Relevant bibliographies by topics / Film-form

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film-form'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Film-form"

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Wartenberg, Thomas. "Understanding Film Form." Film and Philosophy 10 (2006): 163–71. http://dx.doi.org/10.5840/filmphil20061012.

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Kolker, Robert. "Film, form, and culture." ACM SIGWEB Newsletter 5, no. 2 (June 1996): 31. http://dx.doi.org/10.1145/231738.232621.

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Poulaki, Maria. "The ‘Good Form’ of Film." Gestalt Theory 40, no. 1 (April 1, 2018): 29–43. http://dx.doi.org/10.2478/gth-2018-0004.

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Summary This article questions certain assumptions concerning film form made by the recent (neuro)psychological film research and compares them to those of precursors of film psychology like Hugo Münsterberg and Rudolf Arnheim, as well as the principles of Gestalt psychology. It is argued that principles of Gestalt psychology such as those of ‘good form’ and good continuation are still underlying the psychological research of film, becoming particularly apparent in its approach to continuity editing. Following an alternative Gestalt genealogy that links Gestalt theory with more recent dynamic
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Lealand, Geoff. "Review: Film, Form, and Culture." Media International Australia 92, no. 1 (August 1999): 146. http://dx.doi.org/10.1177/1329878x9909200125.

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Brown, Richard H. "Piezo film: Form and function." Sensors and Actuators A: Physical 22, no. 1-3 (June 1990): 729–33. http://dx.doi.org/10.1016/0924-4247(89)80067-6.

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Lee, Chong-Hoon. "Polish-Russian ‘Film Warfare’ in Form of War Film Production." World History and Culture 51 (June 30, 2019): 251–88. http://dx.doi.org/10.32961/jwhc.2019.06.51.251.

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Kim, Jong-Guk. "Pathos of S. Eisenstein's Film Form." Journal of the Korea Contents Association 15, no. 6 (June 28, 2015): 73–80. http://dx.doi.org/10.5392/jkca.2015.15.06.073.

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Campanini. "Teaching Film Sound as Material Form." Music and the Moving Image 5, no. 2 (2012): 43. http://dx.doi.org/10.5406/musimoviimag.5.2.0043.

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Önen, Naz. "Essay Film as a Dialogical Form." JOMEC Journal, no. 13 (February 4, 2019): 93. http://dx.doi.org/10.18573/jomec.188.

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Arouh, Melenia. "The Different Meanings of “Film Form”." Projections 14, no. 3 (December 1, 2020): 55–71. http://dx.doi.org/10.3167/proj.2020.140305.

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The appreciation of form is a common preoccupation in aesthetic analyses of films. The concept of form, however, has traditionally troubled philosophers of art, and although its meaning and significance have been debated throughout history, a common understanding is not always easy to discern. This article reviews certain ambiguities regarding “form” in film aesthetics through an examination of the uses of the word, especially in relation to content, medium, and style. Through this discussion, both the significance of the word is explained, but also the type of analysis it allows for.
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Dissertations / Theses on the topic "Film-form"

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Wallbaum, Christopher. "The analytical short film: Form – Functions – Excursus – Criteria." Georg Olms Verlag, 2018. https://slub.qucosa.de/id/qucosa%3A34615.

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This chapter presents the form of the Analytical Short Film (ASF), its functions for communication, education and research and criteria for its validity. Embedded is a fundamental reflection about the relations between something whole and its parts to give reasons for dealing with blurredness in both, practice in lessons and video practice.
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Haw, Matthew James. "Boudica & field notes towards a dynamic film-poem form." Thesis, Lancaster University, 2017. http://eprints.lancs.ac.uk/124994/.

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The thesis comprises an original, book-length sequence of poems, Boudica, and a film-poem of the same name. Boudica engages in a topographical mediation on East Anglia, specifically the landscapes of Norfolk and north Suffolk. The subject of the sequence is Boudica, a young woman trapped within a stifling suburban upbringing and her dead-end job at the pub in her village. Structured in four parts, the poem explores her adolescent ennui, her ambivalence towards place and her small acts of existential rebellion against this condition. The verse itself is constructed of images from cinema and aft
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Rai, Kimberley. "Don't hide the madness perception, bipolar and the film form." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30968.

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Human perception is a process that begins with sensory input that is organized and then interpreted. During this process there is a movement of information about an event in the real world, into information that represents that event in the mind. This movement of information in the form of perception is similar to the filming process; where the event, sensory input, organisation and interpretation is like the pro-filmic event (that which exists in the world before or regardless of whether it is filmed), the light entering the camera lens, and, the editing process and audience experience, respe
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Ljunggren, Rhonda L. "Camera lucida : the moving image as evocative document : film form, film meaning and the grammatology of archival selection." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/25714.

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This thesis examines the characteristics of moving image documents such as they pertain to the selection of films for archival preservation. It is advanced that both the physical nature of the film record and the nature of the evidence it presents are prime considerations in the development of archival selection criteria. Furthermore it is argued that the structure and content of film are interrelated factors which impact significantly upon the determination of archival value, and the suitability of the film record for permanent preservation. Finally, a major factor affecting selection involve
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Rich, Philip. "The culture of cruising : Post-war images form the NMM'S film archive." Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527202.

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This thesis examines a film collection held at the National Maritime Museum, Greenwich and seeks to establish the historical, cultural and aesthetic legacy of the post-war promotional cruise film. The textual and contextual analysis reveals the cruise film's unique reflection of an era of ideological, social and stylistic change. The thesis establishes an institutional and aesthetic history of the cruise film, focusing on the output of Orient Line, P&O, Union Castle and Cunard. The circumstances surrounding production of promotional material are explored, along with the ideological, commercial
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Savi, Melina Pereira. "Central Station and issues of identity in film form and critical debates." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/92355.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2009<br>Made available in DSpace on 2012-10-24T08:06:42Z (GMT). No. of bitstreams: 1 276265.pdf: 2689065 bytes, checksum: d2efed7c2e55798081ab4b8c260a5a69 (MD5)<br>O presente trabalho trata de questões relacionadas à construção de uma identidade cultural brasileira no filme Central do Brasil, dirigido por Walter Salles, a partir da perspectiva fílmica e também relacionada aos debates críticos que o filme gerou
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Damm, Andreas. "Anonymitet och intensifierad kontinuitet : Klassisk stil och form i Hämnarens resa." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4813.

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The intention with this essay is to investigate how the narration of the South Korean film Sympathy for Mr. Vengeance (Park Chan-wook, 2002) relates to the Hollywood pictures of today. An important change which David Bordwell pays attention to is an intensifying of former stylistic paradigms in what he denominates as intensified continuity. That said, Bordwell and Kristin Thompson are in agreement on that the new films still are predominantly classical. The neoformalistic standpoint which Thompson and Bordwell use appears however to contain some problematic implications. Their way of categoriz
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Perry, Colin, and mikewood@deakin edu au. "The narrativization of actuality: Convergence of form and genre in film and television." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.092326.

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The thesis concerns the treatment of actuality in film and television, particularly the narrativization of actuality images, and the context of their placement within audio/visual texts. Several instances of the convergence of media form and genre are analyzed, and the conventions of classificatory systems and boundaries that pertain to film and television representations are reconsidered in light of changes in the conventions of genre. The distinction between, and convergence of fictional and non-fictional conventions of narrative are therefore central to the thesis, as are the related issues
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Li, Suk-fong, and 李淑芳. "The use of film subtitles in teaching English to the junior form students." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31945119.

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Yao, Bo. "N MULTILAYER THIN FILM REACTIONS TO FORM L10 FEPT AND EXCHANGE SPRING MAGNETS." Doctoral diss., University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4024.

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FePt films with the L10 phase have potential applications for magnetic recording and permanent magnets due to its high magnetocrystalline anisotropy energy density. Heat treatment of n multilayer films is one approach to form the L10 FePt phase through a solid state reaction. This thesis has studied the diffusion and reaction of n multilayer films to form the L10 FePt phase and has used this understanding to construct exchange spring magnets. The process-structure-property relations of n multilayer films were systematically examined. The transmission electron microscopy (TEM) study of the anne
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Books on the topic "Film-form"

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Film, form & feeling. New York: Harper & Row, 1985.

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Kolker, Robert Phillip. Film, form, and culture. 3rd ed. Boston: McGraw-Hill, 2006.

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Kolker, Robert Phillip. Film, form, and culture. Boston: McGraw Hill, 1999.

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Kolker, Robert Phillip. Film, form, and culture. 2nd ed. Boston: McGraw-Hill, 2002.

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O’Pray, Michael. Film, Form and Phantasy. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770.

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Film, form, and phantasy: Adrian Stokes and film aesthetics. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.

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O'Pray, Michael. Film, form, and phantasy: Adrian Stokes and film aesthetics. Basingstoke: Palgrave Macmillan, 2004.

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Clayton, Wickham, ed. Style and Form in the Hollywood Slasher Film. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137496478.

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Deren, Maya. An anagram of ideas on art, form and film. Ann Arbor: UMI Books on Demand, 2005.

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A grammar of murder: Violent scenes and film form. Chicago: The University of Chicago Press, 2009.

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Book chapters on the topic "Film-form"

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O’Pray, Michael. "Representation, Depiction and Portrayal in Film." In Film, Form and Phantasy, 3–26. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_1.

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O’Pray, Michael. "Modelling in Light and Dark." In Film, Form and Phantasy, 185–212. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_10.

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O’Pray, Michael. "Conclusion." In Film, Form and Phantasy, 213–14. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_11.

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O’Pray, Michael. "Expression, Projection and Style in Film." In Film, Form and Phantasy, 27–49. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_2.

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O’Pray, Michael. "Phantasy." In Film, Form and Phantasy, 50–71. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_3.

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O’Pray, Michael. "Stokes: The Carving and Modelling Modes." In Film, Form and Phantasy, 75–91. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_4.

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O’Pray, Michael. "A Stokesian and Kleinian Interpretation." In Film, Form and Phantasy, 92–103. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_5.

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O’Pray, Michael. "The Carving Mode: Rossellini, Antonioni and Dreyer." In Film, Form and Phantasy, 107–36. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_6.

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O’Pray, Michael. "Montage and Modelling Values in Sergei Eisenstein." In Film, Form and Phantasy, 137–56. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_7.

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O’Pray, Michael. "Carving Values and John Ford." In Film, Form and Phantasy, 157–73. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770_8.

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Conference papers on the topic "Film-form"

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Hosking, T. A., and M. A. Brubaker. "Annular Form Factor Film Capacitors." In 15th IEEE International Pulsed Power Conference. IEEE, 2005. http://dx.doi.org/10.1109/ppc.2005.300576.

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Amra, C. "Scattering characterization of materials in thin film form." In Laser-Induced Damage in Optical Materials 1989. SPIE, 1990. http://dx.doi.org/10.1117/12.2294441.

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Eblen, Jr., John P., William J. Gunning, Donald B. Taber, Pochi Yeh, Mohsen Khoshnevisan, James Beedy, and Leonard G. Hale. "Thin-film birefringent devices based on form birefringence." In SPIE's 1994 International Symposium on Optics, Imaging, and Instrumentation, edited by James D. Rancourt. SPIE, 1994. http://dx.doi.org/10.1117/12.185795.

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Flint, Eric, Jason Lindler, Jonathan Hall, Charles Rankine, and Marc Regelbrugge. "Overview of Form Stiffened Thin Film Shell Characteristic Behavior." In 47th AIAA/ASME/ASCE/AHS/ASC Structures, Structural Dynamics, and Materials Conference
14th AIAA/ASME/AHS Adaptive Structures Conference
7th. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2006. http://dx.doi.org/10.2514/6.2006-1900.

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Zaghloul, A. R. M., M. Elshazly-Zaghloul, and Y. A. Zaghloul. "Transmission ellipsometry on unsupported film/pellicle: closed-form inversion." In Optical Engineering + Applications, edited by Joseph A. Shaw and J. Scott Tyo. SPIE, 2007. http://dx.doi.org/10.1117/12.736352.

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Wang, Zhao, Zhanheng Yuan, Hui Li, and Mingtang Wu. "Measurement means of form capacity of the form-electrolyte of anodic oxide film for dielectric." In International Conference on Sensing units and Sensor Technology, edited by Yikai Zhou and Shunqing Xu. SPIE, 2001. http://dx.doi.org/10.1117/12.440185.

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Yu, Guomin, Eric Miller, Jonathan Mallari, Cailin Wei, Baoquan Chen, Hui Chen, Vadim Shofman, and Raluca Dinu. "Small Form Factor Thin Film Polymer Modulators for Telecom Applications." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 2012. http://dx.doi.org/10.1364/ofc.2012.om3j.1.

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Wang, Hongyang. "Study on an Extreme Communication Form in Chinese Film History." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.216.

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Zaghloul, A. R. M., M. Elshazly-Zaghloul, and Y. A. Zaghloul. "Transmission ellipsometry of transparent-film transparent-substrate systems: closed-form inversion for the film optical constant." In Defense and Security Symposium, edited by Dennis H. Goldstein and David B. Chenault. SPIE, 2006. http://dx.doi.org/10.1117/12.666777.

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Hladik, Jiri, and Ivan Szendiuch. "Direct deposition of thick film pastes to form fine line patterns." In 2008 33rd IEEE/CPMT International Electronics Manufacturing Technology Conference (IEMT). IEEE, 2008. http://dx.doi.org/10.1109/iemt.2008.5507811.

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Reports on the topic "Film-form"

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Sanders, Eulanda A. Film, Fashion and Form: A Combined Means to Teach Costume History and Fashion Illustration. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-544.

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Lever, James, Emily Asenath-Smith, Susan Taylor, and Austin Lines. Assessing the mechanisms thought to govern ice and snow friction and their interplay with substrate brittle behavior. Engineer Research and Development Center (U.S.), December 2021. http://dx.doi.org/10.21079/1168142742.

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Sliding friction on ice and snow is characteristically low at temperatures common on Earth’s surface. This slipperiness underlies efficient sleds, winter sports, and the need for specialized tires. Friction can also play micro-mechanical role affecting ice compressive and crushing strengths. Researchers have proposed several mechanisms thought to govern ice and snow friction, but directly validating the underlying mechanics has been difficult. This may be changing, as instruments capable of micro-scale measurements and imaging are now being brought to bear on friction studies. Nevertheless, gi
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