Relevant bibliographies by topics / Film industry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film industry'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Film industry"

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Singh, M. Bimolchandra. "Manipuri Film Industry." Journal of Advanced Research in Journalism & Mass Communication 05, no. 01 (2018): 25–30. http://dx.doi.org/10.24321/2395.3810.201805.

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Yin, Hong, and Yanbin Sun. "Analysis of China’s Film Industry in 2020." Journal of Chinese Film Studies 1, no. 2 (2021): 295–328. http://dx.doi.org/10.1515/jcfs-2021-0029.

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Abstract The influence of the coronavirus disease 2019 pandemic impacted the global film market in 2020. Across the world, the Chinese film market was the first to recover and, as a result, assumed a leading position. This was because the government launched a return-to-work policy, the capital market became more rational, the integration of film companies accelerated, the film industry model trended toward centralization, and market structures underwent deep adjustments. Despite shrinking market space and declining film production during 2020, the industry produced films that remained diverse
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Puspitasari, Lilis, Atwar Bajari, Dadang Rahmat Hidayat, and Sung Kyum Cho. "Regional film in the dynamics of the national film industry." ProTVF 8, no. 2 (2024): 116–32. http://dx.doi.org/10.24198/ptvf.v8i2.54275.

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Background: In the last ten years, the Indonesian film industry has experienced significant growth. The national film industry and the regional film industry, one of which is indie films produced in the city of Makassar. The development of films in Makassar began to receive national public attention with the explosion of the film Uang Panai in 2016. Also, in 2017, the success of the movie Silariang received an audience of 183.340 people. Purpose: Examining the impact of Makassar-produced films on the dynamics of Indonesia's domestic film industry is the main objective of this study, including
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Acham, Christine. "trinidad+tobago film festival: Nurturing a Developing Film Industry." Film Quarterly 69, no. 3 (2016): 79–83. http://dx.doi.org/10.1525/fq.2016.69.3.79.

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Festival Report: The trinidad+tobago film festival (ttff) was a whirlwind experience: fourteen days of intense programming that left Christine Acham both exhausted and exhilarated by the too-often-unacknowledged work happening in the Caribbean today. The largest film festival in the English-speaking Caribbean celebrated its tenth anniversary from September 15–29, screening some 150 films, facilitating a film mart, curating a New Media collection, and staging both a filmmaker immersion program and a three-day academic film symposium. A cursory look at the festival's program speaks to its role a
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Гайдученко, К. "Film industry." Іноземні мови в школах України, no. 1 (77) (2016): 25–28.

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Apriliani, Tri. "HUBUNGAN KERJA DALAM INDUSTRI FAST FASHION: ANALISIS ISI TERHADAP FENOMENA EKSPLOITASI (STUDI KASUS FILM THE TRUE COST DAN NIKE SWEATSHOPS)." INFORMASI 46, no. 1 (2016): 33. http://dx.doi.org/10.21831/informasi.v46i1.9647.

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The fast-fashion industry is one of the manufacturing industry that is associated with the developing countries as a producer of their products. Authors carriying an issue of labor relations in the fast-fashion industry which is very important to be studied due to exploitation issues. The main focus of the study is to assess the film “The True Cost” which describes the fast-fashion industry in Bangladesh and “Nike Sweatshops” which describes the fast-fashion industry in Indonesia. This study sought to answer whetherthe exploitation occurs in fast-fashion industry are presented in the movie “Th
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Xiao-ling, Wang, Liu Zhi-long, and Zamira Madina. "Machine Learning-Enabled Development of Model for Japanese Film Industry." Security and Communication Networks 2022 (June 6, 2022): 1–9. http://dx.doi.org/10.1155/2022/7637704.

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Not only are numerous components absorbed and modified in terms of movie subjects, but also various art forms like painting and music are researched and examined in the production of Japanese cinema, resulting in the development of film styles with national characteristics. The fundamental role of film industrialization is to increase production efficiency, reduce industry risks, create job opportunities, and provide related technologies and services for professional creative people, so that the creativity crystallization of all industry insiders can become an invisible creative power and tang
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Manakbayeva, A. B. "The Film Industry as a Sector of the Economy: Current Problems and Trends." Economics: the strategy and practice 17, no. 1 (2022): 226–37. http://dx.doi.org/10.51176/1997-9967-2022-1-226-237.

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Nowadays, the film industry is an important sector of the economy of many countries. Scientific interest in the research of cinema will grow with each passing day. This is because the film industry, consisting of producers and commercial organizations, is an object of investment and a successful asset. The article focuses on defining the role of the film industry in Kazakhstan’s economic and social development. The article’s primary goal is to identify and discuss current problems and trends in the development of the domestic film industry by analyzing its current state. The paper reveals the
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Kusum Kullu, Neel. "Future of Jharkhand Documentary Film Industry." International Journal of Science and Research (IJSR) 10, no. 9 (2021): 1296–300. https://doi.org/10.21275/sr21925183023.

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Yang, Qingting. "The Impact of Fan Culture on China’s Film Industry." Journal of Education, Humanities and Social Sciences 4 (November 17, 2022): 136–40. http://dx.doi.org/10.54097/ehss.v4i.2735.

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This paper discusses the impact of fan culture on the Chinese film industry. The continuous advancement of technology has changed the nature of ‘fan’ culture, which is now a daily presence in public life and, both directly and indirectly, exerts influence on the mass entertainment industry. A new, distinctive industry that has emerged from this new culture is fan films, or commercial films oriented toward a specific ‘fandom’ and that seeks to take advantage of a franchise’s cultural capital, reaping the benefits of fan attention. The ‘fan film’ model has even begun to influence the Chinese fil
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Dissertations / Theses on the topic "Film industry"

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Li, Yan 1959. "The Chinese Film Industry After 1976." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500539/.

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After the "Cultural Revolution" in 1976, the Chinese film industry returned to normal. Between 1976 and 1979, most filmmakers returned to their film studios and began to reorganize the production system. After 1980, the Chinese film industry began to develop multi-dimensionally. The highlight of this development was the rising of a large number of young directors and their works, which became hits and attracted attention both at home and abroad. More and more Chinese films were seen at international film festivals, often winning the awards. This study focuses on the important period between 19
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Song, Tingting. "Independent cinema in the Chinese film industry." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/43448/1/Tingting_Song_Thesis.pdf.

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Chinese independent cinema has developed for more than twenty years. Two sorts of independent cinema exist in China. One is underground cinema, which is produced without official approvals and cannot be circulated in China, and the other are the films which are legally produced by small private film companies and circulated in the domestic film market. This sort of ‘within-system’ independent cinema has played a significant role in the development of Chinese cinema in terms of culture, economics and ideology. In contrast to the amount of comment on underground filmmaking in China, the signific
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Dim, A. R. "A review of the Malaysian film industry : towards better film workflow." Thesis, University of the West of England, Bristol, 2016. http://eprints.uwe.ac.uk/27557/.

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This thesis investigates the existing film workflow processes in Malaysia and aims to explore, review and reflect on the expectations, experiences and preferences and problems experienced by practitioners in the Malaysian film industry. Part of that exploration is an in-depth examination of real practices of colour film workflow, investigating the common myth amongst Malaysian filmmakers that environmental colour temperature affects the image quality of Malaysian films. Analysis of this myth may help to establish why many Malaysian films have been processed through foreign laboratory facilitie
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Fox, Neil James. "How film education might best address the needs of UK film industry and film culture." Thesis, University of Bedfordshire, 2014. http://hdl.handle.net/10547/575401.

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This thesis reveals and explores contemporary relationships between film education, film industry and film culture within a UK context through a series of interviews, data analysis, historical research and international case studies. It highlights what appear to be binary oppositions within film such as divisions between theory and practice, industry and academia or art and entertainment and interrogates how they have permeated film education to the point where the relationship between film studies and film practice is polemical. Also, the thesis investigates how a relationship between two bin
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Ng, Siu-hong Ryan. "Film Complex : Resuscitation of film in commercial society /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.

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Hope, Cathy, and n/a. "A History of the Sydney and Melbourne Film Festivals, 1945-1972: negotiating between culture and industry." University of Canberra. Creative Communication, 2004. http://erl.canberra.edu.au./public/adt-AUC20050630.130907.

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This thesis is a history of the Sydney and Melbourne International Film Festivals, and covers the years from 1945 to 1972. Based primarily on archival material, it is an organisational history dealing with the attempts by the two Film Festivals to negotiate between the demands of �culture� and �industry� throughout this period. The thesis begins with a consideration of the origins of the Festivals in the post-war period �with the attempts by non-Hollywood producers to break into the cinema market, the collapse of the �mass audience�, and the growth of the film society movement in Australia. Th
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McGuffie, Allison Doris. "African educational film and video: industry, ideology, and the regulation of Sub-Saharan sexuality." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/1695.

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This thesis examines the industry of non-profit educational filmmaking in Sub-Saharan Africa, from the 1930's to the present, with particular attention on the contemporary period of video production from the late 1980's to approximately 2010. This thesis, first, identifies that there is a consistent industrial infrastructure around non-profit educational filmmaking in Sub-Saharan Africa, which has not previously been articulated. Second, it describes the industry's historical origins and contemporary manifestation, delineating the pathways for funding, systems for production, and avenues of di
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Johns, Jennifer L. "Tracing the connections : Manchester's film and television industry." Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.676506.

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Sedgwick, John. "The British film industry and the market for feature films in Britain 1932-37." Thesis, London Metropolitan University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260284.

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Yap, Soo Ei. "Migration and film industry : Chua Boon Hean in Singapore." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/881.

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As a respected cultural figure in Singapore who was posthumously honoured at the Pioneer Generation Tribute organised by the Ministry of Culture, Community and Youth in 2015, the story of Chua Boon Hean is one that goes beyond his role as an established poet in the field of Chinese literature in post-independence Singapore. This dissertation is an effort to elaborate on the story of Chua in Singapore and will attempt to examine his multiple roles and contributions in the socio-historical context of the film industry prior to 1965. Notably, he had played the role of an extraordinary assistant t
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Books on the topic "Film industry"

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Non-Theatrical Film Industry Task Force. The other film industry: L'autre industrie du film. Government of Canada, 1986.

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Dominic, Fenn, and Key Note Publications, eds. The Film industry. 4th ed. Key Note, 2002.

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Group, Mintel International, ed. The Film industry. Mintel International, 2002.

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Dominic, Fenn, and Key Note Publications, eds. The film industry. 2nd ed. Key Note Ltd., 1998.

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Thabet, Madkour. Egyptian film industry. Ministry of Culture, Foreign Cultural Information Dept., 1998.

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Ltd, Mintel International Group, ed. The film industry. Mintel International, 2002.

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1977-, Espejo Roman, ed. The film industry. Greenhaven Press, 2009.

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Ltd, ICC Business Publications, ed. The Film & TV industry. ICC Business Publications, 1997.

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Ltd, ICC Business Publications, ed. The film & TV industry. ICC Business Publications Ltd, 1999.

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Ltd, ICC Business Publications, ed. The Film & TV industry. ICC Business Publications, 1998.

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Book chapters on the topic "Film industry"

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Lacey, Nick. "Film as Industry." In Introduction to Film. Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-21155-1_4.

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De Vinck, Sophie, and Sven Lindmark. "The Film Industry." In Digital Media Worlds. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137344250_8.

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Gibbs, A. M. "The Film Industry, 1946." In Shaw. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-05402-2_234.

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Spicer, Andrew. "Writing film industry history." In The Routledge Companion to Media Industries. Routledge, 2021. http://dx.doi.org/10.4324/9780429275340-43.

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Betts, Ernest. "The Post-War Film Industry." In The Film Business. Routledge, 2023. http://dx.doi.org/10.4324/9781003458364-28.

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Xia, Yang, Peijun Ding, Jinrong Zhao, Bin Yin, and Xiaoping Shi. "Thin Film Growth Equipment." In Handbook of Integrated Circuit Industry. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-2836-1_67.

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Vujanović, Jelena. "The Film Industry and Election Campaigns." In Film and Politics. Institute for Political Studies, 2024. http://dx.doi.org/10.18485/ips_film_politics.2024.ch22.

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Mwema, Fredrick Madaraka, Tien-Chien Jen, and Lin Zhu. "Thin Film Technology and Industry 4.0." In Thin Film Coatings. CRC Press, 2022. http://dx.doi.org/10.1201/9781003202615-14.

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Kim, Hong-joon, and Hyunseon Lee. "Film Festivals and the South Korean Film Industry." In Korean Film and Festivals. Routledge, 2022. http://dx.doi.org/10.4324/9780429327841-15.

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Gao, Mingda, and Wai Yie Leong. "AI technology drives film industry into the 5.0 era." In Industry 5.0. The Institution of Engineering and Technology, 2024. https://doi.org/10.1049/pbme026e_ch15.

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Conference papers on the topic "Film industry"

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Kuroki, Tomoyuki, Mitsuru Narita, Haruhiko Yamasaki, and Masaaki Okubo. "Sem Observation of Poly(Acrylic Acid) Film on Ptfe Treated by Nonthermal Plasma Graft Polymerization." In 2024 IEEE Industry Applications Society Annual Meeting (IAS). IEEE, 2024. https://doi.org/10.1109/ias55788.2024.11023646.

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Babiarz, Michael. "Thick Film Coatings Applications — Specialty Applications." In Paint and Coatings Expo (PACE) 2009. SSPC, 2009. https://doi.org/10.5006/s2009-00002.

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The acceptance of thick film coatings has grown significantly over the last few years. Different industries offer specific challenges. This presentation looks at the uses and contractor demands for thick film applications in the offshore oil industry. “All accidents can be prevented, and the goal is zero injuries“
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Boediman, Andi Surja, Nyoman Pujawan, and Imam Baihaqi. "Film Industry Multi-Level Competitiveness: A Comparative Literature Review of Porter's Strategic Frameworks." In 2024 IEEE International Symposium on Consumer Technology (ISCT). IEEE, 2024. https://doi.org/10.1109/isct62336.2024.10791120.

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Prasandy, Teguh, Ekky Imanjaya, and Rosidah. "Indonesia’s Thriving Film Industry: Horror & Drama Lead, but Can Innovation Outlast Saturation?" In 2024 Ninth International Conference on Informatics and Computing (ICIC). IEEE, 2024. https://doi.org/10.1109/icic64337.2024.10956403.

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Behera, Rashmi, Suma S. Lonkadi, Ajay Andhiwal, Jothy Soman, and Ramalakshmi N. "Development of High Precision Thick Film Process for Realization of Microwave Modules." In 2024 5th International Conference on Communication, Computing & Industry 6.0 (C2I6). IEEE, 2024. https://doi.org/10.1109/c2i663243.2024.10895128.

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Kumar, Kurichi, Chetan Desai, and Mike Flinn. "A CFD Study of Squeeze Film." In Earthmoving Industry Conference & Exposition. SAE International, 1994. http://dx.doi.org/10.4271/941083.

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Panuju, Redi, and Stefanus Rodrick Juraman. "Politics of Film Needed by National Film Industry in Indonesia." In Proceedings of the 1st Annual Internatioal Conference on Social Sciences and Humanities (AICOSH 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/aicosh-19.2019.28.

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Sun, Jing. "On Film and Television Education for Film and Television Industry." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icesame-18.2018.31.

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Пальчик, А. В., and Е. Ю. Лекус. "AUTEUR FILM FESTIVAL AS A SEGMENT OF THE FILM INDUSTRY." In ХУДОЖНИК И МЕНЕДЖЕР В ПРОСТРАНСТВЕ СОВРЕМЕННОГО АРТ-РЫНКА Материалы VII научно-практической конференции молодых ученых. Crossref, 2024. http://dx.doi.org/10.54874/9785605196556.2024.3.12.

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Авторское кино нацелено не на широкую аудиторию, а скорее на самовыражение автора: здесь на первый план выходят самобытность киноязыка, субъективность видения социальных проблем общества. В современных реалиях такой киноматериал требует особых подходов в продвижении его на рынке. Одним из способов не только добиться коммерческих успехов, но и донести замысел творца до зрителя является участие в кинофестивалях. В статье рассматривается специфика этого сегмента киноиндустрии, а также выявление его преимуществ для отдельных участников (режиссера, продюсера, зрителя). An auteur film is not aimed a
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Plaksina, N., and L. Litvinova. "MOVIE INDUSTRY IN IRELAND." In Manager of the Year. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/my2021_202-204.

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The article is devoted to the film industry in Ireland. The authors explore the phenomenon of Irish cinema, the diversity of its genres and the reasons for its popularity in the modern world. According to researchers, the secret of the popularity of Irish cinema consists of a number of factors: - the national character of the Irish as a nation, which is characterized by openness, sincerity in feelings and their expressions. The audience always likes the Irish humor, especially black humor; - some traditional elements of Irish everyday life – the habit of finishing the working day in the pub, s
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Reports on the topic "Film industry"

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Gil, Ricard, and Pablo Spiller. The Organizational Implications of Creativity: The US Film Industry in Mid-XXth Century. National Bureau of Economic Research, 2007. http://dx.doi.org/10.3386/w13253.

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Ryan, Mark David, Andrew Couzens, Peter Innes, and Sue Cake. A Re-Evaluation of Screen Production on the Gold Coast After COVID-19. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244107.

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This study was commissioned by the City of Gold Coast to re-evaluate the size and activity of the film and television production industry on the Gold Coast since the outbreak of COVID-19 in March 2020. Focusing on the period between June 2020 and mid-2023, the study examines the production activity and characteristics of the local screen ecology; the size and growth of the local film, television and games workforce; and the current capacity of film and television sound stages and production facilities. Using both qualitative and quantitative research methodology, primary data was generated thr
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Light. L51572 Demonstration of Realtime Radiography on Pipeline Girth Welds. Pipeline Research Council International, Inc. (PRCI), 1988. http://dx.doi.org/10.55274/r0011315.

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Conventional radiography has been the accepted nondestructive testing (NDT) method used for many years to either accept or reject a field weld in the pipeline industry. However, conventional radiography requires the expense of film, developing chemicals, and manpower for film development. It also normally has a delay of 2 hours or more between when the weld was radiographed and when the radiographic film of the weld is available for interpretation. Over the last few years, a newer approach to performing radiographic testing, called real-time radiography, has been used in several different type
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ตัณฑะพานิชกุล, วิวัฒน์. การศึกษาผลกระทบของปริมาณน้ำในเซลลูโลสไนเตรตต่อคุณสมบัติของน้ำยาทาเล็บ ที่มีดินเหนียวเป็นสารปรับสภาพการไหล : รายงานวิจัยแบบสมบูรณ์. จุฬาลงกรณ์มหาวิทยาลัย, 2004. https://doi.org/10.58837/chula.res.2004.55.

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Cellulose nitrate (CN) is a semi-synthetic polymer rendering outstanding film properties such as good transparency, and water resistance, thus finds its major utilization in coating industry. Raw CN has water and isopropyl alcohol by-product at maximum content of approximately 3 and 30 wt%, respectively. The tolerance water level in the CN powder for a potential application as nail polish is investigated in order to produce good film-forming properties. The effect of adding layered silicate clay particles as thixotropic agent in the nail enamel is also examined. The water content was varied at
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Light. L51504 Investigation of Real-Time Radiographic Methods for Use in Pipeline Weld Inspection. Pipeline Research Council International, Inc. (PRCI), 1986. http://dx.doi.org/10.55274/r0010599.

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Conventional radiography has been the accepted nondestructive examination (NDT) method used for many years to either "accept" or "reject" a field weld in the pipeline industry. The cost of conventional radiography, however, increasingly has become a major concern in the cost effectiveness of laying new pipelines. The contributing factors to the high cost of conventional radiography are the costs of film and of the chemicals and manpower used to develop the film. Over the last few years, a newer approach to performing radiographic testing has been perfected. Called "real-time radiography," it u
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Stack, C., and E. Stover. Waste to energy applications in the Wisconsin canning industry: Economic and environmental evaluation of anaerobic treatment of vegetable processing wastewaters using a fixed film reactor: Project report. Office of Scientific and Technical Information (OSTI), 1987. http://dx.doi.org/10.2172/6501151.

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Baete, Christophe. PR-405-173610-R01 Develop New Criteria for DC Stray Current Interference. Pipeline Research Council International, Inc. (PRCI), 2019. http://dx.doi.org/10.55274/r0011602.

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This report refers to the activities performed in the frame of PRCI project on the refinement of the dynamic DC stray current corrosion criteria by applying an advanced DC corrosion prediction model. In order to find realistic stray current interference conditions, an industry survey was performed to retrieve dynamic DC interference signals on real-world pipelines. After analysis of the cases, a simulation matrix was proposed that covers a wide variety of interference conditions. The simulated signals were simplified as squared pulses. The European Standard EN 50162 Protection against corrosio
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Card, David, Jesse Rothstein, and Moises Yi. Industry Wage Differentials: A Firm-Based Approach. National Bureau of Economic Research, 2023. http://dx.doi.org/10.3386/w31588.

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Oyer, Paul, and Scott Schaefer. Firm/Employee Matching: An Industry Study of American Lawyers. National Bureau of Economic Research, 2012. http://dx.doi.org/10.3386/w18620.

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Griliches, Zvi, and Haim Regev. Productivity and Firm Turnover in Israeli Industry: 1979-1988. National Bureau of Economic Research, 1992. http://dx.doi.org/10.3386/w4059.

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