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Relevant bibliographies by topics / Film space

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Academic literature on the topic 'Film space'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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Journal articles on the topic "Film space"

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Chen, Sha Tong, Xin Lyu та Ye Wang. "영화 아키텍처에 기초한 기념식 공간디자인 방법 연구: 프랑스 누벨바그를 중심으로". Korea Institute of Design Research Society 9, № 1 (2024): 35–51. http://dx.doi.org/10.46248/kidrs.2024.1.35.

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This study investigates the design of French Nouvelle Vague films converted into monumental spaces based on the theory of cinematic architecture. The purpose of the study is to further develop the design method of converting the film into monumental space by exploring the correlation between film and monumental space and to prove the feasibility of the design method of converting the film into monumental space through the virtual design of the French Nouvelle Vague Memorial Museum. The object of the study is the French Nouvelle Vague film and monumental space. The content and scope of the stud

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Dunat, Silvana. "Film space as mental space." Semiotica 2015, no. 207 (2015): 475–87. http://dx.doi.org/10.1515/sem-2015-0039.

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AbstractThis paper explores the hypothesis that the three-dimensionality and continuity of film space is a mental construct based on our perception of the images projected on the screen and our knowledge of/about the world and our knowledge of/about film. Starting from Alberti’s (1804 [1435]) visual pyramid as a geometric representation of the vision of a stationary observer, such as a painter, and Gardies’ (1993) mirror ball representing the vision of a dynamic spectator, such as a camera, the paper proposes a new schema aiming to explain how the three spaces – real, virtual, and mental – par

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Yang, Wenjing. "The Construction of the Female Image and Social-Cultural Metaphor in Tuya's Marriage from the Perspective of Space Narration." Communications in Humanities Research 6, no. 1 (2023): 143–48. http://dx.doi.org/10.54254/2753-7064/6/20230166.

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The rural film Tuya's Marriage, directed by Wang Quan'an, constructs profound and rich spatial metaphors, promotes the development of film narrative, shapes the character characteristics of female characters and completes the unique expression of the female experience. Based on the theory of space narration, this paper makes an in-depth analysis of three narrative Spaces, which are enclosed space, social space and imagination space. It reveals the internal relationship between spatial metaphor and the image-building of female characters in movies as well as the profound cultural connotation. T

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Wang, Danqi. "A Brief Analysis of the Perfect Integration of Narrative Elements and Space-time Construction." Lecture Notes in Education Psychology and Public Media 47, no. 1 (2024): 226–30. http://dx.doi.org/10.54254/2753-7048/47/20240984.

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As a comprehensive art, film often has the dual attributes of time and space. "Time and space" is one of the most special and free features of film, and it is also the basic element and main content of film narrative, and it is also the necessary condition for the audience to establish the imagination space. From the perspective of narratology, this paper will analyse the text of several domestic films in terms of their thematic narrative space-time construction and the design features of narrative elements, study the specific integration and practical application of lens narrative and space-t

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Weste, Marija. "CONNECTIVITY: THE SPACE OF DOCUMENTARY SEQUENCES IN THREE FICTION FILMS OF RIGA FILM STUDIO." Culture Crossroads 10 (November 10, 2022): 31–45. http://dx.doi.org/10.55877/cc.vol10.140.

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The subject of this study is the augmentation of portrayal of reality in fiction films by inclusion of documentary sequences. This article explores a hypothesis that in the spacetime continuum, film borders of cinematic genres, the divide between documentary and fiction cinema is disregarded. This divide appears if not artificial, then subordinated to the unity of each particular film as a text. The concept of con- nectivity can be applied to describe the relation of spaces of the documentary and the fictional sequences in a film. The Latvian cinema offers a wide range of instances for the gen

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Uddin, Kazi Ashraf. "Understanding Deviant Space:." Crossings: A Journal of English Studies 11 (September 1, 2020): 198–208. http://dx.doi.org/10.59817/cjes.v11i.58.

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This paper, preoccupied with intersectionality in spatial criticism and broadly portraying the visual representation of urban space in popular culture (film), critically looks into the lived experiences around the Delhi neighborhood, Paharganj, as illustrated in Rakesh Ranjan Kumar’s 2019 film Paharganj. Theoretically grounding on Henri Lefebvre’s spatial triad and production of space, and on Michel Foucault’s “panopticon” and “heterotopia,” this paper investigates (a) ways in which Paharganj turns into a deviant and dangerous space with its countercultural brooding and camouflaged criminality

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Dixon, Oliver. "The chronotopes of radical film: Collective exhibition and the social practice of ‘Cinema Action’." Moving Image Review & Art Journal (MIRAJ), The 14, no. 1 (2025): 11–28. https://doi.org/10.1386/miraj_00138_1.

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In 1970s Britain, film collectives like Cinema Action (CA), Amber and Newsreel used cinema to support working-class struggles through collective production and itinerant exhibition practices. Contemporaneous film theorists analysed such practices through notions of collective space in which collaborative film analyses and discussion produced active political subjects. More recently, scholars have critiqued this theoretical model for its de facto connection of collective space to active spectatorship and politicization. Equally, contemporary scholarship overemphasizes textual analysis over the

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Li, Jialu, Hong Zhang, and Meng Guo. "On the Unnatural Spaces Narration of the Film Stranger Than Fiction." Learning & Education 10, no. 2 (2021): 10. http://dx.doi.org/10.18282/l-e.v10i2.2248.

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Space is one of the important dimensions of film narrative strategy, and the space narrative of film has received more and more attention from narratologists The film “Stranger Than Fiction” uses unnatural narration to The film “Stranger Than Fiction” uses unnatural narration to convey the themes of love, death and life to the audience through the presentation of unnatural narrative space. discusses the unnatural spaces narration of “Stranger Than Fiction” from the perspective of external materialization of inner This paper discusses the unnatural spaces narration of Stranger Than Fiction from

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Glade, Jonathan. "The Korean Restaurant: Beyond Violence in Zainichi Korean Film." Seoul Journal of Korean Studies 36, no. 1 (2023): 117–38. http://dx.doi.org/10.1353/seo.2023.a902136.

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Abstract: Depictions of conflict, frequently in the form of physical violence, occupy a prominent space within Zainichi Korean film. Even the most violent of films, however, depict other divergent forms of interaction that shape social ties and inform explorations of identity. These divergent forms of interaction, in many cases, revolve around the consumption or production of Korean food and frequently take place within the shared culinary space of the Korean restaurant. Focusing on the films Yakiniku Dragon (2018), GO (2001), and Blood and Bones (2004), this article analyzes the ways in which

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Ren, Xuyan. "Spatial Research on Tibetan Film Images --Taking the Works of Local Tibetan Directors in China Since the New Century as an Example." Communications in Humanities Research 17, no. 1 (2023): 149–56. http://dx.doi.org/10.54254/2753-7064/17/20230900.

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Tibetan films, as a branch of Chinese national cinema, have produced many excellent works in recent years with the focus of film creators, and have made remarkable achievements in terms of filming techniques, artistic style, aesthetic value and film language, presenting a thriving scene in creation and dissemination. This paper explains the establishment of the external image space of Tibetan films since the new century, the construction of the internal spiritual space of Tibetan films, and the aesthetic presentation of the image space of the Tibetan New Wave, analyses and summarizes the ethni

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Dissertations / Theses on the topic "Film space"

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Pittis, Patrick J. "Star Patrol Space Squad." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/690.

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Kaneko, K., T. Hori, E. Nakane, H. Kondo, and T. Mizutani. "Space Charge Behavior of Polyimide Film." IEEE, 2004. http://hdl.handle.net/2237/7209.

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Kuronen, Suzanne. "Figuring space : considering the figure in the construction of space as materialist film." University of Western Australia. School of Architecture, Landscape and Visual Arts, 2004. http://theses.library.uwa.edu.au/adt-WU2005.0015.

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Figuring Space; considering the figure in the construction of space in materialist film is an analysis of film space that uses either the image of a figure or the actual figure of the viewer in its construction. The thesis focuses on particular screen works of William Raban, Guy Sherwin, Malcolm Le Grice, Chris Welsby, Nicky Hamlyn, Peter Gidal (all members of the London Filmmakers’ Cooperative) and the Canadian artist Michael Snow. It discusses the works in relation to the basic materials of time, light and sound found in film and video. The thesis looks at the way the film frame was implemen

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Bowen, Sarah. "Landscape as transitional space in film practice." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/3781ef60-cbd2-4606-bcd8-e96d5c32630d.

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Gegisian, Aikaterini. "The essay film and space : the essayistic filmic space as a location of thought." Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/964x7/the-essay-film-and-space-the-essayistic-filmic-space-as-alocation-of-thought.

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This practice-led research investigates the function of filmic space in essayistic discourse through the dialogic relationship between the essay film My Pink City that reflects on post-Soviet urban space in Yerevan and a written thesis that examines the role of space in the essay film. The research considers essay film as a distinct modality of thought in moving image practices that incorporates multiple processes, a diversity of forms and heterogeneous material in its discursive logics. Reacting against the privileging of the temporal in the thinking operations of the moving image, the resear

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Machado, Miguel. "A palimpsest-image : place, space and film geographies." Thesis, University of Westminster, 2016. https://westminsterresearch.westminster.ac.uk/item/q15xz/a-palimpsest-image-place-space-and-film-geographies.

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This thesis argues that landscape, place and the material image can be an emotional and narrative catalyst in the context of essay/documentary/art house films. It proposes the notion of the palimpsest-image as an orbit around three gravitational vectors: the relationship between place and space in film, the association of different art forms in the creation and interpretation of an image, and the simultaneity of discourses involving complex combinations of memory, history and imagination. Not necessarily present all the time, these three vectors interact, whether in the interpretation and orga

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Mohammad, Javaheri Saharnaz. "Architecture and Film." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64804.

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Film does not exist without architecture. In every movie that has ever been made throughout history, the cinematic image of architecture is embedded within the picture. Throughout my studies and research, I began to see that there is no director who can consciously or unconsciously deny the use of architectural elements in his or her movies. Architecture offers a strong profile to distinguish characters and story. In the early days, films were shot in streets surrounded by architecture, and then they were projected on the exterior walls of buildings where the audience could come and watch. He

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Yung, Yuk-yu. "Teaching film as a space of interpretative interaction." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/HKUTO/record/B38628557.

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Yung, Yuk-yu, and 容若愚. "Teaching film as a space of interpretative interaction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B38628557.

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Selbo, Jule Britt. "The constructive use of film genre for the screenwriter : creating film genre's mental space." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3501.

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This practice-led PhD project consists of two sections: the first examines a breakdown of the components of film genre to be used as practical guideposts for my own creative practice as a screenwriter and (hopefully in the future) for other screenwriters; the second section contains my practical application – first acts of three screenplays that are constructed utilizing my research and subsequent assessments. Using a theoretic construct presented in the area of philosophy in the 1990s by cognitive theorist Gilles Fauconnier called ‘mental space’, a concept exploring a person’s natural inclina

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Books on the topic "Film space"

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Sobchack, Vivian. Screening space: The American science fiction film. 2nd ed. Ungar, 1987.

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Carol, Sobchack Vivian, ed. Screening space: The American science fiction film. 2nd ed. Ungar, 1987.

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Carol, Sobchack Vivian, ed. Screening space: The American science fiction film. 2nd ed. Rutgers University Press, 1997.

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1942-, Rüegg Arthur, ed. Hans Richter: New living : architecture, film, space. Lars Müller, 2001.

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Nama, Adilifu. Black space: Imagining race in science fiction film. University of Texas Press, 2008.

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Hepp, Aloysius F. Thin-film sensors for reusable space propulsion systems. NASA Lewis Research Center, 1989.

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S, Kim Walter, and Lewis Research Center, eds. Thin-film sensors for reusable space propulsion systems. NASA Lewis Research Center, 1989.

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M, Wilt David, and United States. National Aeronautics and Space Administration., eds. Peeled film GaAs solar cells for space power. National Aeronautics and Space Administration, 1990.

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S, Kim Walter, and Lewis Research Center, eds. Thin-film sensors for reusable space propulsion systems. NASA Lewis Research Center, 1989.

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Susanne, Dürr, and Steinlein Almut, eds. L' espace dans le film =: Der Raum im Film. P. Lang, 2002.

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Book chapters on the topic "Film space"

1

Carroll, Beth. "Sound Space." In Feeling Film. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53936-6_3.

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Carroll, Beth. "Visual Space." In Feeling Film. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53936-6_4.

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Carroll, Beth. "Audio-Visual Space." In Feeling Film. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53936-6_5.

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Donaldson, Lucy Fife. "Experiencing Space." In Texture in Film. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137034809_4.

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Krämer, Peter. "The Film." In 2001: A Space Odyssey. British Film Institute, 2012. http://dx.doi.org/10.1007/978-1-84457-558-9_7.

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Dick, Bernard F. "Film, Space, and Image." In Anatomy of Film. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26388-2_3.

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Izod, John. "2001: A Space Odyssey." In Jung & Film. Routledge, 2021. http://dx.doi.org/10.4324/9781315783284-10.

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King, Alasdair. "Film and Financial Space." In The Financial Image. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-40654-6_5.

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Hindle, Maurice. "The Space of the Movie Screen." In Shakespeare on Film. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-53172-8_3.

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Dabak Özdemir, Burcu. "Space: Organizing Places of Turkish Immigrant Film Festivals in Germany—Reshaping Space, Identity, and Culture." In Framing Film Festivals. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-73298-0_4.

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Conference papers on the topic "Film space"

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Gouda, Girish M., Debashree Das, Murulidhara K. R, Venkateswaran R, Kalpana Arvind, and Sriram K. V. "On-Board Performance of Star Trackers With Very High Absorber CNT Film Coated Baffles." In 2024 IEEE Space, Aerospace and Defence Conference (SPACE). IEEE, 2024. http://dx.doi.org/10.1109/space63117.2024.10668312.

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Lott, Hongling, Peter Dingus, James Garnett, Anthony Rice, Matthew Reese, and Eric Colegrove. "Ultrafast Heteroepitaxial Single-Crystal CdTe Thin Film by Close Space Sublimation." In 2024 IEEE 52nd Photovoltaic Specialist Conference (PVSC). IEEE, 2024. http://dx.doi.org/10.1109/pvsc57443.2024.10749604.

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Kaneko, K., T. Hori, E. Nakane, H. Kondo, and T. MIzutani. "Space charge behavior of polyimide film." In Proceedings of the 2004 IEEE International Conference on Solid Dielectrics, 2004. ICSD 2004. IEEE, 2004. http://dx.doi.org/10.1109/icsd.2004.1350312.

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Ignatiev, A., A. Freundlich, M. Sterling, A. Bansaoula, and S. Pei. "Advanced thin film materials development in space and for space." In 2001 Conference and Exhibit on International Space Station Utilization. American Institute of Aeronautics and Astronautics, 2001. http://dx.doi.org/10.2514/6.2001-4909.

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Zhu, Weijia, Yiming Xi, and Zhenglei Xi. ""Optical matching system" of space silicon solar cells." In Third International Conference on Thin Film Physics and Applications, edited by Shixun Zhou, Yongling Wang, Yi-Xin Chen, and Shuzheng Mao. SPIE, 1998. http://dx.doi.org/10.1117/12.300643.

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Delmotte, F., S. de Rossi, C. Bourassin-Bouchet, et al. "EUV multilayer optics for space science and ultrafast science." In Seventh International Conference on Thin Film Physics and Applications, edited by Junhao Chu and Zhanshan Wang. SPIE, 2010. http://dx.doi.org/10.1117/12.888199.

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Zhang, Xiaofeng. "The Fucntions of Space in Film Shot." In 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccessh-17.2017.115.

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Albrand, G., C. Amra, H. Rauf, et al. "Thin film optical coatings for the ultraviolet spectral region." In International Conference on Space Optics 2000, edited by Georges Otrio. SPIE, 2017. http://dx.doi.org/10.1117/12.2307930.

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Haggerty, Ryan, and Tesia Stanaland. "Applications of holographic film in solar sails." In SPACE TECHNOLOGY AND APPLICATIONS INTERNATIONAL FORUM- STAIF 2002. AIP, 2002. http://dx.doi.org/10.1063/1.1449753.

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Sun, Changchang, and Qiong Zhang. "Film-film Scratch Repair Based on Space-Time Combined with Edge-connect Network." In 2023 3rd International Conference on Electronic Information Engineering and Computer Science (EIECS). IEEE, 2023. http://dx.doi.org/10.1109/eiecs59936.2023.10435425.

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Reports on the topic "Film space"

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Bankoff, S. G., and M. J. Miksis. Stability of a liquid-film space radiator with internal electrostatic fields. Office of Scientific and Technical Information (OSTI), 1992. http://dx.doi.org/10.2172/5661426.

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Jackson, A. G., and M. Benedict. Thin Film Growth Simulation Using Cellular Automata State Space, and Neural Nets Methods. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada362754.

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Jones, Gary D., Roger Alan Assink, Tim Richard Dargaville, et al. Characterization, performance and optimization of PVDF as a piezoelectric film for advanced space mirror concepts. Office of Scientific and Technical Information (OSTI), 2005. http://dx.doi.org/10.2172/876343.

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Muelaner, Jody Emlyn. Space-based Solar Power for Instantaneously Dispatchable Renewable Power on Earth. SAE International, 2025. https://doi.org/10.4271/epr2025005.

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<div class="section abstract"><div class="htmlview paragraph">Recent advances are reducing the cost of space launch, high specific power solar cells, and the production of satellite systems. Modular architectures with no moving parts and distributed power systems would minimize assembly and maintenance costs. Together, this may enable space-based solar power to provide decarbonized dispatchable power at a lower cost than equivalent technologies such as nuclear power stations.</div><div class="htmlview paragraph"><b>Space-based Solar Power for Instantaneously Dispa

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Bankoff, S. G., and M. J. Miksis. Stability of a liquid-film space radiator with internal electrostatic fields. Progress report, October 1, 1991--September 30, 1992. Office of Scientific and Technical Information (OSTI), 1992. http://dx.doi.org/10.2172/10140450.

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Paslavskyi, Ihor. Ukrainian television: problem-content analysis. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11397.

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The article highlights and analyzes the factors influencing the activities of television editorial teams in the period of new political, economic and security circumstances. It is noted that all-Ukrainian influential television channels, which have the highest popularity and high ratings, are oligarchic media with a high level of political involvement. Ukrainian television is widely practicing to narrow the thematic range of programs, reports and programs resulting in unjustified dominance in the television space of entertainment and humorous genres, «ravel journalism», excessive overweight of

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Bilicka, Katarzyna, and André Seidel. Measuring Firm Activity from Outer Space. National Bureau of Economic Research, 2022. http://dx.doi.org/10.3386/w29945.

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Hediger, Vinzenz. Trust and spectatorship. ConTrust - Trust in Conflict. Research Centre "Normative Orders" of Goethe University Frankfurt am Main, 2025. https://doi.org/10.21248/gups.80293.

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Research on trust and media in communication measures the trustworthiness of legacy news media (newspapers, radio, television) in nation state settings in longitudinal studies, in which controls for demographics are usually limited to age and political preference. These studies assume that trust in news sources is a useful indicator of the viability of liberal democracy. However, in an increasingly globalized and diversified digital information space in which alternative media challenge the established division of cognitive labor of democracy the underlying assumptions of this research design

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Shin, Kang G. Use of Free Space to Enhance the Performance, Energy Efficiency, and Fault-Tolerance of a File System. Defense Technical Information Center, 2009. http://dx.doi.org/10.21236/ada573712.

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Weiss. PR-318-08700-R01 Smart Gas-Using Chemicals to Improve Gas Deliverability-Phase II. Pipeline Research Council International, Inc. (PRCI), 2009. http://dx.doi.org/10.55274/r0010944.

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In water-wet gas storage reservoirs, the imbibition force promotes the retention of water in the pore space, which curtails the deliverability of gas to the wellbore during periods of high demand. Similarly, the injection of gas during the fill cycle is restricted. In addition, the pore space occupied by irreducible water is not available to hold gas. The objective of this Phase II project was to demonstrate in the field the new technology developed in the laboratory during Phase I. Wettability alteration was evaluated as a technique to improve gas deliverability from gas storage wells during

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