Relevant bibliographies by topics / Film til bok

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Academic literature on the topic 'Film til bok'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Film til bok"

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Philipsen, Heidi. "Autenticitetsstrategier i Triers triologier - om at skabe affekt via effekt." MedieKultur: Journal of media and communication research 23, no. 42 (2007): 10. http://dx.doi.org/10.7146/mediekultur.v23i42.318.

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I denne artikel anskueliggøres, hvorledes forskellige filmiske strategier kan medvirke til at formidle autenticitetsfølelser til tilskueren. Artiklen diskuterer desuden ud fra eksempler, hvorledes filmisk autenticitet kan indkredses ved hjælp af Jay David Bolter og Richard Grusins begreber ’immediacy og ’hypermediacy’. Der argumenteres for, at der eksempelvis i film af Lars von Trier eksisterer et langt mere komplekst forhold mellem disse to begreber, end det anskues i Bolter og Grusins bog, Remediation. Men at begreberne fra denne bog kan medvirke til at kvalificere diskussionen om og forskning i autenticitet, bl.a. i nye film. Autenticitet, eller immediacy, optræder i Triers værker side om side og synes nærmest at betinge hinanden. Især filmen Idioterne (1999) analyseres i nærværende artikel som en film, der rummer en kompleks og særdeles iscenesat form for autenticitet. I denne film er bl.a. den radikale brug af filmiske virkemidler med til at skabe autenticitet. Artiklen medtænker endvidere, at ’de såkaldte naturlige historier’ ligeledes er strategier, der fremmaner følelsen af virkelighed både i Idioterne og andre nyere danske film.
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Bruun, Hanne, and Kirsten Frandsen. "Radioæstetik og analysemetode." MedieKultur: Journal of media and communication research 7, no. 15 (1991): 16. http://dx.doi.org/10.7146/mediekultur.v7i15.885.

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Radio er et vanskeligt medie både som undervisnings- og analyseobjekt. Det skyldes dets flygtige karakter: Et lydlligt forløb i tid, hvor man ikke kan "bladre" som i en avis eller bog. Og heller ikke anvende billedets rum- og tidsangivelser, som ved analyser af film og TV. Billedet støtter hukommel- sen og gør visse dele af analysen mere entydig. Denne artikel er en række forslag til beskrivelsesmåder og begreber, der kan anvendes ved analyse af æstetisk set komplekse radioprogrammer. Som analyseeksempel anvendes en radiomontage, dvs. et faktuelt/dokumentarisk registreret sæt af lyde, der monteres (ved klip og sammenkobling af flere lydspor) til en oplevelsesmættet sammenhæng. Både metoden og begrebs- apparatet vil imidlertid med visse tillempninger også kunne anvendes ved andre ekspressive radioformer, f.eks. features og radiospil.
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Feldt, Laura. "Religion, fantasyfilm og fantastiske væsener:." Religionsvidenskabeligt Tidsskrift, no. 70 (May 25, 2020): 1–25. http://dx.doi.org/10.7146/rt.v0i70.120512.

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ENGLISH ABSTRACT: This article discusses the nexus of religion and media on the basis of an analysis of one example of religion in popular culture: the expansion of J.K. Rowling’s Harry Potter series in the book Fantastic Beasts and Where to Find Them (2001) and the subsequent film by the same title connected to the book (directed by David Yates, screenplay by J.K. Rowling 2016). I present a study of religion-based, media-focused approach to film analysis that distinguishes between verbal and non-verbal aspects of mediation. The analysis treats the mediation of religion – traditional religion, magic and monstrous beings – in the film, as well as the mediality of the film. The analysis shows that the film forms part of a broader trend that portrays traditional religion as ossified and authoritative, while magic, monsters and green religion are represented as fascinating and attractive. Moreover, I argue that the mediality of the film sustains a blurring of boundaries between worlds in terms of the film-internal world structure, in terms of the diegetic vs. the afilmic world, and in terms of the hu-man vs. the nonhuman world. The key argument of the article is that pop-cultural me-dia constitute an important arena for religion, as media such as fantasy films both re-flect and form religious transformations today. This arena needs more attention in the study of religion.
 DANSK RESUME: Denne artikel diskuterer religion og medier ud fra en analyse af et eksempel på religion i populærkultur, nemlig en videreudvikling relateret til J.K. Row-lings Harry Potter univers: udgivelsen af bogen Fantastic Beasts and Where to Find Them (2001), en bog der er fiktivt indlejret som undervisningsbog på Hogwarts School of Wizardry and Witchcraft, og den senere filmatisering der knytter sig til bo-gen, Fantastic Beasts and Where to Find Them (instrueret af David Yates, screenplay af J.K. Rowling 2016). Artiklen præsenterer en religionsvidenskabelig, mediefokuseret tilgang til filmanalyse, der inkluderer både verbale og non-verbale medierings-aspekter. Analysen behandler fremstillingen af religion – hhv. traditionel religion, magi og det monstrøse – i det filmiske univers, samt filmens medialitet. Analysen viser, at filmen indlejrer sig i en bredere trend, hvor traditionel religion fremstilles som forstenet og autoritær, mens magi, monstre og grøn religion fremstilles positivt og tiltrækkende, samt endvidere at filmens medialitet understøtter en udviskning af grænserne mellem verdener både i den tekst-interne verdensstruktur, mellem den diegetiske og den afilmi-ske verden, samt mellem den humane og den non-humane verden. Artiklen argumente-rer grundlæggende for at populærkulturelle medier såsom fantasyfilm udgør en vigtig arena for religion, og at denne arena bør behandles religionsvidenskabeligt, da den både afspejler og former religiøse forandringer i samtiden.
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Schou, Søren. "Det gamle guld og det ny glimmer. Internationalisering af dansk nationalfølelse. En replik til Gunhild Agger." MedieKultur: Journal of media and communication research 6, no. 13 (1990): 15. http://dx.doi.org/10.7146/mediekultur.v6i13.872.

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Denne artikel er en replik til Gunhild Aggers "Gensyn med Guldalderen" og bør læses i forlængelse heraf. Søren Schou gendriver ikke Gunhild Aggers synspunkt, at fortidsskildring- erne i dansk populærkultur stadig bærer præg af guldalderkonstruktionen, men han påpeger, at den internationale påvirkning og især amerikanise- ringen, udgør et nødvendigt supplement for en dansk historieforståelse. Gennem en række eksempler fra dansk populærkultur og dansk film viser han, hvordan det æstetiske formsprog og langt hen tillige de bærende temaer, er i overensstemmelse med tendenserne på det internationale marked. I sidste del af artiklen præsenterer Søren Schou den engelske massekom- munikationsforsker Duncan Websters bog "Looka Yonder!", om det imagi- nære Amerikabillede i amerikansk populærkultur og relaterer hans problem- stilling til den danske diskussion om nationale og internationale forbilleder.
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Arbelo, Aurora, M. Gabriela Basualdo, Cèdric Cerruti, et al. "Atlas Floresta Americana. Bonpland. 1850: La identificación de las plantas de la Materia Médica Misionera de Pedro de Montenegro (SJ)." Bonplandia 29, no. 2 (2020): 221. http://dx.doi.org/10.30972/bon.2924451.

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<p>El manuscrito legado por Amado Bonpland, Atlas Floresta Americana 1850, obtenido de la Biblioteca de la Casa de la Cultura Benjamín Carrión (Quito, Ecuador) luego de gestiones realizadas por diversas entidades, nos permite contar con un material de gran valor históricocientífico y que aporta al estudio de la identificación de las plantas descriptas en la Materia Médica Misionera de Pedro de Montenegro. En tal sentido constituye un fondo documental que integra datos valiosos pertenecientes al período jesuítico, como también del período en que Bonpland permaneció en la cuenca rioplatense. El manuscrito fue analizado desde un enfoque interdisciplinario. Los objetivos del presente trabajo son: presentar el documento inédito, caracterizarlo históricamente, transcribirlo, traducirlo al español, actualizar los fitónimos al guaraní actual, actualizar las identificaciones de las plantas de la obra del jesuita Pedro de Montenegro, y comparar dichas identificaciones con otras realizadas sobre la misma obra. Se describen las características del manuscrito y el contexto histórico de su producción. Se presenta la afiliación botánica de las plantas identificadas por Bonpland a partir de la Materia Médica Misionera. Se resalta la importancia de este documento inédito como patrimonio, como también sus posibles aportes a los estudios jesuíticos, botánicos y farmacológicos en general.</p><p><a href="https://drive.google.com/file/d/1-E1oDhc5XkvVC-vZLscQpmXLfBGPmpnP/view?usp=sharing" target="_blank">INFORMACION COMPLEMENTARIA</a></p>
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Ventura Comas, Alejandro. "Adaptando a Shakespeare para esencializar la conversión hippie-yuppie." deSignis, no. 27 (July 1, 2017): 167–78. http://dx.doi.org/10.35659/designis.i27p167-178.

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En 1991, My Own Private Idaho (Mi mundo privado) de Gus Van Sant, representó tal vez la que fuera una de las expresiones cinematográficas más acabadas de un determinado tipo juvenil -apático y desencantado- que venía prefigurándose a lo largo de la década anterior. Esta película establece un preciso y sofisticado diálogo interfílmico en cada una de sus escenas con Easy Rider (Busco mi destino), otro filme emblemático, pero éste, de la década de los sesenta. En el balance que Gus Van Sant procesa del fracaso de la rebeldía sesentista desde una óptica posmoderna, hay un momento culminante cuándo Scott —através de un monólogo inspirado en Enrique IV de Shakespeare—, expresa su mutación en yuppie ante el desconcierto de Bob “el pordiosero”. La adaptación de los personajes shakesperianos (Scott como el Príncipe Hal y Bob como Falstaff) y su traslación a un contexto histórico contemporáneo (Scott se refiere a Bob como «maestro psicodélico» en una referencia explícita a los años sesenta) estaría expresando la clara intención del director de universalizar y esencializar ese fracaso: la rebeldía sesentista fracasa en su intento de transformación radical del mundo porque la conversión hippie-yuppie estaría ya preestablecida e inscrita de antemano en la naturaleza de un joven que, inexorablemente, más tarde o más temprano, devendrá en adulto. En este trabajo, nos proponemos analizar en detalle este diálogo interfílmico sobre bases shakesperianas, reflexionando, a su vez, sobre la validez o no de este proceso de (des)historización que el director propone.
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Da Silva, Marco Antônio Guimarães. "Sob a tutela do Grande Irmão." Fisioterapia Brasil 8, no. 2 (2018): 83. http://dx.doi.org/10.33233/fb.v8i2.1845.

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No momento inicial do curso de Recuperação funcional baseada em evidências, que ainda ministro em cursos de pós-graduação, tenho o hábito de fazer uma aparente digressão: remeto-me ao passado e lembro do filme o “Mágico de Oz”, para falar sobre a importância da pergunta na pesquisa. Esclareço: no filme, ao dar-se conta de que deveria encontrar a cidade encantada, a pequena Dorothy pergunta a Glenda (bruxinha boa) por onde deveria começar para encontrar a tal cidade. A resposta de Glenda: todo bom começo é sempre uma boa pergunta. Analogia à parte, a idéia é mostrar que uma boa pesquisa tem que ser sempre precedida de uma boa pergunta. Um exemplo que dou no curso já é um clássico: será que existe relação entre um programa X de televisão e o aumento do grau de violência em crianças? Ato contínuo, antes de, no curso, trabalhar esse exemplo (para descontração), lanço uma outra pergunta: Será que o programa “Grande Irmão”, que a rede Globo insiste em denominar de “Big Brother”, contribui para aumentar o grau de idiotização e alienação de uma população? No contexto da aula, uso os exemplos a fim de, didaticamente, ilustrar a importância que uma boa pergunta representa para a uma boa pesquisa.Aproveitando o fato de que, nos últimos dias, passei diante do Hospital Egas Muniz, em Lisboa, - cujo nome me remete à lobotomia e, derivativamente, para alienação imposta - estabeleço o elo que precisava para dar o rumo, sem perder o prumo, para este editorial. Tento, portanto, refletir, e espero também induzir desde logo o leitor à reflexão, sobre o porquê de os resultados do IBOPE para o “Grande Irmão” conseguirem alcançar tão incríveis níveis de audiência. Satisfazer à curiosidade descobrindo o que faz o vizinho ao lado sempre foi um divertido passatempo de pessoas que viviam em comunidades menores. O habitar em um grande centro, em edifícios de apartamentos que impõem um certo isolamento, terminaria por se constituir em uma barreira natural que acabaria por matar o hábito da curiosidade sobre alheia. Mas parece que as idéias sobre as nossas privacidades andaram mudando e muito.Afinal, de onde surgiu a idéia de alimentar toda uma população, ou parte dela, com a matéria prima bisbilhotice?Em 1991, o projeto Biosfera II, precursor dos reality show, retratava a experiência de um grupo de cientistas, com transmissão pela TV, que se isolaram em uma casa sobrevivendo apenas ao que lá existia.O surgimento da internet e das webcams otimizou a transmissão e permitiu que, em qualquer parte do mundo, o internauta tivesse acesso, com permissão consentida, às imagens transmitidas desde a intimidade da casa do transmissor. A experiência pioneira com a webcam deve ser creditada Jennifer Ringley. O cinema também oferece a sua contribuição para o tema em questão e o filme O show de Truman faz na telona uma releitura de George Orwell.De Volta ao “Grande Irmão” da aldeia global, e desde já pedindo desculpas pelas heresias sociológicas que venha a cometer, tomo a ousadia de usar Weber para citar dois aspectos relacionados a esse flagelo que vem tomando o nosso cotidiano, já tão sobrecarregado de desgraças, e que devem ser considerados para as futuras reflexões.O primeiro desses aspectos refere-se ao poder, entendendo-se aqui o poder como as oportunidades que a aldeia global utiliza para impor sua vontade sobre a vontade dos globalizados, servindo-se “magnificamente” do fascínio que a mídia exerce sobre os “lobotomizados”. O publico alvo, aqui caracterizado como pacientes metafóricos da técnica de Egas Muniz, aguarda ansiosa e diariamente o desenrolar de mais um capitulo muito bem editado mas que igualmente prima pelo grotescoO outro aspecto seria a troca entre a aldeia global e o globalizado, que aponta para todo um complexo sistema de forma de pagamento: você me oferece a oportunidade de compartilhar de uma medíocre rotina do dia-a-dia de um grupo de pessoas travestidas de pseudo-atores e, em contrapartida, eu assisto às mediocridades ali transmitidas e, sobretudo, dou a minha contribuição financeira, telefonando para o programa e enchendo as burras do cofre da fonte transmissora.Estamos a ocupar um lugar de destaque como país cujos habitantes quando lêem não sabem interpretar e sequer entender o que leram. Sei que, de alguma forma, poderíamos direcionar a qualidade técnica e operacional de nossos veículos televisivos, que são concessões públicas, para, senão resolver, ao menos minimizar tal problema descrito. Sei também que a solução está muito longe dos programas de reality show.Cá ao meu modo, tenho oferecido a minha contribuição, omitindo propositalmente as indicações das citações que ocasionalmente utilizo em meus editoriais e, principalmente, escrevendo, para esta revista, textos que fogem à regra do esperado como editorial de uma revista de fisioterapia. Desse modo, obrigo as meninas e os gajos (influência lusitana também proposital) a pesquisarem sobre os autores e a verem as coisas com um olhar um pouco diferente daquele que fomos acostumados na área da fisioterapia. Assim, espero, como dizia Foucault, que o olho não permaneça nas coisas e se eleve até as visibilidades.Que tal mudarmos a proposta da sociedade do futuro, preconizada no livro “1984”, tão atual em 2007, para uma sociedade que possa fazer aquilo que pensa e que foi fruto da sua reflexão, e não daquilo que nos é imposto, quase sempre como o resultado de um reflexo condicionado?
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Da Silva Venancio, Camila, Flávia Aparecida Reitz Cardoso, Adriana Aparecida Droval, Renata Hernandes Barros Fuchs, and Leila Larisa Medeiros Marques. "Propriedades de filmes com surfactantes para serem aplicados no revestimento de alimentos." Revista Brasileira de Agrotecnologia 11, no. 2 (2021): 1018–23. http://dx.doi.org/10.18378/rebagro.v12i2.8952.

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A indústria de alimentos sofre elevadas perdas com a frutas e hortaliças ao longo de toda cadeia produtiva, tal fato a instiga a buscar alternativas como o desenvolvimento de filmes para revestir alimentos e prolongar sua vida de prateleira. Se faz necessário um estudo principalmente das propriedades mecânicas e de barreira dos filmes, as quais comprovem a eficiência de sua aplicação. Portanto, objetivou-se neste trabalho foi elaborar um filme com base de gelatina extraída da pele de tilápia do Nilo e adição de surfactantes como o Tween 80 e o dodecil sulfato de sódio (SDS) para investigação dessas propriedades. Encontrou-se valores de resistência a tração, módulo de Young e elongação de 3,49 a 38,78 MPa; 1,97 a 14,16 MPa; e 16,40 a 120,49%, respectivamente. Quanto a propriedade de barreira de permeabilidade a vapor de água encontrou-se faixa de baixo valor de 5,90 a 10,12 g.mm.h-1.m2.kPa-1. A espessura variou conforme a adição de surfactante, sendo de 0,10 a 0,25 mm. O tratamento com a menor concentração de surfactante (SDS e Tween 80) foi o mais eficiente, pois apresentou as melhores propriedades de barreira e foi o menos espesso, o que o classifica como sendo uma boa opção para ser utilizado como uma embalagem com intuito de revestir alimentos para sua preservação.
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Nogueira, Suédson Relva, and José Teixeira Neto. "O MESTRE IGNORANTE DE JACQUES RANCIÈRE: UM CAMINHO PARA APRENDIZAGEM DA FILOSOFIA NO ENSINO MÉDIO?" Revista Dialectus - Revista de Filosofia, no. 20 (February 17, 2021): 133–53. http://dx.doi.org/10.30611/2020n20id62612.

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O texto aqui apresentado é um recorte da dissertação intitulada “Igualdade e emancipação: signos para se pensar a avaliação em filosofia a partir de O mestre ignorante de Jacques Rancière” defendida no Mestrado Profissional em Filosofia-PROF-FILO, Núcleo da Universidade do Estado do Rio Grande do Norte-UERN em junho 2020. Nesse recorte, a pesquisa parte da provocação de Ceppas (2013) segundo o qual há espaço na Escola para o “anúncio da boa nova da emancipação” e que tal anúncio, assumido pelo filósofo-professor, é um “desafio pedagógico-político”. Ao assumir essa posição, a pesquisa questiona se é possível indicar um método para que o “anúncio da emancipação” na Escola possa ser feito segundo uma tonalidade inspirada em O mestre ignorante? Em um primeiro momento, a pesquisa reconhece que existe uma discussão sobre o “método” na obra citada; que é possível indicar no texto diversas maneiras para se referir ao “método Jacotot” e que é possível também especificar elementos do referido “método”. Porém, a pesquisa aponta restrições em O mestre ignorante para uma “tradução pedagógica” ou institucionalização do “método Jacotot”. Dessa forma, mais do que “criar” um novo método de aprendizagem da Filosofia, o objetivo do recorte que aqui apresentamos é indicar um caminho seguindo a narrativa da “experiência pedagógica” (RANCIÈRE, 2017, p. 32) de O mestre ignorante. Após a análise da bibliografia primária e secundária, a pesquisa apresenta oito passos ou movimentos para uma experiência com a Filosofia na Escola e, em sua última parte, amplia a discussão sobre o oitavo passo para pensar a avaliação da aprendizagem em Filosofia. Sobre esse último aspecto, a pesquisa conclui que se não cabe uma avaliação que verifique conhecimentos e conteúdos supostamente compreendidos ou não pelos estudantes, mas verificar o quanto o aluno buscou resolver a questão-problema colocada e como traduziu e deu palavra aos seus movimentos a partir da “coisa comum”, na avaliação o mestre deveria verificar o quanto de “atenção” e “vontade” o estudante coloca na sua “busca”.
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Najar, Alberto, and Sylvie Fégar. "Rio de Janeiro, a imagem da divisão social da cidade nas emissões televisivas da França." Revista Brasileira de Estudos Urbanos e Regionais 5, no. 2 (2003): 57. http://dx.doi.org/10.22296/2317-1529.2003v5n2p57.

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O presente texto tem por objeto de análise as características dos programas da televisão francesa que abordaram a temática das favelas da cidade do Rio de Janeiro/Brasil, em documentos que foram ao ar entre abril de 1964 e maio de 2003. Não se analisarão as imagens propriamente ditas, ou seja, os aspectos particulares pelos quais as cenas e/ou quadros foram construídos, mas identificar-se-ão características próprias dos documentos audiovisuais que trataram a temática das favelas, em relação aos programas, temas abordados, duração e horário da emissão. Foram utilizadas duas bases de dados da Inathèque de France, a saber: a base do Dépôt Legal e os Archives INA TV (IMAGO). A análise dos resultados sugere que, na TV francesa, o ícone predominante da sociedade carioca é o de uma sociedade dicotômica, ricos de um lado, e pobres na favela. Esse ícone foi construído através de diversos programas, em que imagens e cenas cotidianas das favelas, sob o gênero de noticiários e magazines, foram transmitidas em boa parte entre 11h31min e 13h30min, nos canais TF1, FR2 e FR3 (70% do total das emissões). Gêneros mais longos, como documentários, com tendência a produzir um quadro de análise e propor uma explicação por vezes mais abrangente, se fizeram presentes, em geral, após 22:30h, nos canais FR2, FR3, Canal + e Arte. Assinala-se na conclusão que a estrutura socioespacial do Rio de Janeiro é mais complexa do que a captada pelo modelo dualista indicado pelos programas analisados. Tal matização socioespacial está ausente nos documentos audiovisuais transmitidos pela TV francesa, e isso os leva a abordar o tema da favela no Rio de Janeiro de uma visão mítico-romântica como a iconizada no filme de Marcel Camus, Orfeu Negro. Palavras-chave: Rio de Janeiro; imagem da divisão social da cidade; favelas; Inathèque de France; televisão francesa. Abstract: The objective of this article is to analyze the characteristics of French television broadcasts that approach the theme of favelas (slums) in the city of Rio de Janeiro, Brazil, in TV programs aired from April 1964 to May 2003. The purpose was not to analyze the images per se, but to identify the characteristics of audiovisuals dealing with the issue of favelas, in terms of the programs, the themes covered, duration, and the time of the day in which the programs were broadcasted. Two different data basis were used from the Inathèque de France, namely the Dépôt Legal and the Archives INA TV (IMAGO). Analysis of the results suggests a sharp social division in Rio de Janeiro through the image of the favelas as reported on French TV under the genre of news broadcasts and magazines, mostly aired from 11:31 to13:30 PM), on channels TF1, FR2, and FR3 (70% of broadcasts). Longer genres such as documentaries, tending to produce a more in-depth analysis and sometimes proposing a broader explanation of the phenomenon were generally only aired after 10:30 PM, both on the FR2, FR3, Canal+ and Arte channels. The conclusion highlights that Rio de Janeiro’s socio-spatial structure is more complex than that captured by such a dualistic model. The city’s socio-spatial nuances are lacking in the audiovisual programs broadcasted by French TV, and the approach to the favela issue is thus based on a mythical-romantic view as portrayed in Black Orpheus, by Marcel Camus. Keywords: Rio de Janeiro; social division image; slums; Inathèque de France; television broadcasts.
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Dissertations / Theses on the topic "Film til bok"

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Hustad, Jonas Langset. "Film som forteller : Fight Club som litterær adapsjon." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for kunst og medievitenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-24960.

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På papiret virker Fight Club [1999] som et sikkert stikk. En litterær adapsjon utført av en kjent regissør (David Fincher) med solide stjernenavn på plakaten(Brad Pitt, Edward Norton). Men Chuck Palahniuks debutroman fra 1996 er et vanskelig verk, preget av mørk satire, flere lag med ironi og radikal subjektivitet. For å oversette en slik fortelling til film trengs ikke bare dristigheten til å fortelle om kontroversielle tema, men også oppfinnsomheten til å oversette en utpreget psykologisk roman til et audiovisuelt språk. Det er nettopp oversettelsen jeg skal undersøke i denne oppgaven, hvordan romanens kildemateriale har blitt gjenskapt i filmmediet. For å gjøre dette så konkret som mulig, snevrer jeg først inn undersøkelsen til filmens voice-over, som er basert på romanens tekst. Hvordan har bokas fortellerstemme blitt adaptert til en fortellende voice-over i filmen? Jeg skal ta for meg denne prosessen i tre deler, basert på tre stadier i adapsjonsprosessen hvor filmskaperne har hatt anledning til å kreativt bearbeide romanens tekst. Første del er voice-overen sett som skriftlig tekst, manusstadiet. Hva er kuttet, forandret og lagt til romanens tekst? Andre del er voice-overen som stemme, innspillingsstadiet. Hvordan forandres skriften i manus, og dermed også romanens tekst, idet en den blir til uttalte ord? Hvilke virkemidler har filmskaperne her benyttet seg av? Tredje del er fortellerstemmen i møte med resten av filmspråket, klippestadiet. Hvordan påvirker bildene og den øvrige lyddesignen vår opplevelse av fortellerstemmen, og hvordan er påvirkningen den andre veien? Deretter skal jeg utvide perspektivet igjen, og undersøke hvilke implikasjoner bruken av voice-over har for filmen som helhet. Hva kan en film kommuniserer Fight Club på denne måten? Tema blir ironi, upålitelighet, subjektivitet, karakterengasjement og kronologi. Anvendte teoretikere inkluderer Linda Hutcheon, Sarah Kozloff, Thomas Elsaesser, Gerard Genette, Seymour Chatman, André Bazin, Murray Smith og Lars Thomas Braaten.
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Bergel, Erik. "Min onkel : Film blir bok." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-216277.

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Gustafsson, Erika. "Bröderna Lejonhjärta : Från bok till film." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-50898.

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Johansson, Elin, and Anna Rosander. "Narnia - Häxan och Lejonet – En adaptionsstudie från bok till film." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-83623.

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Uppsatsen analyserar C.S. Lewis bok Narnia - Häxan och Lejonet (1950), översatt av Birgitta Hammar (1959 publicerad av bokförlaget Bonnier Carlsen (2016) och Andrew Adamssons film med samma namn (2005). Syftet med studien är att studera vad som händer gällande karaktärer, miljö och tema i Narnias - Häxan och Lejonet, när en adaption sker mellan bok och film. Analysens resultat är att boken och filmen är två likvärdiga medier med minimala skillnader. De största skillnaderna som framgår är att filmen enbart har indirekta miljöbeskrivning, samt att man arbetat med ansiktsuttryck och musik för att förstärka vissa känslor i filmen. I undervisningssammanhang är Narnia - Häxan och Lejonet en lämplig berättelse att arbeta med, men valet av verk bör baseras på vad syftet med undervisning är.
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Göransson, Anna. "Från bok till film - The Hunger Games : En karaktärs- och miljöanalys." Thesis, Högskolan Dalarna, Pedagogiskt arbete, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:du-12603.

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Syftet med denna uppsats är att jämföra boken The Hunger Games (2008) av Suzanne Collins med filmen The Hunger Games (2012) regisserad av Gary Ross och försöka ta reda på vilken sorts adaption som är gjord. Jag arbetar med boken och filmen The Hunger Games var för sig för att eventuella skillnader ska framträda tydligare vad gäller karaktärer och miljöbeskrivning. När jag gått in på djupet och jämfört boken The Hunger Games med filmen märker jag vad som är förändrat. Till exempel saknas vissa karaktärer och scener i boken i filmversionen, medan andra scener har lagts till i filmen. Samtidigt är det förståeligt att en del måste göras om och tas bort för att en bok på flera hundra sidor ska kunna visas i en film på cirka två timmar. Tillägg, borttagna avsnitt och ändringar kan vara till både fördel och nackdel.<br><p>Audiovisuella studier för lärarstuderande med inriktning svenska</p>
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Johansson, Linn. "Förr eller senare exploderar jag : – Från bok till film, en adaptionsstudie." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-67427.

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Uppsatsen analyserar John Greens bok Förr eller senare exploderar jag (2013), som är översatt av Ylva Stålmarck och Josh Boones film med samma titel (2014). Syftet med analysen är att ta reda på hur ett svårt ämne, i detta fall cancer, skildras i boken respektive filmen. Genom att undersöka hur de båda verken behandlar frågan om sjukdomen cancer är ett vidare syfte att se om dessa två verk är användbara i ett skolsammanhang i årskurs 4–6. Uppsatsen är en adaptionsstudie och visar att filmatiseringen efterliknar boken i mycket hög grad och att endast ett fåtal händelser och karaktärer är bortplockade eller omgjorda. Det budskap som bok och film förmedlar är även det ett samma budskap. Även om filmen i en högre grad än boken fokuserar på kärlekshistorien och har tonat ner bokens drastiska uttryck. Slutligen visar analysen att boken är mer riktad mot en äldre målgrupp än barn i åldrarna 10–12 år. Filmen däremot skulle kunna fungera att inkludera i undervisningen, åtminstone i årskurs 6.
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Nilsson, Joakim, and Sebastian Svensson. "Harry Potter och de vises sten : En adaptionsanalys av Harry Potter, från bok till film." Thesis, Linnéuniversitetet, Institutionen för svenska språket (SV), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-50696.

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This is a study about adaptation, focusing on the first book in the series about Harry Potter and the movie version of the book. The study examines whether any of the characters change when the book is adapted to another type of medium. For example, are there any character traits that are revealed differently in the book versus the movie? The materials that have been used are works of reference, the first book about Harry Potter and also the film of the book. Some of the literature has already been read prior to the study but will still be needed as the study continues.By the end of the study there should be some results to be shown. The primary purpose of the study is to clarify the differences and similarities that can appear when a work is transferred, for example, from book to film.
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Egersten, Linda, and Malin Johansson. "Tal och skrift i Sandor slash Ida ur två perspektiv." Thesis, Södertörn University College, School of Discourse Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2086.

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Haraldsson, Frida. "Skånepågen blir dialektlös pojke? : En adaptionsanalys av Nils Holgerssons underbara resa genom Sverige, transformeringen från bok till film." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-82480.

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Selma Lagerlöf's story about Nils Holgersson, The wonderful Adventures of Nils (1906-1907), is unique in several different ways. It was innovative for its time and it was the first school book written as a story, which makes it an interesting foundation to build an essay upon. The essay examines Selma Lagerlöf's novel about Nils Holgersson compared to Dirk Regel's film adaptation (2011). Both the novel and the film are divided into two parts and only the first part of the book is compared to the first part of the film. Adaptations are common in today's society, a common type of adaptation is when a novel transform into a film but it can also be when a poem becomes music or a play turns into a film. The essay discusses what happens when a medium is transformed into another medium. The essay also has a pedagogical perspective and asks what happens when a didactic school book is adapted into a film. The view on children in Lagerlöf's time is discussed in relation to the view on children that prevails in today's society. When it comes to characters, I’m interested in seeing how Nils Holgersson is portrayed in the book versus in the film. The method used is Linda Hutcheon's and Siobhan O'Flynn’s adaptation analysis which focuses is on various factors that affect an adaptation. Regarding theory, I will use both Thomas Leitch’s adaptation theory and Maria Nikolajeva's children's literature theory. The results show that Lagerlöf's Nils Holgersson is a character who has few qualities. In the beginning he is bad and at the end of the story he becomes good, he develops through the story and is thus a flat but dynamic character. In Regel's version, Nils Holgersson is a complex character from beginning to end and he does not develop, he is thus a round but static character. The didactic perspective it is not as prevalent in the film compared to the book, but some episodes can be understood as having an educational message, which I interpret as a reference to the source medium.
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Säfström, Elin. "Bok blir till film : En lingvistisk jämförande studie i hur dialogerna från romanen Rebecca skiljer sig från filmatiseringen." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-56040.

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Syftet med denna studie är att studera hur Du Mauriers roman Rebecca och filmatiseringen baserad på denna skiljer sig åt med inriktning på dialogerna. Genom att tillämpa en stilanalys från Hellspong kommer stildragen från respektive dialog påvisas och kompareras. Analysen visar att dialogerna är väldigt lika vad gäller stildrag och att dialogernas funktion skiljer sig åt. Resultatet antyder dels att det krävs olika stilar för att förmedla olika teman, dels att stil inte är bunden till innehållet samt att medierna påverkar dialogernas funktion. Slutsatsen är att stilen inte går att ändra på om rätt historia ska förmedlas, oavsett vilket medium det rör sig om, det handlar rättare sagt om att anpassa stilen till sammanhanget utan att ta bort det essentiella. Vidare kan denna studie påvisa möjliga kännetecken för dialogformen där bland annat stildragen verbal och dynamisk ingår.
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Books on the topic "Film til bok"

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Kim, Krizan, and Brandenstein Gabriela, eds. Before sunrise: A film. St. Martin's Griffin, 1995.

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Laurent, Bouzereau, ed. The complete making of Indiana Jones: The definitive story behind all four films. Del Rey, 2008.

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Rinzler, J. W. The complete making of Indiana Jones: The definitive story behind all four films. Del Rey, 2008.

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Linklater, Richard. Before sunrise: Screenplay. Vintage, 2005.

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Bo mo jing ti guan (TFT) zhen lie zhi zao ji shu. Fu dan da xue chu ban she, 2007.

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Akiva, Goldsman, ed. Cinderella Man: The shooting script. Newmarket Press, 2002.

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Copyright Paperback Collection (Library of Congress), ed. The Karate Kid, Part II: Now a Columbia Pictures movie! Scholastic Inc., Point, 1986.

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Kent, Lindsay. Star Wars: The adventures of Han Solo. DK Pub., 2011.

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Greve, Delia, ed. Star Wars Lightsabers: (2010) A Guide to Weapons of the Force. Scholastic, Inc., 2010.

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Shakespeare, William. El sueño de una noche de verano. JM Ediciones, 2000.

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Book chapters on the topic "Film til bok"

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Have, Iben, and Birgitte Stougaard Pedersen. "Reading Audiobooks." In Beyond Media Borders, Volume 1. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49679-1_6.

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Abstract The development of digital media technologies like the MP3 file and the smartphone has changed the status of the audiobook from being a by-product of the printed book to being a mass medium in its own right. This chapter takes a context and user perspective on audiobooks and asks the fundamental question: to what extent can one say that one ‘reads’ an audiobook? Based on the Danish author Helle Helle’s novel Ned til hundene (Down to the Dogs, 2008), the authors discuss how the audiobook experience as a whole can be analysed regarding ‘technological framing’, ‘reading situations’ and ‘the performing voice’. They also investigate audiobook reading in relation to the experience of time and depth.
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Muller, Christine. "Post-9/11 Power and Responsibility in the Marvel Cinematic Universe." In American Cinema in the Shadow of 9/11. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474413817.003.0014.

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Moving to the science fiction genre, but remaining within the field of allegory, Chapter Thirteen sees Christine Muller scrutinise one of the most economically successful and culturally impactful genre variations to emerge from the American film industry in the last two decades, the renaissance of the superhero film. While it is an emergence which has been criticised by many (see Alan Moore's criticism of it as a "cultural catastrophe" in Flood, 2014), its impact has been so profound that to dismiss it seems imprudent, and, as Richard Gray and Betty Kaklamanidou observed in their The 21st Century Superhero Essays on Gender, Genre and Globalization in Film (2011), in many ways the 2000s were the 'decade of the superhero' (Gray and Kaklamanidou 1). Indeed, one can deal a great deal about a culture by its heroic mythology. Just as the ancient Greeks had tales of Hercules and Achilles, late nineteenth century America turned to mythologised stories of Wyatt Earp and Davy Crockett, in the twentieth century and into twenty-first, western culture found its heroic ideals embodied in comic-book heroes like Superman, Batman and Spider-Man. In Muller's chapter, "Post-9/11 Power and Responsibility in the Marvel Cinematic Universe", she considers the relationship between the superhero film and the tumultuous post-9/11 era, exploring the ideological function of superhero narratives. Muller looks at how the Marvel Cinematic Universe often returned to trauma in a variety of forms in their films which frequently emerge not as bloated blockbusters empty of resonance, but texts which engage with the decade in deeply revealing ways (see DiPaolo and McSweeney). Far removed from the cartoonish fantasyscapes of Salkind era Superman (1977) or the increasingly extravagant excesses of Tim Burton and Joel Schumacher's Batman years, the real world set Marvel Cinematic Universe films, beginning with Iron Man (2008), are deeply immersed in what we might call the ongoing 'War on Terror' narrative. While some writers have dismissed the genre as perpetuating hegemonic ideological systems (see Hassler-Forrest) Muller argues that they are able to, at times, offer more than the conservative world view they are primarily associated with. The defining events of the 'War on Terror' era thus become replayed in the MCU through the melodramatic spectacle of the superhero genre.
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Kessler, Kelly. "Quality and Class or Malls and Music Video." In Broadway in the Box. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190674014.003.0005.

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With network musical castoffs like Fame and The Muppet Show hitting it big in syndication and viewers defecting to public TV, the eighties proved challenging for ABC, CBS, and NBC. Simultaneously, viewers lucky enough to live in early-served cable markets could circumvent the networks altogether. Seeing the writing on the wall, the networks jumped into the cable arena with a string of niche performing arts channels, with CBS Cable, Alpha Repertory Theatre Service (ARTS), and The Entertainment Channel (TEC) providing viewers a new cache of musical programming. The resultant interplay between television’s heavy hitters, video distributors, and Broadway royalty like the Nederlanders highlights this as a time of high stakes for various forms of musical entertainment. That said, it was MTV and its embrace of teens and the music video tie-ins of popular dance films like Footloose and Flashdance that won the battle for the cable-based musical market.
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Günaydin, A. Doruk. "Predicting Equity Returns in Developed Markets." In Recent Applications of Financial Risk Modelling and Portfolio Management. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-5083-0.ch004.

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This chapter examines the relation between various firm-specific variables and the cross-section of equity returns in 26 developed countries. Univariate portfolio analyses using equal-weighted returns show that low beta, book-to-market equity, and momentum analysis are also priced in the cross-section of developed market returns, whereas short-term reversal and downside beta manifest themselves in the opposite direction. Univariate portfolio analysis based on value-weighted returns reveal that the predictive power of book-to-market equity and short-term reversal is driven by small stocks. Multivariate firm-level cross-sectional regression analysis document that momentum, short-term reversal, illiquidity, idiosyncratic volatility, hybrid tail risk, lower partial moment are related to expected stock returns. Overall, the most robust cross-sectional predictor in developed market is found to be return momentum.
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Hollyfield, Jerod Ra'Del. "Indie Dickens: Oliver Twist as Global Orphan in Tim Greene’s Boy Called Twist." In Framing Empire. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429948.003.0008.

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These final chapters discuss how two vastly different reworkings of Dickens’s Oliver Twist serve as distinct examples of the problems of adaptation as a method of resistance. Viewing Oliver’s marginalized status within the context of postcolonial theory highlights parallels between domestic orphans and populations colonized by the British imperial project. Turning to Tim Greene’s independently financed, internationally distributed adaptation Boy Called Twist (2004), I highlight the director’s use of orphanhood to address both the poverty and AIDS epidemic that erupted in the wake of Britain’s imperial control of the region as well as the contemporary cooption of the “global orphan” by foreign governments and non-governmental aid organizations (NGOs) that frames transnational aid discourse. Applying Dickens’s social concerns to the orphans of post-Apartheid South Africa and appropriating Dickens’ racial depictions of characters such as Fagin to represent South Africa’s black and Muslim communities, Greene’s film exposes ties between Victorian England’s domestic and imperial policies, making parallels to the contemporary dynamic occurring between industrialized countries and developing nations.
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Billheimer, John. "Strangers on a Train (1951)." In Hitchcock and the Censors. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177427.003.0022.

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The plot of Strangers on a Train revolves around a crisscross murder scheme in which a psychotic playboy (Robert Walker) suggests trading murders with a tennis player (Farley Granger). He offers to murder the tennis player’s cheating wife if, in return, the tennis player will murder the playboy’s rich father. The tennis player fails to take the offer seriously, until the playboy strangles his wife and awaits the tit-for-tat murder of the playboy’s father. In the Patricia Highsmith book on which the film is based, the tennis player is blackmailed into committing the reciprocal murder. But this plot element could not survive the Code’s admonition against letting murderers go unpunished, altering the scope and tone of the source material. After influencing this major plot change, the Production Code office was relatively quiet on other points, suggesting that the blame for the tennis player’s failed marriage be laid clearly on the cheating wife, and warning against attempts to portray the playboy’s attraction to the tennis player as homosexual, an attraction that Hitchcock planted, nurtured, and did not excise.
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Borum Chattoo, Caty. "Opening a New Lens." In Story Movements. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190943417.003.0003.

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Opening with The Murder of Emmett Till, which launched award-winning Firelight Media’s long-standing community engagement enterprise, Chapter 3 serves as the heart of the book—the theoretical and pragmatic backdrop to today’s participatory civic media culture, positioning documentaries and parallel public engagement work as forms of cultural resistance, civic imagination, and social critique. Documentaries play an active role in democratic practice through their functions as civic storytelling—as counternarratives, monitors, mobilizers, and artistic interpreters that can reveal the depth of a social issue and strengthen civil society through collaboration and partnerships. Simultaneously, grassroots activism has changed in the networked era. Examples and initiatives help bring documentary functions to life, including the international Good Pitch program, and films like Whose Streets?, When I Walk, An Inconvenient Truth, Minding the Gap, Newtown, Strong Island, Surviving R. Kelly, The Armor of Light, Unrest, and The Pushouts.
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Sherratt, Thomas N., and David M. Wilkinson. "When did We Start to Change Things?" In Big Questions in Ecology and Evolution. Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780199548606.003.0013.

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As we wrote the first draft of this chapter (during early summer 2007), the potential dangers of ‘global warming’ had moved up the news agenda to a point where most major politicians were starting to take the problem seriously. Our opening quotation comes from a book published in early 2006, which seemed to coincide with the growth of this wider concern with global warming. Lovelock was not alone in trying to raise awareness of the problem; around the same time another book on climate change by the zoologist and palaeontologist Tim Flannery also attracted global attention to this issue, as did the lecture tours (and Oscar-winning film) of Al Gore—the former US presidential candidate and campaigner on the dangers of climate change. Indeed, in his role as a climate campaigner Gore won a share in the 2007 Nobel Peace Prize. It is possible that future historians will see the period 2005–2007 as the start of a crucial wider engagement with these problems. Things may not be as bad as James Lovelock suggests—in his book he deliberately emphasized the most worrying scenarios coming from computer models, and other evidence, in an attempt to draw attention to the critical nature of the problem. However, all these worst case scenarios were drawn from within the range of results that most climate scientists believed could plausibly happen—not extreme cases with little current evidence to support them. That one of the major environmental scientists of the second half of the twentieth century could write such prose as science—rather than science fiction—is clearly a case for concern about future climate change. It also raises another important question, relating to the history of human influence on our planet: when in our history did we start to have major environmental impacts on Earth as a whole? This is clearly an important issue from a historical perspective, but the answers may also have implications for some of our attempts to rectify the damage. Our discussion of this question comes with various caveats. Many of the arguments we consider in this chapter are still the subject of academic disagreement.
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"National Drought Mitigation Center for the forty-eight contiguous states in the United States demon­ strated that severe and extreme drought affected more than 25 per cent of the country in twenty-seven o of ft7h5e0p ,0 a 0 st 0omnie2h (1 u , n9d4r2e , d50y0 ea k rs m . 2 T ) h o is rrm ep orrees . ents an area con D tr raosutg to htf lo s o el ddso , m hu rrre ic su an lt ess , inansdtrtuoc rn tu ardaol es d . a m Fo argteh , e s in e reasons, the quantification of impacts and the pro­ vision of disaster relief are far more difficult tasks for A fif lttyho ye uagrhsaT go an , n c ehill’s book was written m drought than they are for other natural hazards. recognising the li omnasteotloogf ists continue to strug o g re le twhiatnhtEommeerdgetnocydem al a in ngagweirtsh , ifm or paecxtasm th p a le t , ar aerestm ru ocrteu ra alccaunsd ­ p cr oiltiecry ia ) m fo ak redresclcaor ntinue tdor ou d g eb hat te a nd th e sc ie bnatsiissts (i a . ned ., lcoocm al m ise udn , i ca re ti sopno nd an in dgttroa ns th peosre ta t e io v n en ts c ha bnynerless , to p ri rnog ­ acc Second, the ab in se gnacneeonfdatopraecdirsoeugahntd . universally vdird in in k g in gemwear te gre , nacnydm so edfiocratlh . s T up h p es li eesc , ha ernascu te r r in is g ti cs sao fe f a it bsoeupttewdh definition of drought adds to the confusion drought have hindered the development of accurate, mu dsetgb re eeeotf her or reg s io ev nerai ty n . oRtneaald is rto ic uag lly h , tdeexfiisntistiaonnds , oiffd it roduogehst , a re nld ia , bl uel , tiamnadtetliym , el tyhee st fiom rm ate u s la o ti fon se voefr it dyraonudgh im tpcaocn ts ­ T th haitshiasvoenbeeeenxpdle an d at iaopnplfiocrattihoens ( coor re im spoafcdt) efsipne it ciio fi ncs . ting Heanzcayrd pl aenvsenbtysm ha ovsetbgeoevnerrnam nk eend ts b . y Bryant (1991) faincaalty io se ndsm tud o y re , th vaenl op 1e5d0 . W de iflihniitte io annsdiGn la th n e tz ir (1 c 9 la 8 ss 5 i ) ­ roannk th in egb is assiusmomftah ri esierdcihnarTaacb te le ri s1t . i1c . sKaenydhiamzp ar adctcsh . aTrh ac is ­ ddeeffiinne it idornosug are annudmemraonuys , mmoarney ex diost. noAtl th ad oeuqguhatteh ly etoefritsh ti ecsdu eg se re defoorftsheivsee ri v ty al , ulaetn io g n th inocf lu edveenatn , e to xtparlesasrieoanlp ar oel ic a y rb m i akers h . t T in hemteharneisnhgofludlstefromrsde fo cl ras ri c n ie gntd is rtosuagnhdteefxfteecn ts t, , tlootnagl -l toesrsm of im li p fe a , ctt , otsauldedceonnnoem ss i , calnod ss , oscoccu ia r­ lteox am sp pelceitfriacryim in pam ct o s st inc as keesy (i e . ceo ., ntohm ey ic ar seecn to orts ) l . i nk FeodrA re lntcheouogfhatshseocriaattiendgshoafzatrhdesvfao ri rou th s ir htayz -a orndesihnazTaarbdlse . pmeor cent , owfnho at r m is atlhperesc ig ip niitfa ic ti aonnceovoefraatphe re ri sohdolodfo th fr7e5ep1r .1 ova id re essuabnjeicnttievge, rattheedoavsesreaslslm ra ennktiosfuh se afzualrdb ec cahuas ra eci ­ tsee spe nctihas ll yormmio sl reea ? d A in gdeffo in r i ti looncao ti fon th sisw ty it phewa ou st lrdonbgetBee ri csatu ic sseoafntdhetihne te nrse it lya , t io dnusrhaitp io s n , baen tw desepna tia hlaezxatredns. t s ty ta p as eos na olfcporm ob ploenm ent of annual precipitation. These of drought events and the magnitude of associated init n io d n in s g an odftthheelcsaocn are kceopft th beytrheo su c se lt f o or fmau la m ti insgunddeefr ­ ­ icm og pean ct t s , a d rg ruom ug ehntt , ra hnokwsevveerry , h th ig aht . t O ot naelc lo asnsmoafke li fe aaop th p e ly rtshce ie dne ti fsitnsito io rndiin sc a ip clt in oenssiw de il rlateivoenntguiavle ly n n to ee dhotwo associated with drought in this case is significantly assessments of impact in u m al uld ti rpoluegh ec tosn it oum ations (e.g., d ov ro e u rr gah te t d . isLo ra srseoifnl if meo th sattsies tt d in ir gesc . t ly T h as esorcain at keidngwib th yrderlo ie ufgphrtogdreacm la m ra e ti s o ) n . s or revocations for eli igcibsie li cttyortso , dBrroyuagnhtt. atT tr h ib is uitses in a lo pspsroopfr ia li tfeesb in ecceau th se eporfim fa a m ry inceautsoe spre Tahdi rd ov , er draoluag rg hetrigmepoagcrtaspha ic re a nonstruct of famine in recent decades has been civil war or that result from other natural haz laradrse . aFtohraneudraamla and political strife, both of which heighten vulnerability to recent analysis of drought occurrence by x th aemp ( lUeg , eassdS) fa yrsotu em ght. mine s . anDdrocu an ghbteeavesnitgsnid fi icsarnutptnaftouord al p tr riogdguecrtifoonr." In Droughts. Routledge, 2016. http://dx.doi.org/10.4324/9781315830896-26.

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Conference papers on the topic "Film til bok"

1

Elliott, Shawn, Jean Gordon, and Peter Plourde. "Indium Tin Oxide (ITO) Film Removal Technique for Failure Analysis on Packaged Optoelectronic Devices." In ISTFA 2003. ASM International, 2003. http://dx.doi.org/10.31399/asm.cp.istfa2003p0431.

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Abstract Various detector chips in optocoupler devices have a thin indium tin oxide (ITO) film deposited over the passivation. This transparent, conductive film is found over the photodetecting area of the die. When this film is electrically connected to ground potential through contacts, it acts as a shield to avoid inversion failures by sinking any charge buildup to ground. In order to perform a full electrical failure analysis on these optocoupler detector chips, the ITO layer must be removed. An extensive search found numerous papers on etching this film over glass substrates, but no known technique was found to selectively remove the ITO layer on a packaged die. This paper discusses an approach to remove this film using an argon gas etch technique. The ideal characteristics of any process used to remove this film on a finished die would be to completely etch the ITO layer, electrically isolating it from ground, while leaving the underlying passivation and metallization fully intact. This would allow for further electrical failure analysis of the die without causing additional damage or affecting the failure mechanism. The results of an experiment using various chemical and gas etchants found that an argon gas etch would remove the ITO layer while only slightly etching the phosphosilicate glass (PSG) passivation beneath. Electrical failure analysis of the die continued at this point, and a subsequent buffered oxide etch (BOE) removed the remaining passivation, leaving the exposed metallization and oxide completely intact. This technique has been used successfully on device failures to find passivation contamination shorting the aluminum metallization to the ITO film.
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2

Shaky, Mustafa Mohammad, Nahid Ibn Ashraf, Rashid Ahmed Rifat, and Mustafa Habib Chowdhury. "Use of Hybrid Bow-Tie Based Plasmonic Nanostructures to Enhance the Opto-Electronic Efficiency of Thin-Film Solar Cells." In 2019 International Conference on Electrical, Computer and Communication Engineering (ECCE). IEEE, 2019. http://dx.doi.org/10.1109/ecace.2019.8679330.

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Neto, Humberto, Edviges Magalhães, Hermano Moura, José Filho, Claudia Cappelli, and Luiz Martins. "Avaliação de um Modelo de Maturidade para Governança Ágil em TIC usando Focus Group." In XI Simpósio Brasileiro de Sistemas de Informação. Sociedade Brasileira de Computação, 2015. http://dx.doi.org/10.5753/sbsi.2015.5796.

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A Governança Ágil em Tecnologia da Informação e Comunicação (TIC) é uma área em ascensão e vem sendo sugerida como uma proposta inovadora baseada no uso de princípios e valores do Manifesto para Desenvolvimento Ágil de Software sobre o contexto da Governança em TIC convencional. No entanto, a adoção de práticas para uma boa Governança Ágil em TIC ainda é considerada uma tarefa desafiadora devido, principalmente, a multidisciplinaridade e relativa incipiência da área. Se por um lado, há um conjunto de princípios, práticas e valores de áreas subjacentes a este domínio, por outro lado, esse conjunto ainda não se apresenta organizado em um contexto mais amplo de forma a promover um caminho sistemático e gradual para uma evolução de maturidade em Governança Ágil em TIC. Diante desta lacuna, este artigo apresenta uma proposta de modelo de maturidade para Governança Ágil em TIC construído a partir de um amplo estudo bibliográfico envolvendo as áreas de Governança em TIC, agilidade e maturidade. Durante a construção do modelo proposto, partiu-se de uma abordagem qualitativa, com método indutivo e procedimentos comparativoestruturalistas. Por fim, este artigo apresenta uma avaliação do modelo proposto por meio de focus group. Como resultado, um conjunto de melhorias identificadas durante o estudo vem subsidiando a construção de uma nova versão do modelo.
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Almeida, Gustavo, Virgílio Soares, Marcio Ponte, and Fabio Lobato. "Reconhecimento de plantas comestı́veis não convencionais: uma análise de métodos de classificação aplicados à visão computacional." In X Workshop de Computação Aplicada à Gestão do Meio Ambiente e Recursos Naturais. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/wcama.2019.6421.

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A vasta biodiversidade da floresta amazônica abre portas para muitos estudos, inclusive acerca da utilização de métodos computacionais para anali- sar fauna e flora. Verificando uma lacuna no estudo de plantas comestı́veis não convencionais (PANCs) na Região do Oeste do Pará, objetivou-se utilizar de técnicas de visão computacional para identificação automática de plantas per- tencentes à esta categoria. Para obter tal resultado, avaliou-se a utilização de sete classificadores para reconhecimento em imagens digitais das PANCs. Os resultados apresentaram uma boa precisão no reconhecimento das classes das imagens de teste. Como impacto direto do estudo, destaca-se a possibilidade de se desenvolver um aplicativo de suporte à decisão para reconhecimento automático de PANCs a fim de ser utilizado por órgãos reguladores.
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Liu, Qingjie, Xiaoyan Lei, Jerry G. Rose, and Macy L. Purcell. "Pressure Measurements at the Tie-Ballast Interface in Railroad Tracks Using Granular Material Pressure Cells." In 2017 Joint Rail Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/jrc2017-2219.

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It has been desirable for years to develop a reasonably simple, direct, accurate, and reliable method to measure pressure distributions in railroad trackbeds, especially the pressure magnitudes and distributions at the tie-ballast interface. In this study, specially-designed granular material pressure cells were used to measure pressure magnitudes and distributions. The cells were placed directly under the rail-tie intersection at the tie-ballast interface. Initially, a MTS test machine was used to conduct a series of laboratory tie-ballast box tests for a wide variation of ballast types and loading configurations. The adequacy of the cells for in-track measurements was verified with a series of very controlled laboratory tests and measurements using simulated trackbed sections and loading conditions. Excellent correlations were obtained comparing applied machine pressures and measured transferred cell pressures indicating that this type of pressure cell is suitable for in-track tie-ballast pressure measurements. This preliminary testing sequence is briefly described. A series of in-track wood tie tests were conducted on a yard lead track on a shortline railroad, Transkentucky Transportation, to optimize the in-track installation procedures and to obtain pressure measurements using repeated passes of low-speed locomotives and cars. A normalized pressure distribution was obtained by using metal shims when necessary to fill voids between the ties and pressure cells to insure continuous tie-ballast contact. This test sequence is presented and described. Additional in-track tests were conducted on Norfolk Southern Railway’s heavy tonnage concrete tie Class 4 mainline with train speeds of up to 64 km/h. Data was obtained for numerous passages of revenue trains over a period of several months for variable weights and types of locomotives and freight cars at typical train speeds. The average pressure intensities at the tie-ballast interface were acquired for six consecutive ties comprising a complete revolution of the wheels. This data is presented and the results discussed.
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Anuar, Nor Hafizah, Musfika Gul Akdeniz, and Nazende Yilmaz. "Evolution of A Type; A Case Study of Station Buildings in West Coastline, Malaysia During the British Era (1885-1957)." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021170n7.

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The British intervention in Malaya resulted in the development of the railways as urgency of the expanding tin and rubber industries. This paper attempted to emphasize on the evolution of the station buildings’ plan types and its train-sheds. Railways were the pioneers of modern transportation introduced by the British in 1885 in Malaya. Although the terrain was the main difficulties in railway developments, they managed to connect the lines through West Coast and East Coast lines until Singapore on the southern part and Bangkok on the northern part in the year 1931. Case studies have been conducted and the analysis on plan type evolution will be made between the station buildings in Malaysia in parallel with station buildings around the world during that time. Together with the growth of the railway, the city blooms where it allows road constructions and buildings with different functions such as administrative buildings, railway station buildings and others started to fill major urban places.
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Zhang, Jingzhi, and Wei Li. "Thermal and Flow Characteristics of Water-Nitrogen Taylor Flow Inside Vertical Circular Tubes." In ASME 2016 5th International Conference on Micro/Nanoscale Heat and Mass Transfer. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/mnhmt2016-6458.

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Heat transfer and flow characteristics of Taylor flow in vertical capillaries with tube diameters ranging from 0.5 mm to 2 mm have been investigated numerically with the Volume of Fluid (VOF) method. Streamlines, bubble shapes, pressure drops, and heat transfer characteristics of Taylor flow were investigated in detail. The results indicate that the dimensionless bubble length increases with increasing Re, while the variation of diameters have slight influence on it. A flat tail and sharper nose bubble with longer bubble length and thicker film thickness are obtained at higher Re for the increasing inertia force. Pressure drops in liquid slug region are higher than single phase flow because of the Laplace pressure drop. The flow pattern dependent model and modified separate model in this work can predict the simulation data well with a MAE of 2.416% and 2.289%, respectively. Bo and Re are adopted in the modified separate model to taking surface tension, gravity, inertia, and viscous force into account. The wall temperature Tw increases along X axis in liquid region, and gets its peak at the tail of Taylor bubble region. Nutp, which is about 1.2∼3 times of fully developed single phase flow with constant wall heat flux, is negatively proportional to the dimensionless liquid slug length (Ls*). Taylor flow can enhance the heat transfer efficiently.
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8

Silveira de Araujo, Isa, Archana Jagadisan, and Zoya Heidari. "A GEOCHEMISTRY-ORIENTED WORKFLOW FOR WETTABILITY ASSESSMENT AT RESERVOIR CONDITION USING MOLECULAR DYNAMICS SIMULATIONS." In 2021 SPWLA 62nd Annual Logging Symposium Online. Society of Petrophysicists and Well Log Analysts, 2021. http://dx.doi.org/10.30632/spwla-2021-0079.

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Reliable quantification of wettability is critical in assessment of fluid distribution, capillary pressure, relative permeability, and flow properties of fluids in reservoirs. Wettability of reservoirs can be affected by chemical composition of rock-fluid system, salinity, and reservoir temperature. Experimental assessment of wettability under reservoir conditions, while gaining control on the aforementioned parameters, may be tedious and challenging. Several published researches have used experimental studies to focus on determining the impact of individual factors on wettability of rock. However, studies on the combined effects of these factors are limited, although critical, for better understanding of wettability of hydrocarbon reservoirs. In this paper we introduce a workflow for assessment of wettability of rocks at reservoir condition using molecular dynamics (MD) simulations. The outcomes include (i) quantifying the wettability of pure minerals, (ii) quantifying the impact of reservoir temperature on wettability of pure mineral. The inputs to the simulation include molecules of pure minerals (quartz, calcite, albite) packed in a cubical simulation box. The molecules are condensed to form a flat surface. Subsequently, water and oil (hexane) molecules are placed on the surface of the mineral. We then perform simulations with constant number of particles, temperature and volume (NVT) on the system till equilibrium is reached. At equilibrium, the contact angle formed by the water droplet is measured. Contact angle is simulated for temperature conditions in the range of 300 to 380 K. The results showed that the contact angle between water-mineral for quartz, calcite, and albite at room temperature (300 K) ranges from 30º to 45º, indicating that the surface of these minerals is hydrophilic, with different degrees of hydrophilicity. This information is essential for reliable fluid flow simulations, which are often overlooked in conventional approaches. We also found that the temperature has a measurable impact on the contact angles formed by water droplet. We found that increase in temperature from 300 to 380 K decreases the contact angles by approximately 30% on quartz surfaces, 20% on albite surfaces, and 24% on calcite surfaces. The results for the hexane-mineral system show that the hexane behaved similarly in the three minerals surface. A thin film of hexane is formed at the surface corresponding to a contact angle of 0º. The method introduced in this paper has application for reliable evaluation of wettability at any reservoir of interest by knowing the molecular structure of clay and non-clay minerals as well as fluid content. Moreover, the challenges of wettability determination under high temperature and pressure conditions can also be efficiently addressed by using molecular dynamics simulations.
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