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Books on the topic 'Film material'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Billingham, Michael A. Electrochemistry of a thick-film electrochromic display material. UMIST, 1993.

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2

Peucker, Brigitte. The material image: Art and the real in film. Stanford University Press, 2007.

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3

Freund, L. B. Thin film materials: Stress, defect formation, and surface evolution. Cambridge University Press, 2009.

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4

Freund, L. B. Thin film materials: Stress, defect formation, and surface evolution. Cambridge University Press, 2009.

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5

Amy, Cappellazzo, Pedrosa Adriano, Wollen Peter, and Palm Beach Institute of Contemporary Art., eds. Making time: Considering time as a material in contemporary video & film. Palm Beach Institute of Contemporary Art, 2000.

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6

Service, Educators Progress, ed. Educators guide to free guidance materials. 3rd ed. Educators Progress Service, 2000.

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7

Richard, David Evan. Film Phenomenology and Adaptation. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722100.

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Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of the embodied imagination and memory thicken and make tangible an adaptation’s source. In doing so, this book not only conceives adaptation as an intertextual layering of source material and adaptation, but also an intersubjective and textural experienc

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8

Kessels, Wilhelmus Mathijs Marie. Remote plasma deposition of hydrogenated amorphous silicon: Plasma processes, film growth and material properties. Technische Universiteit Eindhoven, 2000.

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9

Y, Pauleau, ed. Chemical physics of thin film deposition processes for micro- and nano-technologies. Kluwer Academic Publishers, 2002.

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10

Murphy, Jill, and Laura Rascaroli, eds. Theorizing Film Through Contemporary Art. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989467.

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As the cinematic experience becomes subsumed into today's ubiquitous technologies of seeing, contemporary artworks lift the cinematic out of the immateriality of the film screen and separate it into its physical components within the gallery space. How to read these reformulations of the cinematic medium - and their critique of what it is and has been? In Theorizing Cinema Through Contemporary Art: Expanding Cinema, leading film theorists consider artworks that incorporate, restage, and re-present cinema's configuration of the key categories of space, experience, presence/absence, production a

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11

Morrissy, Mavis. The use of film and television material to create a literary perspective in the secondary school. Wolverhampton Polytechnic, 1987.

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12

Holmes, Kenneth H. John Steinbeck on stage and screen: A descriptive bibliographical catalogue of the stage and screen adaptations material in the John Steinbeck collection of Mr. & Mrs. Kenneth H. Holmes. K.H. Holmes], 2007.

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13

WEDEMEYER, Clemens VON. Cast: Film Material No 5. A-Jump Books, 2014.

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14

Richharia, Purnima. Solar Thermal Energy Material ; Thin Film Applications. Icon Publications Pvt. Ltd., 2004.

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15

Benson-Allott, Caetlin. Stuff of Spectatorship: Material Cultures of Film and Television. University of California Press, 2021.

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16

Pickens, Therí A. Arab-American Aesthetics: Literature, Material Culture, Film and Theatre. Taylor & Francis Group, 2018.

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17

The material image: Art and the real in film. Stanford University Press, 2007.

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18

Pickens, Therí A. Arab American Aesthetics: Literature, Material Culture, Film, and Theatre. Taylor & Francis Group, 2018.

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19

Pickens, Therí A. Arab American Aesthetics: Literature, Material Culture, Film, and Theatre. Taylor & Francis Group, 2018.

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20

National Aeronautics and Space Administration (NASA) Staff. Theoretical and Material Studies on Thin-Film Electroluminescent Devices. Independently Published, 2018.

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21

Benson-Allott, Caetlin. Stuff of Spectatorship: Material Cultures of Film and Television. University of California Press, 2021.

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22

Benson-Allott, Caetlin. Stuff of Spectatorship: Material Cultures of Film and Television. University of California Press, 2021.

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23

Pickens, Therí A. Arab American Aesthetics: Literature, Material Culture, Film, and Theatre. Taylor & Francis Group, 2018.

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24

Pickens, Therí A. Arab American Aesthetics: Literature, Material Culture, Film, and Theatre. Taylor & Francis Group, 2018.

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25

Freund, L. B., and S. Suresh. Thin Film Materials: Stress, Defect Formation and Surface Evolution. Cambridge University Press, 2004.

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26

Perez, Gilberto. The Material Ghost: Films and Their Medium. The Johns Hopkins University Press, 2000.

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27

Perez, Gilberto. The Material Ghost: Films and Their Medium. The Johns Hopkins University Press, 1997.

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28

Color mania : the material of color in photography and film. Fotomuseum Winterthur, 2020.

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29

"May Contain Graphic Material": Comic Books, Graphic Novels, and Film. Praeger Publishers, 2007.

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30

Prüfstand 7: Das Buch zum Film ; Material zum Film und andere Forschungen zum Geist der Rakete. Maas, 2002.

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31

Film Properties of Plastics and Elastomers. Plastics Design Library, 2004.

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32

Chung, Hye Jean. Media Heterotopias: Digital Effects and Material Labor in Global Film Production. Duke University Press, 2018.

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33

Chung, Hye Jean. Media Heterotopias Digital Effects and Material Labor in Global Film Production. Duke University Press, 2018. http://dx.doi.org/10.1215/9780822372158.

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34

Loukides, Paul. Beyond the Stars III: The Material World in American Popular Film. Bowling Green University Popular Press, 1993.

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35

Theoretical and material studies of thin-film electroluminescent devices: Final report. National Aeronautics and Space Administration, 1990.

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36

Chung, Hye Jean. Media Heterotopias: Digital Effects and Material Labor in Global Film Production. Duke University Press, 2018.

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37

Media Heterotopias: Digital Effects and Material Labor in Global Film Production. Duke University Press Books, 2018.

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38

Freund, L. B., and S. Suresh. Thin Film Materials: Stress, Defect Formation and Surface Evolution. Cambridge University Press, 2004.

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39

Freund, L. B., and Suresh S. Thin Film Materials: Stress, Defect Formation and Surface Evolution. Cambridge University Press, 2004.

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40

Freund, L. B., and Suresh S. Thin Film Materials: Stress, Defect Formation and Surface Evolution. Cambridge University Press, 2010.

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41

Freund, L. B., and Suresh S. Thin Film Materials: Stress, Defect Formation and Surface Evolution. Cambridge University Press, 2004.

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42

Freund, L. B., and Suresh S. Thin Film Materials: Stress, Defect Formation, and Surface Evolution. Cambridge University Press, 2003.

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43

Freund, L. B., and Suresh S. Thin Film Materials: Stress, Defect Formation and Surface Evolution. Cambridge University Press, 2006.

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44

Loht, Shawn. Phenomenology of Film. The Rowman & Littlefield Publishing Group, 2017. https://doi.org/10.5040/9781978725973.

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Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various critiques of popular media and culture throughout his career. Shawn Loht also explores topics such as the ontology of film and moving images; the phenomenological character of the viewer experience; film conceived as an art medium; and the function of films as vehicles for philosophical thoug

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45

McKeen, Laurence W. Film Properties of Plastics and Elastomers. Elsevier Science & Technology Books, 2017.

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46

McKeen, Laurence W. Film Properties of Plastics and Elastomers. Elsevier Science & Technology Books, 2012.

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47

Film Properties Of Plastics And Elastomers. William Andrew Publishing, 2012.

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48

Film Properties of Plastics and Elastomers. Elsevier Science & Technology Books, 2017.

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49

Forster, Chris. Filthy Material. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840860.001.0001.

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Modernist literature is inextricable from the history of obscenity. The trials of such figures as James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts of twentieth-century literature. Filthy Material: Modernism and the Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. The emergence of film, photography, and new printing technologies shaped how “literary value” was understood, altering how obscenity was defined and which texts were considered obscene. Filthy Material rereads the history of modernist

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50

Optical Thin Film Design. Taylor & Francis Group, 2020.

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