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Dissertations / Theses on the topic 'Film-form'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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1

Wallbaum, Christopher. "The analytical short film: Form – Functions – Excursus – Criteria." Georg Olms Verlag, 2018. https://slub.qucosa.de/id/qucosa%3A34615.

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This chapter presents the form of the Analytical Short Film (ASF), its functions for communication, education and research and criteria for its validity. Embedded is a fundamental reflection about the relations between something whole and its parts to give reasons for dealing with blurredness in both, practice in lessons and video practice.

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2

Haw, Matthew James. "Boudica & field notes towards a dynamic film-poem form." Thesis, Lancaster University, 2017. http://eprints.lancs.ac.uk/124994/.

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The thesis comprises an original, book-length sequence of poems, Boudica, and a film-poem of the same name. Boudica engages in a topographical mediation on East Anglia, specifically the landscapes of Norfolk and north Suffolk. The subject of the sequence is Boudica, a young woman trapped within a stifling suburban upbringing and her dead-end job at the pub in her village. Structured in four parts, the poem explores her adolescent ennui, her ambivalence towards place and her small acts of existential rebellion against this condition. The verse itself is constructed of images from cinema and aft

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3

Rai, Kimberley. "Don't hide the madness perception, bipolar and the film form." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30968.

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Human perception is a process that begins with sensory input that is organized and then interpreted. During this process there is a movement of information about an event in the real world, into information that represents that event in the mind. This movement of information in the form of perception is similar to the filming process; where the event, sensory input, organisation and interpretation is like the pro-filmic event (that which exists in the world before or regardless of whether it is filmed), the light entering the camera lens, and, the editing process and audience experience, respe

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4

Ljunggren, Rhonda L. "Camera lucida : the moving image as evocative document : film form, film meaning and the grammatology of archival selection." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/25714.

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This thesis examines the characteristics of moving image documents such as they pertain to the selection of films for archival preservation. It is advanced that both the physical nature of the film record and the nature of the evidence it presents are prime considerations in the development of archival selection criteria. Furthermore it is argued that the structure and content of film are interrelated factors which impact significantly upon the determination of archival value, and the suitability of the film record for permanent preservation. Finally, a major factor affecting selection involve

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5

Rich, Philip. "The culture of cruising : Post-war images form the NMM'S film archive." Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527202.

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This thesis examines a film collection held at the National Maritime Museum, Greenwich and seeks to establish the historical, cultural and aesthetic legacy of the post-war promotional cruise film. The textual and contextual analysis reveals the cruise film's unique reflection of an era of ideological, social and stylistic change. The thesis establishes an institutional and aesthetic history of the cruise film, focusing on the output of Orient Line, P&O, Union Castle and Cunard. The circumstances surrounding production of promotional material are explored, along with the ideological, commercial

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6

Savi, Melina Pereira. "Central Station and issues of identity in film form and critical debates." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/92355.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2009<br>Made available in DSpace on 2012-10-24T08:06:42Z (GMT). No. of bitstreams: 1 276265.pdf: 2689065 bytes, checksum: d2efed7c2e55798081ab4b8c260a5a69 (MD5)<br>O presente trabalho trata de questões relacionadas à construção de uma identidade cultural brasileira no filme Central do Brasil, dirigido por Walter Salles, a partir da perspectiva fílmica e também relacionada aos debates críticos que o filme gerou

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7

Damm, Andreas. "Anonymitet och intensifierad kontinuitet : Klassisk stil och form i Hämnarens resa." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4813.

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The intention with this essay is to investigate how the narration of the South Korean film Sympathy for Mr. Vengeance (Park Chan-wook, 2002) relates to the Hollywood pictures of today. An important change which David Bordwell pays attention to is an intensifying of former stylistic paradigms in what he denominates as intensified continuity. That said, Bordwell and Kristin Thompson are in agreement on that the new films still are predominantly classical. The neoformalistic standpoint which Thompson and Bordwell use appears however to contain some problematic implications. Their way of categoriz

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8

Perry, Colin, and mikewood@deakin edu au. "The narrativization of actuality: Convergence of form and genre in film and television." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.092326.

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The thesis concerns the treatment of actuality in film and television, particularly the narrativization of actuality images, and the context of their placement within audio/visual texts. Several instances of the convergence of media form and genre are analyzed, and the conventions of classificatory systems and boundaries that pertain to film and television representations are reconsidered in light of changes in the conventions of genre. The distinction between, and convergence of fictional and non-fictional conventions of narrative are therefore central to the thesis, as are the related issues

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9

Li, Suk-fong, and 李淑芳. "The use of film subtitles in teaching English to the junior form students." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31945119.

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10

Yao, Bo. "N MULTILAYER THIN FILM REACTIONS TO FORM L10 FEPT AND EXCHANGE SPRING MAGNETS." Doctoral diss., University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4024.

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FePt films with the L10 phase have potential applications for magnetic recording and permanent magnets due to its high magnetocrystalline anisotropy energy density. Heat treatment of n multilayer films is one approach to form the L10 FePt phase through a solid state reaction. This thesis has studied the diffusion and reaction of n multilayer films to form the L10 FePt phase and has used this understanding to construct exchange spring magnets. The process-structure-property relations of n multilayer films were systematically examined. The transmission electron microscopy (TEM) study of the anne

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11

Flint, Rob. "Film, video, and digitality : an analysis of cultural form in time-based media." Thesis, University of the Arts London, 2004. http://ualresearchonline.arts.ac.uk/2021/.

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This thesis examines the material properties of time-based image media, in particular live video. The project is practice-based with a theoretical underpinning drawn from the debates on form and meaning associated with Walter Benjamin.

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12

Li, Suk-fong. "The use of film subtitles in teaching English to the junior form students." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2116180X.

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13

Morrison, Benedict. "Complicating articulation in narrative film : tracing the relationship between inarticulate form and character." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:4c58ecf8-e330-4206-82ea-62451b8d2e84.

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This thesis explores the relationship between film form and character expression, both of which are seen as articulated structures, that is utterances in which separable parts operate cooperatively to create meaning. The specific films examined present characters who struggle to express themselves. These inexpressive characters are combined in each case with a disrupted form which displays its own many-jointed structure. The thesis argues that the dynamic relationship between inarticulacies of character, narrative, and form generates an indeterminate dialectic. The unresolved relationship betw

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14

Linter, Simon. "Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster." Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104476.

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Mary Shelley’s novel Frankenstein has been the direct source for many adaptations on stage, television and film, and an indirect source for innumerable hybrid versions. One of the central premises of Julie Sanders’s Adaptation and Appropriation (2006) is that adaptations go through a movement of proximation that brings them closer to the audience’s cultural and social spheres. This essay looks at how this movement of proximation has impacted the monster’s form and behaviour and concludes that this is the main reason Shelley’s vision of her monster has rarely been accurately reproduced on scree

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15

Zhang, Chun. "Using cross-sectioned multilayer polymer film and surface modification to form chemically patterned substrates." Connect to this title online, 2007. http://etd.lib.clemson.edu/documents/1181251006/.

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Stephenson-Thompson, Jo. "Telling fashionable tales : the form and function of the non-fiction British fashion film." Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/24863.

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This thesis examines the promotion of the British fashion industry in the underexplored genre of non-fiction British fashion film. Whilst critical attention has been paid to the role of fashion within fiction film, and costume within historical drama, the significance of fashion in non-fiction, state-sponsored British film has passed largely without exploration. The threshold of fact and fiction is the site of investigation in this analysis of film and media materials, that draw on fairy tale narratives of transformation to produce fashion as the 'integration of the two worlds of reality and i

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17

Kaplan, Stacey Meredith 1973. "The modern(ist) short form: Containing class in early 20th century literature and film." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10574.

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ix, 182 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>My dissertation analyzes the overlooked short works of authors and auteurs who do not fit comfortably into the conventional category of modernism due to their subtly experimental aesthetics: the versatile British author Vita Sackville-West, the Anglo-Irish novelist and short-story writer Elizabeth Bowen, and the British emigrant filmmaker Charlie Chaplin. I focus on the years 1920-1923 to gain an alternative understanding of modernism's annus mirabulu

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18

Yao, Bo. "Fe/Pt n̳ multilayer thin film reactions to form L1₀ FePt and exchange spring magnets." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002416.

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19

Runmark, Henrik. "I mellanrum och marginaler: Essäfilm : En närläsning av essäistisk form och samhällskritik i två svenskproducerade filmer." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-103947.

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This study is a close reading of how Shapeshifters (Sophie Vuković, 2017) and Inuti diamanten (Viktor Johansson, 2020) produce social criticism through essayistic forms. Using relevant research and theories on essay film, the first part of this study explores essayistic form in above mentioned films. It demonstrates how the use of voiceover, narrative structure and other filmic forms in Shapeshifters and Inuti diamanten can be described as essayistic. The second part combines the implications of the first part with theories on essayistic form and its capacity of societal critique. It reveals

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20

Lefler, Thomas J. "In Search of a Transcendental Film Style: The Cinematic Art Form and the Mormon Motion Picture." Diss., CLICK HERE for online access, 1996. http://patriot.lib.byu.edu/u?/MTGM,23527.

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21

Lehmann, Henrik. "Vad kommer hända Bambi? En visuell analys om förväntningar i reklamfilmen Bambi." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22819.

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Uppsatsen syftar till att undersöka hur företag använder sig av narrativ och form i reklamfilmer för att forma en publiks förväntningar och marknadsföra en produkt, med hjälp av frågeställningen “På vilka sätt kan förväntningar för en viss publik skapas genom narrativ och form samt förkunskap och genre i reklamfilmen Bambi (2001), och hur använder sig Sony detta för att sälja en produkt?”. Materialet, en film som gör reklam för spelkonsolen Playstation 2, analyseras genom en visuell analys, kombinerat med en film- samt narrativ analys. Undersökningen resulterade i konstaterandet att filmskapar

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22

Chakraborti, Parthasarathi. "Nanoscale electrode and dielectric materials, processes and interfaces to form thin-film tantalum capacitors for high-frequency applications." Diss., Georgia Institute of Technology, 2016. http://hdl.handle.net/1853/55010.

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Today’s thin-film passive components such as capacitors and inductors are limited to low volumetric density and large form-factors that pose as major roadblock to miniaturization of the power modules. These components are also placed far away from the IC’s leading to large interconnect parasitics and lower operating frequencies. Novel thin-film technologies with high densities and small form-factors are, therefore, required to enable miniaturization and performance at high frequencies. Glass- and silicon- based interposer technologies that utilize vertical through-via interconnections have sho

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23

Doheny, Niamh. "No longer 'on the outside looking in' : Oscar Micheaux's role in the construction of a black American film form." Thesis, University of Southampton, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400462.

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24

Blasko, Benjamen. "Visual Music: The Use of Film Composition Devices to Develop Form in the Wind Band Music of Bruce Broughton." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248377/.

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As a film composer, Bruce Broughton uses themes, motives, gestures, tropes, and other film composition devices; however, he is also able to develop them into compelling formal structures through the use of film composition techniques in his concert music. Traditional musical form is not necessarily applicable to film music. The film dictates the pacing and structure, whereas concert music allows for the creation of form and more complex musical development. Through his extensive experience composing in the film industry, Broughton instinctively uses his film composition techniques as a means t

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25

Nonnemaker, Donald. "The advantages and disadvantages of the transition from 35MM film to high definition video production form commercial and corporate applications." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2006. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 2006.<br>Source: Masters Abstracts International, Volume: 45-06, page: 3251. Typescript. Abstract precedes thesis as 1 leaf. Includes bibliographical references (leaves 69-71).

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26

Edström, Fredrik. ""Så det inte bara blir någon form utav barnvakt" : En kvalitativ studie om förskollärares uppfattning om film som pedagogiskt verktyg i förskolan." Thesis, Linnéuniversitetet, Institutionen för utbildningsvetenskap (UV), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-69400.

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27

Mikhail, Samia, and fasisami@netspace net au. "The experimental art of Arthur and Corinne Cantrill." RMIT University. Applied Communication, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20061222.094324.

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This thesis analyses the effect of the personal history of Arthur and Corinne Cantrill, two Australian independent filmmakers, on their style of filmmaking. It analyses their representation of film-form experimentation within national Australian art in a range of independent film works. It reflects on their cultural relation to the general history of independent filmmaking in Australia, America and Europe. It studies the circumstances tat resulted in the appearance of the Cantrills' experimental film and their relation to international art theories and film experimentation. This thesis will ex

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Hluch, Alexander. "Immediacy in Comedy: How Gertrude Stein, Long Form Improv, and 5 Second Films Can Revolutionize the Comedic Form." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5946.

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Comedy has typically been derided as second-tier to drama in all aspects of narrative. Throughout history, comedy has seen short shrift in both critical reception and academic investigation. Merit is simply placed on drama far before that of comedy. This is not for comedy's own lack of skill or craft, but simply for comedy's misappropriation as a narrative form. Throughout the years, by way of either competition or economic superiority, comedy has been pigeonholed into the typified dramatic structure that drama so thoroughly encapsulates. Being forced into a form that exemplifies complex,

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聶智康 and Chi-hong Paul Lip. "Investigating Form 6 students' responses to four different critical analysis activities with film to develop their critical thinkingskills: a case study of a Hong Kong languageclassroom." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43250476.

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Lip, Chi-hong Paul. "Investigating Form 6 students' responses to four different critical analysis activities with film to develop their critical thinking skills a case study of a Hong Kong language classroom /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43250476.

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31

Cetin, Hasan Okan. "Fundamentals Of Architectural Design In Comparison To Filmmaking." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607669/index.pdf.

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The relation between architecture and cinema has begun with the first steps of the technology of moving images at the beginning of the 20th century and it has continued progressively until now by importing various intellectual, representational, and practical devices from each other in order to reconfigure their own systems of knowledge. In this investigation, the fundamental elements of architectural design and principles of their organization are used in the field of cinema as a methodological tool to analyze the compositional features of narrative, mise-en scene and editing/montage. First o

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32

Kausalik, Emily Anne. "A Fistful of Drama: Musical Form in the Dollars Trilogy." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1213650532.

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Kunyosying, Kom. "The Interrelation of Ethnicity, Iconicity, and Form in American Comics." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12088.

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xv, 186 p. : ill. (some col.)<br>This dissertation analyzes issues of race, ethnicity, and identity in American comics and visual culture, and identifies important areas for alternative means to cultural authority located at the intersections of verbal and visual representation. The symbolic qualities that communicate ethnicity and give ethnicity meaning in American culture are illuminated in new ways when studied within the context of the highly symbolic medium of comics. Creators of comics are able to utilize iconic qualities, among other unique formal qualities of the medium, to construct n

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34

Fauré, Philippe. "Le fil rompu du temps : une lecture de Nostalghia d'Andreï Tarkovski." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20067.

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Proposer une lecture de Nostalghia à travers une analyse exhaustive, éclairer sa structure, son écriture et ses moyens dans leurs rapports aux réseaux de significations qu’ils véhiculent, dans leurs potentialités à susciter notre sensibilité, tel est le but de ce mémoire. Car la structure d’un film, à tous ses niveaux, est une succession de discontinuités dont la réception est une tresse continue de conscience et d’inconscience. En ce sens, le film est un édifice d’images, de sons, de signes, « réalité figée » qui n’engendre pas une, mais de multiples réceptions sans pour autant invalider le p

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Pritchard, Oona C. "Finding Form." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1541.

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Matthews, Nicole. "Screendance| A Choreographic Tool and a Hybrid Dance Form." Thesis, Mills College, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10817014.

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<p> In an age where dance can instantly be viewed online and then just as quickly be forgotten, what is it about certain videos that resonate with us after viewing them?  Is it possible to retain the integrity and intent of the choreographer’s vision on film, especially with instances when it was originally intended to be performed on a stage in front of a live audience? The still evolving art of screendance brings together two different art practices and creates a hybrid art form, sharing a vision with audiences that is unique and can resonate deeply with the viewer. Unraveling the

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Peterson, Caroline. "Man ville vara modern : En analys av modernistiska strömningar i svenska stumfilmsaffischer." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-70295.

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Purpose of this essay is to conduct a style analysis of Swedish silent film posters with visual storytelling and cultural memory as a theoretical basis. Concepts such as design, color and technique are studied to highlight the historical context of Swedish silent film posters.

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Michalski, Milena Lily. "Iurri Olesha, Abram Room and Strogii iunosha : artistic form and political context." Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312039.

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Mattsson, Ludwig. "Hur form följer funktion i titelsekvenser : En semiotisk analys av förtexter i framtidsfilm." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85688.

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Det finns inte mycket forskning på ämnet förtexter, speciellt inte i film som utspelar sig i framtiden. Uppsatsens syfte är att undersöka förtextens form och funktion utifrån en semiotisk analys som använder sig av de begrepp semiotiken medför i tolkandet av tecken. De två frågeställningar i arbetet är “I tolkandet av förtexten utifrån semiotisk analys, vilka val och budskap går att finna i förtextens form?” och “Vilka funktioner fyller de utvalda förtexterna för filmernas narrativ?” I urvalet av filmerna utgick jag från filmer som utspelas i framtiden, detta för att möjliggöra ett eventuell

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Whitehurst, Katherine F. "Adapting Snow White : tracing female maturation and ageing across film, television and the comic book." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/24054.

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This thesis analyses 21st century filmic, televisual and comic “Snow White” adaptations. The research is interdisciplinary, bringing together scholarship on gender, childhood, ageing, adaptation, media and fairy tales. The first half of the thesis contextualises the broader historical and sociocultural conversation “Snow White” tellings are immersed in by nature of their shared culture and history. It also identifies the tale’s core and traces the tale’s formation as a tale type from the seventeenth to the twenty–first century. The second half of this thesis moves to an analysis of two films (

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Helle, Johanna. "Ett könskrig tar form : Skapandet av sanningsanspråk i dokumentärfilmen Könskriget (2005)." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104563.

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Den här uppsatsen granskar dokumentärfilmen Könskriget från 2005 i syfte att undersöka hur filmstilistiska val formar dess sanningsanspråk. Eftersom uppsatsens genomförande förutsätter att filmen faktiskt har lyckats med detta inkluderas en övergripande redogörelse för filmens politiska och samhällsmässiga konsekvenser vilket ska verka för att legitimera uppsatsens utgångspunkt. Analysen utgår från en närläsningsmetod utifrån vilken en teori om sanning och dokumentärfilm appliceras på filmen. Med utgångspunkt i Louise Spences och Vinicius Navarros teoretiska resonemang erbjuder uppsatsen en gr

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Porter, Whitney. "Monstrous Reproduction: The Power of the Monstered Maternal in Graphic Form." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1493050047052178.

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Zook, Julie Brand. "The flow of city life: An analysis of cinematography and urban form in New York and Los Angeles." Diss., Georgia Institute of Technology, 2016. http://hdl.handle.net/1853/54927.

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This dissertation uses quantitative data on city cinematography and the morphological study of filming locations to identify how differences in ways of seeing cities, as shaped by cinematographic choices, are anchored both in differences in what is physically present as well as in differences in frameworks and expectations about what might be interesting or important to see. Four films are evaluated that are set in Los Angeles and New York, two cities recognized as paradigms in American urbanism: The Naked City (1948), The Long Goodbye (1970), Goodfellas (1990), and Pulp Fiction (1994). In ge

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Wahbeh, Hossam [Verfasser], Karl [Akademischer Betreuer] Schawelka, and Hans [Akademischer Betreuer] Beller. "Der Musikfilm als Form des Dokumentarfilms : Eine Untersuchung über die Erzeugung einer realistischen Illusion im Dokumentarfilm anhand einer Analyse des Musikfilms Berlin - Die Sinfonie der Grosstadt / Hossam Wahbeh ; Karl Schawelka, Hans Beller." Weimar : Promotionsstudiengang Kunst und Design/Freie Kunst/Medienkunst (Ph.D), 2013. http://d-nb.info/1116298384/34.

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Lorenz, Hans Christopher. "Zeit-Kritik als Form der Templation durch Medien des 21. Jahrhunderts." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2015. http://dx.doi.org/10.18452/17149.

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Wie können Theodor W. Adornos medienkritische Thesen – als wohl prominentester Beitrag gilt das in Zusammenarbeit mit Max Horkheimer entstandene Kapitel „Kulturindustrie. Aufklärung als Massenbetrug (1944)“ – in ihrer Gesamtheit mit heute auf Basis algorithmischer Transformationen prozessierenden zeitkritischen Medien in Bezug gesetzt werden? Wo lässt sich der Begriff der „Manipulation“ erweitern, oder neu verorten, wenn Mediensysteme als „nicht-menschliche Akteure“ (Bruno Latour) im mikrotemporalen Bereich prozessieren, entscheiden und im technikepistemologisch orientierten medienwissenschaf

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Kulbaga, Theresa A. "Trans/national subjects genre, gender, and geopolitics in contemporary American autobiography /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1150386546.

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Ehlers, Wibke. "With Pad and Pencil: Old Stereotypes in a New Form? A Comparison of the Image of the Journalist in the Movies from 1930-1949 and 1990-2004." Thesis, University of Canterbury. Political Science and Communication, 2006. http://hdl.handle.net/10092/883.

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This thesis aims to provide an insight into the stereotypical imagery of journalists on the screen and its changes in popular culture, namely in film. Much research has been done on categorising different filmic characters and on journalist in popular culture as well as in real life, but from my knowledge no comparative approach focussing on the changes in the filmic stereotypes has been undertaken yet. Therefore my literature review covers existing research on journalists in film and the various categories scholar do put these characters in. Using qualitative content analysis, namely by watch

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Hui-wen, Huang, and 黃慧雯. "Electrodeposition of CuInSe2 Thin Film form CuIn Precursor." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/69214386975379527358.

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碩士<br>國立成功大學<br>化學系<br>88<br>The ternary chalcopyrite semiconductor CuInSe2 (CIS) is a promising material for the fabrication of thin films solar cells due to its high absorption coefficient (α, ~105 cm-1), suitable band gap (Eg＝1.04 ev) and good stability. The experiment used two step electrodeposition to prepare CuInSe2. The first step, we used electrolyte which is prepared with CuCl2, InCl3, TEA (trithanolamine) and NH4OH to deposit CuIn precursors on molybdenum. The second step, we used the solution of SeO2 to deposit Se on CuIn thin film, and then we used heat treatment to form more homog

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Ohsawa, Yuki. "Form, content, body parts: an analysis of gender relations in contemporary Japanese film." Thesis, 2011. http://hdl.handle.net/1828/3229.

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This thesis will investigate contemporary Japanese film as a reflection of and commentary on gender relations in Japan. This thesis will discuss two contemporary Japanese films: Love and Pop (1998) and Swing Girls (2004). By employing feminist perspectives we will illustrate that form and content work together in these films to offer both positive and negative critiques of gender relations. Because this thesis examines how these films illustrate high school girls and what kinds of messages they provide, it will apply Mulvey’s (1975) feminist film theory and Morohashi’s (2009) research, wh

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Le, Quang. "Physically based closed-form solutions for film condensation of pure vapors in vertical tubes." 2012. http://hdl.handle.net/1993/5307.

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This work analytically solves the governing equations of the laminar film condensation from pure vapors in vertical tubes to find the condensate film thickness. The solution is then extended to turbulent flow conditions for steam. All other relevant quantities are derived from the film thickness solution. For laminar film condensation of quiescent vapors, an exact explicit solution and an approximate closed-form solution were found by using a new definition of the dimensionless film thickness, the Lambert W-function, and a logarithmic function approximation. For laminar mixed-convection film c

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