis.ufba.br/Site/arquivos/Editor/file/Mestrado/Disserta%C3%A7%C3%B5es/Raimundo%2520Limaseg.pdf, 2010. http://www.contabeis.ufba.br/Site/arquivos/Editor/file/Mestrado/Disserta%C3%A7%C3%B5es/Raimundo%2520Limaseg.pdf.
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Previous issue date: 2010<br>Esta pesquisa mediu possíveis correlações entre o processo orçamentário e a existência de vieses cognitivos em decisões que envolvem cenários com informações contábeis e financeiras, comparando-se a presença de heurísticas com o nível de cognição. Os resultados encontrados foram obtidos a partir da aplicação do teste Need for Cognition. Alem disso, enfatiza-se que o processo orçamentário tem sido objeto de pesquisas e estudos por outras áreas do conhecimento. Nessa perspectiva, o presente trabalho é resultado de discussões e interlocuções realizadas no Programa de Mestrado em Contabilidade da UFBA buscando-se a estruturação e consolidação de pesquisas voltadas para a Contabilidade Comportamental. Verifica-se que esta área do conhecimento tem se fortalecido do ponto de vista da produção do conhecimento que visam buscar, cada vez mais, uma interface com outras ciências como a Psicologia, a Economia e Administração. Para isso foram construídos três blocos de pesquisa com situações que envolviam alguns conceitos relevantes para este estudo: nível de cognição, heurísticas e práticas de Controladoria. A construção desses cenários visou observar a ocorrência de três heurísticas abordadas nesta dissertação: ancoragem, representatividade e disponibilidade de instâncias, observando o quanto as variáveis independentes deste estudo explicavam a ocorrência destes fenômenos, em um único contexto: a presença de Heurísticas. Sendo para isso destacadas as seguintes variáveis: nível de cognição, envolvimento com práticas orçamentárias e covariáveis: gênero, idade e formação. Os resultados encontrados confirmaram a ocorrência de heurísticas nos indivíduos envolvidos com práticas orçamentárias, corroborando os achados da Teoria dos Prospectos. Quanto mais um indivíduo faz, mais ele pode errar, já que atalhos mentais podem conduzir ao erro. Corroborou-se também que o baixo nível de cognição está diretamente ligado à presença de heurísticas, já em relação às covariáveis gênero, idade e formação, somente esta primeira covariável influenciou significativamente na presença de heurísticas.<br>Salvador
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Mu, Xiaohua. "The design and implementation of Graphperfect : a graph editor for G-net." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/834616.
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There is an increasing demand for a computer graphics - oriented software package for graph theory teaching and research. G-Net, a department research project headed by Dr. Kunwarjit Bagga, is an effort to create a computer software that contains a graph theory database, a graph editor, and a collection of algorithms to be executed on the graphs. This thesis concentrates on the design and implementation of a graph editor - GrapliPerfect. Graphs have been widely used to model many other phenomena. In this thesis, computer generated graphics images are used to represent graphs. This modeling relation between graphs and graphics is analyzed, and its role in the design and implementation of GraphPerfect is discussed in the thesis. To enhance the friendliness of the user interface, a simplified window system is presented.<br>Department of Computer Science
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Oliveira, Nilma Reis de. "Accountability e desenvolvimento humano pós Lei de Responsabilidade Fiscal: um estudo dos municípios do Estado da Bahia." http://www.contabeis.ufba.br/Site/arquivos/Editor/file/Mestrado/Disserta%C3%A7%C3%B5es/2012/DissertacaoAccountabilityNilma2012.pdf, 2012. http://www.contabeis.ufba.br/Site/arquivos/Editor/file/Mestrado/Disserta%C3%A7%C3%B5es/2012/DissertacaoAccountabilityNilma2012.pdf.
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Previous issue date: 2012<br>Esse estudo investiga a relação existente entre accountability e desenvolvimento humano. Considerando que accountability é sinônimo de responsabilidade objetiva ou obrigação de responder por algo, acarreta a responsabilidade de uma pessoa ou organização perante outra. O fenômeno estudado é a accountability do serviço público. Este estudo baseia-se na provocação feita por Ana Maria Campos, nos anos 90, quando afirmou que os controles formais internos à burocracia não são suficientes para garantir a accountability da
administração pública. Segundo Campos (1990), accountability depende de variáveis externas à burocracia, quais sejam: a textura política e institucional da sociedade, os valores e os costumes tradicionais partilhados na cultura e a história. Soma-se a isso, a tese de Putnam
(1996), que afirmou, também nos anos 90, que quanto maior o capital social, maior será o
controle. Considerando que capital social diz respeito às características da organização social que contribuem para aumentar a eficiência da sociedade: confiança, normas e sistemas. Para
compreender a relação entre a accountability e o desenvolvimento humano, este trabalho
buscou auxílio na Teoria da Escolha Pública, configurando como um estudo de caso, do tipo
explicativo. Foi retirada uma amostra de 309, dos 417 municípios baianos, segundo a
sistemática de amostragem não probabilística escolhendo os municípios de acordo com a
disponibilidade de dados. O objeto de investigação deste trabalho, foi o encaminhamento da prestação de contas à Secretaria do Tesouro Nacional (STN), tendo sido utilizado o Índice Firjan de Desenvolvimento Municipal (IFDM), que expressa o desenvolvimento dos municípios brasileiros. O período de investigação compreendeu os anos de 2000, 2005, 2006
e 2007 que correspondeu aos anos de disponibilidade dos dados relativos ao IFDM. Utilizouse a modelagem pela técnica das Equações de Estimação Generalizadas, visto que é a mais adequada para o caso de dados binários e, como recurso computacional, foi utilizado o software estatístico Statistical Package for Social Sciences (SPSS), versão 15 experimental. Os resultados demonstraram que a hipótese, de que quanto maior o desenvolvimento humano maior a accountability do município, pode ser aceita, principalmente sob o enfoque da
educação. Porém, deve-se levar em conta que a variável Ano, no período estudado, também
exerce influência sobre a prestação de contas.<br>Salvador
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Laisney, Simon. "Quel style de montage pour le Nouvel Hollywood ?" Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030158.
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En 1967, sous l’influence du jeune cinéma européen, Hollywood accède à son tour à la modernité : le « Vieil Hollywood » laisse place à un « Nouvel Hollywood ». Ce mouvement de renouvellement du cinéma américain, symboliquement inauguré par Bonnie and Clyde d’Arthur Penn et Le lauréat de Mike Nichols, est, explique-t-on, le fait d’une génération nouvelle de cinéastes, parmi lesquels, outre Penn et Nichols, Francis Ford Coppola, Brian De Palma, George Lucas, William Friedkin,Michael Cimino, Martin Scorsese, Robert Altman, Bob Rafelson, Hal Ashby... Il est aussi le fait d’une génération nouvelle de monteurs, qui, en complicité avec leurs réalisateurs, éprouvèrent de nouvelles formes d’expressivité esthétique et narrative, sans craindre de contrevenir aux règles conventionnelles instituées par leurs aînés ; parfois même en réaction contre ces règles. On peut notamment citer, parmi ces fidèles et précieux collaborateurs, Dede Allen, Walter Murch, Sam O’Steen, Verna Fields, Alan Heim, Paul Hirsch, Robert C. Jones, Richard Marks, ou encore Ralph Rosenblum. Nous veillons à déterminer, dans cette thèse, la part de responsabilité, tant collective qu’individuelle, de cette nouvelle génération de monteurs dans le mouvement de renouvellement esthétique du cinéma américain. Et, au-delà des personnes, d’apprécier ce style de montage néohollywoodien, d’évaluer son importance dans la constitution du style neuf des films américains des années 1970, de même que l’étendue de ses innovations<br>In 1967, under the influence of European art films, Hollywood underwent important changes in the course of the 1960s : « Old Hollywood » was taken over by a « New Hollywood ». This process of renewal of American cinema, which has been symbolically launched by Arthur Penn’s Bonnie and Clyde and Mike Nichols’ The Graduate, is due, it has been said, to the arrival of a new – mostly film-school educated – generation of filmmakers, such as Francis Ford Coppola, Brian De Palma,George Lucas, William Friedkin, Michael Cimino, Martin Scorsese, Robert Altman, Bob Rafelson or Hal Ashby. It is also due to the arrival of a new generation of film editors who did not fear to challenge the doctrine of classical Hollywood editing and break the established rules in order to take a chance and try new ways of telling a story. These films editors are, amongst others, Dede Allen, Walter Murch, Sam O’Steen, Verna Fields, Alan Heim, Paul Hirsch, Robert C. Jones, Richard Marks, or Ralph Rosenblum. Our thesis examines the share of responsability, on both a collective and individual level, of this new generation of film editors in this process of renewal of American cinema in the 1960s and 1970’s. Its goal is, more generally, to determine and appreciate this new editing style, realize its importance and its influence on the Hollywood Renaissance style, as well as the wide range of its innovations
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PEDRETTI, PAOLO. "LETTERATURA E CULTURA A MILANO NEL PRIMO TRENTENNIO DELL' ' 800: GIAN GIACOMO TRIVULZIO EDITORE E BIBLIOFILO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1400.
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La tesi delinea la figura di Gian Giacomo Trivulzio (Milano, 1774-1831), bibliofilo, editore, intellettuale. La prima parte è dedicata a una ricostruzione sistematica della biografia, la seconda si concentra sui principali interessi culturali di Trivulzio, in particolare: l’amore per Parini, la produzione poetica originale (con una breve storia dell’Accademia degli Inesperti), l’attività collezionistico-editoriale legata ai novellieri italiani, gli studi critici e testuali condotti o promossi su una parte dell’opera di Boccaccio. Infine, il progetto di un’antologia della poesia italiana dalle origini a Poliziano e le proposte di emendazione del Convivio, della Vita nuova e delle Rime di Dante testimoniano gli sviluppi più maturi di quella che si può a buon diritto definire filologia trivulziana.<br>The thesis is about Gian Giacomo Trivulzio (Milan, 1774-1831), bibliophile, editor and intellectual. The first part is a Trivulzio’s systematic biography, the second one focuses on his main cultural interests, particularly: his love for Parini, his original poetic production (with a short history of the “Accademia degli Inesperti”), his collectible and editorial activity linked to the Italian novelists, his critical and textual studies on Boccaccio’s works. Finally, the project concerning an anthology of the Italian poetry from its beginning to Poliziano and the proposals for a recovery of Dante’s Convivio, Vita nuova and Rime textify the most mature developments of what can rightly be defined Trivulziana philology.
Books on the topic "Film editors"
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Oldham, Gabriella. First cut: Conversations with film editors. University of California Press, 2012.
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First cut 2: More conversations with film editors. University of California Press, 2012.
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Reading for a living: How to be a professional story analyst for film and television. Blue Arrow Books, 1990.
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Roberts, David E. Digital Performer for engineers and producers: Music production, mixing, film scoring, and live performance. Hal Leonard Books, 2013.
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1943-, Murch Walter, ed. The conversations: Walter Murch and the art of editing film. Knopf, 2004.
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1943-, Murch Walter, ed. The conversations: Walter Murch and the art of editing film. Vintage Canada, 2002.
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Shepherd, Ashley. Pro Tools for video, film, and multimedia. 2nd ed. Course Technology, 2008.
Find full textBook chapters on the topic "Film editors"
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Sourabh, Shshank, and Monika Chauhan. "Computer File Signature Analysis Through Hexadecimal Editor Software." In Lecture Notes in Networks and Systems. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9712-1_9.
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Bye, Matti. "Edit’s Hand: Music to The Phantom Carriage." In Today’s Sounds for Yesterday’s Films. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137466365_10.
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Vaughan, Dai. "Portrait of an Invisible Man: The Working Life of Stewart Mcallister, Film Editor." In The Projection of Britain. British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-349-92496-7_9.
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Riggleman, David, Jeff Oakley, and Nan Jiang. "A Design and Implementation of Simultaneous Remote Text File Editor in LAN." In Communications in Computer and Information Science. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22456-0_6.
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Montecchi, Giorgio. "File of Italian editions in 15th and 16th century (Girolamo Tiraboschi project)." In Retrospective cataloguing in Europe, edited by Franz Georg Kaltwasser. De Gruyter, 1992. http://dx.doi.org/10.1515/9783111325996-029.
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"Editors / Monteurs." In Canadian Film and Video. University of Toronto Press, 1997. http://dx.doi.org/10.3138/9781442672185-017.
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"Editors’ biographies." In Metal Oxide-Based Thin Film Structures. Elsevier, 2018. http://dx.doi.org/10.1016/b978-0-12-811166-6.09985-4.
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"About the Editors." In Early Film Theories in Italy, 1896-1922. Amsterdam University Press, 2017. http://dx.doi.org/10.1515/9789048527106-073.
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Dancyger, Ken. "Editors Who Became Directors." In The Technique of Film and Video Editing. Elsevier, 2007. http://dx.doi.org/10.1016/b978-0-240-80765-2.50011-8.
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"Editors Who Became Directors." In The Technique of Film and Video Editing. Routledge, 2014. http://dx.doi.org/10.4324/9780240813967-14.
Full textConference papers on the topic "Film editors"
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Stalbaum, Brett, Cicero I. Da Silva, Jane De Almeida, Maria Amelia Eliseo, and Vic Von Poser. "Mapping and review of audiovisual editors and streaming platforms based on collaborative technologies in real time." In XXIV Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2018. http://dx.doi.org/10.5753/webmedia.2018.4600.
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The main goal of this article is to map and review real time video streaming collaborative softwares, in order to analyze platforms that are also able to edit films. Real time high resolution film transmission (4k, 8k or above) results in the excess of data generated and, consequently, in a high value for investment in editing, storage and content distribution features. The retrieval and storage of the data (content) becomes complex and expensive. This article aims to design a software review for the use of systems that are applicable to the needs directly related to the digital education field, considering that nowadays the video is an important tool to support teaching and learning processes and needs a better structuring from the educational managers of communication and information technologies.
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Kovacevic, Danilo, Momcilo Krunic, Nenad Cetic, and Jelena Kovacevic. "Xtext-based eclipse editor for linker configuration file." In 2015 23rd Telecommunications Forum Telfor (TELFOR). IEEE, 2015. http://dx.doi.org/10.1109/telfor.2015.7377601.
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Hu, Gongzhu, and Ivan Milenkovic. "Collaborative File Editor Using Repository in a Box." In 6th IEEE/ACIS International Conference on Computer and Information Science (ICIS 2007). IEEE, 2007. http://dx.doi.org/10.1109/icis.2007.79.
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Banshchikov, A., and A. Vetrov. "Application of software tools for symbolic description and modeling of mechanical systems." In The International Workshop on Information, Computation, and Control Systems for Distributed Environments. Crossref, 2020. http://dx.doi.org/10.47350/iccs-de.2020.03.
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The paper presents two software tools (graphical editor and software package). The editor is designed for the formation of a symbolic description of a mechanical system using the Lagrange formalism. A system of the absolutely rigid bodies connected by joints is considered as a mechanical system. The editor is a user interface by which one sets the structure of the interconnection of bodies (system configuration) as well as the geometric and kinematic characteristics for each body of the system. The created structure and the entered data are automatically presented in the form of a text file, which is used as an input file for the software package for modeling mechanical systems in a symbolic form with a computer. The use of these software tools is shown in detail in the example of the analysis of the dynamics of a satellite with a gravitational stabilizer in a circular orbit. For this system, the kinetic energy and force function of an approximate Newtonian gravitational field were obtained, nonlinear and linearized equations of motion were constructed, and the question of the stability of the relative equilibrium position was considered.
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Kim, Sun-Ho, and Yong-Mun Jeong. "Development of the STEP-to-DB Converter for the Web-Based PDM." In ASME 2001 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/detc2001/cie-21227.
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Abstract STEP data exchanged for collaborative engineering is usually used in CAD systems. However, it is not used so well in PDM systems due to differences in data scope and structure. In order to resolve this inefficiency, we developed the STEP file converter which can manipulate STEP data in web-based PDM systems. The translation scope is limited to AP203. The translator consists of two modules: 1) the viewer which displays STEP data in web environments and 2) mapping editor and translator between STEP schema and PDM database schema.
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Venkataramanan, Ramji, Vasuki Narasimha Swamy, and Kannan Ramchandran. "Efficient interactive algorithms for file synchronization under general edits." In 2013 51st Annual Allerton Conference on Communication, Control, and Computing (Allerton). IEEE, 2013. http://dx.doi.org/10.1109/allerton.2013.6736666.
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Eng, Nathan, Marco Aurisicchio, Rob Bracewell, and Gareth Armstrong. "Mapping for Design Decision Support in Industry." In ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/detc2012-70959.
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There has been a significant loss of spatial thinking support in the move from paper to computer-based work. Map-based software methods reported here fill this gap while resolving general challenges in deploying software tools into active industrial practice. The Decision Rationale editor (DRed) has been in use over nine years and 700 engineers have been trained within the partner company. Semi-structured interviews were performed with 13 engineers from diverse departments and with a range of experience levels. Collected examples were analysed for successful methods (what), common contexts of use (where) and advantages over existing tools (why). Map use seems to focus on problems where multiple poorly defined options need sorting in order to progress work. The diversity of use cases demonstrates a need for increased investment in flexible visual tools to aid human thinking. Future work will expand on the set of collected examples, including attempts to generalize lessons to other software. More detailed experiments are also needed to better understand specific cognitive benefits in the work environment.
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Kimmer, C. J., and C. K. Harnett. "Combining Strings and Fibers With Additive Manufacturing Designs." In ASME 2016 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/detc2016-59569.
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High tensile strength cables, low-resistance motor windings, and shape memory actuators are common examples of technical fibers used in robots and other electromechanical assemblies. Because properties like tensile strength, crystal structure, and polymer alignment depend strongly on processing history, these materials cannot be 3D printed with the same properties they have on the spool. Strings and fibers are inserted in mechanical parts at the end of the manufacturing process for these assemblies. When the fibers take complex paths, the installation is often done by hand. This activity can dominate the process time, increase its human labor and reduce its social sustainability [1]. This paper applies the non-traditional approach of machine embroidery to insert sheets of patterned fibers in layered additive manufacturing processes such as 3D printing and lamination. Fibers are aligned with features in laser-cut or printed parts without the manual labor of hand threading. We demonstrate that water-soluble stabilizer materials originally designed for textiles can hold hard mechanical parts in a machine embroidery hoop with enough strength and rigidity to withstand sewing through pre-existing holes in the part. Alignment to within 250 microns has been demonstrated with a sub-$300 consumer embroidery machine. Case studies in this paper include a cable-driven mechanism, a soft-to-hard electronic connection, and an electromechanical sensor. Process-compatible and commercially available materials that can be embroidered include conductive threads, shrinking threads, water-soluble threads and high tensile strength fibers. The biggest hurdle for a user interested in this automated fiber installation process is linking the existing design file with an embroidery machine file. There is a much larger user base for 2D and 3D computer-assisted design (CAD) software than for expensive and proprietary embroidery digitizing software. We take the route chosen by the laser cutter industry, where the user produces a CAD file in their preferred editor, and makes annotations that communicate where and how densely to stitch. Translation software scans the file for a particular line style and generates stitch coordinates along it. Development is done in Jupyter/iPython notebooks that allow end-users to inspect, understand, and modify the conversion code. The intent is for users of existing planar fabrication technology (whether laser, printed circuit board, or micro/nano) to apply this method to their own CAD files for a versatile and straightforward way to put advanced materials in their devices without adding manual labor. This general approach can solve a class of assembly problems relevant to underactuated tendon-driven robotics and other electromechanical systems, expanding the range of devices that can be put together using automation.
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Tran, Loi, Michael Hennessey, and John Abraham. "Simulation and Visualization of Dynamic Systems Using MATLAB, Simulink, Simulink 3D Animation, and SolidWorks." In ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-62704.
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There are many approaches to simulating and visualizing a dynamic system. Our focus is on developing/understanding and trading-off three different approaches that are relatively easy to implement with inexpensive, commonly available software using combinations of MATLAB, Simulink, Simulink 3D Animation, SolidWorks (basic), SolidWorks (Motion Manager) in addition to several common animation players such as Windows (Live) Movie Maker or the resident animation capability within MATLAB. The “SolidWorks Design Table” approach entails creating MATLAB/Simulink driven time-dependent assembly configurations, associated graphics files (e.g. JPG, TIFF) and then effectively “playing” them sequentially with animation software. The “SolidWorks Motor” approach utilizes SolidWorks’ Motion Manager capability (an add-on), whereby each spatially time-dependent geometric system variable is driven by a “motor” based on MATLAB/Simulink time-dependent data and an animation file can be generated from within Motion Manager. Lastly, in the “Simulink 3D Animation” approach, SolidWorks data is brought into the MATLAB environment and modified with V-Realm Builder (VRML Editor) supplied within the Simulink 3D Animation toolbox to define geometric constraints prior to inclusion as an animation VR Sink block within the Simulink model of the dynamic system. In each case, detailed procedures are provided. To exercise these three different approaches and permit comparisons, a benchmark problem was posed: parallel-parking of a four-wheeled vehicle possessing front wheel steering. Comparisons were then made and the recommended approach depends on such issues as the software background of the developer, the animation quality standard (e.g. framerate), and relative ease of implementation.
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Conti, Flávia Pereira. "Design de sistemas para análise do ciclo de vida de um produto: slow fashion." In Systems & Design 2017. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/sd2017.2017.6649.
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O artigo descreve o processo de reavaliação e esmeração de um sistema de produção da microempresa de semijoias Cantrelle Design, com o objetivo de otimizar a estrutura organizacional e de produção por meio do design de sistemas e o slow fashion. O design de sistemas por considerar o produto como um conjunto inteiro, e o slow fashion, porque visa a democratização do processo de criação de peças de forma mais lenta, preocupando-se com o desenvolvimento dos processos. Para alcançar um resultado satisfatório, utilizou-se a metodologia desenvolvida por Ezio Manzini e Carlo Vezzoli, o Life Cycle Design (LCD), procurando reduzir os inputs e outputs o máximo possível, tanto em termos quantitativos quanto qualitativos. Ponderando assim, a nocividade de seus efeitos, por meio da avaliação de todas as fases do produto, que são subdivididas em pré-produção, produção, distribuição, uso e descarte. Por se tratar de semijoias, sendo, então, um bem durável, requere-se poucos recursos durante o uso e manutenção, concentra-se em reduzir o impacto nas fases antecedentes e posteriores ao uso. Como resultado, obteve-se uma potencialização na gestão da empresa, reduzindo os gastos energéticos e materiais. Atingiu-se tal solução por meio de uma melhor organização de etapas operacionais nas fases antecedentes ao uso do produto, buscando adequar-se ao sistema slow fashion, com a otimização do volume de compras e logística de vendas, reavaliação da embalagem e material aplicados. Percebeu-se que a matéria prima já em uso é a menos impactante para o ambiente por ser de alta durabilidade e passível de reaproveiramnento. Por fim, redesenhou-se a embalagem com tecido reciclado, de uma forma que possa ser reutilizada pelo consumidor final após ser adquirida. Conclui-se que é possível readequar um sistema já em andamento, adaptando-o de forma a reduzir seu impacto na natureza por meio do slow fashion e design de sistemas, valorizando o processo de produção, não só o lucro financeiro que a venda do produto proporciona, além de aperfeiçoar o sistema como uma unidade e repensar o conjunto para valorizar a qualidade e o modo de produção, expondo a possibilidade de renovar o sistema industrial vigente de modo sustentável e consciente, por meio de uma ação local, visando atingir um macrossistema de forma harmônica. Palavras-chave: slow fashion, design de sistemas, semijoias, sustentabilidade, metodologia.ReferênciasBASTAGNINO, Luigi. Design di Sistemi i Sistemi Industriali Aperti: un nuovo approccio al progretto, un nuovo modello di bussiness. Sem ano. 26 slides. Apresentação em Power-point. BUENO, Bárbara. Movimento slow life: desacelerando a vida. 2016. Disponível em &lt; https://pt.linkedin.com/pulse/movimento-slow-life-desacelerando-vida-b%C3%A1rbara-mantovani-bueno&gt;. Acesso em: 24 de maio de 2017.DELLA MEA, Luciana. A moda em [re]evolução: slow fashion. 2014. Disponível em &lt;http://www.autossustentavel.com/2014/05/a-moda-em-revolucao-slow-fashion.html&gt;. Acesso em 24 de maio de 2017.DELLA MEA, Luciana. Design de sistemas para a sustentabilidade. 2012. Disponível em &lt;http://www.autossustentavel.com/2012/06/design-de-sistemas-para.html&gt;. Acesso em 24 de maio de 2017. MANZINI, Ezio; VEZZOLI, Carlo. O desenvolvimento de produtos sustentáveis: os requisitos ambientais dos produtos industriais. São Paulo. Editora da Universidade de São Paulo, 2002. PAPANEK, Victor. Design do the Real World: human ecology and social change. Londres. Thames &amp; Hudson Ltd, 1985.REVIDE. O conceito de fast fashion. 2010. Disponível em &lt;https://www.revide.com.br/editorias/moda/o-conceito-de-fast-fashion/&gt;. Acesso em 24 de maio de 2017. SARATE, Fernanda. O movimento slow life e a desaceleração da sociedade de consumo contemporânea. 2009. Disponível em &lt; http://www.comunicacaoetendencias.com.br/wp-content/uploads/2011/04/TCC-Fernanda-Sarate.pdf&gt;. Acesso em: 24 de maio de 2017. SILVA, Samantha; BUSARELLO, Raul. Fast fashion e slow fashion: o processo criativo na contemporaneidade. 2016.