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Books on the topic 'Film industry analysis'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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1

43 ways to finance your feature film: A comprehensive analysis of film finance. Southern Illinois University Press, 1998.

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43 way$ to finance your feature film: A comprehensive analysis of film finance. Southern Illinois University Press, 1995.

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3

Henry, Michael. The film business: A legal and commercial analysis. Longman, 1986.

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4

Cones, John W. The feature film distribution deal: A critical analysis of the single most important film industry agreement. Southern Illinois University Press, 1997.

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5

Globerman, Steven. Foreign ownership and Canada's feature film distribution sector: An economic analysis. Fraser Institute, 1987.

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6

Evaldsson, Jennie. The Bristish Film production industry: Analysis of the industry environment and a guide for aspiring new entrants. LCP, 1999.

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7

Blair, Helen. Working in film: An analysis of the nature of employment in a project based industry. University of Hertfordshire Business School, 1998.

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8

Abraham, Thomas. Diamond, diamond-like carbon/CBN films and coated products: Technology analysis. Business Communications Co., 2002.

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9

Abraham, Thomas. Diamond, diamond-like, and CBN films and coated products: Market analysis. Business Communications Co., 2002.

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10

Happily ever after: Fairy tales, children, and the culture industry. Routledge, 1997.

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11

Romer, Stephen. The decline of the British film industry: An analysis of market structure, the firm and product competition. Brunel University, 1993.

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12

Hsu, H. H. Analysis of and strategy development for the Taiwan film industry towards the invasion from America and Hong Kong. Oxford Brookes University, 1997.

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13

Hofmann, Kay H. Co-financing Hollywood film productions with outside investors: An economic analysis of principal agent relationships in the U.S. motion picture industry. Springer Gabler, 2013.

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14

Abraham, Thomas. Diamond, diamond-like, and CBN films and coated products: A technical analysis including emerging technologies, new developments, and patents. Business Communications Co., 1997.

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15

Zimny, Steffen. Opel in Poland: An analysis of automotive investment in Central Europe. Der Andere Verlag, 2004.

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16

Björkin, Mats. Postwar Industrial Media Culture in Sweden, 1945-1960. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462984929.

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During the 1950s, companies aiming for international markets demanded new theories and methods of communication. Ideas regarding cybernetics, systems analysis, new accounting practices, and budgetary principles as well as theories of information, communication, marketing, public relations, and organization were discussed at conferences, seminars, and courses, and in articles and books. At the same time, new technologies changed corporate communication, from a loose-leaf accounting system to mechanical and electronic business machines, from written texts and oral presentations to slide shows, audio tapes, films, television, and flannelgraphs. By looking at a vast array of objects and relations related to uses of media technologies in Swedish industry from the end of World War II to the breakthrough of television, this book shows what happened in the glitches between mass communication and interaction, and how Swedish postwar industry worked to disrupt established understandings of communication.
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17

L, Winston Wayne, and Zappe, Christopher J. (Christopher James), 1961-, eds. Data analysis & decision making with Microsoft Excel. 3rd ed. South-Western/Cengage Learning, 2009.

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18

L, Winston Wayne, Zappe Christopher J. 1961-, Brodie Mark, and Kolesar Peter, eds. Data analysis & decision making with Microsoft Excel. 2nd ed. Duxbury, 2003.

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19

L, Winston Wayne, and Zappe Christopher J. 1961-, eds. Data analysis & decision making with Microsoft Excel. 3rd ed. Thomson/South-Western, 2006.

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20

Loughney, Patrick. A descriptive analysis of the Library of Congress Paper Print Collection and related copyright materials. U.M.I., 1988.

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21

L, Winston Wayne, and Zappe Christopher J. 1961-, eds. Data analysis and decision making with Microsoft Excel. Duxbury Press, 2002.

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22

L, Winston Wayne, and Zappe Christopher J. 1961-, eds. Data analysis and decision making with Microsoft Excel. Duxbury Press, 1999.

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23

When genius failed: The rise and fall of long-term capital management. Fourth Estate, 2001.

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24

Cones, John W. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. Southern Illinois University, 1995.

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25

Cones, John W. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. Southern Illinois University, 1995.

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26

43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. 3rd ed. Southern Illinois University, 2008.

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27

Cones, John W. The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement. Southern Illinois University, 1996.

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28

The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement. Southern Illinois University, 1996.

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29

Diversity and the film industry: An analysis of the 2014 UIS Survey on Feature Film Statistics. Information Paper No. 29. UNESCO Institute for Statistics, 2016. http://dx.doi.org/10.15220/978-92-9189-190-0-en.

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30

American Film Exhibition and an Analysis of the Motion Picture Industry's Market Structure 1963-1980. Taylor & Francis Group, 2013.

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31

Edgerton, Gary. American Film Exhibition and an Analysis of the Motion Picture Industry's Market Structure 1963-1980. Taylor & Francis Group, 2016.

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32

Emerging Markets and the Digitalization of the Film Industry: An analysis of the 2012 UIS International Survey of Feature Film Statistics. UIS Information paper; 14. UNESCO Institute for Statistics, 2013. http://dx.doi.org/10.15220/978-92-9189-136-8-en.

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33

Neale, Steve. Film, Cinema, Genre. Edited by Frank Krutnik and Richard Maltby. University of Exeter Press, 2021. http://dx.doi.org/10.47788/yrcc6901.

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This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neale’s vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies’ position as an innovative discipline within the humanities. Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles scrutinizing individual genres – the melodrama, the war film, science fiction and film noir – this Reader provides critical examinations of cinema and technology, art cinema, gender and cinema, stereotypes and representation, cinema history, the film industry, New Hollywood, and film analysis. Many of the articles included are recommended reading for a range of university courses worldwide, making the volume useful to students at undergraduate level and above, researchers, and teachers of film studies, media studies, gender studies and cultural studies. The collection has been selected and edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with Neale and been inspired by his diverse and often provocative critical innovations. Their introduction assesses the significance of Neale’s work, and contextualizes it within the development of UK film studies.
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34

Kishore, Shweta. Indian Documentary Film and Filmmakers. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474433068.001.0001.

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Independent documentary is enjoying a resurgence in post-reform India. But in contemporary cinema and media cultures, where ‘independent’ operates as an industry genre or critical category, how do we understand the significance of this mode of cultural production? Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a 'tactical practice’, contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system. Focusing on selected filmmakers, the book establishes how they have reorganised the dominance of industrial media, technology and social relations to develop practices that build upon principles of de-economisation, artisanship and interdependence.
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35

Locating The Moving Image New Approaches To Film And Place. Indiana University Press, 2013.

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36

Tulloch, John, and Belinda Middleweek. “A man didn’t make this film alone”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0006.

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Part 2 of chapter 4 contributes to the dialogue of part 1 by combining an industry-based textual analysis with the findings of the authors’ social audience study of Blue Is the Warmest Colour. This part puts into interdisciplinary dialogue the mutually constructed meanings of “risk,” “desire,” and “intimacy” presented by this real sex film, as read by the macro discourses of film reviewing, risk sociology, and feminist-psychoanalytical film studies outlined in the first three chapters. In doing this it also introduces analytical themes that are explored extensively in later chapters of the book: real sex versus simulated sex, multiple and performed authorship, and the pleasures of the gazes of scopophilia and ego-identity in one disciplinary paradigm, and of voluntary risk-taking and addiction in another.
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37

Tourism and the Branded City: Film and Identity on the Pacific Rim (New Directions in Tourism Analysis). Ashgate Publishing, 2007.

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38

Kelly, Catriona. Soviet Art House. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548363.001.0001.

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This book examines cinema in the Brezhnev era from the perspective of one of the USSR’s largest studios, Lenfilm. Producing around thirty feature films per year, the studio had over three thousand employees working in every area of film production. The discussion covers the period from 1961 to the collapse of centralized state facilities in 1986. The book focuses particularly on the younger directors at Lenfilm, those who joined the studio in the recruiting drive that followed Khrushchev’s decision to expand film production. Drawing on documents from archives, the analysis portrays film production “in the round” and shows that the term “censorship” is less appropriate than the description preferred in the Soviet film industry itself, “control,” which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced: the various crises that beset film production between 1961 and 1969 (chapter 1) and 1970 and 1985 (chapter 2), the working life of the studio, and particularly the technical aspects of production (chapter 3), and the studio aesthetic (chapter 4). The second part of the book comprises close analyses of fifteen films that are typical of the studio’s production. The book concludes with a brief survey of Lenfilm’s history after the Fifth Congress of the Filmmakers’ Union in 1986, which swept away the old management structures and, in due course, the entire system of filmmaking in the USSR.
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39

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre argues that this international body of work constitutes a unique genre of mainstream cinema. It applies, for the very first time, genre theory to the landscape of contemporary digital animation, and identifies how computer-animated films can be distinguished in generic terms. This book therefore asks fundamental questions about the evolution of film genre theory within both animation and new media contexts. Informed by wider technological discourses and the status of animation as an industrial art form, The Computer-Animated Film: Industry, Style and Genre not only theorises computer-animated films through their formal properties, but connects elements of film style to animation practice and the computer-animated film’s unique production contexts.
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40

Cuneen, Jacquelyn, David A. Tobar, and Routledge (Firm) Staff. Sport Industry Research and Analysis. Taylor & Francis Group, 2020.

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41

Atwood, Blake. Reform Cinema in Iran. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231178174.001.0001.

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It’s nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami’s Taste of Cherry (1997) and Mohsen Makhmalbaf’s Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami’s presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.
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42

Locating the Moving Image. Indiana University Press, 2013.

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43

Stoneman, Paul, Eleonora Bartoloni, and Maurizio Baussola. The Extent of Product Innovation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816676.003.0004.

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This chapter analyses data on indicators of the prevalence of product innovation. Analysis of survey data indicated that, in the three years before the 2012 CIS survey, about 25 per cent of all firms in the twenty-seven EU member states undertook product innovation. New-to-firm was more frequent than new-to-market. Differences across sectors, regions, and firm size are analysed. Further international comparisons are made. This analysis is supplemented by consideration of the extent of new product launches in a series of different industries using other data. It is observed that many new products are not significantly different from existing products. A prior study of barcode data indicates that over a nine-year period there was a 78 per cent entry rate for new products and a 72 per cent exit rate. The possibility of industry life cycles to which product innovation activity may be linked is also discussed.
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44

Brown, Noel. Contemporary Hollywood Animation. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474410564.001.0001.

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Until the 1990s, animation occupied a relatively marginal presence in Hollywood. Today, it is at the very heart of both the film industry and contemporary popular culture. Charting the major changes and continuities in Hollywood animation over the past thirty years, this groundbreaking book offers an authoritative history of Hollywood animation since the 1990s. Analysing dozens of key films, including The Lion King, Toy Story, Shrek, Despicable Me, Frozen and Moana, it examines the emergence of new genres and stylistic approaches, as well as the ongoing blurring of boundaries between animation and live-action. Identifying narrative and thematic patterns, and developments in industry and style, the book explores how animation in the United States both responds to and recapitulates the values, beliefs, hopes and fears of the nation.
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45

Dahlquist, Marina. “The Best-Known Woman in the World”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037689.003.0003.

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This chapter examines the fate of Pearl White's serials on the Swedish market during the early 1900s. More specifically, it analyzes the impact of censorship on White's films, and American serial films in general, in Sweden. Aside from censorship imposing stringent regulations on crime serials, traditional forms of marketing diluted the impact of the format and upset the chronology for the episodes, undercutting the popularity of the serial queens. Despite all the hype concerning her international following, White was never perceived as a truly big star in Sweden, mainly because only a selected few of her films actually made it to Swedish audiences. Out of her eleven serial films, only The Perils of Pauline and the three Exploits of Elaine serials were screened in Sweden. Furthermore, none of the Swedish copies have survived. The chapter also discusses Pathé Frère's impact on the Swedish film industry.
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46

Hodge, R. Anthony. Towards Contribution Analysis. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817369.003.0018.

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Since the early 1990s, at least forty-five initiatives have been mounted to improve the environmental and social performance of the mining industry. Many changes in the formal legal and regulatory systems have also been introduced. However, no systematic approach has been adopted to test whether this effort is making a difference. Without such monitoring of success, the tension between companies, communities, and governments regarding the role of mining in society will continue. This chapter makes the case for using ‘contribution analysis’ to fill this gap, a systematic means to assess and track mining’s contribution to human and ecosystem well-being over the full project and product life cycles. This is a higher test than current practice. It brings out a fuller picture of the positives and negatives of natural resources and their management, provides greater opportunity for the perspectives of all interests to be heard, and is fairer.
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47

Cuneen, Jacquelyn, and David Tobar. Sport Industry Research and Analysis: An Approach to Informed Decision Making. Taylor & Francis Group, 2017.

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48

Sport Industry Research and Analysis: An Informed Approach to Decision Making. Taylor & Francis Group, 2020.

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49

Cuneen, Jacquelyn, and David A. Tobar. Sport Industry Research and Analysis: An Informed Approach to Decision Making. Taylor & Francis Group, 2020.

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50

Cuneen, Jacquelyn, and David A. Tobar. Sport Industry Research and Analysis: An Informed Approach to Decision Making. Taylor & Francis Group, 2020.

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