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Journal articles on the topic 'Film terminology'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Pankratova, S. A. "Adaptation of Film Terminology in the General Language." Bulletin of Kemerovo State University 22, no. 3 (2020): 859–68. http://dx.doi.org/10.21603/2078-8975-2020-22-3-859-868.

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The paper deals with modern aspects of terminology in film industry. The paper aims at the study of the linguistic and extralinguistic levels of film terminology in the professional dialect of filmmakers and general strata of the language. The broader context of the film discourse viewed as a complex communicative issue requires simplified understanding among professionals, as well as during interaction between filmmakers and cinephiles. The author believes that there are two sources of film neologisms, connected with the appearance of new artifacts and adaptation of cinema terms in the interp

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2

Akser, Murat. "Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive." CINEJ Cinema Journal 2, no. 1 (2012): 58–76. http://dx.doi.org/10.5195/cinej.2012.58.

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This is a reading of David Mulholland Drive through psychoanalytic approach of Lacan from the perspective of formation of fantasy and shifting identities. Lynch constructs his films consciously choosing his themes from the sub(versive/conscious) side of human mind. Previous attempts to read Lynch's films are fixed around the idea that Lynch is using film genres to create postmodern pastiches. Mulholland Drive has been analyzed several times from different approaches ranging from gender (Love, 2004), narratology (Lentzner, 2005; McGowan, 2004; Cook, 2011). Elements of film noir, musical, caper

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Amriani, Annisa, Wening Sahayu, and Abdul Azis Faizal. "Code Switching and Code Mixing in Film Imperfect." International Journal of Contemporary Studies in Education (IJ-CSE) 2, no. 3 (2023): 183–89. http://dx.doi.org/10.56855/ijcse.v2i3.622.

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In ordinary life, we frequently speak in a language that is not understood by others. When communicating, we frequently employ language switching or merging, also known as code switching and code mixing. Which seeks to make the interlocutor more understandable. Code switching and code mixing are used in today’s works of art, particularly films, to communicate amongst actors in their own films. This is done not just as a trick, but also because there is a lot of terminology from foreign languages that has been assimilated into Indonesian and is used more frequently. So the purpose of this resea

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Garner, Robby G. "Film Theory and Chatbots." International Journal of Synthetic Emotions 5, no. 1 (2014): 17–22. http://dx.doi.org/10.4018/ijse.2014010103.

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The tools described in film theory are used to invoke feelings in the viewer as a form of entertainment. Some of these tools apply more directly to chatbots than others. Film combines visual images, music, and dialog to accomplish its goals. Conversing with a chatbot is akin to using a telegraph, or instant messaging on a cell phone. However, written communication may still convey emotions and feelings that people interpret on their own as they chat. It is useful to speak of the emotional content of written communications using film theory terminology.

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Litvintsev, Alexey E., and Evgeniya L. Proskurnova. "Micro movie from cinemas to online video platforms: terminology issues." RUDN Journal of Studies in Literature and Journalism 28, no. 3 (2023): 574–84. http://dx.doi.org/10.22363/2312-9220-2023-28-3-574-584.

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A comprehensive study of the phenomenon of microcinema is presented. The tasks of semantic analysis of the concept of “microcinema” are set and solved, its characteristic features are discovered and, on the basis of the results obtained, an actual definition of the term is proposed for the first time; it is revealed on which screens the ultra-short meter exists today. The hypothesis that ultrashort films as a phenomenon cannot be fully considered as a product of the digital era is substantiated, this form inherits classical cinema, although it’s presented to the audience at other, modern venue

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6

Papadopoulos, Leonidas, Anna Poupou, and Eva Stefani. "The reception of American and French film noir in post-war Greece, 1945‐58." Journal of Greek Media & Culture 8, no. 1 (2022): 59–82. http://dx.doi.org/10.1386/jgmc_00047_1.

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The aim of this article is to examine the distribution, promotion and critical reception of American and French film noir in Greece from 1944 to 1958 and to shed light to the reasons of the belated appearance of Greek noir examples. It is based on archival research that was made in the framework of the project ‘Film noir in Greece: Reception, assimilation, and imitation of a US film genre, from the post-war period until today’ (National & Kapodistrian University of Athens), financed by the Operational Programme Human Resources Development, Education and Lifelong Learning, P.A. 2014‐20. Cri

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7

Burov, A. A. "Review of the collective monograph “New approaches to the analysis of the structure and semantics of discourse and terminological systems” (Pyatigorsk: PSU, 2023. 154 p.)." Current Issues in Philology and Pedagogical Linguistics, no. 1 (March 25, 2024): 236–42. http://dx.doi.org/10.29025/2079-6021-2024-1-236-242.

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The monograph discusses the issues of cognitive linguistics, cognitive terminology, linguapragmatics, linguasemiotics and discourse theory. New approaches to the structural and semantic analysis of discourse and terminological systems drawing on the Russian and English language material are considered. The monograph consists of four chapters: “Mediation discourse and PR discourse in the Internet space: some linguistic and pragmatic characteristics”, “The essential characteristic of linguacreativity and the levels of its manifestation in the film discourse”, “The role of colourative terminologi

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Terzieva, Margarita. "WORKING WITH CINEMA FAIRY TALES IN A PREPARATORY GROUP." Education and Technologies Journal 13, no. 1 (2022): 81–84. http://dx.doi.org/10.26883/2010.221.4115.

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The research reveals peculiarities using cinema fairy tales in the process of literary education in kindergarten. The author’s work with students creates new methods and techniques and also enriches with new content the existing ones: introduction of film terminology, screening and discussion of film footage, making a movie poster, guessing a film title by listening to an excerpt from film music, arranging a movie puzzle, guessing the name of a character from a movie line and etc. The introduction of film pedagogical accents raises the problem of the synchronous use of theater pedagogy, media

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9

Stuchlíková, Dita. "Historical Development of Terminology of Czech Animated Film in the Period 1919-1990." Iluminace 37, no. 1 (2025): 123–49. https://doi.org/10.58193/ilu.1801.

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10

Untung, Syamsul Hadi, and Silmi Rahma Pertiwi. "Analysis of Hindu Teachings Messages Karmaphala and Tri Hita Karana in Pulau Plastik Movie Series." Journal of Comparative Study of Religions 5, no. 1 (2024): 85–98. https://doi.org/10.21111/jcsr.v5i1.12860.

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Educational documentary film is a visual media tool used to convey certain messages to the audience. One of them is the film series Pulau Plastik by Dandhy Dwi Laksono. In the film, it describes the dangers of plastic for the environment and humans by using the terminology of Hindu teachings, such as Karmaphala and Tri Hita Karana. The purpose of this study is to analyse the meaning of Hindu ecological teachings and also describe how films using religious messages can make the audience understand the teachings themselves while building environmental awareness. This research is a qualitative li

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11

Kondakov, I. V. "Terminology of Art: The Transformation of Artistic Speech into Scientific." Art & Culture Studies, no. 4 (December 2024): 12–41. https://doi.org/10.51678/2226-0072-2024-4-12-41.

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As the theory and terminology of the history of culture evolve, their concepts develop into relatively stable and unchanging terms which are assigned certain meaning. The most well-established of them build a system of terms used in the field of art and artistic culture. The article explains the impact of an important cultural factor in the renewal of the art terminology system — the phenomenon of intermediality. After reflecting on term formation (theoretical reflection on the life of art), in a ‘dialogue’ with S.S. Averintsev and M. M. Bakhtin, the author of the article turns to comprehendin

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12

ANANISHNEV, VLADISLAV. "Defining fashion film festival: A terminological issue." Art and Science of Television 20, no. 4 (2024): 149–81. https://doi.org/10.30628/1994-9529-2024-20.4-149-181.

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This article examines the terminology surrounding international fashion film festivals. While a relatively recent phenomenon in Russia (officially emerging in 2018), existing Russian research on film festivals largely ignores this speciﬁc area. The widely used English term “fashion ﬁlm festival” lacks a standardized Russian equivalent and is not deﬁned in Russian ﬁlm festival legislation. This article chronologically analyzes prominent international fashion ﬁlm festivals, focusing on their goals, market position, founding, brand partnerships, and cinematic interactions, as documented in press

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Andayani, Santi, Emma Rahmawati Fatimah, Gathisa Silvia Gunawan, and Aisyah Bellatrix Kancanadewi. "Social Representation of Japanese Characters in Zainichi Film." IZUMI 10, no. 2 (2021): 398–410. http://dx.doi.org/10.14710/izumi.10.2.398-410.

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Discriminative treatment and zainichi identity crisis have often focused on zainichi-themed literary and media works. In terminology, zainichi is a term for ethnic Koreans living in Japan. Koreans are victims because of their minority, and Japanese are portrayed as perpetrators who discriminate against them. This study focuses on the representation of Japanese people through the main characters in the film Zainichi, Hotaru (2001) and For Those We Love (2007), which are the objects of this research. This study uses the representation theory by Stuart Hall to propose how Japanese people are repr

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Кубова, Д. А. "Фреймовое моделирование терминологии сферы киноиндустрии (на материале английского языка)". Modern scientist, № 6 (20 вересня 2024): 22–28. http://dx.doi.org/10.58224/2541-8459-2024-6-22-28.

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в настоящем исследовании предпринимается попытка провести фреймовое моделирование терминологии сферы киноиндустрии, которая отличается высокой степенью детализации наименования всех участников производственного процесса, оборудования и обеспечения, а также специальностей и техник производства. Проводится фреймово-слотовое моделирование терминологии киноиндустрии на основании концептуального признака «этапы производства». Выявляются соответствующие макрофреймы, фреймы, слоты и заполняющие их терминологические элементы. Делается вывод о том, что большая часть лексических единиц и сочетаний, отно

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Colhan, Olena, and Hanna Artiomova. "Tematic Organization of Military Terminology (The Film “The Tale of Ardent Years” by O. Dovzenko)." Terminological Bulletin, no. 4 (2017): 253–59. http://dx.doi.org/10.37919/2221-8807-2017-4-253-259.

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The article continues the cycle of the authors’ publications devoted to the investigation of specifics of functioning the military terminology in the literary works by the Ukrainian writers. The analysis is directed to learning the system connections of the lexical units of terminology of military affairs in the cinema tale by O. Dovzhenko “Tale of the Fiery Years”, in particular the differentiation according to the thematic groups. Stylistic terminology is one of the most modern trends of Ukrainian terminology of the 21st century. In the analysis it is presented the list of the works which th

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16

Rabiger, Michael. "Natan: a case study for development." Short Film Studies 3, no. 1 (2012): 41–44. http://dx.doi.org/10.1386/sfs.3.1.41_1.

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This film makes an ideal classroom vehicle for discussing three-act structure; dramatic form and its terminology; the principles of characterization; point of view and style options; and the need for a main character to develop. It also helps in teaching the interrogation techniques of project development that professionals use to extend a story to its full potential.

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17

Ryabchikova, Natalie S. "The beginning of “The Beginning”. Excerpts from the discussion of the screenplay by E. Gabrilovich and G. Panfilov." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 2 (2023): 150–71. http://dx.doi.org/10.35852/2588-0144-2023-2-150-171.

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The publication is concerned with the discussion of the screenplay (“literary script” in the Russian screenwriting terminology) of the film, which was released in 1970 under the title “The Beginning”. Excerpts from the previously unpublished discussion of the screenplay at the Artistic Council of the Second Creative Association of the Lenfilm Studios on January 14, 1969, in the presence of one of the screenplay’s co-authors and the future director of the film, Gleb Panfilov, shows both the emerging general attitude towards the future film at the studio and the typical objections that fellow fi

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18

Mikheeva, J. V. "Geist-Theme as a Meaningful Absence of Film Music." Art & Culture Studies, no. 4 (December 2023): 628–47. http://dx.doi.org/10.51678/2226-0072-2023-4-628-647.

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The article is devoted to the specifics of films in which music may not form an essential part of the soundtrack, sometimes appearing only in a few seconds of sound, or may not be present in the soundtrack at all, but have a strong influence on the creation of a cinematic image. The author of the article refers to a musical sound (melody, fragment of a musical piece) as an impulse for the director’s creative search for the artistic image of a film character and the film as a whole, its “inner sound” and rhythmic movement. For some directors, this stage of the creative process is the initial an

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19

최성익 and 정석길. "Interpretation and utilization of the terminology and technique of film in industrial design." Journal of Digital Design 13, no. 4 (2013): 633–41. http://dx.doi.org/10.17280/jdd.2013.13.4.062.

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20

Skare, Roswitha. "Nanook of the North (USA, 1922/1947/1976/1998) and film exhibition in the classical silent era." Journal of Documentation 72, no. 5 (2016): 916–29. http://dx.doi.org/10.1108/jd-06-2015-0078.

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Purpose The purpose of this paper is to provide a discussion on whether more traditional documents like a film of the classical silent era can be discussed as an unbounded document. Design/methodology/approach By taking Gérard Genette’s concept of the paratext as point of departure and focussing on the exhibition of Nanook of the North during the silent era, the paper discusses elements neglected in most of the academic writings about the film, thereby illustrating the highly problematic notion of film as one original or authentic document that comes as a repeatable unit with clear borders. Fi

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21

Zaitcev, Aleksei Yakovlevich. "Artistic image in animated cinema as an integrative multilevel dynamic phenomenon." Человек и культура, no. 5 (May 2023): 39–46. http://dx.doi.org/10.25136/2409-8744.2023.5.29996.

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This article discusses the specific features of the artistic image, the artistic form of the screen, including animated works. The artistic image in animation is a complex and multilevel phenomenon that takes the expressive and visual form of the director's vision and conveys the content through the artistic form. The aim of the work is to attempt to define the "artistic image" in animated cinema. The object of the study is the form of an animated work as the integrity of its artistic concept, combining various audiovisual elements, involving a laborious technological embodiment on the screen,

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Ulviati, Eva. "Representasi Ciuman Romantis-Seksual dalam Film Ada Apa dengan Cinta?" Jurnal ILMU KOMUNIKASI 16, no. 1 (2019): 91. http://dx.doi.org/10.24002/jik.v16i1.1313.

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This study aims to identify and analyze representations of romantic-sexual kissing in Indonesian fiction films, those are Ada Apa dengan Cinta? (2001) and Ada Apa dengan Cinta? 2 (2016). This study uses the kissing concept of Linda Williams (2008) which links the presence of kisses to the terminology of romanticism and sexuality and Willem Frijhoff’s (2014) shape and type of kissing that influence the meaning of kisses. The kissing scenes in both films was identified by Roland Barthes’s semiotics method. The results of the study indicate that those two films contain romantic-sexual kissing tha

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Khaled, A. R. A. "Analysis of Heat Transfer Inside Flexible Thin-Film Channels With Nonuniform Height Distributions." Journal of Heat Transfer 129, no. 3 (2006): 401–4. http://dx.doi.org/10.1115/1.2430729.

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Heat transfer inside flexible thin-film channels having nonuniform height distributions is analyzed in this work. The terminology “flexible thin film channel” is referred to a thin-film channel having two plates separated by soft elastic seals. The fluidic volume enclosed between the plates can expand due to any increase in the fluid pressure. This expansion which is determined from the height (distance between the plates) distribution is related to the pressure drop and the seals stiffness by applications of force or moment balance laws on the mobile plate. The seals stiffness parameter (S),

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Méndez González, Ramón. "Specialized Terminology in the Video Game Industry: Neologisms and their Translation." Vertimo studijos 12 (December 20, 2019): 71–86. http://dx.doi.org/10.15388/vertstud.2019.5.

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The video game industry is growing at a very fast pace. At present, it is the biggest entertainment industry in the world, selling even more than film and music industries. Newly-developed technologies provide video game creators with the necessary tools to develop more complex game worlds, and user interaction is more important than ever. Each one has its own terminology and complexities, which must be perfectly understood in order to deliver high-quality work. Therefore, translators must be deeply aware of how all these technologies and game worlds work. More importantly, they need to be fam

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ROIBU, Melania. "OSCAR, CÉSAR, LUMIÈRE AND THE OTHERS. SEMANTIC FIELDS AND SEMANTIC CHANGES WITHIN THE CINEMA-RELATED VOCABULARY." Studii și cercetări de onomastică și lexicologie 28, no. 1-2 (2022): 321–31. http://dx.doi.org/10.52846/scol.2021.1-2.21.

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"The present study investigates the relationship between the cinema-related vocabulary and everyday language, by focusing on the main semantic changes that underlie the names of best-known film festivals and awards, as well as on the semantic fields they valorise. The relation should be understood as a twoway process, which involves shifts from both everyday language to the cinematic terminology, and vice versa.The examples analysed tend to favour three semantic changes (metaphor, metonymy and antonomasia), and three semantic fields (the animal, the vegetal and the chromatic field). Some nonpr

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Pushkaryov, Alexander Y. "Expressions of Personality Adaptations on the Example of the Film ”August: Osage County”." Transactional Analysis in Russia 3, no. 2 (2023): 65–68. http://dx.doi.org/10.56478/taruj20233265-68.

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This paper presents a psychological analysis of the film August: Osage County (2013, director John Wells, drama, USA). The analysis is based on transactional-analytical concepts: injunctions, life script and personality adaptations. The author explores the relationship between the characters and analyzes their behavior using the terminology and ideas of Transactional Analysis. At the end, he asks the question: is it possible to get out of the script or do we inevitably follow the precepts passed down from our family?

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Lysova, Natalia Aleksandrovna. "Representation of image of the past in modern Russian historical fiction films." Философия и культура, no. 2 (February 2020): 12–26. http://dx.doi.org/10.7256/2454-0757.2020.2.32256.

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This article examines the problems of representation of images of the past in modern historical fiction film and TV series. The relevance of the topic is substantiated by current popularity of this genre of cinematography among audience. The younger generation refers to the historical fiction films as an easy-to-grasp source of information on the historical facts, events, processes and personalities. However, such trend carries a threat of disorientation of mass audience regarding the historical past. The article analyzes the concept of &ldquo;image&rdquo;, &ldquo;artistic image&am

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Plate, S. Brent. "Sticks and Stones: Watching The Jesus Film with Muslims." CrossCurrents 65, no. 2 (2015): 198–207. http://dx.doi.org/10.1353/cro.2015.a782578.

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Ісаєнко, Оксана Володимирівна. "МІЖГАЛУЗЕВІ ТЕРМІНИ В ТЕРМІНОЛОГІЧНІЙ СИСТЕМІ УКРАЇНСЬКОЇ СФЕРИ КІНО". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 14 (30 березня 2016): 168–72. https://doi.org/10.5281/zenodo.48616.

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<em>The article deals with the lexical units from the field of cinematography from the point of view of their intersectoral usage on the basis of Ukrainian film terms system. One of the peculiar features of terminology is the functioning of its units in different scientific, cultural and social fields. The appearance of terms which are used in different term systems is explained by the fact, that a term as a component of lexical semantic system changes and develops its peculiarities as well as the language is constantly in motions enriching its lexical structure under the influence of differen

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Lukyanova, V. S., та O. A. Koloskova. "Structural and semantic features of legal vocabulary in an English animated ﬁlm for children". Key Issues of Contemporary Linguistics, № 5 (11 травня 2023): 45–58. https://doi.org/10.18384/2949-5075-2023-5-45-58.

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Aim. To study legal terminological vocabulary in the text of an English-language children’s animated film. The purpose of this work is to describe and analyze the semantic, stylistic and structural characteristics of legal terms used in the English-language children’s film discourse.Methodology. The material for the study was more than 3,000 legal terminological units selected by a continuous sampling method from about 50 highly rated animated films and series according to the IMDb website. On the basis of lexical and semantic, contextual, structural, component and frequency analysis, the most

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James, Ben Evans. "A Geography of the Screen: Mapmaking as Bridge between Film and Curatorial Production Processes." Arts 12, no. 3 (2023): 94. http://dx.doi.org/10.3390/arts12030094.

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Both mapping and artist documentary filmmaking offer us subjective translations of reality and strategies to relate to and represent space, sharing analogous methods of production that allow for a useful application of the spatial language of mapmaking to filmmaking. Immersing the film process within the language of mapmaking can then act as a bridge into the spatial practices of the gallery environment, curatorial practice, and exhibition design. This process is defined here as “film-mapping” and is investigated through the development of the work For the Record by Phanuel Antwi and Rhea Stor

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McKenzie, Rory. "A subtitling stalemate." Translation and Translanguaging in Multilingual Contexts 6, no. 3 (2020): 230–52. http://dx.doi.org/10.1075/ttmc.00056.mck.

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Abstract The Dark Horse (2014) is a highly successful New Zealand film that exemplifies a strong multilingual and multicultural landscape where the Māori language and cultural concepts, as well as specific examples of New Zealand English co-exist within the one film. This linguistic and cultural complexity is a key part to the film, therefore retaining this in a translation becomes a challenging responsibility for the subtitler. This article first introduces the restrictions and intricacies of subtitling in general, and then analyses specific scenes from the commercial Italian subtitled versio

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Ríos, Alberto. "Seducción mortal: la femme fatale en el film noir clásico." Ventana Indiscreta, no. 030 (January 25, 2024): 26–33. http://dx.doi.org/10.26439/vent.indiscreta2023.n030.6898.

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El arquetipo de personaje conocido como femme fatale implica una fuerza antagónica que lleva a los protagonistas masculinos a situaciones moralmente comprometedoras, lo que se aprecia en cuatro clásicos del cine negro desarrollado durante el Hollywood clásico: Pacto de sangre, El halcón maltés, El ocaso de una vida y Que el cielo la juzgue.

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Orlova, Elizaveta A. "“We’ll Fix It in Post”: On the Challenges of Translating Film Art." Literature of the Americas, no. 18 (2025): 362–67. https://doi.org/10.22455/2541-7894-2025-18-362-367.

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The Russian edition of Film Art: An Introduction by David Bordwell, Kristin Thompson and Jeff Smith (film and narratology scholars) has attracted interest of a wide range of readers, from film enthusiasts to high school teachers. At the same time, the new edition of the classical text inevitably posed a variety of problems in translation. The article provides a concise overview of the production specifics that accompanied the release of Film Art. One of the main difficulties was the variety of alternatives available in the Russian language for translating terminology from the field of film pr

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Al-Hadi Ab Hadi, Amin, Iqbal Hamdan, and Suhaila Zailani. "METHODS OF MASS MEDIA TERMINOLOGY CREATION FROM ENGLISH TO ARABIC." International Journal of Advanced Research 11, no. 10 (2023): 510–21. http://dx.doi.org/10.21474/ijar01/17734.

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This study discusses creation methods used by terminologists to translate mass media terminology from English to Arabic. In this era of globalisation, various forms of mass media such as the print media, radio, television, film, broadcasting and the internet have already become integrated with society all over the world, including in the Arab world. Thus, the appropriate translation of media terminologies which originate from foreign languages, especially English, is important to ensure that Arabic media remains relevant in the mainstream, in addition to guaranteeing the sustainability and dyn

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Woźniak, Weronika. "Les anglicismes français relatifs au cinéma : entre la terminologie, les recommendations officielles et l’usage." AUC PHILOLOGICA 2020, no. 4 (2021): 153–68. http://dx.doi.org/10.14712/24646830.2021.8.

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The complex terminology of cinematography, where French and foreign terms meet and compete, reflects the nature of this domain, which is the area of international cooperation, of the exchange of thoughts and expression. In order to avoid the compulsory usage of foreign nomenclature, the creation and distribution of French equivalents have become the assignment of institutions such as the Commission d’enrichissement de la langue française and l’Académie française. Despite the development of indigenous terminology in the field of cinema, which is strongly associated with the international film i

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León Frías, Isaac. "Los villanos en el cine: una ominosa genealogía." Ventana Indiscreta, no. 030 (January 25, 2024): 4–15. http://dx.doi.org/10.26439/vent.indiscreta2023.n030.6896.

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Este texto establece una línea de tiempo sobre la villanía en la historia del cine: desde la época silente hasta los supervillanos de multiversos, pasando por los antiguos y nuevos monstruos, los gangsters, el film noir, la obra del mítico Alfred Hitchcock o los antagonistas de la franquicia del agente 007, James Bond.

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Parks, Edwin T., and Gail F. Williamson. "Digital Radiography: An Overview." Journal of Contemporary Dental Practice 3, no. 4 (2002): 23–39. http://dx.doi.org/10.5005/jcdp-3-4-23.

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Abstract Since the discovery of X-rays in 1895, film has been the primary medium for capturing, displaying, and storing radiographic images. It is a technology that dental practitioners are the most familiar and comfortable with in terms of technique and interpretation. Digital radiography is the latest advancement in dental imaging and is slowly being adopted by the dental profession. Digital imaging incorporates computer technology in the capture, display, enhancement, and storage of direct radiographic images. Digital imaging offers some distinct advantages over film, but like any emerging

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Aulia, Mila, and Miski Miski. "Film Islami Sebagai Model Interpretasi atas Al-Qur'an dan Hadis: Kasus Film Ayat Tentang Cinta." Jurnal THEOLOGIA 31, no. 1 (2020): 139. http://dx.doi.org/10.21580/teo.2020.31.1.5621.

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<p>This paper analyzes the movie Ayat tentang Cinta, which still has not received much attention from the researchers, namely from the aspect of the existence of the Qur'anic verses and traditions in it. Two core questions want to be the focus of the study, first, how does the movie Ayat tentang Cinta position the Qur'an [and hadith] as a representation of an interpretation of the Qur'an and hadith? Secondly, how is the existence of the values of the Qur'an [and hadith] in the film being one of the concourses of righteousness? This paper is a qualitative study, using content analysis and

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Weisshaupt, Nadja. "challenge of dubbing bird names: shifts of meaning and strategies used in the German version of The Big Year." Journal of Specialised Translation, no. 28 (July 25, 2017): 189–209. https://doi.org/10.26034/cm.jostrans.2017.238.

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Despite the growth of the English-speaking audience, audiovisual translation is still widespread and appreciated by a considerable proportion of media users, who watch audiovisual products in their native tongue. These products are translated using different transfer modes, such as subtitling, dubbing or voice-over. This study focuses on the quality of one of these modes: dubbing, which is measured considering appropriate register, cultural background, as well as the synchronisation between the translating voice and the speaking actor/actress or the on-screen activities. In order to evaluate t

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Turina, Romana, and Kath Dooley. "Editorial." Journal of Screenwriting 14, no. 3 (2023): 223–27. http://dx.doi.org/10.1386/josc_00131_2.

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Over the last decade developments in virtual reality (VR) technologies have given rise to a new wave of immersive storytelling experiences that have captivated audiences at film festivals, in galleries, through online platforms and various other venues. In response, scholarly research into narrative-based VR has sought to understand the affordances, artistic qualities and immersive nature of this medium. Within this array of analysis and reflection, traditional screenwriting concerns such as narrative structure, plot devices and character development have been discussed alongside notions of im

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Fatkhurridho, Farobi, and Suma Riella Rusdiarti. "Ekofeminsime dalam Film Nona Kedi yang Tak Pernah Melihat Keajaiban (2013)." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 5, no. 3 (2022): 695–706. http://dx.doi.org/10.30872/diglosia.v5i3.471.

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The exploitation of nature and discrimination against women have similarities in unequal power relations. From an anthropocentric point of view, the exploitation of nature has relevance to the issue of feminism. It refers to the terminology of dualism hierarchy in the realm of ecofeminism. Nature and women occupy the same position, namely as objects of the oppressed. In this case, regime, capitalism, and masculinity become the dominant force that has a position as the oppressor. A Lady Caddy Who Never Saw a Hole in One (2013) is a short film that presents a form of perpetuating the issue of du

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Voloshchuk, Iryna, and Alina Derkach. "Conceptualization of knowledge in aerospace industry in the mode «image-sense» on the basis of film scripts." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 150–55. http://dx.doi.org/10.34079/2226-3055-2020-13-23-150-155.

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The article is devoted to the study of terminological conceptualization in aerospace industry based on the multimodality approach. Multimodal text analysis, in particular of the scientific texts, involves the study of communication and its means by combining several modes of communication, including native, oral and written speech, as well as resources of other semiotic systems (graphics, architecture, audio, video, digital media, etc.). The purpose of the article is to identify lexico-semantic features of aerospace terminology in multimodal texts, to clarify the definition of polycoding text,

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Edwards, Natalie, Christopher Hogarth, and Gemma King. "Introduction: Mobility across media in the Francophone world." French Cultural Studies 29, no. 1 (2018): 3–7. http://dx.doi.org/10.1177/0957155817739763.

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This introduces the special issue on mobility across media in various areas of the Francophone world. Articles treat the notion of mobility as understood in film, literature, visual art and advertising and explore how genres as well as national traditions intersect. They explore a range of representations of mobility, such as the mobility between people, between genres, between languages, between artistic forms and between texts across historical periods. We show that the terminology regarding movement is constantly mobile itself, having undergone significant slippage in recent decades. Overal

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Lonergan, Meg D. "Real scary/scary real: Consuming simulated and authentic horrors in the digital era." Horror Studies 13, no. 1 (2022): 63–75. http://dx.doi.org/10.1386/host_00046_1.

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Snuff, like porn, has been challenged by feminist and other political debates around representations focused on the body, exaggerated performance, claims of ‘realness’ and concerns about representing and/or encouraging violence against women. Thus, it is not surprising that simulated snuff horror, as a subgenre, is heavily influenced by the same technological changes that have also affected the porn industry: the content of the videos, how the videos are produced and how they are consumed. I argue that the decontextualized digital context of media production and consumption has especially lent

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Leberg, Dan. "Digital Drapery and Body Schema-tics." Public 30, no. 60 (2020): 236–49. http://dx.doi.org/10.1386/public_00018_7.

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This paper provides a theoretical framework for analyzing motion capture acting for film as a creative professional collaboration between actors and animators. Animators are framed as the draper (rathe than the drafter) of the synthespian’s digital costume, informed but not overdetermined by the raw data of the motion capture actor’s performance. Similarly, the data ensuing from the actor’s performance is analyzed in the neuroscientific terms of body image versus body schema, which makes a distinction between the self’s physical appearance and the self’s capacity for action. The paper conclude

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Maharani, Sasa. "Alih Kode dan Campur Kode dalam Komunikasi Komunitas Pecinta Film Cinefoxx." ETNOLINGUAL 7, no. 1 (2023): 67–91. http://dx.doi.org/10.20473/etno.v7i1.42387.

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Abstract Language use in a community is something common to occur. How a community communicate by a certain group can produce a speech community (Duranti, 2009). In a multilanguage community today, there are many people who are able to speak two or more language in their daily lives. This multilanguage communication in the community then produced code-switching and code-mixing phenomenon in the community of speech. The method that will be used in this study is a qualitative method with observation and interviews with the research subjects. In this study, a linguistic anthropology study w

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Voskanyan, Anahit. "TEACHING LEGAL ENGLISH THROUGH DETECTIVE FICTION AND FILMS." Education in the 21st Century 6, no. 2 (2025): 98–105. https://doi.org/10.46991/educ-21st-century.v6.i2.98.

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The article emphasizes legal English, focusing on law and language teaching through reading detective fiction and watching detective films. This leads to the communicative use of legal English and independent learning. The article analyzes the use of detective fiction and detective films as resource material in English for Law classes to promote students' motivation to learn legal English in their subject domain. Using detective fiction and films to teach Legal English can effectively build students' legal knowledge and language skills. Moreover, through reading and watching, students become f

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Bugaeva, Lyubov D. "Tarkovsky’s Influence on American Culture (“Weird” and “Eerie” Cosmos of Christopher Nolan, Jonathan Nolan, and Andrei Tarkovsky)." Literature of the Americas, no. 17 (2024): 175–91. https://doi.org/10.22455/2541-7894-2024-17-175-191.

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In the United States, attention to Andrei Tarkovsky’s work has been extensive: Tarkovsky is an important reference point for both filmmakers and film theorists. Paul Schrader refers to him as a transcendental filmmaker and, moreover, introduces the notion of “Tarkovsky’s ring”, with which he correlates transcendental slow cinema that is experimental in nature. The forms and ways that American directors refer to Tarkovsky, who regard him as a cultural resource, are diverse: from overlaps at the level of visual images and frame composition to correspondences at the conceptual level and coinciden

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Vucenovic, A. "INTERACTION OF LIGHT AND SHADOW AS A PROJECTION IN THE PROCESS OF CREATING A SHADOW PERFORMANCE, A PHOTO AND A FILM." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 84 (2022): 40–51. http://dx.doi.org/10.37313/2413-9645-2022-24-84-40-51.

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For many centuries, the name of one of the types of theater that exists in different forms has been recorded under the name "shadow theater". By this name, we mean many different principles of interaction between light and an object that create shadows. Since projection involves the use of light to achieve "light scenes" as well as the use of light as a tool for creating shadows, it is fair to call such a theater "theater of light and shadows." If we use the name “puppet theater”, since the puppet is the main performer in the performance, then in this case both light and shadows equally partic

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