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Dissertations / Theses on the topic 'Film Studeis'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Heiman, Christopher James. "LAKESIDE: AN INDEPENDENT STUDENT FILM." Kent State University Honors College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1313072280.

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2

Cannon, Stephen. "Making political films politically? : the film making practice of Jean-Luc Godard." Thesis, Aston University, 1993. http://publications.aston.ac.uk/10301/.

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This thesis attempts to re-examine the work of Jean-Luc Godard and in particular the claims which have been made for it as the starting-point for a revolutionary cinema. This re-examination involves, firstly, a critical summary of the development of Structuralist thinking, from its origins in linguistics, with Saussure, through to its influence on Marxism, with Althusser. It is this `Structural Marxism' which prepared the ground for a view of Godard as a revolutionary film-maker so its influences on film theory in the decade after 1968 is traced in journals such as Cahiers du Cinéa and Screen

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3

Bentley, Christina Mitchell. ""THAT'S JUST THE WAY WE LIKE IT": THE CHILDREN'S HORROR FILM IN THE 1980'S." Lexington, Ky. : [University of Kentucky Libraries], 2002. http://lib.uky.edu/ETD/ukyengl2002t00033/00cmbthe.pdf.

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Thesis (M.A.)--University of Kentucky, 2002.<br>Title from document title page. Document formatted into pages; contains vii, 63 p. : ill. Includes film clips utilizing MPG files. Includes abstract. Includes bibliographical references (p. 60-62).

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4

Hatton, Hilary J. "Magnetic and structural studies of nanoscale multilayer and granular alloy systems of Ag and FeCo." Thesis, University of Sheffield, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286916.

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5

XU, Lan. "文人武俠 : 張徹與胡金銓". Digital Commons @ Lingnan University, 2005. https://commons.ln.edu.hk/otd/14.

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武俠電影在中國電影誕生之初便佔有一席之地，二十世紀六十年代，由邵氏電影公司開創的武俠新世紀，給武俠電影注入了新的活力，打開了新的局面。 : 胡金銓追求製作精良、藝術至上的優質電影。而張徹作品中的務實、娛樂大眾、堅韌求生和香港起飛的每一個時代的精神相吻合。後世香港導演繼承他們的優良特質，充滿活力動感的香港電影時至今日方成為對世界影壇的一大特殊貢獻。本文立足 "文人武俠"，分別探討張徹、胡金銓武俠片的個人特色、思想內容、藝術表現手法，特別是中國人文傳統、文學藝術在其作品中的表現，並比較他們之間的異同，以及各自對香港電影發展的貢獻。

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6

Paleker, Gairoonisa. "Creating a 'black film industry' : state intervention and films for African audiences in South Africa, 1956-1990." Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8259.

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Includes abstract.<br>Includes bibliographical references (leaves 217-239).<br>This thesis examines one aspect of cinema in South Africa, namely, the historical construction of a 'black film industry' and the development of a 'black' cinema viewing audience. It does so by focusing on films produced specifically for an African audience using a state subsidy. This subsidy was introduced in 1972 and was separate from the general or A-Scheme subsidy that was introduced in 1956 for the production of English- and Afrikaans-language or 'white' films. This thesis is a critical assessment of the actual

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7

Yu, Julia. "Translating the Language of Film: East Asian Films and Their Hollywood Remakes." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/138.

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Hollywood remakes of East Asian films clearly change more than just the language of a film, and the choices that producers and directors make in order to tailor a foreign film so that it better appeals to American audiences creates an entry point that allows for a more direct comparison of aesthetic styles, cultural tastes, and narrative conventions. An analysis of two case studies, South Korean hit film My Sassy GIrl (2001) and Hong Kong's Infernal Affairs trilogy (2002, 2003, 2003) remade into My Sassy Girl (2008) and The Departed (2006), explores the principles of Korean and Hong Kong comme

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8

Liu, Zuting. "A short film: Christmas Eve." Kent State University Honors College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1386634878.

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9

Erickson, Mary P. A. 1977. "Independent Filmmaking in the Pacific Northwest: A Critical Analysis of the Regional Film Landscape." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11527.

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xvii, 397 p. : ill., maps.<br>Thousands of films are produced every year in the United States, and only a fraction of these is made by mainstream Hollywood film studios. Independent filmmakers working in regional locations produce the majority of these films, retaining financial, creative and distribution control and working with locally-based cast and crew members. This film activity must be acknowledged in order to fully understand the American film industry. This study examines regional independent filmmaking through case studies of two film communities: Portland, Oregon and Seattle, Washin

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10

Fox, Neil James. "How film education might best address the needs of UK film industry and film culture." Thesis, University of Bedfordshire, 2014. http://hdl.handle.net/10547/575401.

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This thesis reveals and explores contemporary relationships between film education, film industry and film culture within a UK context through a series of interviews, data analysis, historical research and international case studies. It highlights what appear to be binary oppositions within film such as divisions between theory and practice, industry and academia or art and entertainment and interrogates how they have permeated film education to the point where the relationship between film studies and film practice is polemical. Also, the thesis investigates how a relationship between two bin

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11

Sainju, Deepak. "Spectroscopic Ellipsometry Studies of Ag and ZnO Thin Films and Their Interfaces for Thin Film Photovoltaics." University of Toledo / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1430326934.

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12

Newson, Pamela Lynn. "Studies of diamond film formation." Diss., Georgia Institute of Technology, 1997. http://hdl.handle.net/1853/30529.

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13

McKinley, Iain Stewart. "Studies in thin film flows." Thesis, University of Strathclyde, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366911.

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14

Sutandio, Anton. "Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1395861044.

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15

Hoffman, Sarah G. "Not Just Entertainment: Hollywood Animation and the Corporate Merchandising Aesthetics and Narratives for a Children’s Audience." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490966620486322.

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16

Hall, Kenneth E. "Commandos on the Frontier: The Professionals, Elite Squads, and the Western Film." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/5446.

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17

Hall, Kenneth E. "Mountain Men on Film." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/5447.

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18

Glaser, Lukáš. "Cenzura a její dopady na kreslený film ve Spojených státech amerických v době od jejího vzniku až po konec 40. let." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202952.

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This thesis is concerned with the progression of animated movies in United Stares of America from it`s begining to the 40`s of the 20 th century. The main examination is developed around changes of animated movies before and after censorship in 1934. There`re also emphasized essential moments in creation of animated movie in the wider perspective of history, art theory and society.

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19

Andersson, Emma. "Islam på film : En undersökning om framställningen av muslimer på film." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Ämnesforskning, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-40934.

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Producing religion on film is not new and investigating the production of religion on film has also been done before. Popular culture has never been so present in our everyday life as it is today, therefore the interest in popular culture is big. This qualitative content analysis examines how Muslims are produced on film. The films used in the survey are: American Sniper, The Hurt Locker, Not without my daughter and Desert flower. Previous research on the subject shows that films generally produce a stereotypical image of Muslims. Researchers argue that instead of showing that culture and indi

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20

Zhang, Qian. "Women's Time and Reproductive Anxiety in Contemporary Horror Films." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1532349287122159.

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21

Candela, Buddy Anthony James. "Unlucky: A Student Film." Kent State University Liberal Studies Essays / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuls1460646282.

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22

Landay, David A. "Profits, Prestige, and a Little Bit of Sunshine: American Independent Cinema Enters the Mainstream." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/19.

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This thesis investigates the recent developments that have occurred in the independent film market after the major Hollywood studios created their own specialty divisions to produce and distribute independent films. Due to the involvement of the major studios, independent films became more mainstream while their various costs were also driven up due to the increased amount of independent films that were released by the studios. The financial crisis of 2008 forced the major studios to contract their production of independent films and this contraction allowed the prices of independent films to

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23

Gu, Erdan. "Studies in thin film systems and X-ray multilayer film design." Thesis, University of Aberdeen, 1992. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU547604.

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The design and optimization of soft X-ray multilayer film mirrors have been studied using optical theory. Our investigations show that the reflectivity of multilayer films is sensitive to their modulation wavelength and that their reflectivity can be improved by structural optimization. A new design method has been developed which can be used to increase the bandwidth and to change the shape of the reflectivity curves of multilayer film mirrors. Detailed studies of the formation and structure of practical vacuum deposited erbium(Er) thin film systems are presented. It was found that the phase

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24

Boff, Arthur. "Electrochemical studies of thin-film diamond." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496830.

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25

Inameti, E. E. "Thermal studies of thin film fuses." Thesis, University of Nottingham, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234026.

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26

Gewert, Niklas. "Film och religion : En undersökning om populärkulturens påverkan på film." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-43884.

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Denna uppsats undersöker om populärkulturen påverkar framställningen av religiösa myter på film. Studien utfördes för att ta reda på vilka likheter och skillnader det finns i filmernas händelseförlopp och hur hjälten gestaltas i filmerna. Studien genomfördes som en kvalitativ undersökning med hjälp av en komparativ närläsning av materialet. Empirin som användes i studien var Disneys Moana och Hercules som båda baseras på religiösa myter. Efter den komparativa närläsningen användes Campbells teoretiska hjälteresa som teori. Undersökningens resultat var att de två filmerna har ett mycket liknand

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27

Olson, Ted. "Film Review of Let Your Feet Do the Talkin’: A Documentary Film about Buckdancer Thomas Maupin." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1157.

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28

Collard, Jessica Michelle. "Can You Believe She Did THAT?!:Breaking the Codes of "Good" Mothering in 1970s Horror Films." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4301.

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The threats found in horror films change with time, each decade consisting of threats that were most frightening for the time period. Horror film scholars, such as Andrew Tudor, determined that in 1970s horror films the threat has migrated from external forces into the home and the family. Invading aliens and monsters were thrown replaced by psychosis and evil children. This notion of making the familiar unfamiliar and threatening is paralleled in concerns addressed during the second-wave of feminism; women were making the normative and familiar idea of mother unfamiliar as they migrated from

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29

Bidgood, Lee. "Collaboration, Fieldwork, and Film." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1039.

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Excerpt: I never imagined that I would help produce a documentary film based on my ethnographic fieldwork. Meeting documentary filmmaker Shara Lange during new faculty orientation at the university where we were both newly hired eventually led to our film Banjo Romantika (2013)—a full-length feature based on my research on bluegrass music in the Czech Republic, in which I play a key role as writer, producer, and on-screen character. Taking part in this film project has led me to consider how film enriches relationships with field colleagues, providing new opportunities for teaching and learnin

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30

Meinke, Ashley Erin. "Kent State University at Stark's First Student Film Festival: Organizing a Campus/Community Event." Kent State University Honors College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1336517984.

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31

Wang, Chen. "Film Diplomacy Under the Bush and Obama Administration: A Film Analysis of the American Film Institute’s Project: 20/20 and the Sundance Institute’s Film Forward Program." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436834287.

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32

Srour, Nemesis. "Bollywood Film Traffic. Circulations des films hindis au Moyen-Orient (1954-2014)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH185.

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En 1965, la présence de films indiens dans la région arabe fait débat. La popularité des films indiens est perçue comme une « invasion » par certains, tandis que les raisons de ce succès sont formulées en termes essentialistes, comme « une sorte de spontanéité innée » par l’historien du cinéma Georges Sadoul (Centre interarabe du cinéma et de la télévision 1965). Pour restituer ces ambivalences, l’objet de ce travail n’a pas été d’offrir les arguments d’une connivence culturelle entre les films indiens et les pays arabes, mais de documenter les circulations des films, participant d’une histoir

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33

Thompson, Julia Erwin. "Exploitative to Favorable, Freak to Ordinary: The Evolution of Disability Representation in Film." Ohio Dominican University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=odu1449053412.

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34

Haya, Faisal, and Susanna Benatti. "Film som läromedel inom religionskunskap." Thesis, Malmö universitet, Malmö högskola, Institutionen för samhälle, kultur och identitet (SKI), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42468.

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35

Wilmes, Justin A. "Projecting Social Concerns: Russian Auteur Cinema in the Putin Era." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1431037346.

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36

Sorensen, Abigail. "The Feminine Sublime in 21st Century Surrealist Cinema." Wright State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wright1464046230.

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37

Hall, Kenneth Estes. "Mountain Men on Film." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/596.

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Excerpt: The mountain man of American folklore and history is a man between cultures. Like Janus, the doorkeeper god of the Romans, he is bifrontal, looking back at European, white civilization, and forward toward Indian civilization and culture.

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38

Jiang, Dianlu, and n/a. "Studies of Photocatalytic Processes at Nanoporous TiO2 Film Electrodes by Photoelectrochemical Techniques and Development of a Novel Methodology for Rapid Determination of Chemical Oxygen Demand." Griffith University. School of Environmental and Applied Science, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040723.155003.

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In this work, a series of simple, rapid and effective photoelectrochemical methodologies have been developed and successfully applied to the study of kinetic and thermodynamic characteristics of photocatalytic oxidation processes at TiO2 nanoparticulate films. As an application of the systematic studies of photocatalytic processes by photoelectrochemical techniques, a rapid, direct, absolute, environmental-friendly and accurate COD analysis method was successfully developed. In this work, the TiO2 nanoparticles colloid was prepared by the sol-gel method. The TiO2 nanoparticles were immobiliz

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Jiang, Dianlu. "Studies of Photocatalytic Processes at Nanoporous TiO2 Film Electrodes by Photoelectrochemical Techniques and Development of a Novel Methodology for Rapid Determination of Chemical Oxygen Dphotocatalemand." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366458.

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In this work, a series of simple, rapid and effective photoelectrochemical methodologies have been developed and successfully applied to the study of kinetic and thermodynamic characteristics of photocatalytic oxidation processes at TiO2 nanoparticulate films. As an application of the systematic studies of photocatalytic processes by photoelectrochemical techniques, a rapid, direct, absolute, environmental-friendly and accurate COD analysis method was successfully developed. In this work, the TiO2 nanoparticles colloid was prepared by the sol-gel method. The TiO2 nanoparticles were immobiliz

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40

Drake, Erin R. "Queer Narratives in Disco Films: Saturday Night Fever, Xanadu, and Beyond." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1564509293047689.

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41

Oberacker, Jon S. "The people and me Michael Moore and the politics of political documentary /." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/open_access_dissertations/65/.

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42

Ullah, Hanif. "Simulation studies of photovoltaic thin film devices." Doctoral thesis, Universitat Politècnica de València, 2015. http://hdl.handle.net/10251/48800.

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To cope with energy requirements the utilization of renewable energies, particularly the Sun supplies the biggest and abundant energy source in Earth. Photo-voltaic and solar cell are the well advance and burning technology and a field of hot research. Majority of research centers and universities are working in this field. 1G, 2G, 3G and next generation of photo-voltaic cells have been developed and still to improve its efficiency and to decrease it 0.2 $/W cost. Our work mainly based on the theoretical and physical analysis of thin-film Photovoltaic devices. We will explore different softw

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43

Yoshiikawa, Osamu. "Studies on organic thin film solar cells." Kyoto University, 2009. http://hdl.handle.net/2433/123895.

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Kyoto University (京都大学)<br>0048<br>新制・課程博士<br>博士(エネルギー科学)<br>甲第14742号<br>エネ博第195号<br>新制||エネ||44(附属図書館)<br>UT51-2009-D454<br>京都大学大学院エネルギー科学研究科エネルギー基礎科学専攻<br>(主査)教授八尾健, 教授石原慶一, 教授辻井敬亘<br>学位規則第4条第1項該当

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44

Mera, Miguel. "Second Generation Film Musicology: Fundamental Issues in the Progression of Film Music Studies." Thesis, Oxford Brookes University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490515.

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This thesis is based on eight of the author's published works that challenge some of the disciplinary biases, methodological approaches, and deficiencies in first generation film musicology. Creating a balance between theoretical and practicebased approaches, these works are: Writing l. Mera, M. M)'chael Danna's The Ice Storm. Lanham, MD: Scarecrow Press, 2007. 2. Mera, M. and Bumand, D. European Film Music. Aldershot: Ashgate, 2006. 3. Mera, M. 'Takemitsu's Composed Space in Kurosawa's Ran', in Robynn Stilwell and Peter Franklin, eds., Cambridge Companion to Film Music. Cambridge: Cambridge U

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Pereira, Joshua R. "GRAND: A Short Film." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2235.

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In this paper I will describe the creative process throughout the making of my short film thesis GRAND. I will describe this in three parts: pre-production, wherein I will detail developing the concept, writing the script, and funding/preparing for production; production, wherein I will detail the set construction, visual planning, and the day-to-day operations on set; and post-production, wherein I will detail the editing of the film and the composition of the score. All of this will be framed in reference to the proposed theme of the film, and I will conclude by evaluating whether or not the

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46

Hoare, Jonathan Giles. "Imperialism & 'alternative' film culture : the Empire Marketing Board film unit : 1926-1933." Thesis, Kingston University, 2010. http://eprints.kingston.ac.uk/21827/.

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This thesis explores the early years of the British documentary movement as it formed within the Empire Marketing Board between 1926 and 1933. I begin by offering new insights into this formation by focusing on key institutions that have been under-researched in existing literature. The movement started with government money and resources, in a position formalised by the EMB's use of the Imperial Institute, a Victorian institution with an established history of public education, exhibition and research. Within this official institutional framework the EMB's filmmakers enjoyed an extraordinary

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47

Strömberg, Daniel. "Film om film : En analys av dokumentärfilmer om fiktionsfilmer." Thesis, Linköping University, Department of Thematic Studies, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2044.

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<p>This thesis is a study of documentaries about fictional feature films. The development of the DVD format has contributed strongly to their massive increase in quantity. The capacity of the format enables film companies to include more material than the feature film itself. As some people regard this type of documentary as self-righteous and presumtious, others think of it as a great educational aid giving the audience a greater understanding of the intentions of the director and others involved, thus adding more levels to the experience of watching movies. By using established theory on doc

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48

Schmitz, Alexander. "A Study Of Returning Home Narratives Across Film And Its Implementation In Light Years." Ohio University Honors Tutorial College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1481754385781206.

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Lange, Shara K. "Documentary Film Engagement." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/3651.

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Kauklija, Natalie. "Masculinity in Children's Film : The Academy Award Winners." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74858.

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This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film ca

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