Relevant bibliographies by topics / Film production

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film production'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Film production"

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Dabrovolskas, Audrius. "Film Policy and Film Distribution: The Case of the Baltic Film Industries." ACTA PROSPERITATIS 15, no. 1 (2024): 29–41. http://dx.doi.org/10.2478/acpro-2024-0003.

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Abstract The aim of the study is to analyse the development of the Baltic film distribution markets and to provide new recommendations for its potential growth based on mission economy approach and bigger role of the states in co-creating and co-shaping the markets especially for the Baltic co-production of films and their distribution. The study used both qualitative and quantitative methods for data extraction and analysis. Firstly, descriptive statistics as a method was used to analyse the market shares of the main film distribution companies in Lithuanian, Latvian and Estonian film industr
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Dabrovolskas, Audrius, and Renate Cane. "Film Policy and Film Production: The Potential of Baltic Co-Productions and New Film Fund." Economics and Culture 21, no. 2 (2024): 138–49. https://doi.org/10.2478/jec-2024-0024.

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Abstract The film industry can be considered the most important in creative industries since it possesses the characteristics of industrial organization, a high degree of demand uncertainty, contractual agreements, and business practices. What is more, the film industry strongly influences the other sub-sectors, because of the broad-based advantages that it delivers in terms of employment and economic growth. On the other hand, the economic value of creative industries does not arise from their relative contribution to economic value, but from the co-ordination of new ideas and technologies th
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Pamungkas, Rezki Yoga, and Muhammad Muttaqien. "Capciptop short Film management production as Saos ABC Promotion Media." Symposium of Literature, Culture, and Communication (SYLECTION) 2022 3, no. 1 (2023): 255. http://dx.doi.org/10.12928/sylection.v3i1.13974.

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The film "Capciptop" is a short film produced through a collaboration between Ravacana Films and Heinz ABC Indonesia, aimed at promoting ABC sauce with spicy onion flavor. Heinz ABC Indonesia partnered with Ravacana Films, known for its credibility in film production, including the viral "Tilik" with 28 million viewers on the Ravacana Film YouTube channel. This served as the basis for Heinz ABC Indonesia to promote its production through the short film titled "Capciptop," uploaded on the ABC Indonesia and Ravacana Film YouTube channels. The research method used in this study is qualitative des
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Li, Jiaming. "The Application of VR Technology in Film Production." Highlights in Science, Engineering and Technology 57 (July 11, 2023): 305–10. http://dx.doi.org/10.54097/hset.v57i.10018.

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In recent years, with the continuous maturity of virtual reality technology, the scope of application in various fields has been expanding. VR technology has gradually moved to the film industry. Since 2014, VR technology has become a new round of discussion and practice in the film industry. This paper will conduct an in-depth discussion on the production status and influence of VR films from three aspects: the actual production of VR films, the challenges VR technology brings to the current film industry, and the prospect of VR technology application in the film industry. This paper also res
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Schaefer, Dennis, and Larry Salvato. "Film Production." Communication Booknotes 16, no. 7 (1985): 83. http://dx.doi.org/10.1080/10948008509488328.

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K Janet Jemimah and Priya R Iyer. "Production of biopolymer films using groundnut oilcake." International Journal of Science and Technology Research Archive 3, no. 1 (2022): 192–201. http://dx.doi.org/10.53771/ijstra.2022.3.1.0097.

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Protein-based biopolymer films were produced using Groundnut (Arachis hypogea) oilcake. Thin, semi-transparent, brownish films were obtained, the films were smooth and uniform. The film was plasticized using PVA (polyvinyl alcohol) and glycerol was added to improve the elasticity. This resulted in the film being more flexible and more like conventional plastics. The thickness of the film was found. The tensile strength and the elongation at break were calculated. The water absorption capacity of the films was also estimated. Further, FTIR and SEM analysis were done to find out the chemical str
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Iversen, Gunnar. "Editorial." Journal of Scandinavian Cinema 13, no. 1 (2023): 3–5. http://dx.doi.org/10.1386/jsca_00086_2.

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Contributors to this issue consider different aspects of Scandinavian film and TV culture, from the impact of the COVID-19 health crisis on film and television production, to Finnish hip hop on film and Turkish Viking films. Each article explores the rich field of Scandinavian audio-visual culture or how aspects of Scandinavian culture are represented in international film productions.
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Norgia, Michele, and Alessandro Pesatori. "Interferometric Instrument for Thickness Measurement on Blown Films." Photonics 8, no. 7 (2021): 245. http://dx.doi.org/10.3390/photonics8070245.

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Real-time measurement of plastic film thickness during production is extremely important to guarantee planarity of the final film. Standard techniques are based on capacitive measurements, in close contact with the film. These techniques require continuous calibration and temperature compensation, while their contact can damage the film. Different optical contactless techniques are described in literature, but none has found application to real production, due to the strong vibration of the films. We propose a new structure of low-coherence fiber interferometer able to measure blown film thick
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Kaur, Harmanpreet. "At Home in the World: Co-productions and Indian Alternative Cinema." BioScope: South Asian Screen Studies 11, no. 2 (2020): 123–45. http://dx.doi.org/10.1177/0974927620983941.

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Several Indian filmmakers and production houses making ‘alternative’ and ‘independent films’ have sought to develop co-production deals with European film funds, international film festivals, film markets and sales agents. Their bid is to build a profile with art house and ‘specialty cinema’ audiences in Europe, Asia and the USA, while also seeking to impact the Indian domestic market. This article analyses the assembling of such productions, and their aesthetic form, including a reflection on charges that their adaptation to international distribution requires a conformity to what is acceptab
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Riazantsev, Lev, and Yevheniia Yevdokymenko. "Managing Stages of Film Sound Production." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 2 (2021): 244–51. https://doi.org/10.31866/2617-2674.4.2.2021.248702.

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<em>The purpose of this article&nbsp;</em>is to analyse the main stages of sound production in film. The study aims to establish the main principles of film sound design, prove the importance of a rational approach to each stage in the context of their impact on the results of the study, and determine the role of sound in film dramaturgy.&nbsp;<em>The research methodology&nbsp;</em>is based on theoretical methods, namely an analysis of information sources, comparison of Ukrainian and foreign approaches to filmmaking, generalisation and systematisation of practical knowledge and experience of s
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Dissertations / Theses on the topic "Film production"

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Wille, Kirstin. "Film production in Cambodia conditions and structure of the Cambodian film production market, demand and supply in consideration of film genre." Erfurt Thüringisch-Kambodschan. Ges, 2009. http://www.tkgev.org/film-production-in-cambodia.html.

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Kieran, Jonathan P. "For Want Of: A Punk Rock Short Film." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1992.

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In light of the specific challenges of assessing a thesis film—a project which contains artistic and academic components—the author examines his own short film For Want Of as a prototype for future work in film and as an opportunity for introspective investigation into the nature of filmmaking and personal artistic process. Reference is made to specific episodes during the film’s conception and production, as well as higher-level insight gained from following the film through an 18-month production cycle.
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Goksu, Emel Iraz. "Hemicellulose Based Biodegradable Film Production." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12605940/index.pdf.

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Xylan was extracted from cotton waste, characterized by DSC and TGA analysis and used in biodegradable film production. Pure cotton waste xylan did not form film. The presence of an unknown compound, as an impurity, yielded composite films. The unknown compound was determined as a phenolic compound, and most probably lignin, by using DSC and TGA analysis and Folin-Ciocalteau method. The effects of xylan concentration of the film forming solutions, glycerol (plasticizer) and gluten additions on thickness, mechanical properties, solubility, water vapor transfer rate, color and microstructure of
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Theuer, Timothy. "Submit: A Narrative Film Production." ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/td/232.

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This thesis documents the production of a seventeen-minute narrative film production, Submit. It includes chapters outlining the development, pre-production, production and post-production stages. In addition, the script, shot lists, equipment request form, budget, and camera reports are included. Written, produced, and directed by the author, Submit is the story about a man's desire to right his life by winning back a former love. The story involves deceit and plays with notions of identity and place. The film was shot in seven days throughout the City of New Orleans. The goal of thi
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Song, Dae Hyun. "Pre-Production, Production and Post-Production on Short Film "Draw Me Invisible"." Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/321962.

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Harmon, Joseph C. "The Cuddle Club." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1970.

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With The Cuddle Club, I intended to make a film that sought to examine intimacy as it relates to the extremes; in the film I subvert expectations of intimacy to make the audience reconsider why we draw our physical boundaries where we do. And while everybody may need a little cuddle every now and then, men have no right to touch women without their express permission. This paper will be an examination of the story behind the story. Of my thoughts on the process of creating my thesis film The Cuddle Club as it pertains to the screenwriting, preproduction, production and postproduction process.
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Carter-Hansen, Jill, University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Travelling light - with a case for discovery : the making of the film Songs of the Immigrant Bride." THESIS_FVPA_XXX_CarterHansen_J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/680.

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This paper examines the background, development and production of the film ‘Songs of the immigrant bride’ and explains the general decisions made throughout the creation of the film. It proposes the idea that visuals, combined in an abstract narrative with music/sound, can create a language outside that generally accepted in real-time film (generally) and animation (specifically) to create a communicating ‘mythopoetic’ film-style from combined, selected elements, of both genres. Some of the issues presented and examined are: how relevant background experiences and influences directed the image
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Stratton, Sabra. "Get Out of My Hair." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/978.

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The documentary, "Get Out of My Hair, " engages in the dialogue of hair removal and its relationship to femininity, specifically looking at how the media has taught young women to fear the affects of puberty. The piece features ten women between the ages of eleven and twenty-two with ranging demographics who are all brought together by their experiences with their body hair. Applying media effects theory and psychoanalytic theory, this project examines how advertising portrayals of female body depilation contribute to the increase in hair removal and further align the concept of femininity wit
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Thomas, M. "Gelatin film formation related to capsule production." Thesis, Cardiff University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372355.

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BREA, JOANA DE OLIVEIRA. "SUBTLE RESISTANCIES: FILM CREATION AND PRODUCTION INSTANCIES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12940@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Se a tensão entre o fazer artístico e a lógica do mercado assombrou a arte em geral, desde o surgimento da cultura de massa no século XIX, ela esteve presente no cinema já no seu nascimento: para além de sua dimensão de obra de arte, a invenção do espetáculo da projeção fez do filme um bem de consumo coletivo, impondo-lhe métodos de produção industriais e finalidades comerciais. Na contemporaneidade, o declínio das grandes utopias e a expansão do papel do mercado como grande mediador cultural tem, cada vez mais, colocado em xeque o paradigm
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Books on the topic "Film production"

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Brunel, Adrian. Film production. Newnes, 1987.

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Bernstein, Steven, and Steven Bernstein. Film production. 2nd ed. Focal Press, 1994.

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Cleve, Bastian. Film Production Management. Edited by Bastian Clevé. Routledge, 2017. http://dx.doi.org/10.4324/9781315223186.

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Landau, David. Film Noir Production. Routledge, 2016. http://dx.doi.org/10.4324/9781315511733.

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Clevé, Bastian. Film production management. 3rd ed. Focal Press, 2006.

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Cleve, Bastian. Film production management. 3rd ed. Elsevier/Focal Press, 2006.

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Clevé, Bastian. Film production management. 3rd ed. Elsevier/Focal Press, 2005.

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Clevé, Bastian. Film production management. Focal Press, 1994.

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1933-, Boorman John, and Donohue Walter, eds. Film-makers on film-making. Faber & Faber, 1998.

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Bureau, Pennsylvania Film, ed. Pennsylvania film production guide. Pennsylvania Film Bureau, Pennsylvania Dept. of Commerce, 1995.

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Book chapters on the topic "Film production"

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Richter, Johanna. "Film production." In Human Rights Education Through Ciné Débat. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-12723-7_7.

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Parry, Becky. "Film in Children’s Film Production." In Children, Film and Literacy. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137294333_8.

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Finney, Angus. "Production." In The International Film Business, 3rd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003205753-14.

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Finney, Angus. "Production." In The International Film Business, 3rd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003205753-14.

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Rawle, Steven. "Transnational Film Production." In Transnational Cinema. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-53014-1_6.

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Resh, Howard M. "Nutrient Film Technique." In Hydroponic Food Production, 8th ed. CRC Press, 2022. http://dx.doi.org/10.1201/9781003133254-6.

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Clevé, Bastian. "The Production Manager." In Film Production Management. Routledge, 2017. http://dx.doi.org/10.4324/9781315223186-1.

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Clevé, Bastian. "Preparing for Production." In Film Production Management. Routledge, 2017. http://dx.doi.org/10.4324/9781315223186-3.

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Kemp, Jonathan. "Cinematic post-production." In Film on Video. Routledge, 2019. http://dx.doi.org/10.4324/9780429468872-15.

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Joyce, James B. "Post-Production Begins in Pre-Production." In Aesthetics of Film Production. Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-11.

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Conference papers on the topic "Film production"

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Jiang, Yujie, and Luying Wang. "Digital Non-Linear Editing System in Film Post Production." In 2024 3rd International Conference on Artificial Intelligence and Autonomous Robot Systems (AIARS). IEEE, 2024. http://dx.doi.org/10.1109/aiars63200.2024.00108.

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Venckute, Dominyka, and Roberta Jablonskyte. "EMPOWERING THE NEXT GENERATION: VIRTUAL PRODUCTION IN FILM AND ACADEMIA." In 17th International Conference on Education and New Learning Technologies. IATED, 2025. https://doi.org/10.21125/edulearn.2025.1864.

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Postek-Mioduszewska, Aneta H. "Philosophical perspectives on realism in virtual production (VP) and extended reality (XR) in contemporary Film and TV production." In 2024 10th International Conference on Virtual Reality (ICVR). IEEE, 2024. https://doi.org/10.1109/icvr62393.2024.10868456.

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Hanh, Pham Xuan, Aleksey V. Dolmatov, Dmitry V. Basov, Nguyen Duc Hai, and Vo The Hai. "Research on the Change of Resistance of CrNi Thin-Film Resistor During Accelerated Climate Testing." In 2024 International Seminar on Electron Devices Design and Production (SED). IEEE, 2024. http://dx.doi.org/10.1109/sed63331.2024.10741077.

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Larsson, Anna-Lena, Gunnar A. Niklasson, and Lars Stenmark. "Thin film coatings with variable emittance." In Optical Systems Design and Production, edited by Claude Amra and H. Angus Macleod. SPIE, 1999. http://dx.doi.org/10.1117/12.360119.

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Neyman, Y., and H. Sisko. "The Gamma & Density “Thorough Control System”™ as Used in Post Production." In SMPTE Spring Film Conference. IEEE, 1997. http://dx.doi.org/10.5594/m00567.

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O'Brien, Michael, James Gettinger, Hosuk Chang, and Krzysztof Rost. "Making a short film Automation." In DigiPro '20: The Digital Production Symposium. ACM, 2020. http://dx.doi.org/10.1145/3403736.3403937.

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Borshukov, George. "Measured BRDF in film production." In the SIGGRAPH 2003 conference. ACM Press, 2003. http://dx.doi.org/10.1145/965400.965468.

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Rouet, Christian, Keith Goldfarb, Ed Leonard, et al. "Research and development for film production." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.311923.

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Wan, You-Bao, Ru-rong Wu, Guo-xiang Ruan, and Hui Yang. "The Production of PZNT91/9 film." In >2006 Joint 31st International Conference on Infrared Millimeter Waves and 14th International Conference on Teraherz Electronics. IEEE, 2006. http://dx.doi.org/10.1109/icimw.2006.368697.

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Reports on the topic "Film production"

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Woodcock, Leslie V. A Mesoscale Model for Thin Film Production Processes. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada397789.

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Dabrovolskas, Audrius. In Search of Film Policy and Film Exhibition Model Based on Mission Economy: the Case of the Baltic Film Industries. Publishing House - Vilnius Business College, 2023. http://dx.doi.org/10.57005/ab.2023.1.2.

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In Europe film industries are regulated through film policies at national and supra-national levels. The biggest attention is paid to film production and distribution, because they are considered as the most crucial sectors regarding financial investment. Film exhibition on the other hand is more about whole commercial life of a film and since theatrical admissions in European Union increased by 5.3 % (in 2019) before covid-19 pandemic it demonstrates that theatrical release is still among one of the most important release windows. Yet Lithuanian, Latvian, and Estonian film exhibition trends a
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Bożek, Małgorzata. FILM PRODUCTION IN POLAND. STAGES: FROM AN IDEA TO THE SCREEN. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11112.

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The Polish film system is characterized by a variety of forms. Michał Zabłocki, the author of the comprehensive study of the «Organization of the production of feature film in Poland», isolates two models of world cinema: a producer and a producer – director. The first one features the dominant role of the producer, which means the person who is responsible for the work of all the film departments – direction, cinematography, production management, scenography and costume design. The second one, the model which is still the most popular in Poland, assumes close cooperation between the producer
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McCamy, James, Cheng-Hung Hung, and Zhixun Ma. Low Cost Production of Thin-Film Photovoltaic Cells Final Report. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1342514.

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Brog, T. K. Commercial production of thin-film CdTe photovoltaic modules. Final report. Office of Scientific and Technical Information (OSTI), 1997. http://dx.doi.org/10.2172/544696.

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Ryan, Mark David, Andrew Couzens, Peter Innes, and Sue Cake. A Re-Evaluation of Screen Production on the Gold Coast After COVID-19. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244107.

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This study was commissioned by the City of Gold Coast to re-evaluate the size and activity of the film and television production industry on the Gold Coast since the outbreak of COVID-19 in March 2020. Focusing on the period between June 2020 and mid-2023, the study examines the production activity and characteristics of the local screen ecology; the size and growth of the local film, television and games workforce; and the current capacity of film and television sound stages and production facilities. Using both qualitative and quantitative research methodology, primary data was generated thr
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Brog, T. K. Commercial production of thin-film CdTe photovoltaic modules. 1995 annual report. Office of Scientific and Technical Information (OSTI), 1997. http://dx.doi.org/10.2172/459336.

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Yue Kuo. A NOVEL LOW THERMAL BUDGET THIN-FILM POLYSILICON FABRICATION PROCESS FOR LARGE-AREA, HIGH-THROUGHPUT SOLAR CELL PRODUCTION. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/992272.

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Toney, Michael F., and Maikel F. A. M. van Hest. In-situ X-Ray Analysis of Rapid Thermal Processing for Thin-Film Solar Cells: Closing the Gap between Production and Laboratory Efficiency. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1395583.

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Sun, Sey-Shing. Development of a Manufacturable Blue Electroluminescent (EL) Phosphor Process for the Production of White Monochrome Thin Film Electroluminescent (TFEL) and Full Color Active Matrix Electroluminescent (AMEL) Displays. Defense Technical Information Center, 2002. http://dx.doi.org/10.21236/ada408952.

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