Relevant bibliographies by topics / Film industry analysis

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film industry analysis'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Film industry analysis"

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Abbass, Ansar, Abdul Khaliq, and Roman Khan. "Service Marketing Analysis of Movies in Pakistan." Journal of Social Sciences Research, no. 68 (August 11, 2020): 745–54. http://dx.doi.org/10.32861/jssr.68.745.754.

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One of the features of films compared to other cultural products is the possibility of their use for advertising and information activities and influence on the formation of needs and audience preferences, as well as different patterns of consumer behavior. The urgency of this scientific problem is that the sale of cinema products today is impossible without a marketing system. The applications of different marketing strategies depending on the specific tasks allows a differentiated approach to each project and achieve the goals both from the standpoint of contribution to the development of culture, and in terms of obtaining economic effects from the film industry. The main purpose of the study is to substantiate and determine the features of the use of marketing tools in the film industry. The study of marketing services for film production was carried out in accordance with the logical structure of the concept of "7P" (product, promotion, location, price, staff, physical environment and the process of providing services). Recommendations for the marketing of services in the film industry: first, the choice of methods for watching movies depends on the type of media environment (traditional, digital), secondly, the choice of ways to obtain movies depending on their genre and subject, thirdly, in order to effective promotion of content and perception of the film identified the basic requirements for its trailer. The article proves that the marketing of services in the film industry is aimed not only at meeting the socio-cultural needs of the population, but also at the commercialization of the industry, ensuring audience access to films, as well as creating market conditions for its sustainable development. The research materials are the basis for further research on current issues of modern film practice, integration of film production and film consumption.
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Ma, Youwen, and Yi Wan. "Data Analysis Method of Intelligent Analysis Platform for Big Data of Film and Television." Complexity 2021 (April 16, 2021): 1–10. http://dx.doi.org/10.1155/2021/9947832.

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Based on cloud computing and statistics theory, this paper proposes a reasonable analysis method for big data of film and television. The method selects Hadoop open source cloud platform as the basis, combines the MapReduce distributed programming model and HDFS distributed file storage system and other key cloud computing technologies. In order to cope with different data processing needs of film and television industry, association analysis, cluster analysis, factor analysis, and K-mean + association analysis algorithm training model were applied to model, process, and analyze the full data of film and TV series. According to the film type, producer, production region, investment, box office, audience rating, network score, audience group, and other factors, the film and television data in recent years are analyzed and studied. Based on the study of the impact of each attribute of film and television drama on film box office and TV audience rating, it is committed to the prediction of film and television industry and constantly verifies and improves the algorithm model.
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Horváth, Ádám, and Balázs Gyenge. "Service Marketing Analysis Of Movies As Unique Service-Products." SocioEconomic Challenges 4, no. 2 (2020): 44–55. http://dx.doi.org/10.21272/sec.4(2).44-55.2020.

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One of the features of films compared to other cultural products is the possibility of their use for advertising and information activities and influence on the formation of needs and audience preferences, as well as different patterns of consumer behavior. The urgency of this scientific problem is that the sale of cinema products today is impossible without a marketing system. The application of different marketing strategies depending on the specific tasks allows a differentiated approach to each project and achieve the goals both from the standpoint of contribution to the development of culture and in terms of obtaining economic effects from the film industry. The main purpose of the study is to substantiate and determine the features of the use of marketing tools in the film industry. The study of marketing services for film production was carried out in accordance with the logical structure of the concept of “7P” (product, promotion, location, price, staff, physical environment, and the process of providing services). Recommendations for the marketing of services in the film industry: first, the choice of methods for watching movies depends on the type of media environment (traditional, digital), secondly, the choice of ways to obtain movies depending on their genre and subject, thirdly, in order to effective promotion of content and perception of the film identified the basic requirements for its trailer. The article proves that the marketing of services in the film industry is aimed not only at meeting the socio-cultural needs of the population but also at the commercialization of the industry, ensuring audience access to films, as well as creating market conditions for its sustainable development. The research materials are the basis for further research on current issues of modern film practice, integration of film production and film consumption. Keywords: movie consumption, service marketing, consumer behavior, cultural marketing.
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Спивакова, Карина, Karina Spivakova, Артур Аракелян, and Artur Arakelyan. "ANALYSIS OF THE CURRENT STATE OF THE DOMESTIC FILM INDUSTRY." Servis Plus 10, no. 3 (2016): 42–52. http://dx.doi.org/10.12737/21122.

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The formation of scientifically grounded approaches to improve the management of the film industry needs to analyze the contemporary state of film industry in order to identify its most important problems and untapped opportunities for further dynamic and effective development. The analysis of the status and trends of Russian cinema-business development, the peculiarities of its historical development and study of logic interdependent processes are relevant prerequisites for solving the problem of forming of risk management system of project im- plementation; because in many cases these risks are caused by the specificity of Russian cinema and features of its functioning. The article is devoted to the analysis of the contemporary state of the domestic film industry based on which it is possible to make the conclusion about the need to improve management. The author analyzes the main economic indicators of the industry and describes the main development trends and their positive and negative features. The author studies thoroughly such indicators as dynamics of film distribution in the Russian film market, divided into the percentage of domestic and foreign films, attendance of cinemas in Russia, the number of cinemas and particular cinema hall in the country, takings of the Russian and foreign film projects, the production facilities of film studios, etc. A detailed analysis of the statistical data for the last 10 years allows the author to make the main conclusion about the origin of real prerequisites for the formation and development of scientifically based management systems in general and risk management system in particular in the production of Russian film projects.
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Ağın, Besna. "An Analysis on Ambivalence in Cinema: “The Last Tycoon” Elia Kazan." Etkileşim 2, no. 4 (2019): 220–35. http://dx.doi.org/10.32739/etkilesim.2019.4.71.

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Involved in filmmaking more than four decades, Elia Kazan had been a witness and an influence for significant change in the American film industry. His final phase includes four films, respectively, America America, The Arrangement, The Visitors and The Last Tycoon which are his most neglected films in film studies, compared to his previous successful films such as On the Waterfront, A Streetcar Named Desire, East of Eden and Splendor in the Grass. This study has focused on one of his late films for mainly two reasons; to fill the gap in the literature and present an analyses of Kazan’s most structurally different film regarding its narrative complexities with the concept of realism. Realism is one of the key concepts to study Kazan in the research field, but distinctively, I have tried to find the realism within the mise-en-scène and ambivalence in the narrative.
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Apriliani, Tri. "HUBUNGAN KERJA DALAM INDUSTRI FAST FASHION: ANALISIS ISI TERHADAP FENOMENA EKSPLOITASI (STUDI KASUS FILM THE TRUE COST DAN NIKE SWEATSHOPS)." INFORMASI 46, no. 1 (2016): 33. http://dx.doi.org/10.21831/informasi.v46i1.9647.

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The fast-fashion industry is one of the manufacturing industry that is associated with the developing countries as a producer of their products. Authors carriying an issue of labor relations in the fast-fashion industry which is very important to be studied due to exploitation issues. The main focus of the study is to assess the film “The True Cost” which describes the fast-fashion industry in Bangladesh and “Nike Sweatshops” which describes the fast-fashion industry in Indonesia. This study sought to answer whetherthe exploitation occurs in fast-fashion industry are presented in the movie “The True Cost” and “Nike Sweatshops” and how the mechanism of the exploitation is working. By using the content analysis method, it was found that in both films the exploitation did occur, but both films have similarities and differences of the dominant aspects of exploitation based on wages, health insurance, safety insurance, time, physical violence and the formation of unions. In addition besides the findings of the movie, the context of the economic, social, and political in certain periods and employment policies contribute to the occurrence of labor exploitationIndustri fast-fashion merupakan salah satu jenis industri manufaktur yang tidak terlepas kaitannya dengan negara-negara berkembang sebagai penghasil produknya. Penulis mengangkat sebuah isu tentang hubungan kerja di dalam industri fast-fashion yang sangat penting untuk dikaji karena maraknya isu eksploitasi.Fokus utama penelitian adalah mengkaji film “The True Cost” yang menggambarkan industri fast fashion di Bangladesh dan “Nike Sweatshops” yang menggambarkan industri fast fashion di Indonesia. Penelitian ini berusaha untuk menjawab apakah eksploitasi terjadi pada industri fast-fashion yang disajikan dalam film “The True Cost” dan “Nike Sweatshops”serta bagaimana mekanisme eksploitasi tersebut bekerja. Dengan menggunakan menggunakan metode analisis isi, didapati bahwa dalam kedua film ini eksploitasi memang terjadi namun kedua film ini memiliki kesamaan dan perbedaandari aspekdominan eksploitasi berdasarkan upah, jaminan kesehatan, jaminan keselamatan, waktu, kekerasan fisik dan pembentukan serikat. Selain temuan dari film tesebut, didapati bahwa konteks ekonomi, sosial, dan politik pada periode tertentu serta kebijakan ketenagakerjaan turut mendukung terjadinya eksploitasi tenaga kerja.
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Islam, Md Zahidul. "FILM RATING: A COMPARATIVE ANALYSIS IN MALAYSIA AND BANGLADESH." Asia Proceedings of Social Sciences 4, no. 1 (2019): 7–9. http://dx.doi.org/10.31580/apss.v4i1.530.

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Film rating is a form of censorship where restrictions are imposed on the population on what films a person could view. The main purpose of this paper is to discuss the legal framework of film rating and current film rating process of Malaysia and Bangladesh. This paper also try to indentify the strengths and weaknesses of film rating process of both countries.The researcher mainly adopted qualitative methods. The information has taken from many readings, articles, books, newspapers and statutes. The researcher also conducted interview with the member of the film censorship board, directors and actors of both countries. People in the film industry in both countries accepted the need for film rating as guidance for individuals and parents in choosing film viewing.
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Wang, Z. H., and M. J. Ni. "Size Effect Analysis of Thermal Conductivity in Lithium Nanometer Film." Advanced Materials Research 403-408 (November 2011): 1113–18. http://dx.doi.org/10.4028/www.scientific.net/amr.403-408.1113.

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Lithium is widely used in the pharmaceutical industry, fuel cell, ceramic industry, glass, lubricants, aluminum industry, refrigerant, nuclear industry and photovoltaic industry. The thermal properties of lithium are very important for the design and safe operation. The MEAM potential was applied to calculate thermal conductivity of lithium with emphasis on size effect analysis in the lithium nanometer film using non-equilibrium molecular dynamics simulation method. The results show that the lithium thermal conductivity increases with increasing film thickness. The obvious size effect and anisotropy of thermal conductivity are found in the lithium nanometer film. From the simulation results, the difference of normal and tangential thermal conductivity has been analyzed quantitatively.
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Zernetska, O. "The Development of Australian Culture in the XX Century: Australian Film Industry." Problems of World History, no. 11 (March 26, 2020): 174–200. http://dx.doi.org/10.46869/2707-6776-2020-11-10.

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This article represents the first attempt in Ukraine of complex interdisciplinary investigation of the history of Australian film development in the XX-th century in the context of Australian culture. Analysing films in historical order the peculiarities of each decade are taken into consideration. The periods of silent films, sound films and colour films are analysed. The best film productions, their film directors and prominent actors are outlined. Special attention is paid to the development of feature films and documentaries.
 The article concentrates on the development of different film genres beginning with national historical drama, films of the first pioneers’ survival, adventure films. It is shown how they contribute to the embodiment in films of the main archetypes of Australian culture, the development of Australian identity. After World War I and World War II war films appear to commemorate the courage of the Australian soldiers in the war fields. Later on the destiny of the Australian women white settlers’ wives or native Australians inspired film directors to make them the chief heroines of their movies.
 A comparative analysis of films and literary primary sources underlying their scripts is carried out. It is concluded that the Australian directors selected the best examples of Australian national poetry and prose, which reveal the historical and social, cultural and racial problems of the country's development during the twentieth century.
 The publication dwells on boom and bust periods of Australian film making. The governmental policy in this sphere is analysed. Different schemes of film production and distribution are outlined to make national film industry compatible with the other film industries of the world, especially with the Hollywood. The area of a new discipline - Australian Film Studios - is studied as well as the works of Australian scholars. It is clarified in what Australian universities this discipline is taught. It is assumed that the experience of Australia in this sphere should be taken by Ukraine.
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Brown, G. M., D. F. Brown, and J. H. Butler. "The analysis of “Gels” in polymer films." Proceedings, annual meeting, Electron Microscopy Society of America 47 (August 6, 1989): 362–63. http://dx.doi.org/10.1017/s0424820100153786.

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The term “gel”, in the jargon of the plastics film industry, may refer to any inclusion that produces a visible artifact in a polymeric film. Although they can occur in any plastic product, gels are a principle concern in films where they detract from the cosmetic appearance of the product and may compromise its mechanical strength by acting as local stress concentrators. Many film gels are small spheres or ellipsoids less than one millimeter in diameter whereas other gels are fusiform-shaped and may reach several centimeters in length. The actual composition of gel inclusions may vary from miscellaneous inorganics (i.e. glass and mineral particles) and processing additives to heavily oxidized, charred or crosslinked polymer. The most commonly observed gels contain polymer differing from the bulk of the sample in its melt viscosity, density or molecular weight.Polymeric gels are a special concern in polyethylene films. Over the years and with the examination of a variety of these samples three predominant polymeric species have been observed: density gels which have different crystallinity than the film; melt-index gels in which the molecular weight is different than the film and crosslinked gels which are comprised of crosslinked polyethylene.
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Dissertations / Theses on the topic "Film industry analysis"

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QUADRA, PEDRO HENRIQUE DE ALMEIDA. "PRODUCT DEVELOPMENT FOR THE FILM INDUSTRY: A CONJOINT ANALYSIS APPLICATION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30631@1.

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Crescendo em média doze por cento ao ano no período de 2010 a 2015, a indústria de filmes no Brasil ainda é dominada por produtos importados. Visto que o importante apoio governamental recebido não foi suficiente para garantir a hegemonia dos produtos nacionais, percebe-se a necessidade da orientação para o mercado objetivando resultados superiores. Portanto, este estudo busca identificar características de produto que otimizem sua utilidade para o público alvo. Para tanto, a pesquisa levantou os atributos de produto mais importantes e seus respectivos níveis sob a perspectiva da indústria, avaliando-os com base em diretrizes de mercado para sugestão de novos produtos. Trata-se de uma aplicação de análise conjunta, na qual é possível calcular a utilidade de diferentes produtos para a amostra, o que gera insights importantes para os produtores nacionais. O levantamento de atributos e níveis foi feito através de grupos foco com executivos da indústria e com consumidores, para garantir o entendimento mútuo. Tais informações foram base para geração de um projeto fatorial fracionado, essencial para a exequibilidade da survey realizada em sequência. A análise dos resultados permitiu a identificação do produto ideal para a amostra, além de permitir a definição dos produtos ideais para doze segmentos definidos a priori. Os resultados indicam que produtos com elenco nacional e gravados em português possuem utilidades inferiores aos produtos com elenco misto ou internacional, gravados em inglês ou em idioma misto. Adicionalmente, quebrou-se o paradigma de que o pouco uso de efeitos especiais é uma grande desvantagem da produção nacional. Percebe-se que coproduções internacionais, que são alianças estratégicas pouco utilizadas atualmente, constituem alternativas que podem amplificar a utilidade dos produtos nacionais. As coproduções internacionais possibilitam a captação em mais mercados e, em consequência, o uso de elenco misto e maior investimentos em aspectos técnicos e artísticos. Ao fim e ao cabo essa estratégia tende a reduzir barreiras de entrada nos grandes mercados internacionais, o que facilita a exportação e aumenta a atratividade do produto para investidores.<br>Growing twelve per cent on average each year, from 2010 to 2015, the film industry in Brazil remains dominated by imported products. Acknowledging that the government support received by this industry was not enough to ensure national products hegemony, the necessity for company s orientation toward the maketplace is perceived. The objective of this study is to identify which product s features optimize the product s utility for it s target market. For such purpose, this study identified which product s attributes were more relevant and their respective levels according to the industry and evaluated them using market directives to develop new products. This is study is an application of conjoint analysis, in which the utility of different products for the sample can be calculated and insights produced to help national producers. Focus-groups with executives and customers were conducted to identify the attributes and their levels and assure mutual understanding. Such data was used in the fractional factorial design, essential for survey s feasibility. Outcome analysis indicated the ideal product for the sample and for each of the twelve market segment defined a priori. They also shown that the utility of Brazilian cast and Portuguese as a spoken language is lower to the sample than the utility of multi-national cast using more than one language. In addition, the paradigm that Brazilian films were in a disadvantage because of it s lack or few usage of special effects was broken. International co-productions, which are strategic alliances rarely used by Brazilian producers, constitutes an alternative that may amplify the utility of Brazilian films. They enable multi-market fundraising and, by consequence, multi-national cast and bigger investments in technical and artistic aspects. In summary, this strategy tend to reduce entry barriers in bigger markets, which facilitates export and attract more investments.
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Erickson, Mary P. A. 1977. "Independent Filmmaking in the Pacific Northwest: A Critical Analysis of the Regional Film Landscape." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11527.

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xvii, 397 p. : ill., maps.<br>Thousands of films are produced every year in the United States, and only a fraction of these is made by mainstream Hollywood film studios. Independent filmmakers working in regional locations produce the majority of these films, retaining financial, creative and distribution control and working with locally-based cast and crew members. This film activity must be acknowledged in order to fully understand the American film industry. This study examines regional independent filmmaking through case studies of two film communities: Portland, Oregon and Seattle, Washington. Using political economy of communication as the primary theoretical foundation, this study focuses on the infrastructure (systems, policies, resources and practices) that supports and/or limits the production and distribution of independent films. The research utilizes extensive document analysis of historical materials and contemporary documents produced by organizations and individuals, as well as a survey of 60 film professionals and interviews with over 40 film professionals. A central challenge to independent filmmaking is the term "independent," which has been contested by film professionals and scholars; therefore, this study analyzes and offers a new definition of "independent filmmaking." The history of filmmaking activity in Portland and Seattle is presented, as well as an extensive discussion of the contemporary landscape of regional independent filmmaking in these two communities. The study finds that there are a multitude of contradictions pertaining to financing, distribution, labor and myths of independent filmmaking. These contradictions present a range of opportunities and challenges that often simultaneously conflict with each other. The filmmaking communities in Portland and Seattle have notable networks of support, including professional and educational organizations, film festivals, government initiatives and a few locally-operated distributors. However, filmmakers in both cities also share challenges in financing, distribution and labor. The study argues that regional independent filmmaking has made a dynamic and influential contribution to the American film industry and cultural production but has been under-explored in academic scholarship. The research also points to the need to examine and understand the contradictions of independent filmmaking to improve the circumstances and infrastructure that support regional independent filmmaking.<br>Committee in charge: Dr. Janet Wasko, Chairperson; Dr. Gabriela Martinez, Member; Dr. H. Leslie Steeves, Member; Dr. Michael Aronson, Outside Member
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Xu, Shuo. "The Curious case of Chinese film Censorship: An analysis of the film administration regulations." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23166.

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The commercialization and global transformation of the Chinese film industry demonstrates that this industry has been experiencing drastic changes within the new social and economic environment of China in which film has become a commodity generating high revenues. However, the Chinese government still exerts control over the industry which is perceived as an ideological tool. They believe that the films display and contain beliefs and values of certain social groups as well as external constraints of politics, economy, culture, and ideology. And, ironically, the films censored in China often gain great fame outside of China becoming worldwide blockbusters. This study will look at how those films are banned by the Chinese film censorship system through analyzing their essential cinematic elements, including narrative, filming, editing, sound, color, and sponsor and publisher. The study will also analyze how the combination of government control and market forces influence the Chinese film industry and its production.
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Otis, Evan T. "An Analysis of the Film Industry's Collapsing Video Window." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/533.

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The collapse of the video window is disrupting the economic framework between exhibitors and distributors in the film industry. This study analyzes the collapse from several angles and provides a detailed description as to why the collapse has, and will continue to be, disruptive. I first examine the impact various technologies have had on the collapse of the video window – the time between a motion picture’s theatrical release and video release – during 1997 – 2012. The average video window has declined from 5 months 22days in 1997 to 3 months 29 days in 2012. Differences of means tests were used to inspect the average video window at the time of each technology’s introduction. Then in order to reveal how the length of the video window affects box office profit, I use an ordinary least squares regression to examine the determinants of gross domestic box office profit for a sample of 294 top earning U.S. films during 1999-2012.
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Romer, Stephen. "The decline of the British film industry : an analysis of market structure, the firm and product competition." Thesis, Brunel University, 1993. http://bura.brunel.ac.uk/handle/2438/6301.

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Teti, Emanuele. "The risk and return trade-off in the film industry : a comparative empirical analysis." Thesis, London Metropolitan University, 2008. http://repository.londonmet.ac.uk/1206/.

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Despite its proved riskiness, the film industry is one of the most economically relevant industries in the world, constantly undergoing rapid change and development, since every day millions of dollars, pounds, euros or other currencies are invested in film productions. Although restricted to the theatrical release sector of the market, this thesis aims to explain why this industry attracts so many investors, and in doing this to add to the body of knowledge and understanding of the manner in which the industry works. At its core is the analysis of the trade-off between risk and return that characterises the industry. The work, hence, is based not on models and predictions of the expected returns, profits or losses of film investments, but rather on the assessment of indicators that can depict the scale or degree of dispersion of these expected values - that is, the risk that the companies are willing to entertain. The work makes an in-depth comparative analysis of the investment risk and return trade-off by empirically investigating the different behaviour of the film industry in the United States and in Europe, drawing in detail upon the Italian film industry to represent the European context. In this perspective, the work also aims to analyse why state support is justified in Europe and not in the US, and the financial effectiveness of Italian state support to film industry, by identifying to what extent it contributes to improving cultural identity. The investigation extends significantly current knowledge, showing that the financial effectiveness of the US film industry is incomparably superior to that of the Italian film industry, and that public policy in Italy towards the current system of film subsidisation is inequitable and inefficient. The work also introduces a new dataset into the literature, the Italian dataset constructed by the author.
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Cottrell, Matt Dee. "The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema." DigitalCommons@USU, 2009. https://digitalcommons.usu.edu/etd/485.

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The Sundance Film Festival has transformed from being a fringe festival to a leading showcase for independent cinema. This research shows that studios now descend upon the festival to acquire films for commercial distribution. The Sundance Film Festival seems to currently operate as a marketplace for films rather than an independent festival. This research seeks to examine how Hollywood studios have been able to infiltrate and commodify independent projects from the Sundance Film Festival and what the potential ramifications are for emerging independent filmmakers seeking to have their projects screened at the festival. In other words, have Hollywood studios coopted the Sundance Film Festival and if so, what does this process look like? This research seeks to answer these questions through an analysis of Sundance Film Festival data and interviews with festival informants.
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Labovitz, Katie E. "A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1306853205.

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Walkley, Sarah Elizabeth. "To what extent can France continue to defend the cultural exception in the digital age? : an analysis of cultural diversity in the French film industry." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/80230/.

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Since the first General Agreement on Tariffs and Trade in 1947, France has insisted that cultural products are different from other traded goods and should be exempted from ongoing liberalisation of international trade – a principle known as the ‘cultural exception’. This exclusion allows France to implement policies in favour of its cultural industries, particularly a highly complex system of quotas and subsidies for the film industry which it maintains is essential to counter US market dominance and maintain cultural diversity. Over the past decade, the launch of video-on-demand services has revolutionised how films are delivered and consumed. Policy-makers have attempted to keep pace with these developments, expanding the scope of French support schemes accordingly. Adopting a mixed methods approach, this thesis analyses cultural diversity in the French film industry in detail, incorporating for the first time both the cinema and video-on-demand sectors and combining qualitative and quantitative data to understand the impact of French policies on diversity. Quantitative analysis reveals strong evidence of diversity in both sectors but that, while digital channels offer greater variety of choice, cinema is more balanced between films of different geographic origins. Employing a consistent approach to policy development in both channels, policy-makers have failed to take into account these and other differences, or to target measures at the emerging threats to diversity in the digital environment – potentially undermining the French defence of the cultural exception on diversity grounds. There is a surprisingly superficial use of the term cultural diversity in trade circles, leading to the conclusion that a more sophisticated approach is needed. Refining French policy in line with empirical data and actively using that evidence to demonstrate policy success will be a necessary part of this more sophisticated approach if France is to successfully defend the cultural exception in future trade negotiations.
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Kohlert, Michael [Verfasser], Andreas [Akademischer Betreuer] König, and Tamara [Akademischer Betreuer] Chistyakova. "Multi-Sensory Data Analysis and On-Line Evaluation for Advanced Process Control and Yield Optimization in Polymer Film Industry / Michael Kohlert. Betreuer: Andreas König ; Tamara Chistyakova." Kaiserslautern : Technische Universität Kaiserslautern, 2015. http://d-nb.info/1077007140/34.

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Books on the topic "Film industry analysis"

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43 ways to finance your feature film: A comprehensive analysis of film finance. Southern Illinois University Press, 1998.

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43 way$ to finance your feature film: A comprehensive analysis of film finance. Southern Illinois University Press, 1995.

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Henry, Michael. The film business: A legal and commercial analysis. Longman, 1986.

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Cones, John W. The feature film distribution deal: A critical analysis of the single most important film industry agreement. Southern Illinois University Press, 1997.

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Globerman, Steven. Foreign ownership and Canada's feature film distribution sector: An economic analysis. Fraser Institute, 1987.

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Evaldsson, Jennie. The Bristish Film production industry: Analysis of the industry environment and a guide for aspiring new entrants. LCP, 1999.

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Blair, Helen. Working in film: An analysis of the nature of employment in a project based industry. University of Hertfordshire Business School, 1998.

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Abraham, Thomas. Diamond, diamond-like carbon/CBN films and coated products: Technology analysis. Business Communications Co., 2002.

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Abraham, Thomas. Diamond, diamond-like, and CBN films and coated products: Market analysis. Business Communications Co., 2002.

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Happily ever after: Fairy tales, children, and the culture industry. Routledge, 1997.

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Book chapters on the topic "Film industry analysis"

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Bévort, Frans, and Iben Sandal Stjerne. "Multilevel career analysis in the film industry and professional service firms." In The Routledge Companion to Career Studies. Routledge, 2019. http://dx.doi.org/10.4324/9781315674704-20.

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Parc, Jimmyn. "Evaluating the Effects of Protectionism on the Film Industry: A Case Study Analysis of Korea." In Handbook of State Aid for Film. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71716-6_20.

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Calabretta, Michele, Alessandro Sitta, Salvatore Massimo Oliveri, and Gaetano Sequenzia. "Analysis of Warpage Induced by Thick Copper Metal on Semiconductor Device." In Lecture Notes in Mechanical Engineering. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70566-4_10.

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AbstractElectrochemical deposited (ECD) thick film copper on silicon substrate is one of the most challenging technological brick for semiconductor industry representing a relevant improvement from the state of art because of its excellent electrical and thermal conductivity compared with traditional compound such as aluminum. The main technological factor that makes challenging the industrial implementation of thick copper layer is the severe wafer warpage induced by Cu annealing process, which negatively impacts the wafer manufacturability. The aim of presented work is the understanding of warpage variation during annealing process of ECD thick (~20 µm) copper layer. Warpage has been experimental characterized at different temperature by means of Phase-Shift Moiré principle, according to different annealing profiles. A linear Finite Element Model (FEM) has been developed to predict the geometrically stress-curvature relation, comparing results with analytical models.
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Li, Yahong, Weijie Huang, and Celine Melanie A. Dee. "Reminiscing About the Golden Age: An Analysis of Efforts to Revive the Hong Kong Film Industry Through the Lens of Copyright Protection." In Innovation, Economic Development, and Intellectual Property in India and China. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8102-7_7.

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Chakraborty, Abhijit, and Yuichi Ikeda. "Is Firm-Level International Trade More Pronounced at the Inter-industry or Intra-industry Level?" In Big Data Analysis on Global Community Formation and Isolation. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4944-1_2.

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Chen, Yihsu, Afzal S. Siddiqui, and Makoto Tanaka. "Analysis of Power System Operations with a Dominant Firm and an Oligopolistic Industry." In Analysis of Environmental Policy in the Power Sector. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44866-0_5.

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Uddin, Godwin Enaholo, Kingsley M. Oserei, Olajumoke E. Oladipo, and Damilola Ajayi. "Industry Competitiveness Using Firm-Level Data: A Case Study of the Nigerian Insurance Sector." In Advances in Panel Data Analysis in Applied Economic Research. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70055-7_37.

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Lee, Jung Wan, and Parahny Manorungrueangrat. "Regression Analysis with Dummy Variables: Innovation and Firm Performance in the Tourism Industry." In Quantitative Tourism Research in Asia. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-2463-5_6.

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Diebolt, Claude, Tapas Mishra, and Mamata Parhi. "Dynamics of Inter-firm Linkages in Indian Automotive Industry: A Social Network Analysis." In India Studies in Business and Economics. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32744-0_6.

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Yu, Chao. "An analysis of the box office success of Wolf Warrior 2 (2017)." In Development of the Global Film Industry. Routledge, 2020. http://dx.doi.org/10.4324/9781003051503-15.

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Conference papers on the topic "Film industry analysis"

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Tabacniks, M. H., A. J. Kellock, and J. E. E. Baglin. "PIXE for thin film analysis." In The fourteenth international conference on the application of accelerators in research and industry. AIP, 1997. http://dx.doi.org/10.1063/1.52493.

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Shan, Yuanyuan, and Yu Hao. "Analysis of Chinese Film Industry Competitiveness Based on "Diamond Model"." In 2010 International Conference on Management and Service Science (MASS 2010). IEEE, 2010. http://dx.doi.org/10.1109/icmss.2010.5577042.

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Xiancai, Zhang, and Xiancai Zhang. "Research on development strategy and risk prevention of Chinese film industry." In Proceedings of the Sixth Symposium of Risk Analysis and Risk Management in Western China (WRARM 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/wrarm-19.2019.35.

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Rabalais, M. S., D. L. Peterson, Y. Q. Wang, W. J. Sheu, and G. A. Glass. "Time of flight elastic recoil detection for thin film analysis." In The fifteenth international conference on the application of accelerators in research and industry. AIP, 1999. http://dx.doi.org/10.1063/1.59181.

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Wang Jian. "The analysis of the virtuality of film and television animation art." In 2014 IEEE Workshop on Advanced Research and Technology in Industry Applications (WARTIA). IEEE, 2014. http://dx.doi.org/10.1109/wartia.2014.6976206.

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Kosasih, Engkos Achmad, Abdul Aziz Rohman Hakim, and Muhammad Hussein. "Analysis of butanol droplet evaporation using modified stagnant film model." In DISRUPTIVE INNOVATION IN MECHANICAL ENGINEERING FOR INDUSTRY COMPETITIVENESS: Proceedings of the 3rd International Conference on Mechanical Engineering (ICOME 2017). Author(s), 2018. http://dx.doi.org/10.1063/1.5046205.

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Wu, Jianxun, and Jing Yi. "Analysis on the Development Path of Chinese Film Industry from the Perspective of Cooperation-competition." In 2017 World Conference on Management Science and Human Social Development (MSHSD 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/mshsd-17.2018.62.

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Sultana Tuhin, Naznin, Shirin Akhter, Israt Sultana, and Md Zamil Sultan. "Comparative Analysis, Simulation and Optimization of Current Density-Voltage Characteristics of CIGS and CZTS Thin Film Solar Cells." In 2020 2nd International Conference on Sustainable Technologies for Industry 4.0 (STI). IEEE, 2020. http://dx.doi.org/10.1109/sti50764.2020.9350503.

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Shen, Chao-Qun. "Cultural and Creative Industry and the Fourth Wave Economy: Analysis the Communication and Culture of Taiwan Film." In 2021 International Conference on Enterprise Management and Economic Development (ICEMED 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/aebmr.k.210601.066.

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Quarles, C. A., and S. Portillo. "Looking for polarization bremsstrahlung in the midst of inner-shell ionization: Analysis of the x-ray spectrum in electron interactions with thin-film targets." In The fifteenth international conference on the application of accelerators in research and industry. AIP, 1999. http://dx.doi.org/10.1063/1.59123.

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Reports on the topic "Film industry analysis"

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Kumar, Indraneel, Lionel Beaulieu, Annie Cruz-Porter, Chun Song, Benjamin St. Germain, and Andrey Zhalnin. An Assessment of the Workforce and Occupations in the Highway, Street, and Bridge Construction Industries in Indiana. Purdue University, 2020. http://dx.doi.org/10.5703/1288284315018.

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This project explores workforce and occupations within the highway, street, and bridge construction industries (NAICS 237310) in Indiana. There are five specific deliverable comprised of three data reports, one policy document, and a website. The first data report includes an assessment of the workforce based on the eight-part framework, which are industry, occupations, job postings, hard-to-fill jobs, Classification of Instructional Programs (CIP), GAP Analysis, compatibility, and automation. The report defines a cluster followed by a detailed analysis of the occupations, skills, job postings, etc., in the NAICS 237310 industry in Indiana. The report makes use of specialized labor market databases, such as the Economic Modeling Specialists International (EMSI), CHMURA JobsEQ, etc. The analysis is based only on the jobs covered under the unemployment insurance or the Quarterly Census of Employment and Wages (QCEW) data. The second data report analyzes jobs to jobs flows to and from the construction industry in Indiana, with a particular emphasis on the Great Recession, by utilizing the Bureau of Labor Statistics (BLS) data. The third data report looks into the equal employment opportunity or Section 1391 and 1392 data for Indiana and analyzes specific characteristics of that data. The policy report includes a set of recommendations for workforce development for INDOT and a summary of the three data reports. The key data on occupations within the NAICS 237310 are provided in an interactive website. The website provides a data dashboard for individual INDOT Districts. The policy document recommends steps for development of the highways, streets and bridges construction workforce in INDOT Districts.
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Martin, Ralf, Mirabelle Muûls, Laure de Preux, and Ulrich Wagner. Industry Compensation Under Relocation Risk: A Firm-Level Analysis of the EU Emissions Trading Scheme. National Bureau of Economic Research, 2013. http://dx.doi.org/10.3386/w19097.

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Nagaoka, Sadao, Akira Takeishi, and Yoshihisa Noro. Determinants of Firm Boundaries: Empirical Analysis of the Japanese Auto Industry from 1984 to 2002. National Bureau of Economic Research, 2007. http://dx.doi.org/10.3386/w13063.

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Billing, Suzannah-Lynn, Shannon Anderson, Andrew Parker, Martin Eichhorn, Lindsay Louise Vare, and Emily Thomson. Scottish Inshore Fisheries Integrated Data System (SIFIDS): work package 4 final report assessment of socio-economic and cultural characteristics of Scottish inshore fisheries. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2018. http://dx.doi.org/10.15664/10023.23450.

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[Extract from Executive Summary] The European Maritime and Fisheries Fund (EMFF) has funded the ‘Scottish Inshore Fisheries Integrated Data System’ (SIFIDS) project, which aims to integrate data collection and analysis for the Scottish inshore fishing industry. SIFIDS Work Package 4 was tasked with assessing the socio-economic and cultural characteristics of Scottish Inshore Fisheries. The aim was to develop replicable frameworks for collecting and analysing cultural data in combination with defining and analysing already available socio-economic datasets. An overview of the current available socio-economic data is presented and used to identify the data gaps. Primary socio-economic and cultural research was conducted to fill these gaps in order to capture complex cultural, social and economic relationships in a usable and useful manner. Some of the results from this Work Package will be incorporated into the platform that SIFIDS Work Package 6 is building. All primary research conducted within this work package followed the University of the Highlands and Islands (UHI) Research Ethics Framework and was granted Ethical Approval by the UHI Research Ethics Committee under code ETH895.
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