Log in

Relevant bibliographies by topics / Film-Thriller / Books

To see the other types of publications on this topic, follow the link: Film-Thriller.

Books on the topic 'Film-Thriller'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Film-Thriller.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Frank, Alan G. The thriller film guide. B. T. Batsford, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Luca, Servini, ed. Thriller italiano in cento film. Le mani, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Writing the thriller film: The terror within. M. Wiese Productions, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Writing the thriller film: The terror within. M. Wiese Productions, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

See©len, Georg. Thriller: Kino der Angst. Schuren, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Donne in prigione: Nazisti, horror e fantascienza, thriller, decameroni e film esotici. Profondo rosso, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Psyco & Psycho: Genesi, analisi e filiazioni del thriller più famoso della storia del cinema. Le mani, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

The suspense thriller: Films in the shadow of Alfred Hitchcock. McFarland, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Stoker, Bram. Dracula: Authoritative text, contexts, reviews and reactions, dramatic and film variations, criticism. W.W. Norton, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Auerbach, Nina, and David J. Skal, eds. Dracula: An Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism. W.W. Norton & Co., 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Larsson, Stieg. Uomini che odiano le donne. Marsilio Editori, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Девушка с татуировкой дракона. Ėksmo, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Miho, Hellen Halme, and Iwasawa Masatoshi, eds. Doragon tatū no onna. Hayakawa Shobō, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Larsson, Stieg. The girl with the dragon tattoo. Random House Large Print, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Larsson, Stieg. The girl with the dragon tattoo. MacLehose Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Larsson, Stieg. The Girl with the Dragon Tattoo. 6th ed. Vintage Crime/Black Lizard, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

The Girl with the Dragon Tattoo. Random House Large Print, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Larsson, Stieg. Män som hatar kvinnor. Norstedt, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Larsson, Stieg. The Girl with the Dragon Tattoo. Vintage Crime/Black Lizard, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

The Girl with the Dragon Tattoo. Alfred A. Knopf, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Larsson, Stieg. Los hombres que no amaban a las mujeres. Destino, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Paulo, Neves, ed. Os homens que não amavam as mulheres. Companhia das Letras, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Larsson, Stieg. Män som hatar kvinnor. Norstedts, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

The Girl with the Dragon Tattoo. Vintage Crime/Black Lizard, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Larsson, Stieg. Dha Girl vitha ḍregana ṭêṭū: Pāne pāne jakaḍī rākhatī romāñcaka kathā. Āra. Āra. Śeṭha enḍa Kampanī, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Larsson, Stieg. Les hommes qui n'aimaient pas les femmes: Roman. Ed. France loisirs, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

The Girl with the Dragon Tattoo. Knopf Doubleday Publishing Group, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Uomini che odiano le donne. Marsilio, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Larsson, Stieg. The Girl with the Dragon Tattoo. Vintage Crime/Black Lizard, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

The Girl with the Dragon Tattoo. 4th ed. Maclehose Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

The Girl with the Dragon Tattoo. MacLehose Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Dracula. Dover, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

1964-, Holt Ian, ed. Dracula the Un-Dead: The Sequel to the Original Classic. New American Library, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Дракула. Azbuka, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Stoker, Bram. Dracula. Edited by R. Richard Appelbaum. Pearso/Longman, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Stoker, Bram. Dracula. Dover Publications, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Dracula. Penguin Books, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Bromme, Bettina. Gone Mad: A Film Thriller. Av Edition Gmbh, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Frank, Alan. Frank's 500: The Thriller Film Guide. B.T. Batsford, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Kubrick's Game: Puzzle-Thriller for Film Geeks. Evolved Publishing, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Kubrick's Game: Puzzle-Thriller for Film Geeks. Evolved Publishing, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Derry, Charles. The Suspense Thriller: Films in the Shadow of Alfred Hitchcock (Film). McFarland & Company, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Enrico, Lancia, and Poppi Roberto 1947-, eds. Gialli, polizieschi, thriller: Tutti i film italiani dal 1930 al 2000. Gremese, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Adler-Olsen, Jussi. Erbarmen: Ein Fall für Carl Mørck, Sonderdezernat Q Thriller / Buch zum Film. dtv Verlagsgesellschaft, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Bench, Harmony. Monstrous Belonging. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.025.

Full text

Abstract:

This chapter begins by reviewing the importance of Michael Jackson’s early forays in music video, paying particular attention to the short film, “Michael Jackson’s Thriller” from 1983. Jackson’s monstrosity and Ola Ray’s victimization in this film are addressed. This chapter then turns to recent adaptations and performances of “Thriller,” arguing that as a choreography, “Thriller” became a privileged site for articulating a collective sense of belonging in the early twenty-first century. In an era that amplified American insecurity and paranoia, performances of “Thriller” circulating through social media show how performers used the choreography to embody monstrosity, domesticate fear, dissipate threat, form an American public outside nationalist discourses, and resignify public spaces rendered threatening by the “War on Terror.”

APA, Harvard, Vancouver, ISO, and other styles

46

Gandini, Leonardo. Brian de Palma: Du thriller psychanalytique au pur film d'action, la carrière éclectique d'un réalisateur toujours controversé. GREMESE, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Closer to the Sun. The Edge Press/Mnemonics, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Ercolani, Eugenio, and Marcus Stiglegger. Cruising. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781800348363.001.0001.

Full text

Abstract:

When William Friedkin’s psycho thriller Cruising was shown at the Berlin International Film Festival and hit cinemas worldwide in 1980 it was mainly misunderstood: the upcoming gay scene dismissed it as an offence to their efforts to open up to society and a distorted image of homosexuality, prompting the distributors to add a disclaimer that preceded the picture: Genre audiences were confused about the idea of a sexualized cop thriller with procedural drama that frequently turns into a horror film with the identity of the killer changing with each murder. Seen from today’s perspective, Friedkin’s film turned out to be an enduring cult classic documenting the gay leather scene of the late 1970s as well as providing a stunning image of identity crisis and an examination of male sexuality in general. In the fading years of the New Hollywood era (1967–1976), William Friedkin—the ‘New Hollywood Wunderkind’, with an Academy Award for his cop drama, The French Connection (1971), and following the tremendous success of his horror film, The Exorcist (1973)—proves once more the strength of his unique approach in combining genre and auteur cinema to create a fascinating film that turns 40 in 2020. This book dives into the phenomenon that is Cruising: it examines its creative context and its protagonists, as well as explaining its ongoing popularity.

APA, Harvard, Vancouver, ISO, and other styles

49

Carter, David. Inception. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325055.001.0001.

Full text

Abstract:

Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. It is science fiction, but it does not contain many of the ingredients associated with that genre. It can also be identified as a kind of heist film, and there are shades of film noir as well, not only because of the heist motifs but also due to its character types. It can also be described as a psychological thriller, telling the story of one man's attempt to flee his past and regain access to his family, of his coming to terms with the death of his wife. In addition, it plays with time, questioning the certainty of consciously experienced real time, and revealing that the personal experience of the passing of time is variable. The film also explores the nature of the mind and how dreams are related to the conscious and unconscious mind. This book covers all of these facets of a complex, yet highly successful, film, as well as considering it in the context of the director's other work.

APA, Harvard, Vancouver, ISO, and other styles

50

Caps, John. Maturity, the Second Cadence. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0013.

Full text

Abstract:

This chapter details Mancini's musical evolution in the late 1970s. It may seem odd to associate “maturity” with the music of Mancini at this stage in his career, when clearly all of his most influential work was already past, having been produced between, say, 1958 and 1969. Maturity in this case does not mean a permanent evolution away from jazz-pop and toward exclusively large-scale formal symphonic scoring. Maturity now means that Mancini had learned to deal with all kinds of music: to be able to write, in the same year as those resolute songs for the film 10, an anti-thematic orchestral score for a thriller film set in the American Southwest that mixes Indian tribal lore, modern political intrigue, and the spooky science of vampire bats—and to “mean” them both.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!