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Dissertations / Theses on the topic 'Film script'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 January 2023

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1

Miami, Silas. "Tero Buro: Feature film script." Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32801.

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The conflict and controversy sparked by the production and public consumption of creative work wherein African queerness is liberally expressed is rarely explored from the perspective of the African queer creative. This paper examines how South African queer creatives interpret and understand the often-tumultuous reception that exhibitions of queerness in film and television receive from largely heterosexual South African audiences. With its focus trained on locating the labor concomitant to queer visibility, labor carried predominantly by members of the queer community, it interrogates the po

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Paitaki, Gregory. "Cast-off: Original script for a feature film." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12651.

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Nisses, Hilda, and John M. Wahl. "Scriptans osynliga arbete : En kvalitativ studie om scriptors syn på scriptayrket i svensk filmoch tv-produktion." Thesis, Högskolan Dalarna, Bildproduktion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35747.

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Uppsatsens syfte är att genom en kvalitativ undersökning belysa scriptayrket. Fyrascriptor har deltagit i djupintervjuer där de med egna ord beskrivit sitt arbete. De områdensom diskuterats är hur de blev scriptor, scriptans arbetsuppgifter, hur samarbetet ser ut medkollegor i filmteamet, egenskaper som är viktiga att ha som scripta, att det finns en okunskapom yrket samt bristen på en naturlig väg in i yrket. Detta kombineras med en teoretisk delsom belyser scriptan historiskt samt ur ett genusperspektiv. Det studien kommit fram till äratt det finns en historisk bakgrund som lett till att scr

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4

Dorr, Summer. "And Then Okay." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1385.

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Anson, Tylyn. "Changes." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/honors_theses/7.

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The screenplay for a narrative film is the key starting point in the development process, and writing a feature length screenplay is a particularly grueling process. This thesis traces my efforts to write a full, strong draft of a feature length screenplay, from conception to the current draft. The essay catalogs the notes I received on the screenplay, as well as my own ideas for changes and developments as I wrote the screenplay. After the essay, the current (as of this date, May of 2012) draft of the screenplay is attached as a presentation of my work reflected in the essay.

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Marshall, Matt, and n/a. "GHOST STORIES WITHOUT GHOSTS: A STUDY OF AUTHORSHIP IN THE FILM SCRIPT ?THE SEABORNE?" University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20090106.150522.

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In 'The Crypt, the Haunted House of Cinema', Cholodenko argues that film is, metaphorically speaking, a haunted house: an instance of the uncanny. This raises the possibility the film script is also uncanny, from the Freudian notion of das Unheimliche, the strangely familiar and familiarly strange - and thus also a haunted house. This proposition engenders a search as self-reflexive practice for that which haunts the script' an uncanny process to explore the uncanny. The search requires drawing on Barthes, acting 'as dead' with that process' attendant contradictions and problematics' the most

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Vianello, Anna Giulia. "Proposta di traduzione dello script di 'Viy' (2014) , di Oleg Stepcenko." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/9225/.

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Il presente elaborato è una proposta di traduzione del film Viy (2014), diretto da Oleg Stepčenko. Il film è una rivisitazione cinematografica di un racconto di Nikolaj Vasil'evič Gogol', da cui prende il titolo. Prima di dedicarmi alla traduzione del testo, ho ritenuto opportuno documentarmi quanto più possibile sul racconto originale, i temi, il linguaggio, la contestualizzazione dell'opera nella vita dell'autore. La prima parte del mio lavoro è quindi dedicata alla presentazione del racconto originale e della raccolta da cui esso è tratto, Mirgorod (1835). Successivamente, ho voluto intr

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8

Hammersmith, Andy. "Tom, Dick, and Harry." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/960.

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Presumed dead, a cantankerous retired assassin hides out in a senior living home. When the CIA tracks him down, he enlists his fellow residents to trade in their walkers for weapons to protect the facility from a death squad.

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Copeland, Kendra G. "Bodies Without Blemish." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/972.

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A struggling actress and single mother is cast in a leading role by a renowned director seeking women who have bodies without blemish, triggering a harrowing on-set odyssey that reaches a predatory boiling point.

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Bloore, Peter. "The screenplay business : managing creativity in script development in the contemporary British independent film industry." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/49837/.

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A screenplay is sometimes said to be a blueprint for a film, and its genesis and development is therefore important to our understanding of how films are created. Film business studies has traditionally avoided close study of the screenplay development process, perhaps as a result of the film studies emphasis on analysing the text of the completed film, and the auteur theory emphasis on the importance of the director; both of which may have marginalised the study of development and the creativity of development practitioners. Professional screenplay development is a team activity, with creativ

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Belaubre, Yves. "Le scénario dans l'intention du film." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20074.

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Depuis une vingtaine d’années, le scénario américain s’est imposé comme modèle du scénario de fiction auprès des acteurs de la production de cinéma et de télévision pour sa performance et sa rationalité narratives. Conçu pour assurer au film de fiction le maximum de chance de succès, il subordonne la création audiovisuelle à un dispositif narratif assurant l’identification du spectateur et sa satisfaction émotionnelle. Or, eu égard à une ambition artistique du cinéma, sa légitimité est problématique. La présente recherche développe une alternative à la formalisation narrative du film à travers

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Solano, Callie M. "Satchmo." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1578.

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Morris, Anthony Kevin. "It's all a plot : an examination of the usefulness of the popularly accepted structural paradigm in the practice of writing of a feature film script." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/16632/1/Anthony_Morris_Thesis.pdf.

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This study took the widely-accepted, ‘industry standard’ Structural Paradigm of feature film plotting, and ‘road tested’ it, assessing its value as a tool in the process of actually writing a feature film script. The methodology employed was to write a feature film script (titled THE ARM THAT DOES THE HARM) and look to apply the Paradigm to the writing process. Journals recording the process were kept and peer assessment undertaken. The data from these sources was then analysed and conclusions drawn. The reason for and value of this study are that, while this Paradigm is widely espou

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Morris, Anthony Kevin. "It's all a plot : an examination of the usefulness of the popularly accepted structural paradigm in the practice of writing of a feature film script." Queensland University of Technology, 2008. http://eprints.qut.edu.au/16632/.

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This study took the widely-accepted, ‘industry standard’ Structural Paradigm of feature film plotting, and ‘road tested’ it, assessing its value as a tool in the process of actually writing a feature film script. The methodology employed was to write a feature film script (titled THE ARM THAT DOES THE HARM) and look to apply the Paradigm to the writing process. Journals recording the process were kept and peer assessment undertaken. The data from these sources was then analysed and conclusions drawn. The reason for and value of this study are that, while this Paradigm is widely espou

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Stånggren, Mikael. "Writing a screenplay : A study in crafting quality stories for movies and television." Thesis, University of Gävle, Department of Mathematics, Natural and Computer Sciences, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-215.

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<p>The art and science of crafting superior stories for feature film, television, and computer graphics productions, for both local and international purposes alike, are extremely important. In the artistic sense, this is a glimpse at the key elements in creating successful characters, stories, and environments. In the technical sense, it is a review on how to write a professional screenplay, as well as a comparison between different mediums, methods, and styles of writing. In order to conduct this research and accomplish said goals, material from a variable set of sources, including work by a

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Breed, Catharina Adriana. "Die herskryf van die roman Die swye van Mario Salviati van Etienne van Heerden as 'n draaiboek, met spesifieke fokus op identiteit, hibriditeit en liminaliteit / C.A. Breed." Thesis, North-West University, 2007. http://hdl.handle.net/10394/1671.

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Durgin, Chelsea A. "The Redeemer." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/818.

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Armstrong, Shayne. "Beast Sellers: The Necessary Evils of Paratexts in the Development and Marketing of the Horror-Thriller Screenplay." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16446/1/Shayne_Armstrong_-_Monster_Business.pdf.

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Monster Business is a feature film project comprising a horror-thriller feature screenplay and an accompanying exegesis. The screenplay is about a best-selling author who is behind on the delivery of the sequel to his money-spinning first novel and is made an offer by an enigmatic stranger to help rearrange his working environment to facilitate the rapid completion of the manuscript. Over the coming hours, then months, the author discovers just how far the stranger will go to complete the terms of this bizarre and brutal new contract. This accompanying exegesis examines a series of 'paratex

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Armstrong, Shayne. "Beast Sellers: The Necessary Evils of Paratexts in the Development and Marketing of the Horror-Thriller Screenplay." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16446/.

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Monster Business is a feature film project comprising a horror-thriller feature screenplay and an accompanying exegesis. The screenplay is about a best-selling author who is behind on the delivery of the sequel to his money-spinning first novel and is made an offer by an enigmatic stranger to help rearrange his working environment to facilitate the rapid completion of the manuscript. Over the coming hours, then months, the author discovers just how far the stranger will go to complete the terms of this bizarre and brutal new contract. This accompanying exegesis examines a series of 'paratex

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Hart, Blaize Robert. "In Visible Bodies: A Phenomenology of Sexuality and the Creation of Repressive Systems in Film." Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors158768776757641.

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Raveneau, Megan Fay. "A Friend of Robyn." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/916.

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Gibbs, John. "'It was never all in the script...' : mise-en-scene and the interpretation of visual style in British film journals, 1946-1978." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298747.

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Scott, Brent Steven. "The Lonely." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1667.

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Machado, Renata Guimarães. "Como é que se diz eu te amo: estudo sobre a relação entre narrativa e emoções." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-16022011-123246/.

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Este trabalho relata aspectos do processo criativo da redação de um roteiro cinematográfico de longa metragem. Procurou-se investigar, durante o fazer do roteiro, o modo como a narrativa pode ser utilizada para despertar emoções e interesse no espectador. Através da revisão de obras de teóricos cognitivistas do cinema e de manuais de roteiro, levanta-se considerações sobre possíveis estratégias para se envolver emocionalmente o espectador. Para ilustrar estas estratégias, é apresentada uma análise da obra Aconteceu naquela Noite (1934). A partir destas considerações, realiza-se a descrição do

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Biscalchin, Fernando José. "Processo de criação dos roteiros Cidade de Deus e Tropa de Elite 2 de Bráulio Mantovani." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/4730.

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Made available in DSpace on 2016-04-26T18:15:19Z (GMT). No. of bitstreams: 1 Fernando Jose Biscalchin.pdf: 10758008 bytes, checksum: 380cecb07aa244602395eea72ff324ce (MD5) Previous issue date: 2015-09-15<br>The thesis reconfigures the way to understand the film screenplay production process. The proposal is to offer a critical approach for them to focuses in the field of research about the process of creating the media. A new look can be seem in the construction of Bráulio Mantovani s writing scripts for his films Cidade de Deus (City of God) and Tropa de Elite 2 (Elite Squad 2), from th

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Bieging, Patricia. "Potencialização da experiência estética no iCinema: diretrizes para a criação de roteiro cinematográfico ficcional multilinear interativo." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27152/tde-17032017-151852/.

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Tendo em vista as formas de interação entre os sujeitos e os audiovisuais ficcionais interativos, esta pesquisa teve como objetivo geral a elaboração de diretrizes para a criação de roteiro cinematográfico ficcional multilinear interativo com base na potencialização da experiência estética do espectador. Com o avanço dos aparatos tecnológicos e as inovadoras possibilidades, o iCinema (cinema interativo) ganha maior força e conquista os espectadores quanto à imersão e à participação no processo de decisão da trajetória da história. A partir disso, foram traçados alguns objetivos específicos teó

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Moore, Ashley N. "Fisher of Men." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1408.

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Fisher of Men tells the story of an ancient and secretive group of supernatural balance keepers. When God goes missing, it is up to them to locate him before the armies of Heaven and Hell lay siege to the earth, but they have their own problems. When knowledge of a secret weapon surfaces, they are tasked to find it and destroy it before it falls into the hands of either side. The secret weapon is Charitie Newman, a young woman from rural Indiana who moved to New Orleans with her sister. Charitie has special abilities that have no limits, and after her sister is brutally murdered, she agrees to

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McLoughlin, Aaron. "Gravy." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50947/1/Aaron_McLoughlin_Thesis.pdf.

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To many aspiring writer/directors of feature film breaking into the industry may be perceived as an insurmountable obstacle. In contemplating my own attempt to venture into the world of feature filmmaking I have reasoned that a formulated strategy could be of benefit. As the film industry is largely concerned with economics I decided that writing a relatively low-cost feature film may improve my chances of being allowed directorship by a credible producer. As a result I have decided to write a modest feature film set in a single interior shooting location in an attempt to minimise production c

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Harris, Bonnie L. "Scrap Metal." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/508.

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Mahmoudian, Eléonore. "Etude de l'adaptation cinématographique des textes de Hayashi Fumiko par Naruse Mikio." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF006.

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Au début des années 1950, le cinéma japonais achève de se remettre des restrictions d'abord imposées par le régime militariste, puis entraînées par la défaite du pays. L'industrie cinématographique prospère rapidement et puise dans la littérature des histoires pour les films qu'elle doit produire à une cadence toujours plus élevée afin de répondre à la demande des salles de cinéma. C'est dans ce contexte que Naruse Mikio (1905-1969) a réalisé six films inspirés de textes de Hayashi Fumiko (1903-1951). Ces films sont représentatifs tout à la fois des relations que les institutions littéraires e

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Choo, Christina. "Trend of thought : inspirations for a form of non-linear direction." Thesis, Queensland University of Technology, 2005.

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This is an exegesis, investigating the concept of trend of thought, as a motivation influencing the structure of non-linear storytelling in film. It journeys through the production of a 32min short drama entitled, Queue, following its evolution from the early stages of the script to the completed film. Through a self-analysis of my role as a writer, director and editor, I identified the priorities and emphasis placed on the various aspects of the story and film production at each stage. The thesis shows the growth the film has taken simply by allowing itself to follow the trends of though

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Maxwell, Nicholas Elliott, and nmaxwel1@bigpond net au. "Black Comedy and the Principles of Screenwriting/The Actions." RMIT University. Creative Media, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20081212.123034.

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This exegesis will aim to research and analyse the conventions of writing a black comedy in a feature film script. As a screenwriter with a particular interest in black comedy, my aim is to explore the technical structures of black comedy in order to facilitate the writing of a tragicomic screenplay. We will attempt to define the components of black comedy and survey its origin in theatre and literature. The exegesis will aim to explore what components comprise the middle ground between drama and humour and position it in relation to the classical genres of tragedy and comedy. The ex

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Grimaud, Emmanuel. "La spirale prolifique ou L'histoire du processus cinématographique dans l'Inde contemporaine : du script à la mise en théorie du mouvement." Paris 10, 2001. http://www.theses.fr/2001PA100025.

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La these explore la multitude des procedes des cineastes de bollywood (bombay hollywood) pour elaborer l'objet filmique. A partir d'une triple implication (en tant qu'assistant de realisation dans une equipe indienne, puis acteur et doubleur), l'ethnographe cherche a comprendre ce que "voir en plans" (shots) veut dire et choisit de se deplacer avec le film en train de se faire, des debats intenses que se livrent les cineastes indiens autour du script a la mise en livre du "mecanisme cinematographique de la pensee" (bergson) dans un manuel d'apprentissage local, en passant par les interactions

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Dawson, CiaraÌn P. "Peadar OÌ GealacaÌin : file agus scriÌobhaiÌ." Thesis, University of Ulster, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422898.

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Cavaliere, Sandra <1977&gt. "Gli scritti giovanili di Cesare Pavese." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/33/.

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Gölz, Hanna [Verfasser]. "Fernsehrealität und Realitätswahrnehmung : Eine Untersuchung zum Einfluss von Scripted-Reality-Sendungen auf Erwachsene / Hanna Gölz." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://d-nb.info/1160308578/34.

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Gölz-Weis, Hanna [Verfasser]. "Fernsehrealität und Realitätswahrnehmung : Eine Untersuchung zum Einfluss von Scripted-Reality-Sendungen auf Erwachsene / Hanna Gölz." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://nbn-resolving.de/urn:nbn:de:101:1-2018053009214275410910.

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Hsu, Li-Hsin. "Emotional Perception of Death in Animated Films : Sentiment Analysis of Coco and Soul’s Scripts and Reviews." Thesis, Uppsala universitet, Institutionen för ABM, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-445901.

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This thesis aims to understand the emotions expressed by adults watching animated films with death topics through sentiment analysis. The research is a quantitative sentiment analysis from the perspective of distant reading. The previous studies on death scenes in animated films have only focused on child audiences. However, the age group of the audience of animated films is extensive; thus, it is necessary to analyse the sentiments of adult audiences. This thesis attempts to collect two movies produced by Pixar studio: Coco (2017) and Soul (2020), as well as their audience reviews on IMDb, a

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Cheng, Shing-yip, and 鄭成業. "A contrastive investigation of the use of interjections by male and female speakers in Cantonese and English play, film and televisionscripts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26760009.

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Smith, Donna Lee. "Mombasa days : a feature-length film script." Thesis, 1989. http://spectrum.library.concordia.ca/3713/1/ML51331.pdf.

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宋淳. "A Critique essay on the film script ." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/qj27t3.

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Chen, Yu-Hau, and 陳昱昊. "Writer’s Notes on the Film Script \"Splitting\"." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/99275k.

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Wei, Jacelyn, and 韋徵. "Writer’s Note on Film Script “Brizo Town”." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/6jm9rm.

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碩士<br>國立政治大學<br>傳播學院傳播碩士學位學程<br>106<br>Revolved around the story of Benjamin with his friends and family, “Brizo Town” depicts the life of a group of Fresh Off the Boat high school students who long for a sense of belonging. While facing challenges and conflicts, the students supported each other and grew through their pursuit of friendship, love, and purpose. The life of a FOB entails difficulties and struggles, the story of “Brizo Town” hopes to give consolations and directions to those who may have become lost in their own similar journeys.

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Wang, Li-Wen, and 王莉雯. "A Critique Essay on Film Script SURVIVING HAI." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/6mf29m.

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碩士<br>國立臺北藝術大學<br>電影創作學系碩士班<br>103<br>Set in a fishing village, Surviving Hai is a crime film that combines three genres, including “crime”, “detective” and “murder mystery”. In the story, a pathologist, Chou Chien-sheng, arrives in a remote isolated fishing village to investigate a self-immolation incident that happened during a protest against a petrochemical corporation. But to his surprise, he not only accidentally discovers some mysterious fluorescence in the body but an implication of a murder and insurance fraud. After a lengthy investigation, Chou comes to realize that the whole villag

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Shu, Wei Chieh, and 舒偉傑. "The Film Script and Description of "Feng Chun"." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/naau9z.

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碩士<br>國立政治大學<br>廣告學系<br>104<br>"Feng Chun" is an original movie script. The story is about how the mainlander family fled away from war to Taiwan, and how they face life’s problem, conflicts and relationship. The thesis consists of three parts: the literature review, script and appendixes. In the first part, the background of the story is mentioned, and then documents of the female mainlanders in their family and the conflict between mother and son/daughter are researched and filed. And the following are the life story of each role and the plot design. And then an overview of the script w

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HSIN, HSIAO-LAN, and 辛曉嵐. "A Critique Essay on the Film Script AGAPE." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/c464u4.

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碩士<br>國立臺北藝術大學<br>電影創作學系碩士班<br>105<br>Agape is a script for a full-length dramatic film. It is a day in the life of protagonist Ying-Wen, spent on a small island. Ying-Wen, 35, has lost the sense of direction in his life after both of his parents died from illness. His cousin invites him back to the island of his childhood to look after his aunt and her stroke-stricken husband. He gets reacquainted with his first love and a good friend from high school. Emotions stirred up by these different kinds of love and attraction (familial, friendly, and physical) produce sparks which rekindle his passi

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SHEN, PEY-JU, and 沈珮如. "A Critique Essay on the Film Script UNUSUAL." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/38504973353426469452.

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碩士<br>國立臺北藝術大學<br>電影創作學系碩士班<br>105<br>"Unusual" is a story with elements from real cases in Taiwan society, in the genre of crime and detective film. The story describe police officer Ah-ching find out the truth about a case 20 years ago when he is investigating a serial killing case. However, statute of limitations of the old case has been passed. Could he seek out the lost justice from cracking the new case at hand? 　　The author takes case study and literature view method as early research methods for the script. Case studies include human rights groups and the prisoner, clarify the major i

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Saeed, Zanjani Ali. "Screenplay : movie script or literature." Thèse, 2006. http://www.archipel.uqam.ca/875/1/D1364.pdf.

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L'existence de centaines de scénarii dans les librairies, qu'il s'agisse de nouveaux textes ou de rééditions de textes plus anciens comme celle de Citizen Kane, prouve que les scénarii sont lus pour leur valeur littéraire et non pour les seules indications techniques en vue de la réalisation filmique. Malgré ce fait, la nature du scénario en tant que genre littéraire autonome, à la fois fictionnel et narratif, n'a pas été sérieusement identifiée et étudiée. C'est le sujet que nous essayerons d'examiner dans la présente recherche. Il existe un consensus parmi les spécialistes des études cinéma

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Chiang, Hsiu-Chiung, and 姜秀瓊. "A Critique Essay on the Film Script “A Wave”." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/za4cnq.

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碩士<br>國立臺北藝術大學<br>電影創作研究所<br>98<br>ABSTRACT The film script “A Wave” is an original film script. The story is about an art major student Xiao-po, who falls in love with his art history teacher Wen-chi. However, Wen-chi loves Zi-yi, who is a hair stylist. By developing the love affairs among these three young people, the play describes how these three searches for the meaning of their own lives. The writer digs up the potential meaning behind the play write by creating this critique essay, which is to break the restrictions within the society. And return to human nature. Moreover, hope for

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Chen, Wan-Yu, and 陳宛妤. "A Critique Essay on the Film Script "Bus Stop"." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/tc643h.

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碩士<br>國立臺北藝術大學<br>電影學系碩士班<br>98<br>"Bus Stop" is the film script of a true story. The script opens with a belated wedding banquet and traces the couples’ ups and downs in their married life. The story line, forty-five years of it, includes threads of the past brought to light in the present. The script is realistic. It possesses a warm, touching and humorous tone in its representation of the local atmosphere and the landscape of Taiwan. The native Taiwanese dialogue is authentic. It is also innovative in that it replaces the traditional linear three-act structure with an interlinking narrativ

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