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Dissertations / Theses on the topic 'Film space'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Pittis, Patrick J. "Star Patrol Space Squad." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/690.

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2

Kaneko, K., T. Hori, E. Nakane, H. Kondo, and T. Mizutani. "Space Charge Behavior of Polyimide Film." IEEE, 2004. http://hdl.handle.net/2237/7209.

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3

Kuronen, Suzanne. "Figuring space : considering the figure in the construction of space as materialist film." University of Western Australia. School of Architecture, Landscape and Visual Arts, 2004. http://theses.library.uwa.edu.au/adt-WU2005.0015.

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Figuring Space; considering the figure in the construction of space in materialist film is an analysis of film space that uses either the image of a figure or the actual figure of the viewer in its construction. The thesis focuses on particular screen works of William Raban, Guy Sherwin, Malcolm Le Grice, Chris Welsby, Nicky Hamlyn, Peter Gidal (all members of the London Filmmakers’ Cooperative) and the Canadian artist Michael Snow. It discusses the works in relation to the basic materials of time, light and sound found in film and video. The thesis looks at the way the film frame was implemen

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4

Bowen, Sarah. "Landscape as transitional space in film practice." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/3781ef60-cbd2-4606-bcd8-e96d5c32630d.

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5

Gegisian, Aikaterini. "The essay film and space : the essayistic filmic space as a location of thought." Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/964x7/the-essay-film-and-space-the-essayistic-filmic-space-as-alocation-of-thought.

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This practice-led research investigates the function of filmic space in essayistic discourse through the dialogic relationship between the essay film My Pink City that reflects on post-Soviet urban space in Yerevan and a written thesis that examines the role of space in the essay film. The research considers essay film as a distinct modality of thought in moving image practices that incorporates multiple processes, a diversity of forms and heterogeneous material in its discursive logics. Reacting against the privileging of the temporal in the thinking operations of the moving image, the resear

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6

Machado, Miguel. "A palimpsest-image : place, space and film geographies." Thesis, University of Westminster, 2016. https://westminsterresearch.westminster.ac.uk/item/q15xz/a-palimpsest-image-place-space-and-film-geographies.

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This thesis argues that landscape, place and the material image can be an emotional and narrative catalyst in the context of essay/documentary/art house films. It proposes the notion of the palimpsest-image as an orbit around three gravitational vectors: the relationship between place and space in film, the association of different art forms in the creation and interpretation of an image, and the simultaneity of discourses involving complex combinations of memory, history and imagination. Not necessarily present all the time, these three vectors interact, whether in the interpretation and orga

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7

Mohammad, Javaheri Saharnaz. "Architecture and Film." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64804.

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Film does not exist without architecture. In every movie that has ever been made throughout history, the cinematic image of architecture is embedded within the picture. Throughout my studies and research, I began to see that there is no director who can consciously or unconsciously deny the use of architectural elements in his or her movies. Architecture offers a strong profile to distinguish characters and story. In the early days, films were shot in streets surrounded by architecture, and then they were projected on the exterior walls of buildings where the audience could come and watch. He

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8

Yung, Yuk-yu. "Teaching film as a space of interpretative interaction." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/HKUTO/record/B38628557.

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Yung, Yuk-yu, and 容若愚. "Teaching film as a space of interpretative interaction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B38628557.

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10

Selbo, Jule Britt. "The constructive use of film genre for the screenwriter : creating film genre's mental space." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3501.

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This practice-led PhD project consists of two sections: the first examines a breakdown of the components of film genre to be used as practical guideposts for my own creative practice as a screenwriter and (hopefully in the future) for other screenwriters; the second section contains my practical application – first acts of three screenplays that are constructed utilizing my research and subsequent assessments. Using a theoretic construct presented in the area of philosophy in the 1990s by cognitive theorist Gilles Fauconnier called ‘mental space’, a concept exploring a person’s natural inclina

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11

Richardson, Emily. "Articulating space : the translation of modern architectural space into filmic space through artists' film and moving image practice." Thesis, Royal College of Art, 2019. http://researchonline.rca.ac.uk/3844/.

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Using a practice-based method, the outcome of this research is a trilogy of films looking at three post-war modern prototype houses built by British architects. The examples chosen are: H.T. 'Jim' and Betty Cadbury-Brown's 3 Church Walk; Aldeburgh, Suffolk (1962); John Penn's Beach House, Shingle Street, Suffolk (1969) and Richard and Su Rogers' Spender House and Studio, near Maldon, Essex (1968). With each of the films a house is reconstructed on film, reactivating the architectural space as filmic space. The films explore the interaction between architectural space and its filmic translation

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12

Chung, Simone Shu-Yeng. "Spatial translatability : space in film through a reading of Hou Hsiao-hsien's peripatetic films." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708345.

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13

Choudhuri, Sucheta Mallick Kopelson Kevin Kumar Priya. "Transgressive territories queer space in Indian fiction and film /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/346.

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14

Pilla, Eleni. "The renegotiation of space in film versions of Othello." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439434.

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15

Choudhuri, Sucheta Mallick. "Transgressive territories: queer space in Indian fiction and film." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/346.

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This dissertation argues that the representation of queer space in colonial and postcolonial Indian fiction and film counters the marginalization of the sexual dissidents, both in the Indian nation-state and the Indian diaspora. The spatial reclamation in these texts, I contend, also interrogates the received notion of queer empowerment by shifting the emphasis from visibility and inclusion to alternative agential modes such as secrecy and camouflage. This departure from liberal Eurocentric discourses defines the essence of my project. The main body of my dissertation consists of analysis of t

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Ivana, Maraš. "Percepcija i imaginacija urbanog pejzaža u XX i XXI veku: kinematografske projekcije grada." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=110272&source=NDLTD&language=en.

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U radu su istražene brojne i različite veze između grada i medija filma.Razmatrano je kako su filmski prikazi urbanih pejzaža postali njihovintegralni, neodvojivi deo i kako navedeno utiče na promene u sagledavanjuarhitektonskih prostora i urbanog okruženja, kao i na promene u načinu nakoji se sa istima stupa u interakciju. Kroz ispitivanje prikaza gradova ufilmovima, istraživani su tokovi urbanog razvoja i analizirane su iinterpretirane društveno-prostorne promene koje se odvijaju od početka XXveka do danas u velikim evropskim i severnoameričkim gradovima.<br>The thesis explores numerous and

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17

Eriksen, Malin. "Creation of thin film CuSbSe2 through closed space vapor transportdeposition." Thesis, Uppsala universitet, Institutionen för teknikvetenskaper, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-345048.

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With an increasing demand for fossil-free energy the development of efficient solar cells made from sustainable and abundant materials is needed. A promising group of new absorber materials are the chalcogenide materials, including the chalcostibnite compounds copper antimony selenide, CuSbSe2. The few studies that have been carried out on this material show promising properties with an absorption coefficient higher than 7 x 104 cm-1 in the visible region and a band gap around 1.5-1.1 eV, which theoretically can be tuned by creating an alloy with the more studied and higher band gap material C

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18

Ballester, Cesar. "The establishing shot, film space and the Czechoslovak New Wave." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444508/.

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In this thesis I have attempted to reveal the aetiology of the absence of the establishing shot in the editing style of the Czechoslovak New Wave. I have demonstrated that the Czechoslovak New Wave had a unique way of editing that differentiated it from those other so-called new cinemas, which were also questioning the continuity style. Never in the history of sound cinema had so many films been edited with such a large number of scenes that lacked the establishing shot. The absence of the establishing shot in these films provokes several questions. I answer the question why the New Wave quest

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19

Martinez, Alexandra. "The Contention of Space in Contemporary Cuban and Brazilian Film." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/193970.

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The purpose of this dissertation is to study women's representation and the contention of space in contemporary Brazilian and Cuban films, in order to analyze the way in which the films reflect societal values regarding gender roles and, consequently the way the nation is represented. The Cuban films I examine are: Retrato de Teresa (1979) and De Cierta Manera (1964), the short "Julia" from Mujer Transparente (1990) and from Brazil I work with the films Gabriela (1983) and A Hora da Estrela (1984.) All of the films have a protagonist that is a woman, and all were successful in the box office a

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20

Fraser, Benjamin Russell. "The Difference Space Makes: Bergsonian Methodology and Madrid's Cultural Imaginary through Literature, Film and Urban Space." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/195820.

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In the present effort, the philosopher Henri Bergson’s (1859-1941) seminal philosophical work functions as a revitalizing force and even an implicit point of departure for the more urban-oriented critique of Henri Lefebvre’s (1901-1991) watershed text L’Producción de l’espace/The Production of Space (1974). Both Lefebvre and Bergson in fact share a common perception of space—it is neither a static ground, nor an apriori condition of experience as Kant argued, but is instead a process inseparable from time and implicated in thought itself. Grounded in this resulting novel understanding of space

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21

Brydon, Lavinia Elizabeth. "The mobile garden : exploring the space of the garden in selected British films." Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/3175.

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The purpose of this thesis is to investigate the garden as a cinematic space. It centres upon the idea that cinematic spaces accommodate and advance the medium’s peculiar relationship with movement. Previous study of cinema’s spatial specificity, the deployment of geographically identifiable places on film, and the role of space in constructing cinematic meaning has led me to identify an academic bias that considers other spaces, such as the city or the road, as fundamentally cinematic but curiously neglects the garden. My thesis will correct this critical blind spot and, moreover, promote the

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22

Norris, Jane M. K. "Viatopias : exploring the experience of urban travel space." Thesis, University of the Arts London, 2009. http://ualresearchonline.arts.ac.uk/7466/.

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The title of this research is constructed from: `via' - route and töp(os) -a place. Viatopias are urban spaces of continual travel or flux that incorporate multiple forms of perception and inscriptions of meaning. My aim has been to define and describe the increasingly important fluid perceptual spaces that have developed between static nineteenth century destinations. Viatopias such as passageways, underground tunnels, train tracks, and the North Circular escape a sense of destination, operating as ever-changing experiences or events. The practice has sought to produce digital representations

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23

Berger, Aurore. "The transparitions of time in space in four fiction films by Knut Erik Jensen." Thesis, Stockholm University, Department of Cinema Studies, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1122.

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<p>Knut Erik Jensen’s oeuvre is often described from a typical Norwegian point of view. The corpus of films studied is restricted to his documentary production and to the breakthrough of Stella Polaris in 1993. But as I discovered Knut Erik Jensen through his posterior fiction films, I had to focus on this under esteemed production, even if I remain convinced that the dichotomy between the documentary and fiction films is not very pertinent. As Passing Darkness had blurred my reading of Gilles Deleuze’s books dedicated to cinema, I started to focus on both this film and Deleuze’s philosophical

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24

Viitanen, E. E. "Refracting space : navigating the suburban milieu in Finnish film 1960-1980." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1461231/.

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The thesis examines cinematic representations of Finnish suburbs between 1960 and 1980. It demonstrates how filmic strategies are employed to critique welfare state politics and how the films channel popular anxieties about rapid urban change. The research is divided into five chapters each focusing on the analysis of one film. The films are presented in chronological order drawing out a timeline for cinematic, social and architectural change, beginning with the planning of the suburbs and ending with the second generation of dwellers. The films recreate architecture and space on screen in dif

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25

Cioc, Sorin. "Application of the space-time conservation element and solution element numerical method to flows in fluid films /." See Full Text at OhioLINK ETD Center (Requires Adobe Acrobat Reader for viewing), 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=toledo1091469147.

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Dissertation (Ph.D.)--University of Toledo, 2004.<br>Typescript. "A dissertation [submitted] as partial fulfillment of the requirements of the Doctor of Philosophy degree in Engineering." Bibliography: leaves 162-176.

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26

Roggenkamp, Chrystal R. "Spatial Promenades: Sequential Experiences in Space and Time." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306499060.

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27

Archer, N. "Autopia : space, movement and identity in the French road film since 1968." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596139.

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This thesis argues that, in the years since 1968, the road film has played a significant part in French cinematic culture. Against much criticism which has tended to view the road film merely as an imported American genre, I argue for its specificity and pertinence to this modern French context. Central to this reading is a conception of the road film as expressing what I describe as <i>autopia</i>. Acknowledging Foucault’s concept of the heterotopia, the autopia of the road film represents the perfected but unrealisable no-place of the utopia, and at the same time, the often dystopian movemen

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28

Stevens, Grant William. "The space of editing : playing with difference in art, film and writing." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16361/1/Grant_Stevens_Thesis.pdf.

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This research project explores the creative and critical functions of editing in art, film and writing. The written component analyses the histories and discourses of 'cutting and splicing' to examine their various roles in processes of signification. The artistic practice uses more speculative and open-ended methods to explore the social 'languages' that inform our inter-subjective experiences. This project argues that editing is a creative methodology for making meaning, because it allows existing symbolic systems to be appropriated, revised and rewritten. By emphasising the operations of sp

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Stevens, Grant William. "The space of editing : playing with difference in art, film and writing." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16361/.

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This research project explores the creative and critical functions of editing in art, film and writing. The written component analyses the histories and discourses of 'cutting and splicing' to examine their various roles in processes of signification. The artistic practice uses more speculative and open-ended methods to explore the social 'languages' that inform our inter-subjective experiences. This project argues that editing is a creative methodology for making meaning, because it allows existing symbolic systems to be appropriated, revised and rewritten. By emphasising the operations of sp

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30

Knaggs, Angie. "The space between : discursive constructions of masculinity in contemporary South African men's lifestyle magazines." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/13981.

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Includes bibliographical references (leaves 122-136).<br>This thesis considers the constructions of discourses of masculinities by contemporary South African men's lifestyle magazines, and examines the extent to which they are simply mainstream promulgators of 'old school' patriarchy and soft porn, or the ways in which they offer new and complex models of modem masculinity. The thesis further examines whether local men's lifestyle magazines perhaps represent a unique synthesis within masculine discourses? This study explores how a new understanding of the discourses of masculinity can help to

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31

Szabados, Luke. "Splat! Fragmented Space in Experimental Cinema." Ohio University Honors Tutorial College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1461940887.

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32

Germa, Elisabeth. "L' odyssée kubrickienne : esthétique de la réception film et déconstruction des conventions audio-visuelles du cinéma classique hollywoodien dans 2001 : A Space Odyssey." Toulouse 2, 2001. http://www.theses.fr/2001TOU20014.

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Dans l'éclectisme des genres cinématographiques abordés par Stanley Kubrick (1928-1999) 2001 : A Space Odyssey (1968) est considérée comme une des oeuvres majeures de ce réalisateur américain. Il constitue, en outre, une référence incontournable du cinéma de science fiction et une véritable odyssée en soi. Ce travail explore les caractéristiques sonores et visuelles du film à la lumière d'une étude de l'esthétique de la réception filmique. Avec l'analyse syntagmatique de séquences, il apparaît que 2001 : A Space Odyssey relève par certains aspects d'une déconstruction des conventions cinématog

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Piepiorka, Christine [Verfasser], Eva-Maria [Gutachter] Warth, and Oliver [Gutachter] Fahle. "Lost in time & space / Christine Piepiorka ; Gutachter: Eva-Maria Warth, Oliver Fahle." Bochum : Ruhr-Universität Bochum, 2017. http://d-nb.info/1137380349/34.

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34

Jacobson, Brian R. "Constructions of cinematic space : spatial practice at the intersection of film and theory." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/39189.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2005.<br>Includes bibliographical references (p. 143-146).<br>This thesis is an attempt to bring fresh insights to current understandings of cinematic space and the relationship between film, architecture, and the city. That attempt is situated in relation to recent work by Michael Hardt and Antonio Negri, Saskia Sassen, and others on the importance of the city in the current global framework, along with the growing body of literature on film, architecture, and urban space. Michel De Certeau's threefold c

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McKenzie, Richard M. "The misogyny of the Trümmerfilm : space and gender in Post-War German film." Thesis, University of Reading, 2017. http://centaur.reading.ac.uk/69832/.

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Scholarly reviews of the Trümmerfilm1 have hitherto concentrated on the its redemptive qualities. In these readings of the films, the defeated German soldiers, Landser, or émigrés return to Germany and into the arms of their beautiful and faithful wives. The wives provide the safe space that the returned men need in order to be restored, reconciled and re-integrated into the new Germany. In this role, Germany’s women are responsible for ‘setting their men on course’ to rebuild the new nation and bring it out of its defeat. Robert Shandley has suggested2 that it is possible to view the original

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Moragia, Anita Mwango. "‘Do I even belong?' Interrogating Afro-diasporic navigation of identity, race and space in the search for belonging." Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32287.

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The departure point for this creative project is based on my experience as an African living in diaspora. While I felt many things during my time ‘away' from the African continent, one constant was always this feeling of unbelonging, and this need to find belonging. As such, this project centers around the theme ‘finding belonging in diaspora'. Growing up in Kenya, I had never really come to terms with the politics of my Kenyanness not to mention my blackness. I had simply just been me. While in Kenya, the only real identifiers I had to contend with that carried heavy politics were my gender a

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Ireland, Andrew. "'Conditions of time and space' : a re-enactment experiment with the British TV series Doctor Who." Thesis, Bournemouth University, 2012. http://eprints.bournemouth.ac.uk/20444/.

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The aim of this thesis is to provide a contribution to knowledge in two areas. Firstly, it seeks to further our understanding of the historical conditions of British television drama production; in particular the constraining and liberating influences of production space on the role of the director, and their decision-making process to bring script to screen. Secondly, the work develops the concept of re-enactment as a practice-based augmentation for archive-based textual reconstruction. As such, the thesis offers deeper discussions on the human context missing from current historiographic app

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Brown, Storm Jade. "Art, outrage, dialogue: a McLuhan reading of three visual communicative practices in Cape Town public space." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/22031.

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This mini-dissertation places a specific focus on the City of Cape Town and considers the space between aesthetics, commercial interest and social relevance in public visual communication practices. Instead of making a general statement or providing a value judgement, this research examines the nature of the debate surrounding public artistic practices by referring to three main artists; namely Michael Elion, The Tokolos Stencil Collective and Freddy Sam. The basis of the discussion is centred around the recent controversy surrounding Michael Elion's Sea Point public art sculpture, Perceiving

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Yes, Melissa R. "Space Program." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494286481799127.

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Hiltermann, Jaqueline Elizabeth. "Make yourself at home: networked domestic space, place and narrative in middle class South African everyday life." Doctoral thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/29445.

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Domestic space and place, as well as how we conceptualise the home, are shifting in response to changes in digital and SNS technologies, and our relationships with such technologies. The home is not only the building in which we live, but a networked assemblage of material and digitally mediated space and place. This study examines predominantly white middle class arrangements of domestic space and place in South Africa, which provides insight into a relatively unexplored aspect of digital culture: the performance of domesticity via SNS, particularly Facebook. Furthermore gendered and racialis

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Garrick, Angela. "Houses of the Mind: Architectural imaginary, personal reverie, moving image." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16970.

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This paper looks to examine the intersection of personal memory, physical space and emergent media. Looking at varying examples within psychology, visual arts and philosophy, the argument is raised that the dominance of film and media's presentation of physical spaces and structures now tends to dominate our perception of space, and become intertwined with our own reveries and travels. Using the work of philosopher Gaston Bachelard as a launchpad for enquiry, we consider the personal and collective function of memory and how it engages with the action of experiencing films, media, arts, imag

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Harris, Ian L. "Space and ground-based studies of orbital atomic oxygen effects using silver film detectors." Thesis, University of Southampton, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243184.

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Williams, Sally Tatham Robertson. "Between a rock and hard place : space, gender and hierarchy in British gangland film." Thesis, University of Hertfordshire, 2011. http://hdl.handle.net/2299/5555.

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A principal aim of this research has been to establish the capacity of British Gangland film to articulate its era of production through the cinematic interpretation of contemporary concerns and anxieties in narratives relating to the criminal underworld. In order to do so, the study has concentrated on the analysis of space, gender and hierarchy within representative generic texts produced between 1945 and the present. The thesis is divided into three sections: the first offers a general overview of British Gangland film from the 65 years under discussion with the aim of identifying recurring

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Widdis, Emma Kathrine. "Projecting a Soviet space : exploration and mobility in Soviet film and culture, 1920-1935." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/273070.

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Thompson, Miriam. "Maid in Space: Contemporary French cinematic translation of the 19th century rebellious maid figure." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/14598.

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This thesis offers a spatial analysis of the representation of female servitude and rebellion in contemporary French cinema through the archetype of the 19th century rebellious maid figure. The rebellious maid figure is an historical, social and cultural construct upon which a series of spatialised iconographic features were grafted during the nineteenth century and that continue to be employed in contemporary cinematic mise en scène. This thesis uncovers dual spatial translation processes. The first process under study is the translation of the maid’s ‘space syntax’ (a spatial and architectu

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Rohrschneider, Reuben R. "Variable-Fidelity Hypersonic Aeroelastic Analysis of Thin-Film Ballutes for Aerocapture." Diss., Georgia Institute of Technology, 2007. http://hdl.handle.net/1853/14590.

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Ballute hypersonic aerodynamic decelerators have been considered for aerocapture since the early 1980's. Recent technology advances in fabric and polymer materials as well as analysis capabilities lend credibility to the potential of ballute aerocapture. The concept of the thin-film ballute for aerocapture shows the potential for large mass savings over propulsive orbit insertion or rigid aeroshell aerocapture. Several technology hurdles have been identified, including the effects of coupled fluid structure interaction on ballute performance and survivability. To date, no aeroelastic solutions

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Chuang, Wen-Hsien. "MEMS-based silicon nitride thin film materials and devices at cryogenic temperatures for space applications." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2399.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: Electrical Engineering. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Glushchuk, Andrey. "Film condensation on curvilinear fin: preparation of SAFIR and EMERALD experiments aboard International Space Station." Doctoral thesis, Universite Libre de Bruxelles, 2010. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210060.

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In 21 century finned surfaces are used in almost all condensers to enhance their heat transfer capabilities. A lot of different models are presented in the literature: on horizontal and vertical finned tubes, inside finned tubes. The validation method of the theoretical models is based on comparison between measurement of average heat transfer coefficient and one calculated by the model. But in this case it is impossible to validate all approaches made in the theory.<p>\<br>Doctorat en Sciences de l'ingénieur<br>info:eu-repo/semantics/nonPublished

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Gärdsback, Mattias. "Rotation-free shell elements for thin-film structures and simulations of centrifugally deployed space webs /." Stockholm : Royal Institute of Technology, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4316.

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Alamri, Saleh Naeeman O. "Preparation and characterisation of thin film CdS/CdTe solar cells produced by close space sublimation." Thesis, Durham University, 1999. http://etheses.dur.ac.uk/1139/.

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