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Books on the topic 'Film lecturer'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Khatchadourian, Haig. Music, film, and art. Gordon and Breach, 1985.

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2

Carcaud-Macaire, Monique. Pour une lecture sociocritique de l'adaptation cinématographique: Propositions méthodologiques. Edition du CERS, Université Paul-Valéry, 1995.

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3

Living room lectures: The fifties family in film and television. University of Texas Press, 1995.

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4

The vampire lectures. University of Minnesota Press, 1999.

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5

Kopp, Robert, Pascal Fouché, and Alban Cerisier. Gallimard 1911-2011: Lectures d'un catalogue. Gallimard, 2012.

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6

Mejia, Elizabeth A. Five star films. Prentice Hall Regents, 1994.

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7

Lectura y sociedad en los sesenta: A propósito de Alfa y Arca. Yaugurú, 2012.

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8

Lodge, David. The practice of writing: Essays, lectures, reviews, and a diary. Viking, 1996.

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9

Aziza, Claude. Encyclopédie de poche de la science-fiction: Guide de lecture. Presses Pocket, 1986.

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10

Literatura y cine: Lecturas cruzadas sobre las Memorias del subdesarrollo. Universidade de Santiago de Compostela, 2010.

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11

Spehner, Norbert. Les fils de Jack l'éventreur: Guide de lecture des romans de tueurs en série. Nuit blanche, 1995.

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12

Cine documental e inmigración en España: Una lectura sociocrítica. Comunicación Social Ediciones y Publicaciones, 2014.

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13

Panier, Louis. La naissance du Fils de Dieu: Sémiotique et théologie discursive : lecture de Luc 1-2. Éditions du Cerf, 1991.

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14

La naissance du Fils de Dieu: Sémiotique et théologie discursive, lecture de Luc 1-2. Editions du Cerf, 1991.

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15

Valcárcel, Javier Lasarte. Al filo de la lectura: Usos de la escritura/figuras de escritor en Venezuela. Universidad Católica Cecilio Acosta, 2005.

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16

Serceau, Daniel. La théorie de l'art au risque des a priori: De la lecture de films à la symbolique des images. L'Harmattan, 2004.

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17

Douglas, Leiterman, and York University (Toronto, Ont.). Faculty of Fine Arts., eds. Canadian culture at the crossroads: Film, television and the media in the 1960s : [the invitational lectures of the first annual Wendy Michener Symposium, October 1987]. ECW Press, 1989.

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18

Bunzel, Tom. Solving the powerpoint predicament: Using digital media for effective communication. QUE, 2007.

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19

Bunzel, Tom. Solving the powerpoint predicament: Using digital media for effective communication. QUE, 2007.

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20

Dagron, Alain. Aux jours du Fils de l'homme: Essai sur le service de la parole Luc XVII 1 à XVIII 8, lecture sémiotique et propositions théologiques. Cadir/Profac, 1990.

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21

Labruere, P. B. St. Hyacinthe: Lecture donnée par M. P. B. De Labruere, fils, à la première séance publique du "Cercle d'union" de St. Hyacinthe, le 3 juillet 1859. s.n.], 1985.

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22

John, Ellis. Visible fictions: Cinema, television, video. Routledge, 1989.

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23

Visible fictions: Cinema, television, video. Routledge, 1992.

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24

Anzovin, Steven. Macintosh desktop presentations. Compute! Books, 1990.

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25

Solving the powerpoint predicament: Using digital media for effective communication. QUE, 2007.

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26

1944-, Stielstra Diane, ed. Aldus Persuasion for the MacIntosh. Wiley, 1990.

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27

Co, Channing Bete. Preparing for the threat of bioterrorism: A presentation kit. 2nd ed. Channing Bete Co., 2002.

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28

Jerome, Klinkowitz, ed. The enchanted quest of Dana and Ginger Lamb. University Press of Mississippi, 2006.

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29

Classic 1-2-3 macros. 3rd ed. Wiley, 1994.

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30

Papa est un écureuil. Dominique et compagnie, 2015.

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31

E, Wheeler Mark, ed. Introducing Windows for workgroups. Boyd & Fraser Pub. Co., 1994.

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32

Le chouchou de madame. Bayard Poche, 1997.

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33

C.S. Lewis, writer, dreamer, and mentor. William B. Eerdmans Pub., 1998.

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34

Ontario. Esquisse de cours 12e année: Le droit canadien et international cln4u cours préuniversitaire. CFORP, 2002.

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35

Ontario. Esquisse de cours 12e année: Étude de l'alimentation et de la nutrition hfa4m cours préuniversitaire. CFORP, 2002.

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36

Ontario. Esquisse de cours 12e année: Atelier d'écriture fae4o cours ouvert. CFORP, 2002.

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37

Ontario. Esquisse de cours 12e année: Histoire de l'Occident et du monde chy4u. CFORP, 2002.

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38

Ontario. Esquisse de cours 12e année: Géométrie et mathématiques discrètes mga4u cours préuniversitaire. CFORP, 2002.

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39

Ontario. Esquisse de cours 12e année: Français des affaires faf4o. CFORP, 2002.

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40

Ontario. Esquisse de cours 12e année: L'église et la culture hre4m. CFORP, 2007.

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41

Ontario. Esquisse de cours 12e année: Politique canadienne et mondiale cpw4u cours préuniversitaire. CFORP, 2002.

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42

Ontario. Esquisse de cours 12e année: The writer's craft eac4c cours précollégial. CFORP, 2002.

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43

Ontario. Esquisse de cours 12e année: Études interdisciplinaires un monde sans frontières idc4o cours ouvert. CFORP, 2002.

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44

Ontario. Esquisse de cours 12e année: Grandes oeuvres de la littérature flo4u cours préuniversitaire. CFORP, 2002.

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45

Ontario. Esquisse de cours 12e année: Littérature du Canada français flc4m. CFORP, 2002.

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46

Tobias, James. An Educational Avant-Garde. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0004.

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Abstract:

This chapter looks at the role of music and voice-over in constructing and deconstructing highly political messages in the experimental documentary format. It argues that Julien Bryan’s films on Latin America for the Office of Inter-American Affairs do not operate as US wartime propaganda, as is often believed, but are rather highly musical pedagogical essays challenging prevailing tendencies in US wartime communications by presenting progressive reforms proceeding in Latin America as more advanced than was politically feasible in the United States. These claims are dramatised and softened by complex synchronised scores. The films demonstrated the very problem of middle-class development as a highly gendered negotiation of national development. Bryan’s constructionist film education of often xenophobic US audiences on Latin America reframed the role of the spoken voice-over familiar from early cinema’s film lecturer, while deploying the newer, through-composed musical synchronisation of the sound film.

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47

Britton, Andrew. Talking Films: The Best of the Guardian Film Lectures. Fourth Estate Classic House, 1992.

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48

1952-, Britton Andrew, ed. Talking films: The best of the Guardian film lectures. Fourth Estate, 1991.

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49

Jean, Collet, ed. Lectures de film. 4th ed. Albatros, 1988.

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50

Jay, Leyda, and Sergei Eisenstein. Film Essays and a Lecture. Princeton University Press, 2014.

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