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Books on the topic 'Film soundtracks'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Bloch-Robin, Marianne. Carlos Saura: Paroles et musique au cinéma. Villeneuve d'Ascq: Presses universitaires du Septentrion, 2018.

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2

Reay, Pauline. Music in film: Soundtracks and synergy. London: Wallflower, 2004.

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3

Mark, Slobin, ed. Global soundtracks: Worlds of film music. Middletown, Conn: Wesleyan University Press, 2008.

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4

Şipa, Alexandru. Adrian Enescu 4ever. Bucureşti: Tracus Arte, 2017.

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5

Rose, Jay. Producing great sound for film and video. 3rd ed. Burlington, MA: Elsevier, Focal Press, 2008.

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6

Rose, Jay. Producing great sound for film and video. 3rd ed. Burlington, MA: Elsevier, Focal Press, 2008.

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7

Rose, Jay. Producing great sound for film and video. 3rd ed. Burlington, MA: Elsevier, Focal Press, 2008.

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8

Williams, John. Star wars, episode I, the phantom menace: Original motion picture soundtrack. New York: Sony Classical, 1999.

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9

Mothersbaugh, Mark. The life aquatic with Steve Zissou: Original soundtrack. Burbank, CA: Hollywood Records, 2004.

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10

Tan, Dun. Crouching tiger, hidden dragon: Original motion picture soundtrack. New York: Sony Classical, 2000.

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11

Stingel-Voigt, Yvonne. Soundtracks virtueller Welten: Musik in Videospielen. Glückstadt: VWH, Verlag Werner Hülsbusch, 2014.

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12

Brophy, Philip. 100 Modern Soundtracks (Bfi Screen Guides). London: British Film Institute, 2004.

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13

Wenders, Wim. Pina: Dance, dance otherwise we are lost : original soundtrack. Germany: Wenders Music, 2011.

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14

Thurman, Uma. Kill Bill: Original soundtrack. Beverly Hills, CA: Band Apart/Maverick, 2004.

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15

Aykroyd, Dan. Blues Brothers 2000: Soundtrack. New York: Universal, 1997.

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16

Navarro, Heriberto. Música de cine: Historia y coleccionismo de bandas sonoras. Madrid: Ediciones Internacionales Universitarias, 2003.

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17

Sergio, Navarro Arriola, ed. Música de cine: Historia y coleccionismo de bandas sonoras. 2nd ed. Madrid: Ediciones Internacionales Universitarias, 2005.

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18

Szabłowska, Maria. Znam wszystkie wasze numery: Andrzej Korzyński. Warszawa: Wydawnictwo Agora, 2018.

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19

author, Sibilla Gianni 1971, ed. La canzone nelle serie TV: Forme narrative e modelli produttivi. Bologna: Pàtron editore, 2021.

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20

Menken, Alan. Beauty and the beast: Special edition soundtrack. Burbank, CA: Walt Disney Records, 2001.

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21

Giachino, Luigi. Ascoltare le immagini: L'importanza della musica nel linguaggio cinematografico. Roma: Gremese, 2009.

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22

David, Neumeyer, and Deemer Rob, eds. Hearing the movies: Music and sound in film history. New York: Oxford University Press, 2010.

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23

Sinatra, Nancy. Kill Bill: Original soundtrack. Beverly Hills, CA: Band Apart/Maverick, 2003.

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24

200 CD Eiga Ongaku Hensan Iinkai. 200 CD eiga ongaku: Sukoa santora o kiku. Tōkyō: Rippū Shobō, 1999.

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25

Cinema, pittura, musica: Per un accordo armonico. Roma: Bulzoni, 2007.

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26

Dominique, Nasta, Huvelle Didier, and Archimedia (Organization), eds. Le son en perspective: Nouvelles recherches = New perspectives in sound studies. Bruxelles: P.I.E.-Peter Lang, 2004.

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27

David, Liban, ed. The video editor's guide to Soundtrack Pro: Workflows, tools, and techniques. Boston, Mass: Elsevier, 2010.

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28

Dylan, Bob. I'm not there: Original soundtrack. New York, NY: Columbia, 2007.

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29

Larry, Sider, Freeman Diane, and Sider Jerry, eds. Soundscape: The School of Sound lectures 1998-2001. London: Wallflower Press, 2003.

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30

VASST, ed. Absolute training for Final Cut Studio: Volume 9 : Advanced trimming techniques in Final Cut Pro. Stockton, UT: VASST/Sundance Media Group, Inc., 2005.

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31

Hay, Colin. Garden State. New York, NY: Epic/Sony Music Soundtrax, 2004.

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32

Marks, Nancy Freeman. Just as you are: The story of Leon and Sam. Venice, Calif: Wave Pub., 2003.

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33

D, Romanowski William, ed. Risky business: Rock in film. New Brunswick (U.S.A.): Transaction Publishers, 1991.

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34

TOOFAN. GOONJ: Film soundtracks. Weston, 1989.

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35

Donnelly, Kevin J. Extending Film Aesthetics. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.020.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. Film remains at the apex of audiovisual culture, providing inspiration and aspiration for other media. Film music and other sounds from the soundtrack have extended film aesthetics beyond the bounds of film into other media and culture. Sound design now can use musical software to enhance sound effects in films and music composers to incorporate sound effect recordings. Soundtrack elements now appear to have an “aesthetic” character. Technology has engendered a spatial sonic arena wherein sonic elements have mixed into a sensual and psychological field. Modern film soundtracks often evince a conceptual or aesthetic unity strikingly similar to musical unity, evident in disc releases unconnected to the cinema. In films sounds on their own work in a different way, implying visuals that we then expect to see or imagine. That soundimpliesvisuals is crucial also to extended soundtracks outside film.

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36

Craggs, Stewart R. Soundtracks. Taylor & Francis Group, 2019.

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37

Ibtadāʼī Panjābī filmī gīt, 1947-1932. Lāhaur: Maqṣūd Pablisharz, 2016.

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38

MUSIC IN FILM: SOUNDTRACKS AND SYNERGY. LONDON: WALLFLOWER, 2004.

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39

Kytö, Meri. Soundscapes of Istanbul in Turkish Film Soundtracks. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0028.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter examines the changing relationships of sounds, places, and their cultural meanings in Turkish films located in Istanbul. Starting with a brief review of the historical context of Turkish film sound and sonic representations of Istanbul, the chapter then analyzes two recent films set in middle-class apartment homes,11’e 10 kalaandUzak, which represent the auteur vein of new Turkish cinema. Both feature subtle and delicate sound design and evidence a form of heightened realism that contrasts with traditional approaches, shifting the focus of Istanbul’s soundscapes from public to private. Although the locations and characters of both these films are remarkably similar, their soundtracks differ in rendering the experience of urbanity and strategies of acoustic privacy by the transcoding of soundmarks and the use of transphonia in scenes.

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40

Donnelly, K. J., and Aimee Mollaghan, eds. Haunted Soundtracks. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9781501389580.

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The turn of the millennium has heralded an outgrowth of culture that demonstrates an awareness of the ephemeral nature of history and the complexity underpinning the relationship between location and the past. This has been especially apparent in the shifting relationship between landscape, memory and sound in film, television and other media. The result is growing interest in soundtracks, as part of audiovisual culture, as well as an interest in the spectral aspects of culture more generally. This collection of essays focuses on audiovisual forms that foreground landscape, sound and memory. The scope of inquiry emphasises the ghostly qualities of a certain body of soundtracks, extending beyond merely the idea of 'scary films' or 'haunted houses.' Rather, the notion of sonic haunting is tied to ideas of trauma, anxiety or nostalgia associated with spatial and temporal dislocation in contemporary society. Touchstones for the approach are the concepts of psychogeography and hauntology, pervasive and established critical strategies that are interrogated and refined in relation to the reification of the spectral within the soundtracks under consideration here.

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41

Stones, Rolling. Ladies & gentlemen. 2017.

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42

Schrader, Matt. Score: A film music documentary. 2017.

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43

Soundtracks: An international dictionary of composers for film. Aldershot, Hants, England: Ashgate, 1998.

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44

Reay, Pauline. Music in Film: Soundtracks and Synergy (Short Cuts). Wallflower Press, 2004.

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45

Thompson, Trevor, and Matt Schrader. SCORE: A Film Music Documentary — The Interviews. Epicleff Media, 2017.

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46

Sider, Larry. Soundscape. Wallflower Press, 2003.

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47

Soundscape. Wallflower Press, 2003.

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48

Craggs, Stewart R. Soundtracks: International Dictionary of Composers of Music for Film. Taylor & Francis Group, 2020.

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49

Soundtracks: International Dictionary of Composers of Music for Film. Taylor & Francis Group, 2019.

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50

Craggs, Stewart R. Soundtracks: International Dictionary of Composers of Music for Film. Taylor & Francis Group, 2019.

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