Log in

Relevant bibliographies by topics / Film production / Journal articles

To see the other types of publications on this topic, follow the link: Film production.

Journal articles on the topic 'Film production'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Film production.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Dabrovolskas, Audrius. "Film Policy and Film Distribution: The Case of the Baltic Film Industries." ACTA PROSPERITATIS 15, no. 1 (2024): 29–41. http://dx.doi.org/10.2478/acpro-2024-0003.

Full text

Abstract:

Abstract The aim of the study is to analyse the development of the Baltic film distribution markets and to provide new recommendations for its potential growth based on mission economy approach and bigger role of the states in co-creating and co-shaping the markets especially for the Baltic co-production of films and their distribution. The study used both qualitative and quantitative methods for data extraction and analysis. Firstly, descriptive statistics as a method was used to analyse the market shares of the main film distribution companies in Lithuanian, Latvian and Estonian film industr

APA, Harvard, Vancouver, ISO, and other styles

2

Dabrovolskas, Audrius, and Renate Cane. "Film Policy and Film Production: The Potential of Baltic Co-Productions and New Film Fund." Economics and Culture 21, no. 2 (2024): 138–49. https://doi.org/10.2478/jec-2024-0024.

Full text

Abstract:

Abstract The film industry can be considered the most important in creative industries since it possesses the characteristics of industrial organization, a high degree of demand uncertainty, contractual agreements, and business practices. What is more, the film industry strongly influences the other sub-sectors, because of the broad-based advantages that it delivers in terms of employment and economic growth. On the other hand, the economic value of creative industries does not arise from their relative contribution to economic value, but from the co-ordination of new ideas and technologies th

APA, Harvard, Vancouver, ISO, and other styles

3

Pamungkas, Rezki Yoga, and Muhammad Muttaqien. "Capciptop short Film management production as Saos ABC Promotion Media." Symposium of Literature, Culture, and Communication (SYLECTION) 2022 3, no. 1 (2023): 255. http://dx.doi.org/10.12928/sylection.v3i1.13974.

Full text

Abstract:

The film "Capciptop" is a short film produced through a collaboration between Ravacana Films and Heinz ABC Indonesia, aimed at promoting ABC sauce with spicy onion flavor. Heinz ABC Indonesia partnered with Ravacana Films, known for its credibility in film production, including the viral "Tilik" with 28 million viewers on the Ravacana Film YouTube channel. This served as the basis for Heinz ABC Indonesia to promote its production through the short film titled "Capciptop," uploaded on the ABC Indonesia and Ravacana Film YouTube channels. The research method used in this study is qualitative des

APA, Harvard, Vancouver, ISO, and other styles

4

Li, Jiaming. "The Application of VR Technology in Film Production." Highlights in Science, Engineering and Technology 57 (July 11, 2023): 305–10. http://dx.doi.org/10.54097/hset.v57i.10018.

Full text

Abstract:

In recent years, with the continuous maturity of virtual reality technology, the scope of application in various fields has been expanding. VR technology has gradually moved to the film industry. Since 2014, VR technology has become a new round of discussion and practice in the film industry. This paper will conduct an in-depth discussion on the production status and influence of VR films from three aspects: the actual production of VR films, the challenges VR technology brings to the current film industry, and the prospect of VR technology application in the film industry. This paper also res

APA, Harvard, Vancouver, ISO, and other styles

5

Schaefer, Dennis, and Larry Salvato. "Film Production." Communication Booknotes 16, no. 7 (1985): 83. http://dx.doi.org/10.1080/10948008509488328.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

K Janet Jemimah and Priya R Iyer. "Production of biopolymer films using groundnut oilcake." International Journal of Science and Technology Research Archive 3, no. 1 (2022): 192–201. http://dx.doi.org/10.53771/ijstra.2022.3.1.0097.

Full text

Abstract:

Protein-based biopolymer films were produced using Groundnut (Arachis hypogea) oilcake. Thin, semi-transparent, brownish films were obtained, the films were smooth and uniform. The film was plasticized using PVA (polyvinyl alcohol) and glycerol was added to improve the elasticity. This resulted in the film being more flexible and more like conventional plastics. The thickness of the film was found. The tensile strength and the elongation at break were calculated. The water absorption capacity of the films was also estimated. Further, FTIR and SEM analysis were done to find out the chemical str

APA, Harvard, Vancouver, ISO, and other styles

7

Iversen, Gunnar. "Editorial." Journal of Scandinavian Cinema 13, no. 1 (2023): 3–5. http://dx.doi.org/10.1386/jsca_00086_2.

Full text

Abstract:

Contributors to this issue consider different aspects of Scandinavian film and TV culture, from the impact of the COVID-19 health crisis on film and television production, to Finnish hip hop on film and Turkish Viking films. Each article explores the rich field of Scandinavian audio-visual culture or how aspects of Scandinavian culture are represented in international film productions.

APA, Harvard, Vancouver, ISO, and other styles

8

Norgia, Michele, and Alessandro Pesatori. "Interferometric Instrument for Thickness Measurement on Blown Films." Photonics 8, no. 7 (2021): 245. http://dx.doi.org/10.3390/photonics8070245.

Full text

Abstract:

Real-time measurement of plastic film thickness during production is extremely important to guarantee planarity of the final film. Standard techniques are based on capacitive measurements, in close contact with the film. These techniques require continuous calibration and temperature compensation, while their contact can damage the film. Different optical contactless techniques are described in literature, but none has found application to real production, due to the strong vibration of the films. We propose a new structure of low-coherence fiber interferometer able to measure blown film thick

APA, Harvard, Vancouver, ISO, and other styles

9

Kaur, Harmanpreet. "At Home in the World: Co-productions and Indian Alternative Cinema." BioScope: South Asian Screen Studies 11, no. 2 (2020): 123–45. http://dx.doi.org/10.1177/0974927620983941.

Full text

Abstract:

Several Indian filmmakers and production houses making ‘alternative’ and ‘independent films’ have sought to develop co-production deals with European film funds, international film festivals, film markets and sales agents. Their bid is to build a profile with art house and ‘specialty cinema’ audiences in Europe, Asia and the USA, while also seeking to impact the Indian domestic market. This article analyses the assembling of such productions, and their aesthetic form, including a reflection on charges that their adaptation to international distribution requires a conformity to what is acceptab

APA, Harvard, Vancouver, ISO, and other styles

10

Riazantsev, Lev, and Yevheniia Yevdokymenko. "Managing Stages of Film Sound Production." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 2 (2021): 244–51. https://doi.org/10.31866/2617-2674.4.2.2021.248702.

Full text

Abstract:

<em>The purpose of this article </em>is to analyse the main stages of sound production in film. The study aims to establish the main principles of film sound design, prove the importance of a rational approach to each stage in the context of their impact on the results of the study, and determine the role of sound in film dramaturgy. <em>The research methodology </em>is based on theoretical methods, namely an analysis of information sources, comparison of Ukrainian and foreign approaches to filmmaking, generalisation and systematisation of practical knowledge and experience of s

APA, Harvard, Vancouver, ISO, and other styles

11

Monk, Claire. "EMI and the ‘Pre-heritage’ Period Film." Journal of British Cinema and Television 18, no. 1 (2021): 50–76. http://dx.doi.org/10.3366/jbctv.2021.0555.

Full text

Abstract:

First coined in the UK in the early 1990s as a new label for an ostensibly new, post-1979 kind and cycle of period cinema, the ‘heritage film’ is now firmly established as a widely used term and category in academic film studies. Although the heritage film’s defining features, ideological character and ontological coherence would remain debated, its status as a ‘new’ category hinges, self-evidently, on the presumption that the films of post-1979 culturally English heritage cinema marked a new departure and were clearly distinct from their pre-Thatcher-era precursors. Yet, paradoxically, the Br

APA, Harvard, Vancouver, ISO, and other styles

12

Bunting, Leona, Margaretha Herrman, and Marita Johanson. "Learning film production." Journal of Workplace Learning 26, no. 5 (2014): 296–309. http://dx.doi.org/10.1108/jwl-06-2013-0041.

Full text

Abstract:

Purpose – The purpose of this study is to contribute knowledge about learning linked to the film industry by investigating how film producers reason about learning for and in the profession. Design/methodology/approach – This study is based on semi-structured interviews with 20 film producers, both university and workplace trained (UWT) and workplace trained (WT). The content analysis is based on the transcribed dialogues. The study is empirical, explorative and qualitative. Findings – The interviewees consider networks to be of utmost importance for gaining entrance to and continuously findin

APA, Harvard, Vancouver, ISO, and other styles

13

Bezruchko, Oleksandr, and Maksym Sukhin. "Animated Documentaries in Modern Cinematic Art: Specifics of Production." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 241–51. http://dx.doi.org/10.31866/2617-2674.6.2.2023.289310.

Full text

Abstract:

The purpose of the article is to analyze the peculiarities of animated documentary films’ production in the modern film process. It also aims to investigate the specifics of the combination of real facts and events with the animation of the storyline sequence in films, reveal modern animation techniques and the specifics of their combination with footage, determine their impact on the viewer, and identify the peculiarities of using storyboards for organizational and filming processes. Research methodology. It consists in applying of the following methods: theoretical-comparative – comparison o

APA, Harvard, Vancouver, ISO, and other styles

14

Bezruchko, Oleksandr, and Maksym Sukhin. "Animated Documentaries in Modern Cinematic Art: Specifics of Production." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 241–51. https://doi.org/10.31866/2617-2674.6.2.2023.289310.

Full text

Abstract:

<strong>The purpose of the article </strong>is to analyze the peculiarities of animated documentary films' production in the modern film process. It also aims to investigate the specifics of the combination of real facts and events with the animation of the storyline sequence in films, reveal modern animation techniques and the specifics of their combination with footage, determine their impact on the viewer, and identify the peculiarities of using storyboards for organizational and filming processes. <strong>Research methodology. </strong>It consists in applying of the following methods: theo

APA, Harvard, Vancouver, ISO, and other styles

15

Xie, Zheng. "The Symmetries in Film and Television Production Areas Based on Virtual Reality and Internet of Things Technology." Symmetry 12, no. 8 (2020): 1377. http://dx.doi.org/10.3390/sym12081377.

Full text

Abstract:

To enrich the form of film and television production, improve the level of film and television production, and satisfy the film-watching experiences of audiences, based on Virtual Reality (VR) and the Internet of Things (IoT) technology, with the help of S3 Studio Max and Photoshop software, a VR film-watching system is built, which realizes the interaction with users on different devices through somatosensory interaction sensors. In addition, by utilizing Twirling720, the panoramic sound recording is achieved. Through this system, a smart IoT platform between users, films, and devices is buil

APA, Harvard, Vancouver, ISO, and other styles

16

Kiejziewicz, Agnieszka. "Voices from a distance: Sámi short film production in 2020." Short Film Studies 11, no. 2 (2021): 211–20. http://dx.doi.org/10.1386/sfs_00056_1.

Full text

Abstract:

The sudden outbreak of the COVID-19 pandemic influenced many aspects of film production, which is especially visible in the example of local cinematographies. In this article, I investigate pandemic influence on depicting homeland, memory and locality in Sámi short films. The primary concern in the pre-2000 Sámi short films was the marginalization of Sámi culture, as well as tradition-modernization oppositions. However, in the productions from 2020, a switch into the discourse about the homeland and coping with pandemic in the far north is visible. In this article, I describe productions from

APA, Harvard, Vancouver, ISO, and other styles

17

Salihu, Murtala, and Edith Ugochi Ohaja. "An Analysis of Aesthethic Differences between Hollywood and Kannywood Films." Zamfara International Journal Of Humanities 3, no. 01 (2025): 142–56. https://doi.org/10.36349/zamijoh.2025.v03i01.015.

Full text

Abstract:

Using a qualitative content analysis method, this paper analyses aesthetic differences between two Hollywood films (The Protector, The Objective) and two Kannywood films (This Is The Way, Duniya Makaranta) by juxtaposing aesthetic elements of the two film industries in terms of approaches to production, acting, special effects, culture, plotting, camera work, graphics, setting, taste, and Computer Generated Imagery (CGI). The paper was anchored on formalist film theory to establish a justification for human intervention and technological manipulation during film production in order to make the

APA, Harvard, Vancouver, ISO, and other styles

18

PINPRU, Nattapong, Varol INTASANTA, Thitirat CHAROONSUK, et al. "Preparation of bacterial cellulose film from rotten fruits for mulching film application." Journal of Metals, Materials and Minerals 32, no. 4 (2022): 93–101. http://dx.doi.org/10.55713/jmmm.v32i4.1535.

Full text

Abstract:

This research aims to reduce production capital costs and added value to natural products. The bio-mulching film was prepared by bacterial cellulose (BC) “Acetobacter xylinum”, extracted from three rotten fruits, grape, coconut, and pineapple under standard tests in the laboratory. The analysis from the FTIR technique confirmed to cellulose molecular vibration of BC films. XRD pattern was matched to structure crystallinity of JCPDS standard file which possessed a high percentage of crystallinity. The SEM micrographs were also revealed the 3D nanofiber network structure. The absorption capabili

APA, Harvard, Vancouver, ISO, and other styles

19

KIFFLI, SUDIRMAN, and NURUL AFINI ROSLIN MOHD SAUFI. "ELEMEN-ELEMEN ADAPTASI DALAM FILEM TOMBIRUO: PENUNGGU RIMBA (TPR)." International Journal of Creative Future and Heritage (TENIAT) 9, no. 1 (2021): 109–25. http://dx.doi.org/10.47252/teniat.v9i1.402.

Full text

Abstract:

Abstrak Penghasilan filem adaptasi adalah salah satu kaedah dalam memastikan kesinambungan karya-karya sastera agar sentiasa berkembang dalam pelbagai medium. Menerusi kajian ini, penelitian diberikan terhadap aspek-aspek adaptasi yang terdapat dalam penghasilan filem Tombiruo: Penunggu Rimba yang diadaptasi daripada novel Tombiruo Penunggu Rimba karya Ramlee Awang Murshid. Sebagai sebuah filem adaptasi yang masih baharu, kajian dan penyelidikan mengenai filem Tombiruo Penunggu Rimba (TPR) masih belum banyak dianalisis. Oleh hal yang sedemikian, penelitian telah dilakukan ke atas filem TPR den

APA, Harvard, Vancouver, ISO, and other styles

20

Kamal Shah, Nurfadilla, and Zainatul Shuhaida Abdull Rahman. "Malaysia as a Film Location for Foreign Production." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 247–53. http://dx.doi.org/10.21834/ebpj.v7isi9.4272.

Full text

Abstract:

The foreign film industry is one of the creative industries that has helped a lot to generate the country's economy and improve the tourism sector. The arrival of foreign film production can enhance the country's reputation through the introduction of science and culture to the world community through film. In addition, the creative industry is able to introduce interesting places in Malaysia to be used as filming locations. Indirectly can promote Malaysia as a destination of choice for filming purposes. In addition to helping promote the country, job opportunities can be created for artists a

APA, Harvard, Vancouver, ISO, and other styles

21

Giza, Barbara, and Michał Wenzel. "Rodzima klasyka filmowa w świadomości zbiorowej polskich widzów. Opinie Polaków o polskich filmach i ich postawy wobec polskiej produkcji filmowej." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 32, no. 41 (2023): 237–56. http://dx.doi.org/10.14746/i.2022.41.14.

Full text

Abstract:

   The text discusses the social understanding of the film canon. The analyses is based on the results of the social research “Poles about Polish films. Opinions of Poles on Polish cinema and their attitudes towards Polish film production” conducted in 2019. The research findings show how Polish audiences think about the Polish film canon and how they define it, referring to their own film experiences, attitudes towards Polish productions and to beliefs about the influence of Polish cinema on culture.  

APA, Harvard, Vancouver, ISO, and other styles

22

Kalenichenko, Mariya Vladimirovna. "Production of popular science films in Leningrad: late 1940s – 1960s." Genesis: исторические исследования, no. 4 (April 2021): 75–85. http://dx.doi.org/10.25136/2409-868x.2021.4.35594.

Full text

Abstract:

This article is dedicated to the history of the Soviet popular science cinematography on the example of the Leningrad film studio &ldquo;Lentekhfilm&rdquo; / &ldquo;Lennauchfilm"&rdquo; during the late 1940s &ndash; 1960s.The goal of this work consists in tracing the development and production stages of popular science films at the Leningrad film studio &ldquo;Lennauchfilm&rdquo;. &nbsp;The author sets the following tasks: follow the work of the film studio &ldquo;Lennauchfilm&rdquo; based on the archival materials, as well as determine the main plotline

APA, Harvard, Vancouver, ISO, and other styles

23

Andriani, D., M. Karina, Sri Priatni, Indriyati, A. Y. Apriyana, and Y. Srikandace. "Optimization of edible film production: natural dyes addition." IOP Conference Series: Earth and Environmental Science 1201, no. 1 (2023): 012093. http://dx.doi.org/10.1088/1755-1315/1201/1/012093.

Full text

Abstract:

Abstract Several studies have been conducted to enhance the properties of nata de coco (NDC) based edible films. Previous works include the use of different concentrations of plasticizers, NDC slurry preparation to improve solubility, and the incorporation of essential oils as antibacterial agents. This paper focuses on enhancing the appearance of edible film by adding natural dyes. Commercial natural dyes at varying concentrations were added to the NDC-based edible film formulation and subjected to characterization. The physical properties analysis revealed that the use of natural brown dye f

APA, Harvard, Vancouver, ISO, and other styles

24

Reisz, Todd. "Landscapes of Production: Filming Dubai and the Trucial States." Journal of Urban History 44, no. 2 (2017): 298–317. http://dx.doi.org/10.1177/0096144216687739.

Full text

Abstract:

Between 1957 and 1958, the British government wrote, financed, and produced a propaganda film about the city of Dubai and a shore of Arab sheikhdoms that would eventually be assembled into the United Arab Emirates. An analysis of government archives and the finished film reveals conscious manipulation of cultural symbols for creating political narratives that continue to influence the nation’s urbanization. Although eventually shelved, the film represents an attempt at encapsulating the motivations for the continuing British political and military presence in the region. Produced at a time whe

APA, Harvard, Vancouver, ISO, and other styles

25

El Horri, Hafsa, Susanna Bartolini, Damiano Remorini, et al. "Light Down-Conversion Technology Improves Vegetative Growth, Berry Production, and Postharvest Quality in Tunnel-Cultivated Blueberry." Agronomy 15, no. 7 (2025): 1708. https://doi.org/10.3390/agronomy15071708.

Full text

Abstract:

This study examined three innovative ‘light-converting films’ that convert green light (−23%) into red light (+8%; Red film), ultraviolet light (−80%) into blue light (+9%; Blue film), and green light (−5.7%) into red light (+4%; Pink film) but also ultraviolet light (−76%) into blue light (+5.6%; Pink film). These films were used for growing blueberry plants under cover under controlled tunnel conditions (27.3 ± 11.7 °C, 51.9 ± 21.6% RH). The use of Red film led to increases in the total plant biomass (+54.2%), and Red and Pink films enhanced the leaf thickness (+17.1% and +14.4%, respectivel

APA, Harvard, Vancouver, ISO, and other styles

26

Fan, Haoyuan. "The Art and Challenge of Micro Film Creation." Studies in Art and Architecture 3, no. 2 (2024): 51–56. http://dx.doi.org/10.56397/saa.2024.06.11.

Full text

Abstract:

Microfilm, as an emerging film form, has attracted a wide range of audiences and creators with its short time frame and innovative production methods. By exploring the creative process of micro films, including script writing, directing and shooting, post-production and other aspects, we peek into the key steps of micro film creation. In addition, we also explore the creativity and style of micro film creators, as well as the impact of cooperation on micro film production. Audience participation and emotional resonance are considered to be successful elements of micro films, and how these fact

APA, Harvard, Vancouver, ISO, and other styles

27

Sand, Stine Agnete. "How to Succeed with Film Production in the Regions?" Nordicom Review 38, no. 1 (2017): 113–25. http://dx.doi.org/10.1515/nor-2016-0035.

Full text

Abstract:

Abstract This article explores what two regional film production companies in Norway do to survive and succeed with their goals. The production of feature films in Norway is largely an Oslo-based effort, but despite this reality, there are companies in the regions that produce feature films. The analysis draws on semi-structured interviews with eight employees in two companies. Mer Film has in relatively short time managed to attract talented directors and establish networks with international, critically acclaimed production companies. Filmbin was one of the first film companies in Norway who

APA, Harvard, Vancouver, ISO, and other styles

28

Zainal, Rizuan, and Mohd Asyiek Mat Desa. "The Benefit of Using Emotion in 3D Animation Film: Pre-Production Stage." PaperASIA 41, no. 1b (2025): 255–70. https://doi.org/10.59953/paperasia.v41i1b.162.

Full text

Abstract:

Pre-production is the first phase of a 3D animated film; hence it is a critical initial process in the production of a 3D animated film. Elements such as ideas, storytelling, scripts, dialogue, storyboard, animatic, character development, and background design development need to be implemented perfectly. Thus, the process in the pre-production phase will determine the final outcome of the entire film that will be shown to the audience. Malaysia's 3D animated film ticket collection in 2009 and 2016, reached RM6.2 million and RM18 million. The data shows the developments taking place in the loc

APA, Harvard, Vancouver, ISO, and other styles

29

Bashev, V. F., and S. I. Ryabtsev. "High-adhesion unlayered films: physical and technological basis of their production." Journal of Physics and Electronics 28, no. 2 (2020): 75–78. http://dx.doi.org/10.15421/332023.

Full text

Abstract:

Using the modernized three-electrode ion-plasma sputtering method, high-adhesion Cu-films without underlayer were obtained. Films were deposited on glass-ceramic (sitall) substrates. The film thickness was ~500 nm. In this case, the calculated cooling rate reached ~ 1012–1014 K/s. The adhesion properties of Cu films were investigated by the standard method of mechanical separation of the film from the substrate – the “fungus” method. It is established that such film adhesion is more than 20 MPa. It is determined that the obtained high adhesion depends on bias potential value. Using these Cu fi

APA, Harvard, Vancouver, ISO, and other styles

30

Kożuchowski, Tomasz. "Warunki prawne, finansowe i organizacyjne w koprodukcji kanadyjsko-polskiej. Przypadek filmu "Przysięga Ireny"." Panoptikum, no. 27 (December 19, 2022): 122–40. http://dx.doi.org/10.26881/pan.2022.27.06.

Full text

Abstract:

An international film co-production is a unique organisational event that adds prestige to any cinematographic production in the world. It also proves the transnational nature of the art of filmmaking, which is based on developed organisational, legal and financial models. The subject matters of co-produced films are usually universal stories or those commemorating past events that are important for the world’s history. One of these is the Second World War, which is still discovering its heroes. The article presents the production history of the making of the film Irena’s Vow, about a Polish w

APA, Harvard, Vancouver, ISO, and other styles

31

Chiara, Francesco Di, and Paolo Noto. "Timber, horses and dollars in free currency: Film policy cycles and the Italian-Yugoslav 1957 co-production agreements." Journal of Italian Cinema & Media Studies 11, no. 3 (2023): 647–66. http://dx.doi.org/10.1386/jicms_00203_1.

Full text

Abstract:

In this article, we analyse the Italian and Yugoslav film co-productions in the context of the eastern/western politics of the Cold War era. In December 1957, the two countries signed their first co-production agreements, designed to foster reciprocal industrial and artistic cooperation. Although only two official co-productions were made, until the late 1960s, the two film industries cooperated on the making of about 40 films, during which time Yugoslav companies were denied artistic control and downgraded to a labour and locations supplier. By examining archival sources, we demonstrate that

APA, Harvard, Vancouver, ISO, and other styles

32

Nightingale, Jennifer. "The Cornish Knitting Pattern Series film charts." Journal of Illustration 6, no. 1 (2019): 205–23. http://dx.doi.org/10.1386/jill_00011_1.

Full text

Abstract:

This visual essay appraises the film charts (shooting diagrams) used in the production of The Cornish Knitting Pattern Series in 2016. The film charts are a surprising key element arising from this period of film practice, being as they were a pragmatic part of the preproduction planning. However, through analysis of my films after production the charts have become a major source of visual thinking, notation, documentation and a significant aid to reflection on the work carried out. The Cornish Knitting Pattern Series is a collection of 16mm animation landscape films that use a single frame pr

APA, Harvard, Vancouver, ISO, and other styles

33

BUDAEV, A. V., A. V. SYCHEV, V. E. MELNICHENKO, E. S. NOVOMLINSKAYA, and D. E. KRAKOVETSKY. "Production of microporous films of poly(vinylidene fluoride-trifluoroethylene)." Plasticheskie massy, no. 7-8 (October 26, 2022): 30–32. http://dx.doi.org/10.35164/0554-2901-2022-7-8-30-32.

Full text

Abstract:

The paper presents the results of a study of the effect of temperature and relative humidity of the environment on the structure of microporous films of copolymer P(VDF-TrFE) obtained by the phase-inversion method. It is shown that with increasing humidity the pore size of the film increases, while increasing temperature leads to their reduction. The optimal range of external environmental conditions for obtaining porous films with a honeycomb pattern is proposed. The influence of different solvents on the film porosity has been shown and it has been revealed that it is the low-temperature apr

APA, Harvard, Vancouver, ISO, and other styles

34

Hyde-Clarke, N. "“Beyond stereotypes”: representations of a foreign culture in film students’ productions." Literator 29, no. 2 (2008): 149–68. http://dx.doi.org/10.4102/lit.v29i2.120.

Full text

Abstract:

Growing concerns about the continued use of cultural stereotypes in media production, and the subsequent decrease in diversity, resulted in the launch of a student film production programme between three tertiary institutions in South Africa and Finland during the first half of 2006. The aim of the programme was to encourage students to produce films about a foreign culture that moved “beyond stereotypes” and reflected a greater understanding of that society. This article examines the production process, participants’ experience and analyses the final products that were produced in the nine we

APA, Harvard, Vancouver, ISO, and other styles

35

Mehmet zkan, Mehmet zkan, and Sercen Sadik Erdem Sercen Sadik Erdem. "Silver Doped Zinc Oxide Thin Film Production by Thermionic Vacuum Arc (TVA) Technique." Journal of the chemical society of pakistan 43, no. 3 (2021): 253. http://dx.doi.org/10.52568/000581/jcsp/43.03.2021.

Full text

Abstract:

In this paper, silver (Ag)doped Zinc Oxide(ZnO) thin films were prepared on glass and silicon substrate by using a thermionic vacuum arc technique. The surface, structural, optical characteristics of silver doped thin films have been examined by X-Ray diffractometer (XRD), field emission scanning emission electron microscopy (FESEM), atomic force microscopy (AFM), and UV-Visible spectrophotometer. As a result of these measurements, Ag, Zn and ZnO reflection planes were determined for thin films formed on Si and glass substrate. Nano crystallites have emerged in FESEM and AFM images. The produc

APA, Harvard, Vancouver, ISO, and other styles

36

Mehmet zkan, Mehmet zkan, and Sercen Sadik Erdem Sercen Sadik Erdem. "Silver Doped Zinc Oxide Thin Film Production by Thermionic Vacuum Arc (TVA) Technique." Journal of the chemical society of pakistan 43, no. 3 (2021): 253. http://dx.doi.org/10.52568/000581.

Full text

Abstract:

In this paper, silver (Ag)doped Zinc Oxide(ZnO) thin films were prepared on glass and silicon substrate by using a thermionic vacuum arc technique. The surface, structural, optical characteristics of silver doped thin films have been examined by X-Ray diffractometer (XRD), field emission scanning emission electron microscopy (FESEM), atomic force microscopy (AFM), and UV-Visible spectrophotometer. As a result of these measurements, Ag, Zn and ZnO reflection planes were determined for thin films formed on Si and glass substrate. Nano crystallites have emerged in FESEM and AFM images. The produc

APA, Harvard, Vancouver, ISO, and other styles

37

Xiao-ling, Wang, Liu Zhi-long, and Zamira Madina. "Machine Learning-Enabled Development of Model for Japanese Film Industry." Security and Communication Networks 2022 (June 6, 2022): 1–9. http://dx.doi.org/10.1155/2022/7637704.

Full text

Abstract:

Not only are numerous components absorbed and modified in terms of movie subjects, but also various art forms like painting and music are researched and examined in the production of Japanese cinema, resulting in the development of film styles with national characteristics. The fundamental role of film industrialization is to increase production efficiency, reduce industry risks, create job opportunities, and provide related technologies and services for professional creative people, so that the creativity crystallization of all industry insiders can become an invisible creative power and tang

APA, Harvard, Vancouver, ISO, and other styles

38

Spence, Martin. "‘Praise these daring men’: ACT Films Ltd, 1950–1963." Journal of British Cinema and Television 20, no. 4 (2023): 481–501. http://dx.doi.org/10.3366/jbctv.2023.0688.

Full text

Abstract:

During the 1950s the film technicians’ trade union, the Association of Cinematograph Technicians (ACT), was a significant force in the film industry. At the same time the ‘second feature’ or ‘B-film’ sector was producing a constant stream of low-budget titles. This article examines an initiative which combined the two: ACT Films Ltd, a film production company active in the second-feature sector, which was created by the union to provide jobs for its unemployed members. It explores some of the internal tensions this generated within ACT, the company’s production record, including its occasional

APA, Harvard, Vancouver, ISO, and other styles

39

Svanidze, Lia, and Oleh Verchenko. "Director in Modern Content: From Idea to Implementation." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 7, no. 1 (2024): 77–86. https://doi.org/10.31866/2617-2674.7.1.2024.302766.

Full text

Abstract:

<strong>The purpose of the article </strong>is to analyse the processes of creating contemporary film products, to determine the role of the director in creating a media product for modern consumers, to prove the importance of the director’s ability to navigate different types of content, to have the necessary skills, knowledge and understanding of the intricacies of the profession, and to find the right solutions for creating film and television products. <strong>Research methodology. </strong>The research methodology is based on the following methods: theoretical –

APA, Harvard, Vancouver, ISO, and other styles

40

Song, Xu. "Journey to the East: A Review of Hollywood’s Film Localization Efforts for China’s Film Market." International Journal of English and Cultural Studies 2, no. 1 (2018): 1. http://dx.doi.org/10.11114/ijecs.v2i1.3872.

Full text

Abstract:

The film market of China has been growing rapidly and is now the world’s second largest film market. Hollywood studios have been sending transnational films to China to receive additional revenues. This research investigates the three channels (i.e., flat-rate buyouts, co-productions, and revenue-sharing titles) through which Hollywood studios can enter their films in China’s film market and reviews the China-focused localization efforts that Hollywood studios have made to appeal to China. The review findings show that exporting Hollywood films to China as revenue-sharing titles has become the

APA, Harvard, Vancouver, ISO, and other styles

41

Zeng, Lu Sheng, Zhen Feng Zhou, and Yan Xi Shi. "Environmental Problems and Control Ways of Plastic Film in Agricultural Production." Applied Mechanics and Materials 295-298 (February 2013): 2187–90. http://dx.doi.org/10.4028/www.scientific.net/amm.295-298.2187.

Full text

Abstract:

People use plastic film mulching to increase soil temperature, keep water and protect crops from insects and grass, therefore, which increased crop yield. However, with the film used years increasing, a lot of film residuals accumulated in the field. As a result, the increasing residuals destroyed soil structure, affected agricultural environment, harmed the crop growth, and furthermore, affected the food safety and human health. So, government should strengthen environmental publicity to improve the understanding of the film pollution, work out the residual film management laws and regulation

APA, Harvard, Vancouver, ISO, and other styles

42

Romero-González, Francisco, and María Luisa Palma-Martos. "AUDIO-VISUAL PRODUCTION AS A PATH OF COOPERATION IN EUROPE. EURIMAGES FUNDS." Scientific Annals of Economics and Business, Special Issue (2019): 113–39. http://dx.doi.org/10.47743/saeb-2019-0023.

Full text

Abstract:

The aim of this paper is to analyse co-production in Europe through the funds of the Eurimages program from its origin, in 1989 to 2016, and to determine a pattern of co-production among the main film producer nations in Europe: France, Germany, Italy and Spain. For that purpose, a statistical analysis is carried out using several data sources: the Lumiere database, the reports from the European Audiovisual Observatory, as well as those from several national film institutions (such as the ICAA in Spain, or the CNC in France), or even the webpages of the Eurimages program and the Ibermedia one.

APA, Harvard, Vancouver, ISO, and other styles

43

Permana, Rangga Saptya Mohamad, Lilis Puspitasari, and Sri Seti Indriani. "Pelatihan Post-Produksi (Audio-Visual Editing) Film Indie di Armidale English College Soreang, Bandung." Jurnal Pengabdian Pada Masyarakat 4, no. 1 (2019): 19–28. http://dx.doi.org/10.30653/002.201941.88.

Full text

Abstract:

INDIE FILM EDITING TRAINING AT ARMIDALE ENGLISH COLLEGE OF SOREANG, BANDUNG REGENCY. A film can be seen as a medium of mass communication because in a film there are elements of entertainment, education, and information. In fact, a film can be an advocacy media that encourages a social change. In the film production management, there are major label and indie label concepts, where the indie label focuses on film content and filmmakers' freedom of expression. The stages that must be passed by a filmmaker in producing a film starts from the stages of development, pre-production, production, post

APA, Harvard, Vancouver, ISO, and other styles

44

Bezruchko, Oleksandr. "Oleksandr Dovzhenko’s experiment in film pedagogy." Culture of Ukraine, no. 87 (January 22, 2025): 42–57. https://doi.org/10.31516/2410-5325.087.04.

Full text

Abstract:

This article examines a little-known experiment in film pedagogy by Ukrainian director Oleksandr Dovzhenko. In the late 1930s and early 1940s, before the beginning of the German-Soviet war (1941–1945, called ‘Great Patriotic War’ in the Soviet Union), in addition to shooting his own films, Dovzhenko attempted to organise and conduct comprehensive training of film production personnel directly on site, at the Kyiv Film Factory (Kyiv Film Studio of Feature Films, now Oleksandr Dovzhenko National Film Studio of Feature Films). In the Soviet Union of the 1930s, the Party administrative apparatus s

APA, Harvard, Vancouver, ISO, and other styles

45

Pope, Norris. "Film History as Film Stock History: American Production Choices, 1937–1940." Film History: An International Journal 35, no. 2 (2023): 72–94. http://dx.doi.org/10.2979/fih.00004.

Full text

Abstract:

ABSTRACT: This essay examines the cinematic possibilities and reception of an important group of 35mm fine-grain, black-and-white, negative film stocks introduced in America in the period from 1937 to 1940. These new stocks included camera stocks, sound-recording stocks, duplicating stocks, and release-print stocks. All these new stocks were unprecedented in their ability to combine faster emulsion speeds with impressively fine grain—innovations in film manufacture that contributed significantly to improved images and sound quality in black-and-white theatrical films.

APA, Harvard, Vancouver, ISO, and other styles

46

Żurawicz, Antoni. "Kinematografia w Polsce." Wiadomości Statystyczne. The Polish Statistician 2010, no. 7 (2010): 23–35. http://dx.doi.org/10.59139/ws.2010.07.3.

Full text

Abstract:

The article focuses on the cinema film production in Poland as well as realizing Polish and foreign films in cinemas. The analysis covers period from start of the Polish cinematography in 1896, based on foreign capital and supported by Polish technical ideas, via years before and after the Second World War to the last two decades which were characterised by private capital and technical innovations. Basic data concern film production, cinemas and performances as well as spectators. The study focuses on important elements concerning technical development of film production as well as delivery a

APA, Harvard, Vancouver, ISO, and other styles

47

Toba, Koji. "On the Relationship between Documentary Films and Magic Lanterns in 1950s Japan." Arts 8, no. 2 (2019): 64. http://dx.doi.org/10.3390/arts8020064.

Full text

Abstract:

In this paper, I explore three cases from postwar Japanese media history where a single topic inspired the production of both documentary films and magic lanterns. The first example documents the creation of Maruki and Akamatsu’s famed painting Pictures of the Atomic Bomb. A documentary and two magic lantern productions explore this topic through different stylistic and aesthetic approaches. The second example is School of Echoes, a film and magic lantern about children’s education in rural Japan. The documentary film blurs distinctions between the narrative film and documentary film genres by

APA, Harvard, Vancouver, ISO, and other styles

48

Aung, Hein Htet, Zhiying Qi, Yue Niu, and Yao Guo. "Rapid Production of Carbon Nanotube Film for Bioelectronic Applications." Nanomaterials 13, no. 11 (2023): 1749. http://dx.doi.org/10.3390/nano13111749.

Full text

Abstract:

Flexible electronics have enormous potential for applications that are not achievable in standard electronics. In particular, important technological advances have been made in terms of their performance characteristics and potential range of applications, ranging from medical care, packaging, lighting and signage, consumer electronics, and alternative energy. In this study, we develop a novel method for fabricating flexible conductive carbon nanotube (CNT) films on various substrates. The fabricated conductive CNT films exhibited satisfactory conductivity, flexibility, and durability. The con

APA, Harvard, Vancouver, ISO, and other styles

49

Lapuz, Anniver Ryan, Satoru Tsuchikawa, Tetsuya Inagaki, Te Ma, and Veronica Migo. "Production of Nanocellulose Film from Abaca Fibers." Crystals 12, no. 5 (2022): 601. http://dx.doi.org/10.3390/cryst12050601.

Full text

Abstract:

Abaca fibers were subjected to a TEMPO mediated oxidation to extract nanocellulose on a 500 L capacity locally fabricated reactor. A yield of 46.7% white gel material with 2.23% solid content was obtained from an overnight reaction. Transmission electron microscopy scan of the white gel material confirms the production of relatively short highly individualized cellulose nanofibril (CNF) as the diameter of abaca fiber was reduced from 16.28 μm to 3.12 nm with fiber length in the range of 100 nm to 200 nm. Nanocellulose film was prepared using air drying (CNF-VC) and vacuum oven drying (CNF-OD).

APA, Harvard, Vancouver, ISO, and other styles

50

Lapuz, Anniver Ryan, Satoru Tsuchikawa, Tetsuya Inagaki, Te Ma, and Veronica Migo. "Production of Nanocellulose Film from Abaca Fibers." Crystals 12, no. 5 (2022): 601. http://dx.doi.org/10.3390/cryst12050601.

Full text

Abstract:

Abaca fibers were subjected to a TEMPO mediated oxidation to extract nanocellulose on a 500 L capacity locally fabricated reactor. A yield of 46.7% white gel material with 2.23% solid content was obtained from an overnight reaction. Transmission electron microscopy scan of the white gel material confirms the production of relatively short highly individualized cellulose nanofibril (CNF) as the diameter of abaca fiber was reduced from 16.28 μm to 3.12 nm with fiber length in the range of 100 nm to 200 nm. Nanocellulose film was prepared using air drying (CNF-VC) and vacuum oven drying (CNF-OD).

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!