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1

John, Marland, and Rawle Steven, eds. The language of film. Lausanne, Switzerland: AVA Publishing, 2010.

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2

Screen language: From film writing to film-making. London: Methuen, 2001.

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3

Barry, Tomalin, ed. Film. Oxford: Oxford University Press, 2001.

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4

The Secret language of film. London: Faber, 1995.

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5

The secret language of film. New York: Pantheon Books, 1994.

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6

Jeremy, Grant, and British Film Institute, eds. Teaching analysis of film language. London: BFI Education, 2007.

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7

Grammar of the film language. Los Angeles: Silman-James Press, 1991.

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8

Read, Paula K. Film talk: Film wörterbuch - film dictionary, Deutsch-Englisch Enlisch-deutsch. Hamburg: Verlag für Medienliteratur, 1993.

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9

Class, language, and American film comedy. Cambridge, UK: Cambridge University Press, 2002.

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10

Meyers, Randall. Film music: Fundamentals of the language. [Oslo]: Ad Notam Gyldendal, 1994.

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11

Zhou, Xuelin. Youth Culture in Chinese Language Film. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2016. http://dx.doi.org/10.4324/978131559124.

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12

Irish English as represented in film. Frankfurt am Main: P. Lang, 2009.

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13

Read, Paula K. Film talk: Film Wörterbuch, Deutsch-Englisch, Englisch-Deutsch = film dictionary, German-English, English-German. Hamburg: Verlag für Medienliteratur, 1993.

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14

1968-, Mader-Koltay Ruth, ed. German through film. New Haven: Yale University Press, 2007.

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15

Film language: A semiotics of the cinema. Chicago: University of Chicago Press, 1991.

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16

The language and style of film criticism. London: Routledge, 2011.

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17

Herrero, Carmen, and Isabelle Vanderschelden, eds. Using Film and Media in the Language Classroom. Bristol, Blue Ridge Summit: Multilingual Matters, 2019. http://dx.doi.org/10.21832/9781788924498.

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18

Baranovskaja, Ivona. Film. Cinema. Screen. Focus on the English Language. Vilnius, Lithuania: Vilnius Gediminas Technical University, 2021. http://dx.doi.org/10.20334/2021-014-s.

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19

Cristina, Pausini, ed. Italian through film: The classics. New Haven [CT]: Yale University Press, 2007.

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20

Lubis, Nisrina. Kamus istilah film populer. Yogyakarta: MedPress, 2009.

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21

Film in der Schweiz. Zürich: Pro Helvetia, 1997.

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22

Printing, London College of. BA Film and Video thesis 1990: New Arab Cinema The Route to Film Language. London: LCP, 1990.

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23

The political language of film and the avant-garde. Ann Arbor, MI: UMI Research Press, 1985.

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24

America reflected: Language, satire, film, and the national mind. Washington, DC: New Academia Pub., 2010.

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25

Horror film aesthetics: Creating the visual language of fear. Jefferson, N.C: McFarland & Company, 2010.

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26

Sipos, Thomas M. Horror film aesthetics: Creating the visual language of fear. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2010.

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27

Zoebazary, Ilham. Kamus istilah televisi & film. Jakarta: Gramedia Pustaka Utama, 2010.

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28

Will, Lehman, and Grieb Margit, eds. Cultural perspectives on film, literature, and language: Selected proceedings of the 19th Southeast Conference on Foreign Languages, Literatures, and Film. Boca Raton, Fla: Brown Walker Press, 2010.

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29

editor, Fanfani Massimo Luca, ed. Parole di film: Studi cinematografici, 1961-2010. Firenze: Franco Cesati editore, 2015.

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30

1947-, Wolf Volker, ed. Bibliography of German studies in Australia: Didactics, film, language, literature. München: Iudicium Verlag, 1993.

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31

Ideology, politics and demands in Spanish language, literature and film. Newcastle upon Tyne: Cambridge Scholars, 2012.

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32

Hedges, Inez. Breaking the frame: Film language and the experience of limits. Bloomington: Indiana University Press, 1991.

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33

Hedges, Inez. Breaking the frame: Film language and the experience of limits. Bloomington: Indiana University Press, 1991.

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34

Chao, Shi-Yan. Queer Representations in Chinese-language Film and the Cultural Landscape. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033.

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Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.
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35

Sanaker, John Kristian. Når film er tale. Oslo: Universitetsforlaget, 1992.

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36

Cristina, Pausini, ed. Italian through film: A text for Italian courses. New Haven: Yale University Press, 2004.

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37

Bissière, Michèle. Séquences: Intermediate French through film. Boston: Thomsom/Heinle, 2008.

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38

Harrick, Keith. Media literacy: An introduction to film and film technology, grade 9, unit 1. [Windsor, Ont.]: Essex County Board of Education, 1994.

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39

M, Smalley Deana, ed. ¡de Película!: Spanish conversation through film. Newburyport, MA: Focus Pub/ R. Pullins Co., 2010.

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40

The Library Film Party: Activities with Children's Classic Films. Santa Barbara, California: Libraries Unlimited, 2011.

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41

Lill, Bruno. Der römische Dialekt im italienischen Film der Nachkriegszeit. Genève: Librairie Droz, 1994.

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42

How to read a film: The world of movies, media, and multimedia : language, history, theory. 3rd ed. New York: Oxford University Press, 2000.

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43

1967-, Everly Kathryn, and Gaspar Martín, eds. Intrigas: Advanced Spanish through literature and film. Boston, Mass: Vista Higher Learning, 2012.

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44

Wood, David John. Film communication theory and practice in teaching English as a foreign language. Lewiston, N.Y: E. Mellen Press, 1995.

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45

Lentz, Robert J. Korean War filmography: 91 English language features through 2000. Jefferson, N.C: McFarland, 2008.

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46

Anita, Russell, ed. Film language. London: Film Education, 1999.

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47

Edgar, Robert, John Marland, and Steven Rawle. The Language of Film. Bloomsbury Publishing Plc, 2015. http://dx.doi.org/10.5040/9781474222525.

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48

author, Marland John, and Rawle Steven author, eds. The language of film. 2015.

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49

Potter, Cherry. Screen Language: From Film Writing to Film-Making. A&C Black, 2003.

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50

Youth Culture in Chinese Language Film. Taylor & Francis Group, 2016.

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