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Journal articles on the topic 'Film/movies'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Gefter, Amanda. "Film special: Science in the movies." New Scientist 208, no. 2782 (2010): 50. http://dx.doi.org/10.1016/s0262-4079(10)62546-8.

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2

Tham, Aaron. "Film Tourism: The Original 3D Movies." Tourism Geographies 15, no. 1 (2013): 173–75. http://dx.doi.org/10.1080/14616688.2012.633224.

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3

Guan, Yun. "On the Art Science of Film and Interaction Design." Review of Educational Theory 3, no. 3 (2020): 57. http://dx.doi.org/10.30564/ret.v3i3.1971.

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As one of the most important contemporary art forms, film is a medium to present stories with multi-dimensional stimulation. It seems that movies and interaction design are two unrelated majors, but in fact there are many contents and forms of existence in movies which take interaction design as the design method. In other words, movies and interaction design actually have a lot in common. This paper will analyze and find the interweaving points from the perspective of interaction design and film respectively. Also through some specific interaction or film cases to further explain the relation

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4

Ponnamma Divakaran, Pradeep Kumar, and Sladjana Nørskov. "Are online communities on par with experts in the evaluation of new movies? Evidence from the Fandango community." Information Technology & People 29, no. 1 (2016): 120–45. http://dx.doi.org/10.1108/itp-02-2014-0042.

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Purpose – The purpose of this paper is to investigate two questions. First, are movie-based online community evaluations (CE) on par with film expert evaluations of new movies? Second, which group makes more reliable and accurate predictions of movie box office revenues: film reviewers or an online community? Design/methodology/approach – Data were collected from a movie-based online community Fandango for a 16-month period and included all movies released during this time (373 movies). The authors compared film reviewers’ evaluations with the online CE during the first eight weeks of the movi

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5

Barlow, Priscilla, and Jonathan Rosenbaum. "Placing Movies: The Practice of Film Criticism." Chicago Review 41, no. 2/3 (1995): 167. http://dx.doi.org/10.2307/25305965.

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6

Levin, Thomas Y. "Iconology at the Movies: Panofsky's Film Theory." Yale Journal of Criticism 9, no. 1 (1996): 27–55. http://dx.doi.org/10.1353/yale.1996.0008.

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Barus, Daniel Opristanta. "Penyelamat yang Berbalutkan Kekerasan: Dialog Film Bertema Kepahlawanan dan Tradisi Kekristenan." Aradha: Journal of Divinity, Peace and Conflict Studies 1, no. 1 (2021): 55. http://dx.doi.org/10.21460/aradha.2021.11.532.

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Abstract Superhero movies, filled with violence, are one of the products of popular culture which many people like nowadays. Its popularity shows that those movies refl ect what is going on in society. In the time when young people are exposed more to popular movies than Biblical stories, those movies play a great role in the formation of meaning among Christian youth. When a movie is presented in a more understandable language, the experience of watching the movie becomes a religious experience that is important for the formation of theology in the lives of Christians. Putting aside suc

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Simoni, Paolo. "Eyewitnesses of History." VIEW Journal of European Television History and Culture 4, no. 8 (2015): 48. http://dx.doi.org/10.18146/2213-0969.2015.jethc092.

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The role of amateur cinema as archival material in Italian media productions has only recently been discovered. Italy, as opposed to other European countries, lacked a local, regional and national policy for the collection and preservation of private audiovisual documents, which led, as a result, to the inaccessibility of the sources. In 2002 the Archivio Nazionale del Film di Famiglia (Italy’s Amateur Film Archive), founded in Bologna by the Home Movies Association, became the reference repository of home movies and amateur cinema, promoting the availability of a cultural heritage that had pr

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Tanaka, Melis, and J. A. Wempi. "Hegemoni Hollywood Pada Film American Sniper." Jurnal Komunikasi Global 8, no. 1 (2019): 17–37. http://dx.doi.org/10.24815/jkg.v8i1.13523.

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Most movies shown in Indonesian cinemas are Hollywood movies. From existing genres, war movies tend to be used by Hollywood to spread their hegemonic practices. American Sniper, which was released in 2014, is one of the examples. The heroic scene acted by the main lead persuades the audience that America has a hero involved in Navy SEALs. This study was qualitative research using a critical paradigm. Hollywood’s hegemony in the film American Sniper (2014) could be understood by elaborating the three dimensions of Critical Discourse Analysis by Norman Fairclough, along with the theory of hegemo

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Muller, Valerie. "Film as Film: Using Movies to Help Students Visualize Literary Theory." English Journal 95, no. 3 (2006): 32. http://dx.doi.org/10.2307/30047041.

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Firmansyah, Muchammad Sofyan. "THE FORMULATION OF TASTE AND VALUE IN AMERICAN ACTION-SPY MOVIES: AN ANALYSIS OF THE BOURNE SAGA." Rubikon : Journal of Transnational American Studies 4, no. 1 (2019): 30. http://dx.doi.org/10.22146/rubikon.v4i1.47862.

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The popularity of Hollywood action movies is undisputed, especially the ones related to espionage. The movies such as the 007 series and Mission: Impossible series are best known as successful action-spy movies as they are always considered the top blockbuster movies. However, the start of the release of The Bourne movies in 2002 changed audiences’ perspectives toward the depiction of espionage as commonly shown in 007 and Mission: Impossible. Four of The Bourne movies that consist of The Bourne Identity (2002), The Bourne Supremacy (2004), The Bourne Ultimatum (2007), and The Bourne Legacy (2

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12

Rokhani, Umilia. "PRODUKSI KULTURAL FILM INDIE KE-“TIONGHOA”-AN DI INDONESIA*." REKAM: Jurnal Fotografi, Televisi, dan Animasi 13, no. 1 (2017): 1. http://dx.doi.org/10.24821/rekam.v13i1.1705.

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Produksi kultural film indie ke-“tionghoa”-an berada pada struktur ruang yang membangunrelasi antarposisi dengan produksi karya lainnya. Keberadaan masyarakat Tionghoa yangsenantiasa dipermasalahkan menyebabkan agen-agen sosial berupaya membuka ruangkemungkinan melalui produksi karya. Metode yang dipergunakan adalah konstruktivismesosial yang melibatkan agen melalui production activity sehingga agen akan terlibat dalamdunianya sendiri. Dalam hal ini, upaya yang dilakukan dalam struktur ruang tersebut adalahberusaha mencapai legitimasi dalam suatu struktur kuasa. Hal tersebutdiupayakan oleh age

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13

Smoodin, Eric. "The French Who Dont Go to the Movies: Government and Industry Assess the Audience, 1948–54." Film Studies 13, no. 1 (2015): 24–39. http://dx.doi.org/10.7227/fs.13.0003.

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Who were the French who wouldnt go to movies? The question was a vexing one in France after the Second World War, to which the film industry and the national government sought answers. In 1948 the Gaumont Film Company commissioned a survey of who went to the movies, who didnt, and why. In 1954, the Centre National de la Cinématographie, acknowledging La crise du cinéma, published an ominously titled Inquest about movies and the French public. Thus audience studies in France took on national importance, and created a sociological and psychological profile of viewers that could be used to enhanc

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Sánchez, Manuel. "Bugs and Movies: Using Film to Teach Microbiology." Journal of Microbiology & Biology Education 12, no. 2 (2011): 206–7. http://dx.doi.org/10.1128/jmbe.v12i2.268.

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15

Stanfield, P. "Maximum movies: Lawrence Alloway's pop art film criticism." Screen 49, no. 2 (2008): 179–93. http://dx.doi.org/10.1093/screen/hjn032.

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16

Domke, Matthias, Stephan Rapp, Michael Schmidt, and Heinz P. Huber. "Ultra-fast movies of thin-film laser ablation." Applied Physics A 109, no. 2 (2012): 409–20. http://dx.doi.org/10.1007/s00339-012-7072-6.

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17

Jacka, Liz. "The Film Industry in Australia: Trends in the Eighties." Media Information Australia 42, no. 1 (1986): 17–21. http://dx.doi.org/10.1177/1329878x8604200103.

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In this companion to Thomas Guback's paper on the American film industry I survey the changes in the film industry in Australia. One could as well say, echoing his title, the American film industry in Australia because the cinema trade here is still dominated by Hollywood. To illustrate this, in 1980 there were 223 movies from the US registered in Australia and only 20 from Australia.1 Although 827 films in total were registered that year (including 176 from Hong Kong), the vast majority of these films received no major theatrical release. Movies emanating from the traditional American-owned s

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18

Riyadi, Sugeng. "PENGGUNAAN FILM ADAPTASI SEBAGAI MEDIA PENGAJARAN SASTRA." Jurnal Pendidikan Bahasa dan Sastra 14, no. 2 (2014): 241. http://dx.doi.org/10.17509/bs_jpbsp.v14i2.722.

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It has become a trend in film industry, either in national scope or international scope, that literary works are adapted into movies. Some people think that it decreases people interest on reading literary works, which is already low, as most people tend to prefer watching the movies instead of reading the literary works. However, if we study this matter further, it is very possible that it happens the other way around. This article tries to highlight some important points of film adaptation from literary works, its possible roles in literary learning, and some practical applications of its ut

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19

Putri, Larisa Indriani, and Lucia Lusi Ani Handayani. "Women Emancipation and Empowerment in The Incredibles 1 and 2." Journal of Urban Society's Arts 7, no. 1 (2020): 30–42. http://dx.doi.org/10.24821/jousa.v7i1.4356.

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Movies represent women differently from men. Some try to raise women’s dignity, and some still impose traditional values on them. This paper studies the representation of the characters of female superhero in The Incredibles 1 and 2 which seem to support women’s emancipation. However, there are some ideas conveyed through the mise- en-scéne which still indicate that the movie series do not fully emancipate women. The Incredibles 1 and 2 movie series have been chosen as the object of the study for their typical characteristics when female superhero plays the role. The purpose of this paper is t

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20

Prince, Stephen. ": Listening to Movies: The Film Lover's Guide to Film Music . Fred Karlin." Film Quarterly 49, no. 1 (1995): 64. http://dx.doi.org/10.1525/fq.1995.49.1.04a00290.

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Goctu, Ramazan. "Using Movies in Efl Classrooms." European Journal of Language and Literature 8, no. 1 (2017): 121. http://dx.doi.org/10.26417/ejls.v8i1.p121-124.

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This research examines the attitudes and awareness of foreign language (EFL) learners to the integration of English movies in their classes in terms improving their foreign language skills. 25 intermediate level students studying English in Faculty of Education and Humanities in Philology Department at International Black Sea University, Tbilisi, Georgia, participated in this study. Students watched the movies at home and films were analyzed at the lectures. After analyzing the films, 7 various questions were asked to students in order to obtain their awareness towards the using films in ELT c

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22

Zestanakis, Panagiotis. "Historicizing Early 1980s Greek ‘Denunciation Movies’." Cultural History 7, no. 1 (2018): 48–75. http://dx.doi.org/10.3366/cult.2018.0158.

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This article explores representations of youth, masculinity, family and modernity in ‘denunciation movies’, a film genre criticizing juvenile lifestyles that experienced noticeable success in early-1980s Greece. Based on six movies launched between 1981 and 1983 the article approaches denunciation movies as documents expressing sociocultural developments and as presenting a darker view than the frequent more optimistic characterization of the period. Scrutinizing the historicity of the movies, the article examines representations of ‘youth’ and the ‘city’, highlighting politics of consumption,

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23

Xinyi, Ma, and Hua Jing. "Humanity in Science Fiction Movies: A Comparative Analysis of Wandering Earth, The Martian and Interstellar." International Journal of Linguistics, Literature and Translation 4, no. 1 (2021): 210–14. http://dx.doi.org/10.32996/ijllt.2021.4.1.20.

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Wandering Earth, released in 2019, is regarded as a phenomenal film that opens the door to Chinese science fiction movies. The Chinese story in the film has aroused the resonance of domestic audiences, but failed to get high marks on foreign film review websites. In contrast, in recent years, science fiction films in European and American countries are still loved by audiences at home and abroad, such as The Martian and Interstellar, which have both commercial and artistic values. It can be seen that the cultural communication of western science fiction movies is more successful than that of C

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Sarvaharana, P., P. Thiyagarajan, and S. Manikandan. "A Study On Bharat Ratna Dr.M.G.Ramachandran’s Philosophical Film Songs With Special Reference to the Socialistic And Communistic Ideas It Contains - An Academic Comparative Analysis with the Theory of Socialism as Propounded by Karl Marx." World Journal of Social Science 5, no. 1 (2017): 46. http://dx.doi.org/10.5430/wjss.v5n1p46.

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Providing quality songs in movies has become paramount importance on the part of film Producers and Directors. Of late the heroes of the movies are also concerned about the contents of the song; as they play the main role in the movies and are watched by millions of fans. Super-hero who attained matinée idol status like Makkal Thilagam Bharat Ratna Dr.M.G.Ramachandran took upon himself the responsibility of not only producing quality movies but also paid personal attention to produce quality songs as he thought that good messages can be disseminated through his film songs to millions of his fa

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Wan, Yijie, and Mengqi Ren. "New Visual Expression of Anime Film Based on Artificial Intelligence and Machine Learning Technology." Journal of Sensors 2021 (June 26, 2021): 1–10. http://dx.doi.org/10.1155/2021/9945187.

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With the improvement of material living standards, spiritual entertainment has become more and more important. As a more popular spiritual entertainment project, film and television entertainment is gradually receiving attention from people. However, in recent years, the film industry has developed rapidly, and the output of animation movies has also increased year by year. How to quickly and accurately find the user’s favorite movies in the huge amount of animation movie data has become an urgent problem. Based on the above background, the purpose of this article is to study the new visual ex

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26

Ruomei, Fu. "Teaching Design and Practice of Chinese Film Course at Binus University." Humaniora 6, no. 3 (2015): 319. http://dx.doi.org/10.21512/humaniora.v6i3.3353.

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The Chinese department of Binus University opened the course of Chinese film. This course aims to improve the students’ Chinese language skill, and at the same time, on the basis of Chinese proficiency, to improve their knowledge of Chinese history and cultural understanding of China, to cultivate their connoisseurship of Chinese film. Two versions of the course syllabus i.e. version 2008 and version 2013 wereintroduced in this article. Syllabus and teaching practice figured out the most suitable teaching content and teaching method for the course. Research found that the combination of classi

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Tuurosong, Damasus. "The Role of Dagbani Movies in Promoting Peaceful Co-existence in Northern Region, Ghana." Ghana Journal of Development Studies 18, no. 1 (2021): 97–119. http://dx.doi.org/10.4314/gjds.v18i1.5.

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This study explores themes in Dagbani movies which enhance peace-building, and discusses cultural conflict resolution techniques employed in Dagbani movies for peace-building. Qualitative research design was employed for the study. Focus group discussions and interviews were used for data collection. The study used Agenda Setting theory as analytical framework, and undertook thematic analysis to tease out messages in the content of selected movies. It showed that Dagbani movies contain lessons on peace-building and have become reference materials for opinion leaders and peace campaigners withi

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Lazar, Alon, and Tal Litvak Hirsch. "Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries." CINEJ Cinema Journal 6, no. 2 (2018): 88–111. http://dx.doi.org/10.5195/cinej.2017.171.

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Holocaust cinema is important constituent in conveying the events of the Holocaust and its aftermath within present day culture. Recommendations by film advisory boards can encourage or deject exposure to Holocaust cinema. Age-classifications and their justifications of Holocaust movies produced between 1993 and 2015, by film advisory boards in five English speaking countries, were investigated. Differences in age classifications, and similarity in depicting Holocaust movies as mainly heavy with violence, sex, profanity and mature contents, were noted. In order to capture more fully the comple

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Shaw, Daniel. "Stanley Cavell on the Magic of the Movies." Film-Philosophy 21, no. 1 (2017): 114–32. http://dx.doi.org/10.3366/film.2017.0034.

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In order to explain Cavell's account of what makes movies so magical, this article will offer a chronological survey of his major writings on film, beginning with the first edition of The World Viewed (1971), where he poses an intriguing theoretical hypothesis about what distinguishes the movies from the other major art forms. The survey will continue by considering the expanded edition of The World Viewed (1979), Pursuits of Happiness: The Hollywood Comedy of Remarriage (1984), and Contesting Tears: The Hollywood Melodrama of the Unknown Woman (1997), and will conclude with an analysis of Cav

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30

Lee, Yi Yeh, Meng Jhe Hsieh, and Kuo Kuang Fan. "Study on Development of Indian Film Industry." Applied Mechanics and Materials 311 (February 2013): 544–49. http://dx.doi.org/10.4028/www.scientific.net/amm.311.544.

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Since movies were introduced into India, they have become one of the key industries in the country. Besides the wide support in the local market, Bollywood films have started to stand out on the world stage. There are 3.6 billion international audiences of Indian films. Different from Hollywood movies which we are familiar with, Indian films reveal strong national culture. This study probes into the success factors of Indian films by literature review on the development of Indian films, special film culture and policy of the Indian government, and generalizes the following success factors of I

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31

Sesonske, Alexander, and Noel Carroll. "Mystifying Movies: Fads and Fallacies in Contemporary Film Theory." Journal of Aesthetics and Art Criticism 47, no. 3 (1989): 284. http://dx.doi.org/10.2307/431009.

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32

Lehman, Peter, and Noel Carroll. "Mystifying Movies: Fads and Fallacies in Contemporary Film Theory." Rocky Mountain Review of Language and Literature 43, no. 4 (1989): 243. http://dx.doi.org/10.2307/1347013.

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33

Hanson, Karen, and Noel Carroll. "Mystifying Movies: Fads and Fallacies in Contemporary Film Theory." Philosophical Review 100, no. 4 (1991): 663. http://dx.doi.org/10.2307/2185184.

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34

Greene, Ronald Walter. "Y Movies: Film and the Modernization of Pastoral Power." Communication and Critical/Cultural Studies 2, no. 1 (2005): 20–36. http://dx.doi.org/10.1080/1479142042000332125.

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35

Zanger, Anat. "Blind Space: Roadblock Movies in the Contemporary Israeli Film." Shofar: An Interdisciplinary Journal of Jewish Studies 24, no. 1 (2005): 37–48. http://dx.doi.org/10.1353/sho.2005.0209.

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36

Kuzmanovich, Zoran. "Nabokov at the Movies: Film Perspectives in Fiction (review)." Nabokov Studies 9, no. 1 (2005): 223–27. http://dx.doi.org/10.1353/nab.2005.0014.

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37

Wilson, Sandra. "Film and Soldier: Japanese War Movies in the 1950s." Journal of Contemporary History 48, no. 3 (2013): 537–55. http://dx.doi.org/10.1177/0022009413481830.

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38

Zhao, Jing, and Renyu Liu. "Promoting stroke awareness through short movies and film festivals." CNS Neuroscience & Therapeutics 27, no. 9 (2021): 991–93. http://dx.doi.org/10.1111/cns.13710.

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Abbass, Ansar, Abdul Khaliq, and Roman Khan. "Service Marketing Analysis of Movies in Pakistan." Journal of Social Sciences Research, no. 68 (August 11, 2020): 745–54. http://dx.doi.org/10.32861/jssr.68.745.754.

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One of the features of films compared to other cultural products is the possibility of their use for advertising and information activities and influence on the formation of needs and audience preferences, as well as different patterns of consumer behavior. The urgency of this scientific problem is that the sale of cinema products today is impossible without a marketing system. The applications of different marketing strategies depending on the specific tasks allows a differentiated approach to each project and achieve the goals both from the standpoint of contribution to the development of cu

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40

Ellermann, Marissa. "Book Review: ’80s Action Movies on the Cheap: 284 Low Budget, High Impact Pictures." Reference & User Services Quarterly 57, no. 4 (2018): 300. http://dx.doi.org/10.5860/rusq.57.4.6711.

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’80s Action Movies on the Cheap: 284 Low Budget, High Impact Pictures is a work that sets out to examine the evolution of action movies from their cheesy low-budget origins and how they influenced the development of the action film genre. The author states that his interest in exploring the topic stems from his belief that the 1980s was the birth of the modern-day action film (1). There are 284 entries arranged chronologically that examine the films’ plots and their influencers. The entries have an informal tone, but they are well researched and use examples from other film genres to make conn

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Pratiwi, Yuni. "FILM ANIMASI CERITA DENGAN KONTEKS MULTIBUDAYA UNTUK MENDUKUNG PENGEMBANGAN KEKRITISAN PENALARAN ANAK USIA SD." LITERA 15, no. 2 (2016): 292–304. http://dx.doi.org/10.21831/ltr.v15i2.11830.

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FILM ANIMASI CERITA DENGAN KONTEKS MULTIBUDAYAUNTUK MENDUKUNG PENGEMBANGAN KEKRITISANPENALARAN ANAK USIA SDYuni PratiwiFakultas Sastra Universitas Negeri Malangemail: yunipratiwi.fsum@gmail.comAbstrakPenelitian ini bertujuan menghasilkan enam judul film animasi serial cerita dengankonteks sosial multibudaya untuk mendukung proses pengembangan kemampuan berpikirkritis anak usia SD. Penelitian menggunakan desain penelitian dan pengembangan modelR2D2 (recursive, reflective, design, and development) yang dikemukakan oleh Willis. Hasilpenelitian sebagai berikut. Pertama, tema film dikembangkan deng

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Plantinga, Carl. "Disgusted at the Movies." Film Studies 8, no. 1 (2006): 81–92. http://dx.doi.org/10.7227/fs.8.9.

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This essay explores the elicitation of disgust in movies, focusing on the major rhetorical uses of such elicitation. The essay first defines disgust and shows the means and nature of its elicitation in the movies. Drawing on a distinction between physical and sociomoral disgust, the essay goes on to show how filmmakers either conflate and confuse the two (as in Don Siegel‘s Dirty Harry) or maintain a strict separation between them (as in David Lynch‘s The Elephant Man), in each case to serve the rhetorical purpose of the film. Finally, I discuss the ironic use of disgust in John Water‘s Polyes

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Yazdi, Mohammad Rezaie. "Hollywood Mission: America the New Israel." Asian Journal of Social Science 37, no. 2 (2009): 305–14. http://dx.doi.org/10.1163/156853109x415408.

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AbstractThis article centres on the fact that American politicians tend to introduce America as “the New Israel.” By adherence to the religious beliefs, they identify themselves as the chosen nation. The substantial question is how the movies with so wide a range of popular viewers would reflect the new American religion. One of the ways to answer this question is to overview the movies that take up the parallel between America and Israel. If America is the new Israel, then an American film about Israel is probably a film that is (indirectly) about America as well. This article centres on two

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Toplin, Robert Brent. "Cinematic History: Where Do We Go From Here?" Public Historian 25, no. 3 (2003): 79–91. http://dx.doi.org/10.1525/tph.2003.25.3.79.

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The study of film and history has made remarkable progress in recent years, but an assessment of those advances leads historians to consider the challenges that lie ahead. With specific reference to Hollywood movies about historical subjects, the author identifies five questions that are likely to engage historians: (1) Should historians focus on blockbusters or experimental films? (2) Are movies about the past essentially about the present? (3) How can scholarship move beyond a political history of movies? (4) In which directions can research on Hollywood films move to achieve deeper levels o

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Lv, Yuyong, and Min Li. "On the New Features of Online Film and TV Subtitle Translation in China." International Journal of English Linguistics 5, no. 6 (2015): 122. http://dx.doi.org/10.5539/ijel.v5n6p122.

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The advent and popularity of the Internet offers people all over the world easier, quicker and cheaper access to foreign movies and TV programs. The Chinese audience’s increased demand for online subtitled foreign movies and TV has brought many new changes to the traditional field of subtitle translation. This paper, by collecting and studying many cases of online subtitled English movies and TV in China, has found some changes in the main features of the subtitle translation on the Internet, such as the de-professionalization of the subtitle translators, a wider choice of translation strategi

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Minakar, Milad, and Amir Hossein Chitsazian. "The Study of Rubaiyat attributed to Khayyam in Movies." CINEJ Cinema Journal 8, no. 2 (2020): 324–52. http://dx.doi.org/10.5195/cinej.2020.271.

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Among the literati and men of culture of Iran, it is not exaggerated to call Khayyam one of the vaguest figures. One might recognize him certainly and resolutely through his philosophical and scientific works; however, it was his Rubaiyat attributed to him which created many arguments. This paper studies Hakim Omar Khayyam’s Rubaiyat in English and Persian language feature and non-biographical movies; hence, biographical movies depicting factual or imaginary life of Khayyam or any serials, TV productions, documentaries, non- English, non- Persian movies are not included. The aim is to expound

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Lee, Mordecai. "How a Bill Becomes a Law, Hollywood Style." Public Voices 11, no. 1 (2016): 66. http://dx.doi.org/10.22140/pv.102.

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While film studies have become common in public administration, no inquiries have related to the cinematic depiction of the process of public law, a subject that is the underpinning of all public administration. This inquiry identified thirteen movies that present scenes of how a bill becomes a law. From these movies the American public learns about lawmaking, as a civics lesson writ large. In large part, these movies are relatively accurate about both the technical steps involved in legislation as well as the political and behind- the-scenes aspects of decision-making in Congress. This means

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Horváth, Ádám, and Balázs Gyenge. "Service Marketing Analysis Of Movies As Unique Service-Products." SocioEconomic Challenges 4, no. 2 (2020): 44–55. http://dx.doi.org/10.21272/sec.4(2).44-55.2020.

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One of the features of films compared to other cultural products is the possibility of their use for advertising and information activities and influence on the formation of needs and audience preferences, as well as different patterns of consumer behavior. The urgency of this scientific problem is that the sale of cinema products today is impossible without a marketing system. The application of different marketing strategies depending on the specific tasks allows a differentiated approach to each project and achieve the goals both from the standpoint of contribution to the development of cul

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Song, Xu. "Hollywood movies and China: Analysis of Hollywood globalization and relationship management in China’s cinema market." Global Media and China 3, no. 3 (2018): 177–94. http://dx.doi.org/10.1177/2059436418805538.

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China’s cinema market has been growing dramatically in recent years. Hollywood exports revenue-sharing movies to China to receive additional box-office revenues. Although globalization accelerates Hollywood movies’ domination in most global film markets, that is not the case in China. Hollywood studios encounter cultural and political complications in China’s cinema market. This research reviews the interplay of Hollywood globalization and the complexity of China’s cinema market, applies a relationship management perspective in analyzing Hollywood studios’ China-focused endeavors, identifies a

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Prince, Stephen. "Review: Listening to Movies: The Film Lover's Guide to Film Music by Fred Karlin." Film Quarterly 49, no. 1 (1995): 64. http://dx.doi.org/10.2307/1213515.

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