Relevant bibliographies by topics / Film script

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film script'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Journal articles on the topic "Film script"

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Admaja, Yoan Hadi Kusuma, and Anisya Sonita. "Multimedia development life cycle method for script making in the film kultur." Borobudur Informatics Review 2, no. 1 (August 29, 2022): 36–46. http://dx.doi.org/10.31603/binr.6139.

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The technique of making scripts in cultural films is a written work that aims to explain how important scripts are in filmmaking, where the script is the foundation for the formation of the film itself, besides that the writer also provides an explanation of the procedures for writing film scripts, starting from the beginning of the story idea to the formation of a script that can be adopted into a film, here the writer raises the theme of culture which is interpreted as culture, and the culture that is adopted here is the Bengkulu culture which is in such a way that it is almost extinct or ob
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Foster, Kieran. "Repurposing the Archive: Unmade Films, Vampirella and Adaptation." Journal of British Cinema and Television 19, no. 4 (October 2022): 518–35. http://dx.doi.org/10.3366/jbctv.2022.0645.

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The Hammer Script Archive is held at De Montfort University in Leicester and was opened to researchers in 2012. Primary materials held in the Archive include screenplays, treatments, financial documentation, correspondence, posters, production stills and press books. This article will utilise specifically the material held in the Archive that relates to Hammer’s unmade films. The archive currently holds files on exactly 100 unmade television and film projects, with 185 separate pieces of ephemera directly related to these unmade works. This article examines how archival materials on unmade or
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Korshunov, Vsevolod Vyacheslavovich, and Vsevolod Vyacheslavovich Korshunov. "A Film as an "Unfinished Script": theProblem of Composition." Journal of Flm Arts and Film Studies 2, no. 4 (December 15, 2010): 112–28. http://dx.doi.org/10.17816/vgik24112-128.

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There is an interesting tendency in the cinema of the 21st century first decade. We see the appearance of films based on the modification of the "film about film" theme which can be tentatively defined as "a film as an unfinished scriptn. The film's subject is the process of its creation. There are five particularly obvious examples: "Adaptation" (Spike Jonze, 2002), "A Movie about the Movies" (V. Rubinchik, 2002), "Reconstruction" (Chrisofler Вое, 2003), "Waiter" (Alex van Warmerdam, 2006) and "Stranger than Fiction" (M. Forster, 2006). The article investigates the peculiarities of these film
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Małgorzata Hendrykowska, Małgorzata Hendrykowska. "Ważyk – Ford – Starski. Historia pewnego scenariusza." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 26, no. 35 (December 15, 2019): 35–61. http://dx.doi.org/10.14746/i.2019.35.02.

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The article presents the complicated story of a script, originally titled “ID Card”, was written in mid-1948 by Adam Ważyk. Had the script been approved for production, it would have been one of the first Polish post-war feature films. However, this did not happen. Apart from Adam Ważyk, Aleksander Ford, Jan Fethke and Ludwik Starski also worked on subsequent versions of the script. Due to complex political circumstances, none of the versions presented was approved by decision-makers. The author presents subsequent versions of the script which change along with social and political changes in
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Grayston, K. "Book Reviews : Imaginative Film Script." Expository Times 109, no. 8 (May 1998): 245. http://dx.doi.org/10.1177/001452469810900809.

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Henschen, Jan. "Die Filmprimadonna (The Film Primadonna, 1913): A case study of the fiction of a screenplay and the process of filmmaking in German early cinema." Journal of Screenwriting 10, no. 3 (September 1, 2019): 247–59. http://dx.doi.org/10.1386/josc_00002_1.

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A case study on Urban Gad’s German shooting script for Die Filmprimadonna (The Film Primadonna, 1913) reviews the screenplay in the production process shortly after the emergence of multiple-reel feature films. In the dramatic story of the rise and fall of a film prima donna, a fictitious screenplay plays an idiosyncratic function in filmmaking that sketches, for the cinematic audience of that time, a specific idea of how and why an appropriate script has to be made. The article offers an analysis of Gad’s preserved script and demonstrates that this screen-idea contrasts with the value and age
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Wibowo, Ridha Mashudi, and Rudi Ekasiswanto. "Penulisan Naskah Film Pendek Komunitas Saba Eksploit SMAN I Bantul, DIY." Bakti Budaya 5, no. 2 (October 31, 2022): 216–29. http://dx.doi.org/10.22146/bakti.5604.

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The Official Selection World Cinema Amsterdam Award in 2019, given to the film "Tilik" opened the public's eyes to the fact that even a short film can convey a moral message as powerfully as a feature-length film. It does not matter that short films have more limitations than long ones. This phenomenon encourages short film script writing assistance as a community service activity. Saba Exploit (SE) SMAN 1 Bantul DIY was designated as the target for assistance because of its potential and impressive track record in making short films. Given the uneven transmission of knowledge and skills betwe
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Liutianska, N. I. "FILM SCRIPT IN THE ASPECT OF FILM TRANSLATION." Тrаnscarpathian Philological Studies 2, no. 23 (2022): 188–91. http://dx.doi.org/10.32782/tps2663-4880/2022.23.2.37.

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Michalovič, Michal. "The Miraculous Virgin: Journey from Novella to Shooting Script." Slovenske divadlo /The Slovak Theatre 66, no. 1 (March 1, 2018): 52–66. http://dx.doi.org/10.2478/sd-2018-0004.

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Abstract Dominik Tatarka’s novella The Miraculous Virgin was first published in 1944. Twenty years later a second edition (revised by the author) was published and at approximately the same time Tatarka wrote a literary script for an intended film based on his novella. Director Štefan Uher (who had previously directed three feature films – Class Nine A, The Sun in a Net and The Organ) undertook the film adaptation. He wrote the shooting script based on Tatarka’s literary script and in 1966 he directed the movie The Miraculous Virgin. In the present study the author analyses the evolution of th
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Haryati, Haryati. "Presupposition in The Mystery and Thriller Film of “Escape from Pretoria"." Journal of Pragmatics Research 4, no. 1 (August 10, 2022): 122–36. http://dx.doi.org/10.18326/jopr.v4i2.122-136.

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Presupposition itself has been a cause of the diversity of interpretations since presupposition sticks to utterances, sometimes unsaid clearly, that will provide implied meanings based on the context that is being talked about. The purposes of the study are to investigate three major points: the kinds of presupposition, their functions, and the percentage of each presupposition in the mystery and thriller film script of “Escape from Pretoria” by Francis Annan. This research used a qualitative method to analyze the obtained data. The observation is also used to collect data in which data are ob
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Dissertations / Theses on the topic "Film script"

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Miami, Silas. "Tero Buro: Feature film script." Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32801.

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The conflict and controversy sparked by the production and public consumption of creative work wherein African queerness is liberally expressed is rarely explored from the perspective of the African queer creative. This paper examines how South African queer creatives interpret and understand the often-tumultuous reception that exhibitions of queerness in film and television receive from largely heterosexual South African audiences. With its focus trained on locating the labor concomitant to queer visibility, labor carried predominantly by members of the queer community, it interrogates the po
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Paitaki, Gregory. "Cast-off: Original script for a feature film." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12651.

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Nisses, Hilda, and John M. Wahl. "Scriptans osynliga arbete : En kvalitativ studie om scriptors syn på scriptayrket i svensk filmoch tv-produktion." Thesis, Högskolan Dalarna, Bildproduktion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35747.

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Uppsatsens syfte är att genom en kvalitativ undersökning belysa scriptayrket. Fyrascriptor har deltagit i djupintervjuer där de med egna ord beskrivit sitt arbete. De områdensom diskuterats är hur de blev scriptor, scriptans arbetsuppgifter, hur samarbetet ser ut medkollegor i filmteamet, egenskaper som är viktiga att ha som scripta, att det finns en okunskapom yrket samt bristen på en naturlig väg in i yrket. Detta kombineras med en teoretisk delsom belyser scriptan historiskt samt ur ett genusperspektiv. Det studien kommit fram till äratt det finns en historisk bakgrund som lett till att scr
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Dorr, Summer. "And Then Okay." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1385.

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Anson, Tylyn. "Changes." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/honors_theses/7.

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The screenplay for a narrative film is the key starting point in the development process, and writing a feature length screenplay is a particularly grueling process. This thesis traces my efforts to write a full, strong draft of a feature length screenplay, from conception to the current draft. The essay catalogs the notes I received on the screenplay, as well as my own ideas for changes and developments as I wrote the screenplay. After the essay, the current (as of this date, May of 2012) draft of the screenplay is attached as a presentation of my work reflected in the essay.
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Marshall, Matt, and n/a. "GHOST STORIES WITHOUT GHOSTS: A STUDY OF AUTHORSHIP IN THE FILM SCRIPT ?THE SEABORNE?" University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20090106.150522.

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In 'The Crypt, the Haunted House of Cinema', Cholodenko argues that film is, metaphorically speaking, a haunted house: an instance of the uncanny. This raises the possibility the film script is also uncanny, from the Freudian notion of das Unheimliche, the strangely familiar and familiarly strange - and thus also a haunted house. This proposition engenders a search as self-reflexive practice for that which haunts the script' an uncanny process to explore the uncanny. The search requires drawing on Barthes, acting 'as dead' with that process' attendant contradictions and problematics' the most
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Vianello, Anna Giulia. "Proposta di traduzione dello script di 'Viy' (2014) , di Oleg Stepcenko." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/9225/.

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Il presente elaborato è una proposta di traduzione del film Viy (2014), diretto da Oleg Stepčenko. Il film è una rivisitazione cinematografica di un racconto di Nikolaj Vasil'evič Gogol', da cui prende il titolo. Prima di dedicarmi alla traduzione del testo, ho ritenuto opportuno documentarmi quanto più possibile sul racconto originale, i temi, il linguaggio, la contestualizzazione dell'opera nella vita dell'autore. La prima parte del mio lavoro è quindi dedicata alla presentazione del racconto originale e della raccolta da cui esso è tratto, Mirgorod (1835). Successivamente, ho voluto intr
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Hammersmith, Andy. "Tom, Dick, and Harry." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/960.

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Presumed dead, a cantankerous retired assassin hides out in a senior living home. When the CIA tracks him down, he enlists his fellow residents to trade in their walkers for weapons to protect the facility from a death squad.
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Copeland, Kendra G. "Bodies Without Blemish." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/972.

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A struggling actress and single mother is cast in a leading role by a renowned director seeking women who have bodies without blemish, triggering a harrowing on-set odyssey that reaches a predatory boiling point.
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Bloore, Peter. "The screenplay business : managing creativity in script development in the contemporary British independent film industry." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/49837/.

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A screenplay is sometimes said to be a blueprint for a film, and its genesis and development is therefore important to our understanding of how films are created. Film business studies has traditionally avoided close study of the screenplay development process, perhaps as a result of the film studies emphasis on analysing the text of the completed film, and the auteur theory emphasis on the importance of the director; both of which may have marginalised the study of development and the creativity of development practitioners. Professional screenplay development is a team activity, with creativ
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Books on the topic "Film script"

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Shakespeare, William. [Othello: Unpublished film script]. [U.S]: [Castle Rock], 1995.

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Write that film script. Oxford: Heinemann Library, 2004.

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Script supervising and film continuity. 3rd ed. Boston: Focal Press, 1999.

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Razā, Rāhī Māsūma. The Mahabharata TV film script. Calcutta, India: Writers Workshop, 1991.

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Miller, Pat P. Script supervising and film continuity. Boston: Focal Press, 1986.

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Script supervising and film continuity. 2nd ed. Boston: Focal Press, 1990.

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Script planning: Positioning and developing scripts for TV and film. Boston: Focal Press, 1993.

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Mukhtār, Taqī. Open your arms: A film script. Ashburn, Virginia: Washington Iranians Media, Inc., 2012.

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1944-, Duchovnay Gerald, ed. Film voices: Interviews from Post Script. Albany, N.Y: State University of New York Press, 2004.

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Alan, Ball. American beauty: The shooting script. New York: Newmarket Press, 1999.

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Book chapters on the topic "Film script"

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Kelly, Rory. "Organize Your Script." In Prepping and Shooting Your Student Short Film, 10–19. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003169864-2.

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Moore, Cath, and Radha O’Meara. "How Government Institutions Shape Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute." In Script Development, 31–50. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-48713-3_3.

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Wales, Lorene M. "Script Breakdown and Scheduling." In The Complete Guide to Film and Digital Production, 33–55. Third edition. | New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315294896-2.

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Price, Steven. "The Silent Film Script in Europe." In A History of the Screenplay, 99–119. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137315700_6.

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Coelen, Marcus. "An Eclipse of the Screen." In De/Constituting Wholes, 215–37. Vienna: Turia + Kant, 2017. http://dx.doi.org/10.37050/ci-11_10.

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The film script is a challenging entity for criticism. Its destiny is to disappear, its function to contribute to the production of a screen of image, music, and voice, behind which it dissolves and is forgotten. Film scripts are in principle not meant to be read. Nor are they meant to be inscribed directly into our archives and libraries. They are transient and ‘functional’.
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Clarke, Arthur C. "The Colours of Infinity-The Film Script." In The Colours of Infinity, 144–72. London: Springer London, 2010. http://dx.doi.org/10.1007/978-1-84996-486-9_9.

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Joyce, James B. "Critical Script Analysis for Technical and Aesthetic Decision-Making." In Aesthetics of Film Production, 24–32. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-4.

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Weaving, Simon. "Creating the Low-Budget Feature Film Script: Development as Emergence." In The Palgrave Handbook of Script Development, 59–70. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82234-7_5.

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Daniels, Jill. "Scripting the Experimental Documentary Film: Developing the “Script” for Not Reconciled." In The Palgrave Handbook of Script Development, 103–19. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82234-7_8.

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Milligan, Christina. "Script Development as a Collective Enterprise: The Writing of the Indigenous Feature Film Waru." In The Palgrave Handbook of Script Development, 175–85. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82234-7_13.

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Conference papers on the topic "Film script"

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Ninsiana, Widhiya, and Anwar Sidiq. "Idiomatic expressions in Harry Potter and the Deathly Hallows film script." In Proceedings of the 6th Batusangkar International Conference, BIC 2021, 11 - 12 October, 2021, Batusangkar-West Sumatra, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.11-10-2021.2319430.

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Ivanchyshyn, Danylo, Victoria Vysotska, and Solomiia Albota. "The Film Script Generation Analysis Based on the Fiction Book Text Using Machine Learning." In 2021 IEEE 16th International Conference on Computer Sciences and Information Technologies (CSIT). IEEE, 2021. http://dx.doi.org/10.1109/csit52700.2021.9648818.

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Hladun, Olexander, Andrii Berko, Myroslava Bublyk, Lyubomyr Chyrun, and Vadim Schuchmann. "Intelligent System for Film Script Formation Based on Artbook Text and Big Data Analysis." In 2021 IEEE 16th International Conference on Computer Sciences and Information Technologies (CSIT). IEEE, 2021. http://dx.doi.org/10.1109/csit52700.2021.9648682.

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Tipa, Violeta. "Ivan Turbincă’s story: the road to the big screen." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.11.

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One of the few masterpieces, created at the Moldova-film studio based on a work from the national classics, was and will remain the film Se caută un paznic/ Looking for a guard (1967) directed by Gheorghe Vodă, a film inscribed in the golden fund of national cinematography. Today, the film is of interest as a separate work, which managed to convey the author’s visions and his national spirituality, as well as the history of its creation. The materials kept in the funds of the National Archive of the Republic of Moldova allow us to restore more or less the epic of this cinematographic work, sta
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Liu, Mengyu, Wenqian Shang, Jianxiang Cao, Chan Pan, Weiguo Lin, and Hao Fu. "The Design and Implementation of Script Authoring Assistant System of Film and Television Big Data." In 2018 IEEE/ACIS 17th International Conference on Computer and Information Science (ICIS). IEEE, 2018. http://dx.doi.org/10.1109/icis.2018.8466381.

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Wang, Xingting, Minyong Shi, and Chunfang Li. "Design and Implementation of Shooting Notice of Film and Television Projects Based On Play Script." In 2018 IEEE/ACIS 17th International Conference on Computer and Information Science (ICIS). IEEE, 2018. http://dx.doi.org/10.1109/icis.2018.8466478.

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Sullivan, Anthony, Anil Saigal, and Michael A. Zimmerman. "Simulation of Liquid Crystal Polymer Directionality During Cast Film Extrusion." In ASME 2018 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/imece2018-86855.

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Liquid crystal polymers (LCP’s) comprise a class of melt-processable materials that derive specialized mechanical, chemical, and electrical properties from long-range molecular ordering. This unique microstructure gives rise to anisotropic bulk behavior that can be problematic for industrial applications, and thus the ability to model the orientation state in the polymer is necessary for the design of isotropic material manufacturing processes. Previous efforts to model LCP directionality have been primarily restricted to structured grids and simple geometries that demonstrate the underlying t
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Notariano Belizário, Pedro, and João Carlos Massarolo. "Long-form narrative design of streaming." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.68.

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This article’s proposal is to relate script studies and new spectator consumption habits studies. In essence, we will explain the binge-wathching phenomenon by analysing the narritive design of complex series, identifying the specific qualities that promote the spectator's binge-wathching in the macro-structuring of this format. In a general sense, we will make our analysis by comparing the narrative structures of series and films, pointing out the differences between the narrative designs of these two formats that make it impossible for a series to be compared to an extended film. Basically,
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Coney, Shun, and Yasunobu Ito. "The production process of films from a relational perspective: A case study of independent films about Parkinson's disease in Japan." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002555.

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The purpose of this paper is to clarify how creativity is produced in filmmaking from a relational perspective. Creativity here refers to the fact that films that contain original ideas and evoke sympathy in the audience are not produced solely through the internal mechanisms of individuals, but rather as a result of the collective actions and activities of various people.In recent years, movies have moved beyond the confines of theaters, and infrastructures such as Amazon Prime and Netflix are rapidly expanding. Against this backdrop, independent Japanese films have been receiving high acclai
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Rodriguez, Rodney, and Xiaoyin Wang. "Static Analysis of File Manipulation Scripts." In 2019 IEEE 24th Pacific Rim International Symposium on Dependable Computing (PRDC). IEEE, 2019. http://dx.doi.org/10.1109/prdc47002.2019.00039.

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Reports on the topic "Film script"

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Sladen, W. E., R. J. H. Parker, P. D. Morse, S V Kokelj, and S. L. Smith. Geomorphic feature inventory along the Dempster and Inuvik to Tuktoyaktuk highway corridor, Yukon and Northwest Territories. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329969.

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Thaw of permafrost and associated ground ice melt can reduce ground stability, modify terrain, and reconfigure drainage patterns affecting terrestrial and aquatic ecosystems and presenting challenges to northern infrastructure and societies. The integrity of ground-based transportation infrastructure is critical to northern communities. Geomorphic features can indicate ground ice presence and thaw susceptibility. This Geological Survey of Canada Open File presents the digital georeferenced database of landforms identified in continuous permafrost terrain using high-resolution satellite imagery
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