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Journal articles on the topic 'Film industry'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Singh, M. Bimolchandra. "Manipuri Film Industry." Journal of Advanced Research in Journalism & Mass Communication 05, no. 01 (2018): 25–30. http://dx.doi.org/10.24321/2395.3810.201805.

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2

Yin, Hong, and Yanbin Sun. "Analysis of China’s Film Industry in 2020." Journal of Chinese Film Studies 1, no. 2 (2021): 295–328. http://dx.doi.org/10.1515/jcfs-2021-0029.

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Abstract The influence of the coronavirus disease 2019 pandemic impacted the global film market in 2020. Across the world, the Chinese film market was the first to recover and, as a result, assumed a leading position. This was because the government launched a return-to-work policy, the capital market became more rational, the integration of film companies accelerated, the film industry model trended toward centralization, and market structures underwent deep adjustments. Despite shrinking market space and declining film production during 2020, the industry produced films that remained diverse

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3

Puspitasari, Lilis, Atwar Bajari, Dadang Rahmat Hidayat, and Sung Kyum Cho. "Regional film in the dynamics of the national film industry." ProTVF 8, no. 2 (2024): 116–32. http://dx.doi.org/10.24198/ptvf.v8i2.54275.

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Background: In the last ten years, the Indonesian film industry has experienced significant growth. The national film industry and the regional film industry, one of which is indie films produced in the city of Makassar. The development of films in Makassar began to receive national public attention with the explosion of the film Uang Panai in 2016. Also, in 2017, the success of the movie Silariang received an audience of 183.340 people. Purpose: Examining the impact of Makassar-produced films on the dynamics of Indonesia's domestic film industry is the main objective of this study, including

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Acham, Christine. "trinidad+tobago film festival: Nurturing a Developing Film Industry." Film Quarterly 69, no. 3 (2016): 79–83. http://dx.doi.org/10.1525/fq.2016.69.3.79.

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Festival Report: The trinidad+tobago film festival (ttff) was a whirlwind experience: fourteen days of intense programming that left Christine Acham both exhausted and exhilarated by the too-often-unacknowledged work happening in the Caribbean today. The largest film festival in the English-speaking Caribbean celebrated its tenth anniversary from September 15–29, screening some 150 films, facilitating a film mart, curating a New Media collection, and staging both a filmmaker immersion program and a three-day academic film symposium. A cursory look at the festival's program speaks to its role a

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Гайдученко, К. "Film industry." Іноземні мови в школах України, no. 1 (77) (2016): 25–28.

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Apriliani, Tri. "HUBUNGAN KERJA DALAM INDUSTRI FAST FASHION: ANALISIS ISI TERHADAP FENOMENA EKSPLOITASI (STUDI KASUS FILM THE TRUE COST DAN NIKE SWEATSHOPS)." INFORMASI 46, no. 1 (2016): 33. http://dx.doi.org/10.21831/informasi.v46i1.9647.

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The fast-fashion industry is one of the manufacturing industry that is associated with the developing countries as a producer of their products. Authors carriying an issue of labor relations in the fast-fashion industry which is very important to be studied due to exploitation issues. The main focus of the study is to assess the film “The True Cost” which describes the fast-fashion industry in Bangladesh and “Nike Sweatshops” which describes the fast-fashion industry in Indonesia. This study sought to answer whetherthe exploitation occurs in fast-fashion industry are presented in the movie “Th

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Xiao-ling, Wang, Liu Zhi-long, and Zamira Madina. "Machine Learning-Enabled Development of Model for Japanese Film Industry." Security and Communication Networks 2022 (June 6, 2022): 1–9. http://dx.doi.org/10.1155/2022/7637704.

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Not only are numerous components absorbed and modified in terms of movie subjects, but also various art forms like painting and music are researched and examined in the production of Japanese cinema, resulting in the development of film styles with national characteristics. The fundamental role of film industrialization is to increase production efficiency, reduce industry risks, create job opportunities, and provide related technologies and services for professional creative people, so that the creativity crystallization of all industry insiders can become an invisible creative power and tang

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Manakbayeva, A. B. "The Film Industry as a Sector of the Economy: Current Problems and Trends." Economics: the strategy and practice 17, no. 1 (2022): 226–37. http://dx.doi.org/10.51176/1997-9967-2022-1-226-237.

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Nowadays, the film industry is an important sector of the economy of many countries. Scientific interest in the research of cinema will grow with each passing day. This is because the film industry, consisting of producers and commercial organizations, is an object of investment and a successful asset. The article focuses on defining the role of the film industry in Kazakhstan’s economic and social development. The article’s primary goal is to identify and discuss current problems and trends in the development of the domestic film industry by analyzing its current state. The paper reveals the

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Kusum Kullu, Neel. "Future of Jharkhand Documentary Film Industry." International Journal of Science and Research (IJSR) 10, no. 9 (2021): 1296–300. https://doi.org/10.21275/sr21925183023.

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10

Yang, Qingting. "The Impact of Fan Culture on China’s Film Industry." Journal of Education, Humanities and Social Sciences 4 (November 17, 2022): 136–40. http://dx.doi.org/10.54097/ehss.v4i.2735.

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This paper discusses the impact of fan culture on the Chinese film industry. The continuous advancement of technology has changed the nature of ‘fan’ culture, which is now a daily presence in public life and, both directly and indirectly, exerts influence on the mass entertainment industry. A new, distinctive industry that has emerged from this new culture is fan films, or commercial films oriented toward a specific ‘fandom’ and that seeks to take advantage of a franchise’s cultural capital, reaping the benefits of fan attention. The ‘fan film’ model has even begun to influence the Chinese fil

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Lee, Yi Yeh, Meng Jhe Hsieh, and Kuo Kuang Fan. "Study on Development of Indian Film Industry." Applied Mechanics and Materials 311 (February 2013): 544–49. http://dx.doi.org/10.4028/www.scientific.net/amm.311.544.

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Since movies were introduced into India, they have become one of the key industries in the country. Besides the wide support in the local market, Bollywood films have started to stand out on the world stage. There are 3.6 billion international audiences of Indian films. Different from Hollywood movies which we are familiar with, Indian films reveal strong national culture. This study probes into the success factors of Indian films by literature review on the development of Indian films, special film culture and policy of the Indian government, and generalizes the following success factors of I

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V., Vijayasarathy. "IMPACT OF GLOBALISATION ON INDIAN MEDIA AND ENTERTAINMENT INDUSTRY." International Journal of Current Research and Modern Education 1, no. 2 (2016): 151–57. https://doi.org/10.5281/zenodo.160562.

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The Indian media and entertainment industry is one of the fastest growing industry in the world. India has many entertainment media. Its film and television sectors are dominating the entertainment industry. Film and television sectors are growing and globalisation has impacted entertainment and media sectors. India produces many films running at global level theatres, especially in Japan, Singapore, USA, and Canada. Indian films and televisions got very large audience all over the world. Indian film and television producers are improving the international marketability of large budget Indian

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Hanmakyugh, Teddy Thaddeus. "Digital technology and Nollywood film industry." Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists 23, no. 2 (2024): 187–99. http://dx.doi.org/10.4314/ntj.v23i2.7.

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Film also known as the 7th Art is a medium for education, information and entertainment which has over the years undergone a series of technological innovations. This paper examines the evolution of cinema from the ‘silent era’ to the ‘new age era’ characterized by a trajectory of innovations and improvements due to technological developments. The paper adapts the Diffusion of Innovations Theory (DIT) propounded by Everett Rogers in 1962 to assess the extent to which innovations in digital technology have altered the old traditional film production landscape. The paper seeks, among others, to

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Li, Jiaming. "The Application of VR Technology in Film Production." Highlights in Science, Engineering and Technology 57 (July 11, 2023): 305–10. http://dx.doi.org/10.54097/hset.v57i.10018.

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In recent years, with the continuous maturity of virtual reality technology, the scope of application in various fields has been expanding. VR technology has gradually moved to the film industry. Since 2014, VR technology has become a new round of discussion and practice in the film industry. This paper will conduct an in-depth discussion on the production status and influence of VR films from three aspects: the actual production of VR films, the challenges VR technology brings to the current film industry, and the prospect of VR technology application in the film industry. This paper also res

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Sihite, Manda Chrisencia, Kunto Adi Wibowo, and Detta Rahmawan. "ANALISA SEKSISME LINGUISTIK TERBUKA PADA DIALOG PEREMPUAN DALAM FILM “10 THINGS I HATE ABOUT YOU, (500) DAYS OF SUMMER, DAN SUPERBAD ”." Jurnal Harkat : Media Komunikasi Gender 20, no. 1 (2024): 34–46. http://dx.doi.org/10.15408/harkat.v20i1.40727.

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Abstract. This study analyzes sexist dialogue directed at female characters in romantic comedy films using a quantitative content analysis method. The research was conducted on three romantic comedies: "10 Things I Hate About You", "(500) Days of Summer", and "Superbad". The study aims to highlight the categories of sexist remarks present in romantic comedies. A reliability test was performed, showing a high agreement among coders in identifying categories of sexist dialogue. This research is expected to raise awareness about the representation of women in films and to identify the distributio

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Putra, Indra Lukmana, Ditya Wardana, and Chrismantya D. S. Nugroho. "AKUNTANSI PERFILMAN : PERAN DALAM INDUSTRI PERFILMAN NUSANTARA." RISTANSI: Riset Akuntansi 4, no. 1 (2023): 16–31. http://dx.doi.org/10.32815/ristansi.v4i1.1677.

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This study focuses on identifying films as intangible assets using accounting perceptions Research is carried out as an industrial internship agenda that aims to reduce the Gap/distance between academics and practitioners, namely going directly into the industry to find out the obstacles they face. Film Accounting has an accounting role in the film industry. Film Accounting here aims to build a practical accounting concept in the Indonesian film industry as an industrial culture that continues to grow. This study uses a qualitative research design with a case study approach. Data collection wa

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Zernetska, O. "The Development of Australian Culture in the XX Century: Australian Film Industry." Problems of World History, no. 11 (March 26, 2020): 174–200. http://dx.doi.org/10.46869/2707-6776-2020-11-10.

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This article represents the first attempt in Ukraine of complex interdisciplinary investigation of the history of Australian film development in the XX-th century in the context of Australian culture. Analysing films in historical order the peculiarities of each decade are taken into consideration. The periods of silent films, sound films and colour films are analysed. The best film productions, their film directors and prominent actors are outlined. Special attention is paid to the development of feature films and documentaries. The article concentrates on the development of different f

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Wan Teh, Wan Hasmah. "The History of Film Adaptation in Malaysia: The Long Journey of Its Rise and Fall." Malay Literature 31, no. 2 (2018): 361–82. http://dx.doi.org/10.37052/ml.31(2)no7.

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Morris Beja in his book Film and Literature: An Introduction , said that since the Academy Awards was introduced in 1927 – 1928, about three quarters of the award for best film was won by film adaptations. This is proof that film adaptation is a form of art that has gained the attention of the world community and was a well- known form of narrative in the 19th and 20th centuries in Europe. This paper takes the initiative to trace the history of film adaptations in general by focusing on such films in Malaysia. Findings of the study reveal that the history of film adaptation in Malaysia started

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Lee, Aramchan. "A Study on the Characterization of the Daejeon Film Industry: Focusing on Studio Cube and VFX Cluster." Liberal Arts Innovation Center 9 (May 30, 2022): 307–27. http://dx.doi.org/10.54698/kl.2022.9.307.

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The purpose of this study is to identify the direction of the Daejeon film industry. In particular, the specialization of the Daejeon film industry is setting a major direction with the convergence of Studio Cube and the VFX (Visual Effects) Cluster. The combination of the revitalization of the existing Studio Cube and the ongoing VFX Cluster is an important factor in the development of the Daejeon film industry. It is necessary to build a film industry convergence content cluster that connects Studio Cube. The film industry, encompassing films, broadcasting, and content, has maintained cluste

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Putra, Achmad Eriansyah Utama, Agnes Juliarti, Dimas Mohammad Wibowo, Figra Ardham, and Vera Julianti. "Studi Aktivitas Pemasaran Film Independen: Kasus di Indonesia." Indonesian Business Review 2, no. 2 (2020): 400–437. http://dx.doi.org/10.21632/ibr.2.2.400-437.

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The independent film industry in Indonesia is both interesting and unique sector because it has different characteristics from the commercial film industry. The study was conducted to identify independent film marketing activities through a marketing mix and the factors that can influence the marketing activities of independent films in Indonesia. This is a qualitative research using in-depth interview as the main method. Interviews were conducted to nine participants in the film industry representing three chains of production, distribution and exhibition that forms the synergies in the film

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Rajan, R. V. "Indian Film Industry." Media Asia 15, no. 3 (1988): 123–27. http://dx.doi.org/10.1080/01296612.1988.11726282.

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22

Murphy, Art, Richard Alleman, and Steven Bach. "Film Industry Today." Communication Booknotes 16, no. 12 (1985): 140–41. http://dx.doi.org/10.1080/10948008509488358.

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23

Wang, Nan. "Study on coping strategies for the film industry under the challenge of multiculturalism." Journal of Education, Humanities and Social Sciences 5 (November 23, 2022): 385–88. http://dx.doi.org/10.54097/ehss.v5i.2979.

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In the modern day, films are used in various ways in the society. The films play an important role in the society as they attempt to pass a message to the audience. A successful film is said to have conveyed the intended message to its audience. A film can be interpreted in various ways depending on the viewer’s beliefs and values based on the subject of the film. In the post-WWII European films, multi-cultural interaction makes all kinds of film producers and actors transcend national boundaries in film creation and theme expression, which promotes the film itself to some extent, but at the s

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Kemachadakorn, Ngamnis, and Sarawuth Pintong. "Thai Film and The Soft Power Concept in the International Film Industry." Asian Creative Architecture, Art and Design 37, no. 2 (2024): 1–26. https://doi.org/10.55003/acaad.2024.272308.

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Currently, films play a significant role as a result of soft power. Consequently, many countries have turned to utilizing soft power to enhance their appeal and persuasive power through films. This academic article focuses on studying soft power policies in the economic dimension, concerning the high-standard international film industry. It is an industry that is robust and self-reliant. The authors have compiled information from related documents and interviews with personnel in the film industry to extract lessons on the main principles, the role of films, resources, and cultural norms in fi

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Kozlenko, Ivan. "Film und Filmindustrie in der Ukraine." osteuropa 72, no. 6-8 (2022): 393. http://dx.doi.org/10.35998/oe-2022-0173.

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Li, Yuqi. "The Political Nature of Films: Characteristics and Functions." Journal of Education, Humanities and Social Sciences 23 (December 13, 2023): 152–58. http://dx.doi.org/10.54097/ehss.v23i.12776.

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The viewpoint of films being political has been one of the hotspots in international relations that many thinkers give analysis in putting films in a political frame, defining and valuing films from a political perspective. While the internal pattern for making films political and the boundary between films and politics remained vague in a lack of systematic understanding. Thus, this paper gives the internal logic of the politicization of film by exploring the causes, conditions, and essence of the politicization of film in clarifying the independence of film from politics. It is found that th

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Kim, Minjeong, and Rachelle J. Brunn-Bevel. "Hollywood’s Global Expansion and Racialized Film Industry." Humanity & Society 44, no. 1 (2019): 37–66. http://dx.doi.org/10.1177/0160597619832045.

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A theory on the political economy of image production argues that the U.S. film industry, namely, Hollywood, prioritizes financial considerations over racial justice or political correctness. Decisions made in the production and marketing processes are to minimize financial risks, but they often limit the representation of racial–ethnic minority filmmakers and actors. At the same time, Hollywood incorporates foreign-born directors and actors to reach international audiences. This article assesses how Hollywood’s “going global” impacts local racial–ethnic minority politics in the U.S. film busi

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Fan, Zhizhong, and Xi Yu. "The Regional Rootedness of China’s Film Industry: Cluster Development and Attempts at Cross-Location Integration." Journal of Chinese Film Studies 1, no. 2 (2021): 463–86. http://dx.doi.org/10.1515/jcfs-2021-0027.

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Abstract China’s film industry has its historical roots across the four geographical divisions of northern, eastern, western, and southern China. Each of these four film-producing regions has their own characteristics with divergent historical heritages and cultural resources. After the founding of the People’s Republic of China (PRC) the division of administrative regions included a territorially divided management policy of film enterprises. Such policies promoted the regional development of China’s film industry while simultaneously exacerbated the complex contradictions between and among t

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Zulkifli, Nurul Deeyana, and Nur Hidayah Abd Rahman. "Malaysian Youth Motivational Factors of Film-Induced Tourism for Indonesian Film." Journal of Indonesian Tourism, Hospitality and Recreation 4, no. 2 (2021): 135–46. http://dx.doi.org/10.17509/jithor.v4i2.39284.

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There are lots of efforts require in maintaining the sustainability of the tourism business, including promoting and marketing tourism destinations world widely. One of the alternatives recently used by the tourism industry around the world in promoting and marketing the places is through film tourism. In Indonesia, the film of Laskar Pelangi sparked the tourism industry in Indonesia. However, research on motivational factors of film-induced tourism in Indonesian film is limited. Thus, the study aims to identify the motivational factors that influence Malaysian youth to visit Indonesia after w

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Mbura, Issa. "Effects of Digitalization on the Three-tier Structure of Tanzania’s Film Industry." Umma: The Journal of Contemporary Literature and Creative Art 9, no. 1 (2022): 140–63. http://dx.doi.org/10.56279/ummaj.v9i1.7.

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This paper examines the effects of digitalization on the three-tier structure of Tanzania film industry. Explicitly, the paper focuses on the period between 1990 and 2020. It follows on the presumptions that omnipresent and pervasive digital video and Internet-based technologies promoted under the theme of digitalization and underpinned by the digital revolution theory are impacting on film industries across nations. The specific drivers of the digitalization that the paper advances are digital video cameras and computer-based nonlinear editing systems applied in the production of films, Digit

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Shestak, Viktor, and Yulia Plutalovskaya. "History of international legal regulation of genetics." OOO "Zhurnal "Voprosy Istorii" 2020, no. 12-2 (2020): 118–23. http://dx.doi.org/10.31166/voprosyistorii202012statyi38.

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The authors analyze in retrospect the impact of the film industry on society. Crimes «inspired» by cinematography are considered, as well as crimes that became the basis for popular films. Both recently released films and other products of the film industry are analyzed, as well as works that are internationally recognized as “masterpieces” of cinema. The authors study the impact of the film industry on ordinary people, especially young people and people with an unstable psyche, and also consider such a phenomenon as «copycat crimes» and identify its possible causes.

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Fadilla, Siti, Muhammad Deni Putra, Riki Rikarno, Andri Maijar, and Dynia Fitri. "Film Islami: Antara Spiritual dan Komersialisasi di Industri Film Indonesia." Journal of Religion and Film 3, no. 2 (2024): 65–74. https://doi.org/10.30631/jrf.v3i2.36.

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This study analyzes the representation of Islamic films in Indonesia using a literature review approach, focusing on the interaction between Islamic spiritual values and commercialization in the film industry. With the growing demand for religious content, Islamic films have emerged as a significant genre that both educates and entertains. However, the main challenge is maintaining spiritual integrity amid the pressures of commercialization that dominate the entertainment industry. This research explores how Islamic films depict moral themes, cultural identity, and religious teachings, while a

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Jacka, Liz. "The Film Industry in Australia: Trends in the Eighties." Media Information Australia 42, no. 1 (1986): 17–21. http://dx.doi.org/10.1177/1329878x8604200103.

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In this companion to Thomas Guback's paper on the American film industry I survey the changes in the film industry in Australia. One could as well say, echoing his title, the American film industry in Australia because the cinema trade here is still dominated by Hollywood. To illustrate this, in 1980 there were 223 movies from the US registered in Australia and only 20 from Australia.1 Although 827 films in total were registered that year (including 176 from Hong Kong), the vast majority of these films received no major theatrical release. Movies emanating from the traditional American-owned s

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Mst., Farjana Easmin, Hossain Afjal, and Kumar Mandal Anup. "Determinants of Watching a Film: A Case Study on Dhallywood Film Industry, Bangladesh." Asian Business Review 8, no. 3 (2018): 131–38. https://doi.org/10.18034/abr.v8i3.164.

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The purpose of the study is to classify the different factors influencing the success of a Bengali film, and in this regard, a total sample of 296 respondents has been interviewed through a structured questionnaire. To test the study, Pearson’s product moment correlation, ANOVA and KMO statistic has been used and factor analysis is used to group the factors needed to develop for producing a successful film. The study reveals that the first factor (named convenient factor) is the most important factor for producing a film as well as to grab the attention of the audiences by 92% and compet

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Zhu, Siqi. "Financial Analysis and Risk Study of Global Film Companies: A Case Study of Warner Bros. Entertainment, Inc." Highlights in Business, Economics and Management 24 (January 22, 2024): 533–38. http://dx.doi.org/10.54097/dg0jrc64.

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The income of the film industry mainly depends on the box office, but the COVID-19 epidemic in the past three years has led to the suspension of cinemas in many regions, the postponement of films under production, and the postponement of the release of films, which has the most direct impact on the film industry. Therefore, this paper takes Warner Bros. Entertainment as an example, this paper introduces the reasons why the film industry is chosen and why Warner Bros. Entertainment is chosen. At the same time, through the introduction of Warner Bros. and the trend of its financial data in the p

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Chen, Yanying. "The Performance Variation of Film Industry During Different Phases of COVID-19 Based on CAPM." Advances in Economics, Management and Political Sciences 21, no. 1 (2023): 45–52. http://dx.doi.org/10.54254/2754-1169/21/20230232.

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The COVID-19 pandemic has shocked the financial market since 2020. The lock-down and social distancing measures have brought challenges to the film industry. This study analyzes stock prices and examines the impact of the pandemic on film industry through CAPM. Five big film companies are selected as a typical sample to investigate the performance of film industry. Data including daily returns and close prices of each stock is extracted from Yahoo Finance. In addition, linear regression is used in this study to calculate the stocks beta, alpha and R-square based on CAPM. According to the analy

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Pei, Jinghan. "Deciphering the Commercial Miracle: The Research on the Marketing and Distribution Process of Chinese Youth Films after 2010s." SHS Web of Conferences 179 (2023): 03013. http://dx.doi.org/10.1051/shsconf/202317903013.

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Youth Films (qingchunpian), which are characterized by nostalgia and coming-to-age narratives, expanded its influence after 2010s in Chinese film market. The considerable profits of youth films derived from low budget and substantial box office returns. Compared to main melody films (zhuxuanlv) and traditional comedies which are supported by the government and own large amounts of budget, the commercial success of youth films is unique in Chinese film industry. Although there is existing research on the entire trend of Chinese film market and content analysis of youth films, the internal logic

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Abdullah, Noor Aziah, Wan Amizah Wan Mahmud, Mohamad-Noor Salehhuddin Sharipudin, and Yusniza Yusuf. "Film and Audience: A Threat to National Security." Jurnal Komunikasi: Malaysian Journal of Communication 38, no. 1 (2022): 240–55. http://dx.doi.org/10.17576/jkmjc-2022-3801-13.

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The early history of the film industry is said to have begun in the United States. Nelayan and Laila Majnun were the first Malay films produced in Malaya, in 1932, produced by Motilal Chemical Company. This thought stems from the effect of the scenes depicted in the film. This study's objective is to explore if film has the power of being a threat to national security, and secondly, to identify the impact of audience dependence on film by applying the Media Dependency Theory. This study used an entirely qualitative method which consists of in-depth interviews with 19 informants consisting of p

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Armando, Ade, Nina Mutmainnah, and Hendar Putranto. "Class Bias in Indonesian’s Post-Reformation Film Revival." Jurnal Komunikasi: Malaysian Journal of Communication 40, no. 2 (2024): 43–60. http://dx.doi.org/10.17576/jkmjc-2024-4002-03.

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This paper describes how the Indonesian film industry has experienced a revival to counter Hollywood dominance since the beginning of the Reformation Era in the 2000s. However, conditions that hinder the growth of the Indonesian film industry are mainly due to the concentration of movie theatres and film screens in big cities. Indonesian films are predominantly consumed by groups from the upper socioeconomic levels and ignored by the middle and lower economic strata. This article seeks to portray whether the movement against Hollywood dominance would be effective if Indonesian films were only

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Xu, Xialing. "Research on the Strategy of Film and Television Operation Management Mode." Advances in Economics, Management and Political Sciences 109, no. 1 (2024): 155–60. http://dx.doi.org/10.54254/2754-1169/109/2024bj0137.

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At this stage, with the rapid development of the film industry, more and more film and television works have emerged, mainly films, TV series, and online dramas. The film industry is an important part of the cultural industry of various countries. Analysing the operation mechanism of the film production management model will help the prosperity and development of the film industry. The research is mainly about the operation and management mode of the film and television industry. It uses the methods of searching for literature, searching on the Internet, and finally summarises the steps and st

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Ma, Yanli. "The Evolution of Chinese Cinema in the New Century: From Martial Arts Classics to New Mainstream Blockbusters." Journal of Research in Social Science and Humanities 2, no. 10 (2023): 37–42. http://dx.doi.org/10.56397/jrssh.2023.10.05.

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This study explores the evolution of the new century film from martial arts to the new mainstream film blockbuster era. Firstly, the article reviews the heyday of martial arts films and their influence on film industry and culture. Then, it studies the transformation and evolution of martial arts films in the new century and the background of the rise of new mainstream films in this period. Subsequently, the article analyzes the characteristics and value orientation of the new mainstream blockbuster, as well as the fusion and difference between martial arts and the new mainstream. Furthermore,

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Shen, Zhi, Jian-Wu Yan, Kang Jin, Kai Fu, and Ying-Li Zhou. "Composition Regulation and Microstructure Characterization of Fe100-xGax Films in the Manufacturing Industry." Journal of Sensors 2021 (October 19, 2021): 1–11. http://dx.doi.org/10.1155/2021/6950281.

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Fe100-xGax giant magnetostrictive films (GMF) are attracting ever increasing attention for their potential application to manufacturing integrated magnetostrictive displacement sensors. However, it is difficult to fabricate Fe100-xGax thin films with different compositions at will. The influence of compositions on alloy phases, grain sizes, film surface roughness, and magnetic domains of the films and magnetization of magnetron sputtered Fe100-xGax films was investigated. Changing the ratio of the pure iron slice areas to alloy target areas, the desired film composition was achieved by the imp

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Komalawati, Euis. "INDUSTRI FILM INDONESIA : MEMBANGUN KESELARASAN EKONOMI MEDIA FILM DAN KUALITAS KONTEN." LUGAS Jurnal Komunikasi 1, no. 1 (2018): 1–18. http://dx.doi.org/10.31334/jl.v1i1.101.

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As an appreciation for creative works, the Indonesian Film Festival (FFI) and the Indonesian Film Appreciation (AFI) aimed at giving an award for the best work. The interesting part was the implementation of AFI 2015 emerged several award categories such as Appreciation for the Local Government and Film Criticism Appreciation. This occurred in the midst of concerns about the development of Indonesian film industries which tend to be stagnant. Film communities tried to give fresh ideas and break the film market. This new award can certainly be seen as an effort through the film festival program

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Luo, Xueshuang. "Research on the Pathway of "Circuit-Based Release" in Chinese Cinema." Art Horizons 1, no. 1 (2025): 61. https://doi.org/10.63313/ah.9007.

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As the economy continues to develop, China's film industry has shown a grow-ing trend. However, in recent years, the film industry has shown signs of slow growth or even stagnation, which is closely linked to the lack of innova-tion in film content, inadequate market promotion, and issues with the film dis-tribu-tion model. Therefore, this article explores the film distribution model in China. Film distribution, a critical link in the distribution chain, serves as a me-diator between producers and distributors. Although it does not directly create value, it plays a crucial role in enhancing th

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Hadibrot, Joko Utomo, and Dian Nurdiansyah. "Memetics and Filmmaker Habitus in the Indonesian Film Industry." Journal Communication Spectrum 13, no. 1 (2023): 30–41. http://dx.doi.org/10.36782/jcs.v13i1.2385.

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Typically, film companies produce films that are ready for distribution to cinemas. Film work is the result of collective work. Starting from the involvement of producers, directors, screenwriters, cameramen, and editors, to artistic stylists (production team) through pre-production, production, and post-production processes. Although it is not uncommon to find that film works are not single and sterile works of replication or imitation, which refer to patterns and systems - including film production management and its entities - that have been previously established as a cultural industry. Fo

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Zemaityte, Vejune, Andres Karjus, Ulrike Rohn, Maximilian Schich, and Indrek Ibrus. "Quantifying the global film festival circuit: Networks, diversity, and public value creation." PLOS ONE 19, no. 3 (2024): e0297404. http://dx.doi.org/10.1371/journal.pone.0297404.

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Film festivals are a key component in the global film industry in terms of trendsetting, publicity, trade, and collaboration. We present an unprecedented analysis of the international film festival circuit, which has so far remained relatively understudied quantitatively, partly due to the limited availability of suitable data sets. We use large-scale data from the Cinando platform of the Cannes Film Market, widely used by industry professionals. We explicitly model festival events as a global network connected by shared films and quantify festivals as aggregates of the metadata of their showc

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Zeļonka, Karīna. "ASSESSMENT OF THE EMPLOYMENT SITUATION OF WOMEN IN THE LATVIAN FILM INDUSTRY." Krustpunkti: kultūras un mākslas pētījumi, no. 3 (July 7, 2025): 73–90. https://doi.org/10.55877/kkmp.2024.3.592.

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In this paper the author focuses on the employment situation of women in the behind-the-scenes professions of the Latvian film industry. This research paper is structured into three sections. The first section will examine employment in the creative industries, with a focus on employment trends related to gender equality. The second section will analyze theoretical sources on employment and gender equality in the film industry, along with statistical data on women's employment in the European film sector. The third section will utilize a mixed-methodology approach to conduct a content analysis

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Octavia, Inka Dwi, M. Uzair Jadiid Zakiah, and Novia Dwi Darmayanti. "Penyebaran Film di Platform Idlix tanpa Izin Berdasarkan Undang-Undang Hak Cipta Nomor 28 Tahun 2014." Ma’mal: Jurnal Laboratorium Syariah dan Hukum 5, no. 3 (2024): 257–78. http://dx.doi.org/10.15642/mal.v5i3.366.

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Abstract: Technological advances have made it easy to distribute unauthorized films. The distribution of unauthorized films is a copyright violation that can harm filmmakers and the creative industry. This study aims to analyze the legality of distributing films on the Idlix streaming platform based on Copyright Law No. 28 of 2014. This study uses a normative legal method with a statutory approach. Data comes from Copyright Law No. 28 of 2014, regulations related to copyright, documents and literature on copyright and film streaming platforms. The data were analyzed qualitatively using descrip

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Ademuyiwa, Adejoke Adetoun, and Eunice Uwadinma-Idemudia. "Audience Study as Catalyst in Sustainable Nollywood Yoruba Film Industry." Yoruba Studies Review 5, no. 1.2 (2021): 1–14. http://dx.doi.org/10.32473/ysr.v5i1.2.130122.

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Nollywood is the representation of the socio-cultural apparatus of Nigeria in the world cinema. Tis paper evaluates generally, film audience’s perspective in Nollywood films, and in particular non-native actors in native films. Most often, stakeholders in the film industry do not access, or are flagrantly ignorant of viewer’s feedback on the state of their production in all media of communication. Some determine this with the profit margins. Tis paper therefore evaluates the audience’s perception of non-native actors in Nollywood Yoruba native films. The area of concentration is on the quality

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Lu, Qianhua. "An Analysis of the Reasons for the Continuous Development of Vietnams Film Industry." Communications in Humanities Research 25, no. 1 (2024): 76–80. http://dx.doi.org/10.54254/2753-7064/25/20231869.

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In recent years, the Vietnamese entertainment industry has seen an increase exceeding the worlds average growth rate. The growth reflected the Vietnam governments long-term goal to build its cultural industry and entertainment industry from 2020 to 2030. The entertainment industry will include a broad range of interrelated industries that produce entertainment products and services, especially the film industry, which has seen significant growth throughout the years. To dive deeper into the development of Vietnams film industry, this study presents a comprehensive analysis of the drivers behin

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