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Books on the topic 'Film scoring'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 January 2023

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1

Scharf, Walter. The history of film scoring. Studio City, CA: Cinema Songs, 1988.

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2

Advanced techniques for film scoring: A complete text. Los Angeles: Alfred Pub. Co., 1990.

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3

Rayburn, Wright, ed. On the track: A guide to contemporary film scoring. New York: Schirmer Books, 1990.

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4

Shakespeare, madness, and music: Scoring insanity in cinematic adaptations, 2009. Lanham, Md: Scarecrow Press, 2009.

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5

A, Bell David. Getting the best score for your film: A filmmakers' guide to music scoring. Los Angeles: Silman-James Press, 1994.

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6

1969-, Gold Murray, ed. Soundtrack nation: Interviews with today's top professionals in film, videogame and television scoring. Boston: Course Technology, 2011.

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7

Roberts, David E. Digital Performer for engineers and producers: Music production, mixing, film scoring, and live performance. Montclair, NJ: Hal Leonard Books, 2013.

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8

Complete guide to film scoring: The art and business of writing music for movies and TV. 2nd ed. Boston, MA: Berklee Press, 2010.

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9

Richard, Davis. Complete guide to film scoring: The art and business of writing music for movies and TV. Boston, MA: Berklee Press, 1999.

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10

Rona, Jeffrey C. The reel world: Scoring for pictures : [a practical guide to the art, technology, and business of composing for film and television]. San Francisco, Calif: Miller Freeman Books, 2000.

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11

Scoring for films. Los Angeles: Alfred Pub. Co., 1990.

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12

1963-, Fisher Jeffrey P., ed. Cash tracks: How to make money scoring soundtracks and jingles : your complete business guide to original music profits! 3rd ed. Westmont, IL: Fisher Creative Group, 1994.

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13

Hemming, Roy. The melody lingers on: The great songwriters and their movie musicals. New York: Newmarket Press, 1986.

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14

SAS Institute. SAS Scoring Accelerator 1.6 for Teradata: User's guide. Cary, North Carolina: SAS Institute Inc., 2009.

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15

The MDT innovation: Machine-scoring of fill-in-the-blank tests. Normal, Ill: Multi-Digit Technologies Corp., 1987.

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16

1955-, Hunt Terry, and Phillips Tim 1967-, eds. Scoring points: How Tesco continues to win customer loyalty. 2nd ed. Philadelphia: Kogan Page Limited, 2008.

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17

Newhouse, Ben. Creative Strategies in Film Scoring. Leonard Corporation, Hal, 2020.

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18

Jr, Davis Richard. Complete Guide to Film Scoring. Leonard Corporation, Hal, 2000.

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19

Dubowsky, Jack Curtis. Easy Listening and Film Scoring 1948-78. Taylor & Francis Group, 2021.

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20

Dubowsky, Jack Curtis. Easy Listening and Film Scoring: 1953-1978. Taylor & Francis Group, 2021.

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21

Szelogowski, Daniel. Introduction to Film Scoring in Horror Movies. Lulu Press, Inc., 2020.

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22

Walker and Shackleton. Recording and Film Scoring With Smpte/Pa465. Mix Bookshelf Mix Books, 1991.

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23

Easy Listening and Film Scoring 1948-78. Taylor & Francis Group, 2021.

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24

Callaway, Kutter. Scoring Transcendence: Contemporary Film Music As Religious Experience. Baylor University Press, 2013.

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25

Callaway, Kutter. Scoring Transcendence: Contemporary Film Music As Religious Experience. Baylor University Press, 2013.

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26

Borum, Jeremy. Guerrilla film scoring: Practical advice from Hollywood composers. 2015.

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27

Scoring Transcendence Contemporary Film Music As Religious Experience. Baylor University Press, 2013.

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28

Borum, Jeremy. Guerrilla Film Scoring: Practical Advice from Hollywood Composers. Rowman & Littlefield Publishers, Incorporated, 2015.

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29

Wright, Rayburn, and Fred Karlin. On the Track: A Guide to Contemporary Film Scoring. Taylor & Francis Group, 2013.

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30

Wright, Rayburn, and Fred Karlin. On the Track: A Guide to Contemporary Film Scoring. Taylor & Francis Group, 2013.

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31

Wright, Rayburn, and Fred Karlin. On the Track: A Guide to Contemporary Film Scoring. Taylor & Francis Group, 2013.

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32

McHugh, Michael. Film Scoring Studio Orchestra Sheet Music: Sheet Music Book. Independently Published, 2019.

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33

Scoring the Screen: The Secret Language of Film Music. Hal Leonard Publishing Corporation, 2017.

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34

Hill, Andy. Scoring the Screen: The Secret Language of Film Music. Leonard Corporation, Hal, 2017.

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35

Hill, Andy. Scoring the Screen: The Secret Language of Film Mus. Leonard Corporation, Hal, 2018.

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36

Wright, Rayburn, and Fred Karlin. On the Track: A Guide to Contemporary Film Scoring. Taylor & Francis Group, 2004.

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37

Wright, Rayburn, and Fred Karlin. On the Track: A Guide to Contemporary Film Scoring. Taylor & Francis Group, 2013.

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38

Wright, Rayburn, and Fred Karlin. On the Track: A Guide to Contemporary Film Scoring. Taylor & Francis Group, 2013.

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39

Creative Strategies in Film Scoring: Audio and Video Access Included. Leonard Corporation, Hal, 2020.

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40

Leonard, Kendra Preston. Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations. Scarecrow Press, Incorporated, 2009.

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41

On the Track: A Guide to Contemporary Film Scoring, Second Edition. Routledge, 2004.

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42

On the Track: A Guide to Contemporary Film Scoring, Second Edition. Routledge, 2004.

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43

Struggle Behind the Soundtrack: Inside the Discordant New World of Film Scoring. McFarland & Company, Incorporated Publishers, 2019.

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44

Sapiro, Ian. Scoring the Score: The Role of the Orchestrator in the Contemporary Film Industry. Taylor & Francis Group, 2016.

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45

Scoring the Score: The Role of the Orchestrator in the Contemporary Film Industry. Routledge, 2016.

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46

From Score To Screen: Sequencers, Scores And Second ThoughtsThe New Film Scoring Process. Schirmer Trade Books, 2004.

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47

Roberts, David E. Digital Performer for Engineers and Producers: Music Production, Mixing, Film Scoring, and Live Performance. Rowman & Littlefield Publishers, Incorporated, 2013.

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48

Jr, Davis Richard. Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV. Leonard Corporation, Hal, 2010.

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49

Caps, John. Stolen Moments. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0015.

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This chapter details Mancini's career in the late 1980s. The 1980s was another transitional period in the whole field of film scoring. The intrepid John Williams still ruled with one prestigious assignment after another, prodded by but not dependent on his associations with directors Spielberg and Lucas. Other veterans enjoyed renewed success during these years: John Barry's Oscar win for Dances with Wolves and Dave Grusin's scores for The Fabulous Baker Boys and The Firm. The new breed was beginning to take over, though; James Horner wrote blandly but appropriately for Field of Dreams, Hans Zimmer similarly for Rain Man. Meanwhile, Mancini was scoring three limited-release films: Physical Evidence, Fear, and Welcome Home.

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50

Platte, Nathan. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0015.

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Understanding the musical collaboration behind Selznick’s films does not require embracing every one of the producer’s decisions—some missed their mark. But Selznick’s productions do invite a re-evaluation of dominant prejudices in film-music discourse regarding, the involvement of a non-musicians in the scoring process, the sharing of compositional duties among multiple personnel, and film music’s relationship to commercial interests. These factors are crucial to understanding music’s function in Selznick’s films and its success within films and beyond. Although Selznick’s emphasis on film music reflected priorities born of prestige filmmaking (and literary adaptations in particular), his musical ideas spread far beyond these categories in the hands of other filmmakers. A concluding section shows that the mosaic-like construction of scores for Selznick presents not a crisis of authorship, but rather an opportunity to assess the dynamic and messy collaborations that produced some of Hollywood’s most memorable scores.

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