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1

Eustachi, Paolo. Visioni sonore nella Russia del ventesimo secolo. Edizioni della Meridiana, 2009.

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2

Mannoni, Laurent, and Maurice Gianati. Alice Guy, Léon Gaumont et les débuts du film sonore. JL, 2012.

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3

Callu, Agnès. Patrimoine sonore et audiovisuel français: Entre archives et témoignages : guide de recherche en sciences sociales. Editions Belin, 2004.

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4

1941-, Abel Richard, Altman Rick 1945-, and Domitor Conference (5th : 1998 : Library of Congress), eds. The Sounds of early cinema. Indiana University Press, 2001.

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5

Casadio, Gianfranco. Opera e cinema: La musica lirica nel cinema italiano dall'avvento del sonoro ad oggi. Longo Editore, 1995.

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6

Posadas, Abel. Cine sonoro argentino: 1933-1943. El Calafate Editores, 2005.

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7

Canada. Multiculturalism and Citizenship Canada., ed. Film, video, and audio productions =: Productions cinématographiques, vidéos et sonores. Multiculturalism and Citizenship Canada = Multiculturalisme et citoyenneté Canada,$cc1992., 1992.

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8

Chion, Michel. L' audio-vision. Nathan, 1990.

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9

Holman, Tomlinson. Sound for film and television. Focal Press, 1997.

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10

Pinel, Vincent. Filmographie des longs métrages sonores du cinéma français. s.n, 1985.

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11

Comuzio, Ermanno. Colonna sonora: Dizionario ragionato dei musicisti cinematografici. Ente dello spettacolo, 1992.

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12

Quargnolo, Mario. La parola ripudiata: L'incredibile storia dei film stranieri in Italia nei primi anni del sonoro. Le Cineteca del Friuli, 1986.

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13

Tim, Amyes, ed. Audio post production for television and film: An introduction to technology and techniques. 3rd ed. Focal Press, 2005.

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14

1944-, Weis Elisabeth, and Belton John, eds. Film sound: Theory and practice. Columbia University Press, 1985.

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15

Giusy, Pisano, Pozner Valérie, and Association française de recherche sur l'histoire du cinéma, eds. Le muet a la parole: Cinéma et performances à l'aube du XXe siècle. Association française de recherche sur l'histoire du cinéma, 2005.

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16

Dolfi, Anna, ed. Stabat mater. Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-688-0.

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Lo stabat mater, come pochi altri oggetti della tematologia, vede una stessa postura tradursi in linguaggi diversi, registra il modificarsi e il persistere di una gestualità che dà voce all’inaccettabilità della perdita e alla durata immobile del dolore. Dalle mères en deuil dell’antichità classica al venir meno di Maria ai piedi delle crocifissioni che hanno scandito la storia dell’arte, da Jacopone da Todi, dal Giotto degli Scrovegni ad oggi, rilievi in pietra e in marmo, pannelli lignei, affreschi, vetrate, incisioni, tempere, olii, manoscritti, scrittura, accanto alle note di Palestrina, V
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17

Anderton, Craig. Sonar 2. Wizoo Publishing, 2002.

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18

Anderton, Craig. Sonar. Wizoo, 2001.

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19

Garrigus, Scott R. Sonar 7 power!: The comprehensive guide. Thomson Course Technology, 2007.

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20

Asociación Española de Historiadores del Cine. Congreso. El paso del mudo al sonoro en el cine español: Actas del IV congreso de la A.E.H.C. Editorial Complutense, 1993.

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21

Chion, Michel. Le son au cinéma. Editions de l'Etoile, 1985.

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22

Pinel, Vincent. Filmographie des longs métrages sonores du cinéma français: Produits et présentés commercialement sur grand écran entre 1930 et 1984, à l'exception des films classés "X". La Cinémathèque française, 1985.

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23

Canada. Multiculturalism and Citizenship Canada., ed. Film, video, and audio productions supported by multiculturalism programs 1973-1992 =: Productions cinématographiques, vidéoset sonores subventionnées par les programmes du multiculturalisme 1973-1992. Multiculturalism and Citizenship Canada, 1992.

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24

William, Edstrom. The power in Cakewalk SONAR. Hal Leonard Books, 2013.

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25

Garrigus, Scott R. Sonar 4 power! Thomson Course Technology, 2005.

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26

Archivists, Society of American. SAA yellow pages: 1994 directory of individual and institutional members. Society of American Archivists, 1993.

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27

Costa, Román Oltra. Seixanta anys de cinema català, 1930-1990: Un índex de films i directors des dels inicis del sonor fins avui insert en el seu context històric. Institut del Cinema Català, 1990.

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28

Vesterinen, Johanna. Equity markets and firm innovation in interaction: A study of a telecommunications firm in radical industry transformation. Helsinki School of Economics, 2009.

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29

Vesterinen, Johanna. Equity markets and firm innovation in interaction: A study of a telecommunications firm in radical industry transformation. Helsinki School of Economics, 2009.

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30

Quand le film se fait musique: Une nouvelle ère sonore au cinéma. Harmattan, 2007.

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31

Lo schermo sonoro: La musica per film. Marsilio, 2010.

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32

Landro, Monica, and Abel Posadas. Cine Sonoro Argentino 1933- 1943 Tomo II. El Calafate Editores, 2006.

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33

Sound for film and television. 2nd ed. Focal Press, 2002.

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34

Dialogue editing for motion pictures: A guide to the invisible art. 2nd ed. Focal Press, 2014.

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35

Market leader elementary business english : practice file [grabación sonora]. Longman, 2008.

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36

Rose, Jay. Audio Postproduction for Film and Video. Taylor & Francis Group, 2012.

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37

Rose, Jay. Audio Postproduction for Film and Video. Taylor & Francis Group, 2012.

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38

Rose, Jay. Audio Postproduction for Film and Video. Taylor & Francis Group, 2012.

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39

Rose, Jay. Audio Postproduction for Film and Video. Taylor & Francis Group, 2012.

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40

Audio postproduction for film and video. 2nd ed. Elsevier/Focal Press, 2009.

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41

Capobianco, Lucia, Damien Van Strydonck, and Stefano Fonzi. Musique de Film: Manuel Pratique d'écriture Pour la Création de Bandes Sonores. Independently Published, 2021.

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42

Market leader pre-intermediate business english : practice file [grabación sonora]. Longman, 2007.

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43

Gomery, Douglas. Coming of Sound. Taylor & Francis Group, 2005.

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44

Gomery, Douglas. Coming of Sound. Taylor & Francis Group, 2005.

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45

The Coming of Sound. 2005.

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46

Coming of Sound. Routledge, 2004.

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47

The coming of sound: A history. Routledge, 2004.

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48

Sound for film and television. Taylor and Francis, 2010.

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49

Practical art of motion picture sound. 4th ed. Focal Press, 2012.

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50

Die Sonate Vom Guten Menschen Eine Analyse Der Darstellung Der Stasi Im Film Anhand Des Films Das Leben Der Anderen. Grin Verlag, 2009.

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