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1

Oldham, Gabriella. First cut: Conversations with film editors. University of California Press, 2012.

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2

Selected takes: Film editors on editing. Praeger, 1991.

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3

First cut: Conversations with film editors. University of California Press, 1992.

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4

First cut 2: More conversations with film editors. University of California Press, 2012.

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5

Daney, Serge. L' exercice a été profitable, monsieur. P.O.L, 1993.

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6

Reading for a living: How to be a professional story analyst for film and television. Blue Arrow Books, 1990.

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7

Roberts, David E. Digital Performer for engineers and producers: Music production, mixing, film scoring, and live performance. Hal Leonard Books, 2013.

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8

1943-, Murch Walter, ed. The conversations: Walter Murch and the art of editing film. Knopf, 2004.

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9

1943-, Murch Walter, ed. The conversations: Walter Murch and the art of editing film. Vintage Canada, 2002.

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10

Shepherd, Ashley. Pro Tools for video, film, and multimedia. 2nd ed. Course Technology, 2008.

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11

Shepherd, Ashley. Pro Tools for video, film and multimedia. Muska & Lipman, 2003.

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12

Jones, D. B. The best butler in the business: Tom Daly of the National Film Board of Canada. University of Toronto Press, 1996.

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13

Meeting, Materials Research Society, and Symposium A, "Amorphous and Polycrystalline Thin-Film Silicon Science and Technology" (2009 : San Francisco, Calif.)., eds. Amorphous and polycrystalline thin-film silicon science and technology--2009: Symposium held April 14-17, 2009, San Francisco, California, U.S.A. / editors, A. Flewitt ... [et al.]. Materials Research Society, 2009.

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14

Jaffe, Chapelle, and Marie-Claude Poulin. Who's who in Canadian film and television = Qui est qui au cine ma et a la te le vision au Canada. Edited by Academy of Canadian Cinema & Television and Academy of Canadian Cinema & Television. Academy of Canadian Cinema & Television, 1985.

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15

Meeting, Materials Research Society, and Symposium A, "Amorphous and Polycrystalline Thin-Film Silicon Science and Technology" (2010 : San Francisco, Calif.)., eds. Amorphous and polycrystalline thin-film silicon science and technology--2010: Symposium held April 5-9, 2009, San Francisco, California / editors, Qi Wang ... [et al.]. Materials Research Society, 2010.

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16

Laurie, Holz, ed. Some cutting remarks: Seventy years a film editor. Scarecrow Press, 2001.

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17

Pantuso, Joe. The Doom game editor. J. Wiley, 1995.

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18

Life itself: A memoir. Grand Central Pub., 2011.

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19

Oram, Andy, ed. vi and Vim Editors: Pocket Reference. 2nd ed. O’Reilly Media, 2011.

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20

Oram, Andy, ed. vi and Vim editors: Pocket Reference. 2nd ed. O’Reilly Media, 2011.

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21

Oram, Andy, ed. Learning the vi and Vim Editors. 7th ed. O'Reilly Media, 2008.

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22

Fairfax, Daniel. The Red Years of Cahiers du cinéma (1968-1973). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048543908.

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The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
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23

Parker, E. W. My lifetime reminiscences. [s.n.], 1995.

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24

vi Editor: Pocket Reference. O’Reilly Media, 1999.

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25

Robbins, Arnold. vi Editor: Pocket Reference. Edited by Gigi Estabrook. O’Reilly Media, 1999.

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26

Robert, Karen, ed. When the shooting stops, the cutting begins: A film editor's story. Da Capo Press, 1986.

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27

Howard, Todd M. GarageBand '09 power!: The comprehensive recording and podcasting guide. Course Technology, 2010.

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28

M, Howard Todd. GarageBand '08 power!: The comprehensive recording and podcasting guide. Course Technology, 2009.

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29

GarageBand '09 power!: The comprehensive recording and podcasting guide. Course Technology, 2010.

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30

Sonar 4 ignite! Thomson/Course Technology, 2004.

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31

The GarageBand book. Wiley Pub., 2005.

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32

Howard, Todd M. GarageBand '09 power!: The comprehensive recording and podcasting guide. Course Technology, 2010.

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33

Garrigus, Scott R. Sonar 7 power!: The comprehensive guide. Thomson Course Technology, 2007.

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34

The guitarist's guide to Sonar. Course Technology, 2012.

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35

Silva, Rick. Power tools for Logic Pro 9. Hal Leonard Books, 2010.

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36

Perkins, Roy, and Martin Stollery. British Film Editors. BFI Publishing, 2014. http://dx.doi.org/10.5040/9781838710972.

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37

First Cut: Conversations with Film Editors. University of California Press, 1995.

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38

Oldham, Gabriella. First Cut: Conversations with Film Editors. University of California Press, 1992.

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39

Virgin Film Guide (Editors of Cinebooks). Virgin Books, 1997.

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40

Virgin Film Guide (Editors of Cinebooks). Virgin Books, 1998.

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41

Oldham, Gabriella. First Cut 2: More Conversations with Film Editors. University of California Press, 2012.

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42

Oldham, Gabriella. First Cut 2: More Conversations with Film Editors. University of California Press, 2012.

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43

Stollery, Martin, and Roy Perkins. British Film Editors: The Heart of the Movie. British Film Institute, 2004.

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44

Women film editors: Unseen artists of American cinema. 2016.

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45

British Film Editors: The Heart of the Movie. British Film Institute, 2004.

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46

Pecchia, David. Cinematographers, Production Designers, Costume Designers and Film Editors Guide. 3rd ed. Lone Eagle Pub Co, 1991.

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47

Art of the Cut: Conversations with Film and TV Editors. Routledge, 2017.

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48

Hullfish, Steve. Art of the Cut: Conversations with Film and TV Editors. Taylor & Francis Group, 2017.

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49

Schulz, Ingrid. Points of View: Three Hollywood Film Editors Discuss their Art. Kendall/Hunt Publishing Company, 2004.

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50

storyboards, esinesrato. Storyboard: Movie Camera Cover Blank LARGE Storyboard Notebook for Film Directors, Filmmakers, Film Editors, Film Students, Film Crew, Cinematographers, Animators, Storytellers, Scriptwriters, Sketch Drawer Artists 8. 5x11 Inches 120 PAGES. Independently Published, 2020.

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