Academic literature on the topic 'Film trailers'

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Journal articles on the topic "Film trailers"

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Prasetyo, Martinus Eko, and Asrullah Ahmad. "Kajian Komposisi, Transisi, dan Camera Movement dalam Trailer Film KKN di Desa Penari." Rekam 20, no. 2 (2024): 161–72. https://doi.org/10.24821/rekam.v20i2.12363.

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Study Of Composition, Transition And Camera Motion On The Film Trailer Of KKN In Desa Penari. Indonesia has been rocked by many quality horror films in the last five years, where there have been many horror films made by original Indonesian filmmakers that have caught the attention of the audience, one of which is the film called KKN DI DESA PENARI which has become the second highest-grossing film in Indonesia by successfully attracting nine million viewers in Indonesia. the big screen and has aired in the United States, and this is the second largest achievement after the Avengers-End Game fi
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Górny, Anna. "Między kinem a reklamą. Semantyczne przestrzenie zwiastuna filmowego." Panoptikum, no. 23 (August 24, 2020): 132–49. http://dx.doi.org/10.26881/pan.2020.23.10.

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Trailers are the theatre of the good things coming soon. Since the status of the trailer in the media and cultural space is constantly changing, the question can be asked: What is a trailer in the era of media convergence? It seems to exist somewhere between cinema and advertising, in a wide range of art and commerce, but in a situation where fan trailers and parody trailers are becoming more and more sophisticated and imitative of the real thing, even these criteria are losing their usefulness, and all the more so if you point out advertisements that, conversely, pretend to be film trailers.&
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Didenko, Olena. "Aesthetics and Pragmatics of Visual Image Design in Trailers of Ukrainian Films." Bulletin of KNUKiM. Series in Arts, no. 47 (December 26, 2022): 139–47. https://doi.org/10.31866/2410-1176.47.2022.269625.

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The purpose of the article is to study and analyse the means of conveying the aesthetics and pragmatics of visual image design on the example of trailers of domestic films. The research methodology is based on the analytical and comparative aspect and combines general scientific and special methods, which provide an opportunity to characterize the trends in the development of Ukrainian cinema, and the role and importance of visual image design in film trailers. Results. Reasons for the increase in demand for audiovisual arts are determined. Some aspects of the editing director&r
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Oja, Martin. "On the concept of the deceptive trailer: Trailer as paratext and multimodal model of film." Sign Systems Studies 47, no. 1/2 (2019): 177–204. http://dx.doi.org/10.12697/sss.2019.47.1-2.07.

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The goal of the article is to contribute to the basic framework of the semiotic study of film trailers, approaching the trailer as a model of film. Discussing the signifying relations between the trailer and the film, I clarify mechanisms through which meta- or paratexts model their source texts and shape their reception. As examples, two cases in which trailers appear to be deceptive about the film’s genre are closely looked upon as the multimodal construction of the trailers of Alejandro G. Iñarritu’s Birdman and Nicolas Winding Refn’s Only God Forgives is analysed. Following Lisa Kernan and
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Thomsen, Morten, and Lene Heiselberg. "Arousing the audience: The two-peak structure of drama film trailers." Journal of Scandinavian Cinema 10, no. 1 (2020): 45–65. http://dx.doi.org/10.1386/jsca_00013_1.

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Film trailers are considered the most important marketing tool for a feature film; however, they have rarely been discussed in audience research. This article examines audiences’ emotional responses to film trailer content based on an exploratory study using skin conductance to measure emotional arousal as well as self-reports on recall, evaluation and the desire to see the film. The results indicate that it is not the overall level of arousal that is likely to affect these factors, but instead a specific pattern of arousal that allows variation and build-up to memorable scenes. Based on the a
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Oh, Jeeyun, Mun-Young Chung, and Sangyong Han. "The More Control, the Better?" Journal of Media Psychology 26, no. 2 (2014): 81–91. http://dx.doi.org/10.1027/1864-1105/a000114.

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Despite of the popularity of interactive movie trailers, rigorous research on one of the most apparent features of these interfaces – the level of user control – has been scarce. This study explored the effects of user control on users’ immersion and enjoyment of the movie trailers, moderated by the content type. We conducted a 2 (high user control versus low user control) × 2 (drama film trailer versus documentary film trailer) mixed-design factorial experiment. The results showed that the level of user control over movie trailer interfaces decreased users’ immersion when the trailer had an e
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Щербак, Олена. "Кінодискурс як дворівнева система складників: функційний погляд". Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 6, № 3 (2022): 175–81. http://dx.doi.org/10.15804/ppusn.2022.03.19.

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The article is devoted to the problem of modeling the structure of film discourse from a functional point of view. The author explained the essence of the concept of “film discourse” and clarified its relationship with related terms. The article denies the expediency of identifying such concepts as “telecine cinematographic discourse” and “cinematographic discourse” with film discourse. The material proves the hyperonymic status of film discourse. It has been noticed that scientists use the following terms in film discourse studies: film text, film dialogue, film replica, film trailer, film an
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SHCHERBAK, O. "FILM DISCOURSE AS A TWO-LEVEL SYSTEM OF COMPONENTS: A FUNCTIONAL VIEW." Current issues of linguistics and translations studies, no. 25 (September 30, 2022): 52–56. http://dx.doi.org/10.31891/2415-7929-2022-25-10.

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The article is devoted to the problem of modeling the structure of film discourse from a functional point of view. The author explained the essence of the concept of “film discourse” and clarified its relationship with related terms. The article denies the expediency of identifying such concepts as “telecine cinematographic discourse” and “cinematographic discourse” with film discourse. The material proves the hyperonymic status of film discourse. It has been noticed that scientists use the following terms in film discourse studies: film text, film dialogue, film replica, film trailer, film an
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Belinskaya, Elena P., and Ekaterina A. Rudik. "ATTITUDES TO RADICALISM AND PREFERENCES OF FILM GENRES IN YOUTH." RSUH/RGGU Bulletin. Series Psychology. Pedagogics. Education, no. 4 (2020): 41–52. http://dx.doi.org/10.28995/2073-6398-2020-4-41-52.

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The results of an empirical study of the relationship between radical attitudes and consumer preferences in the field of film production in a sample of young people are presented in the article. Attitudes to radicalism were operationalized through indicators on the scales of relative deprivation, social dominance, and authoritarianism. Horror, melodrama, and arthouse films were considered the preferred film genres. One of the stages of the study was an attempt to determine the possibility of organized influence on radical attitudes through viewing movie trailers of preferred and non-preferred
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Redfern, Nick. "A Data Set for US Horror Film Trailers." Research Data Journal for the Humanities and Social Sciences 6, no. 1 (2021): 1–12. http://dx.doi.org/10.1163/24523666-bja10017.

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Abstract This article presents a new data set comprising audio, colour, motion, and shot length data of trailers for the fifty highest grossing horror films at the US box office from 2011 to 2015. This data set is one of the few available for computational film analysis that includes data on multiple elements of film style and is the only existing data set for motion picture trailers suitable for formal analyses. Data is stored in csv files available under a Creative Commons Attribution 4.0 International license on Zenodo: www.doi.org/10.5281/zenodo.4479068.
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Dissertations / Theses on the topic "Film trailers"

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Dürhagen, Jens. "CINEMA TO ATTRACT: TRAILERN : ETT ÅSKÅDLIGGÖRANDE AV TRAILERNS MARKNAD, HISTORIA OCH FUNKTION." Thesis, Stockholm University, Department of Cinema Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6602.

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<p>The aim of this paper is to examine the American movie trailer particularly its history, marketing and functions, presented as an historical overview from the serials of the early 1910s to the trailers of today. A trailer from each decade of the twentieth- and twenty-first centuries is selected which represent typical trends and shows how trailers historically functioned, including their formal, generic differences.</p><p>The introduction focuses on the market in which the trailer operates, and raises the issue of the entertainment value of art or marketing, how the film industry works and
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Hesford, Daniel William. "Art of anticipation : the artistic status of the film trailer and its place in a wider cinematic culture." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/9469.

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Close association with, and proximity to, a culture of commercialism means film trailers are often overlooked in academic analyses of cinema. Trailers are, for many audiences, simply adverts: disposable, consumable and not 'worthy' of the critical attention paid to the their feature-length antecedents. Yet trailers' undeniable impact on spectators generates a spectrum of reactions which contradicts the often dismissive and negative reception with which they are met. Trailers receive intense popular and critical scrutiny and are constantly compared to the films they represent. Despite negative
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Mitchell, Clayton. "Beyond the film : using the internet to enhance the experience for experiential products /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2727.

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Jaber, Fernanda Affonso de André. "“Em breve nos cinemas” : assimilação e articulação do formato trailer pela experiência cinematográfica brasileira." Universidade Federal de São Carlos, 2017. https://repositorio.ufscar.br/handle/ufscar/9240.

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Submitted by Aelson Maciera (aelsoncm@terra.com.br) on 2017-08-21T20:33:37Z No. of bitstreams: 1 DissFAAJ.pdf: 6287838 bytes, checksum: 751c854a25135ea9779e1ea12099672a (MD5)<br>Approved for entry into archive by Ronildo Prado (bco.producao.intelectual@gmail.com) on 2017-12-20T16:01:52Z (GMT) No. of bitstreams: 1 DissFAAJ.pdf: 6287838 bytes, checksum: 751c854a25135ea9779e1ea12099672a (MD5)<br>Approved for entry into archive by Ronildo Prado (bco.producao.intelectual@gmail.com) on 2017-12-20T16:02:04Z (GMT) No. of bitstreams: 1 DissFAAJ.pdf: 6287838 bytes, checksum: 751c854a25135ea9779e1ea1
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Hörnqvist, Granskog Alexander, and Adam Nyberg. "Visuellt jämföra filmtrailers med hjälp av matlab." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-169429.

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The primary intention of this paper was to visually compare film trailers without considering semantic information, through use of a self-developed Matlab program, resembling that of human perception. Circa 150 people participated in an online survey where they were shown two film trailers and asked to rate their visual similarities. The result from the program was weighted against the survey results in such a way that the weights corresponded to a 75% accuracy between the program’s and the participant’s (for participants with prior experience in the field of photography and/or film) compariso
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Feng, Ping Feng. "Examination of the Hollywood Movie Trailers Editing Pattern Evolution over Time by Using the Quantitative Approach of Statistical Stylistic Analysis." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/395476.

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Media Studies & Production<br>M.A.<br>In this study, I took the quantitative research approach of film statistical stylistic analysis to examine the editing pattern evolution of 130 Hollywood movie trailers over the past 60 years from 1951 to 2015; the prior studies on the overall evolution of the Hollywood movies’ editing pattern are compared and discussed. The results suggest that although the movie trailers are much shorter than the whole movies, the average shot lengths of the trailers still display a declining trend over the past 60 years, and the variations in the shot lengths are also d
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Majek, Dee. "The Cinematisation of Computer and Console Games : Aesthetic and Commercial Convergence in the Film and Game Industries." Thesis, Stockholms universitet, Institutionen för mediestudier, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-108265.

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This thesis examines the growing trend of cinematisation in computer and console games, where both visual styles and industrial practices are concerned. The ever-increasing runtime of cinematic cutscenes in games, and the stylization of game graphics in accordance with established film genres are of primary focus regarding the gaming industry's absorption and interpretation of cinematic visuals. Comparisons of film-game convergence are based on the proliferation of non-gameplay promotional trailers and their role in hype-generation; as well as game producer strategies of franchising, cross-pro
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Constantino, Maria Julia évora. "Trailer do filme Psicose, para além do marketing cinematográfico." Universidade Federal de São Carlos, 2014. https://repositorio.ufscar.br/handle/ufscar/5620.

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Made available in DSpace on 2016-06-02T20:23:16Z (GMT). No. of bitstreams: 1 6284.pdf: 4033248 bytes, checksum: 9d5efb0e9ae354a70477b6f64d8c9377 (MD5) Previous issue date: 2014-08-29<br>Financiadora de Estudos e Projetos<br>The objective of this dissertation is to study the narrative of the trailer of one of the most influential films in cinema history: Alfred Hitchcock´s Psycho (1960). The trailer will, therefore, be analyzed not only as a tool of movie marketing, but mostly as a 'shortmovie' which has a kind of parallel narrative and assist in the feature film, with a beginning, middle and
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Groskopf, Jeremy W. "Profit Margins: The American Silent Cinema and the Marginalization of Advertising." Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/communication_diss/47.

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In the early years of the twentieth century, the unique new medium of motion pictures was the focus of significant theorization and experimentation at the fringes of the American advertising industry. Alongside the growth of the nickelodeon, and the multiple shifts in the American cinema's business model in the 'transitional era,' various individuals at the margins of the advertising industry attempted, and most often failed, to integrate direct consumer-goods advertising regularly into motion picture theaters. Via techniques as diverse as the glass slide, the commercial trailer, and the adver
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Alm, Josefine. ""Om man tittar ut genom ett fönster så ser man det ju inte" : bilder av klimatförändringar och klimathot i trailern till The 11th Hour." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-516.

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Den här undersökningen tar sin utgångspunkt i trailern till filmen The 11th hour. Utifrån semiotik och retorik har undersökningen behandlat frågan hur klimathot formuleras i denna trailer och fokuserar på hur vi får kunskap om vår omvärld via media. Syftet har bland annat varit att som blivande mediepedagog få redskap för att i arbetet bland unga människor kunna prata om aktuella frågor och frågor som rör den tillvaro vi lever i. För att djupare komma åt min frågeställning har jag gjort intervjuer med hjälp av en fokusgrupp. Då unga människor är en viktig målgrupp för den här typen av frågor v
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Books on the topic "Film trailers"

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Camilleri, Jean-François. Putain de film: Petit inventaire des accroches publicitaires sur les affiches de films. Balland, 2006.

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Johnston, Keith M. Coming soon: Film trailers and the selling of Hollywood technology. McFarland, 2009.

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Federico, Martina. Trailer e film: Strategie di seduzione cinematografica nel dialogo tra i due testi. Mimesis, 2017.

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Hediger, Vinzenz. Verführung zum Film: Der amerikanische Kiotrailer seit 1912. Schüren, 2001.

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Isabella, Pezzini, ed. Trailer, spot, videoclip, siti, banner: Le forme brevi della comunicazione audiovisiva. Meltemi, 2002.

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Sasaki, Tetsuo. Sanpunkan no sagishi: Yokokuhen jinsei. Pandora, 2000.

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Mitchum, Petrine Day. Hollywood hoofbeats: Trails blazed across the silver screen. BowTie Press, 2005.

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Alice, Autelitano, Re Valentina, Università di Udine. Dipartimento di storia e tutela dei beni culturali., and DAMS/Gorizia (Institute), eds. Il racconto del film: La novellizzazione, dal catalogo al trailer : XII convegno internazionale di studi sul cinema = Narrating the film : novelization, from the catalogue to the trailer : XII International Film Studies Conference. Forum, 2006.

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Novak, David. The education of an accidental CEO: Lessons learned from the trailer park to the corner office. Three Rivers press, 2007.

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Per un'analisi del trailer cinematografico. Alinea, 2003.

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Book chapters on the topic "Film trailers"

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Easterly, Chris. "Trailers and Stained Glass Windows." In Writing, Making, and Distributing Your Short Film. Routledge, 2024. https://doi.org/10.4324/9781003581420-6.

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Knust, Martin, and Göran Nikolausson. "Media and Genres: Interview with Andreas Ahlm." In Pop Music, Culture and Identity. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-66363-5_9.

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Abstract Andreas Ahlm lives in Växjö, Småland, and has specialized in producing music for film, video games and film trailers. In the interview, he gives an overview of the typical steps that are followed in film music production, from making contact with the clients to the delivery of the finished product. The interview exhibits parallels and differences with song production.
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Machat, Sibylle. "“Prince Arthur Spotted Exiting Buckingham Palace!”: The Re-Imagined Worlds of Fanfic Trailers." In Film Remakes, Adaptations and Fan Productions. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137263353_11.

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Maier, Carmen Daniela. "Chapter 8. Structure and function in the generic staging of film trailers." In Telecinematic Discourse. John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/pbns.211.10mai.

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Lukfianka Sanjaya Purnama, SF, M. R. Nababan, Riyadi Santosa, and SF Luthfie Arguby Purnomo. "Age or Aim: Subtitling Strategies and Qualities of Disney’s Animation Film Trailers for Indonesian Audiences." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2024. https://doi.org/10.2991/978-2-38476-321-4_40.

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Bortoluzzi, Maria. "Towards a Framework of Critical Multimodal Analysis: Emotion in a Film Trailer." In Cross-Modal Analysis of Speech, Gestures, Gaze and Facial Expressions. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-03320-9_6.

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Hartwig, Lili. "You’ll Never See This on the Silver Screen: The Film Trailer as a Template for the Appropriation and Transformation of Hollywood Movies." In Film Remakes, Adaptations and Fan Productions. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137263353_12.

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"Teasers & Trailers." In Guerrilla Film Marketing, edited by Robert G. Barnwell. Routledge, 2018. http://dx.doi.org/10.4324/9781138916470-7.

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Lopez, Gerardo. "Texture and Timing in the Score-Stop." In Modeling Musical Analysis. Oxford University PressNew York, 2024. https://doi.org/10.1093/oso/9780197678473.003.0028.

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Abstract The focus of this analytical essay is on the use of the score-stop technique in movie trailers, also known as the “sudden soundtrack stop” (TV Tropes), “music stop” (Film Editing Pro), or “stopdowns” (Lieu, 2020). As its name indicates, the score-stop technique is “the stopping of the music to undermine, highlight or draw attention to a particular line of dialogue, joke, or visual” (Film Editing Pro). The movie trailers discussed in this essay include Cruella (2021), CODA (2021), Kimi (2022), Prey (2022), and Black Panther: Wakanda Forever (2022). The analytical remarks and observatio
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Krebs, Heike. "Effectful advertising? Film trailers and their relevance for prospective audiences." In Telecinematic Stylistics. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350042889.0015.

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Conference papers on the topic "Film trailers"

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Дюстер, Елена Александровна. "MOVIE TRAILER AT THE RFL LESSONS AS A MEANS OF DEVELOPING PROBABILISTIC FORECASTING." In Образование, педагогика и психология в условиях современных вызовов: сборник статей международной научной конференции (Мурманск, Март 2024). Crossref, 2024. http://dx.doi.org/10.37539/240315.2024.34.28.005.

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Статья посвящена кинотрейлеру как средству развития вероятностного прогнозирования на уроке РКИ. Приведены сведения о росте доли отечественной кинопродукции в условиях антироссийских санкций. Рассмотрены структурные и содержательные особенности трейлера, обоснована его художественная природа. Отмечены общие черты трейлера и кинофильма. Предложены формы работы с трейлером на примере фильма «Вызов». The article discusses movie trailers as a means of developing probabilistic forecasting at RFL lessons. It provides information on the increasing share of domestic film production amidst anti-Russian
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Johnson, Eric F., E. H. Law, Robert C. Lawson, and Ibrahim Janajreh. "Effects of Tractor and Trailer Torsional Compliance and Fill Level of Tanker Trailers on Rollover Propensity During Steady Cornering." In 2005 SAE Commercial Vehicle Engineering Conference. SAE International, 2005. http://dx.doi.org/10.4271/2005-01-3518.

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Tong, YanQiu, and QiHua Ren. "Research on the Editing of Film Trailer in the Perspective of Large Data." In 2014 International Conference on Social Science (ICSS-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icss-14.2014.56.

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Pan, Coda H. T., Tae Ho Kim, and Joseph J. Rencis. "Rolling Stream Trails: An Alternative Cavitation Analysis." In ASME/STLE 2007 International Joint Tribology Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/ijtc2007-44405.

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The Rolling Stream Trails (RST) model introduces new interpretation of photographic data of the cavitation process in an eccentric journal bearing gap. It stipulates a 3-D flow structure for transition from the Filled Fluid Film (FFF) to a cross-void fluid transportation process. The transition starts as a two-component composite rupture front and becomes an Adhered Film (AF) that is masked by rolled-on stream trails, which are drawn from the rupture front. The AF moves with the journal surface across the void to feed the FFF at the formation boundary. The rupture front comprises a first compo
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Burns, Randal, Zachary Peterson, Giuseppe Ateniese, and Stephen Bono. "Verifiable audit trails for a versioning file system." In the 2005 ACM workshop. ACM Press, 2005. http://dx.doi.org/10.1145/1103780.1103787.

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Менг, В. А. "THE FUTURE OF CHILDREN’S ANIMATION STUDIOS BASED ON LIBRARIES: MAIN ACTIVITIES AND DEVELOPMENT PROSPECTS." In Мультимедиа: современные тенденции. Crossref, 2025. https://doi.org/10.54874/9785605245759.2024.10.11.

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В статье рассматривается практика создания анимационных фильмов в детских студиях мультипликации, базирующихся в библиотеках, главная цель которых — привить культуру чтения юным посетителям. Поэтому основным видом мультфильмов, созданных детьми, становится буктрейлер — короткий видеоролик, посвященный прочитанному произведению. Появляются конкурсы мультфильмов, созданных по детским книгам. Это позволяет говорить о растущей востребованности детских студий в библиотеках. The article describes the practice of creating animated films by children in animation studios based in libraries. The main go
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Srinivasa Sagar, Kalichetty, K. G. Dwaraknath, Arvind Pattamatta, and T. Sundararajan. "Influence of Lateral Restraint on Thermocapillary Migration of Wetting Droplets." In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-11270.

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Abstract The present study aims at studying the characteristics of thermocapillary migration with varying levels of lateral restraints. A temperature gradient is created by heating and cooling either side of the substrate. When a droplet is placed near hot side it spreads as thin film and migrates towards the cold side. The advancing end assumes the shape of a parabolic rim while the receding end stays as a thin film. It is observed that the droplet decelerates to attain a steady state velocity and undergoes slight acceleration near the cold end of the substrate. The observed velocity trend fo
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Aitchison, Andrew, and Qing Wang. "Localised Pre-Heating to Improve Inter-Layer Delamination Strength in Fused Deposition Modelling." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-97416.

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Abstract Additive manufacture, specifically Fused Deposition Modeling (FDM), is an advancing manufacture method opening up new possibilities in design previously impossible to machine, in a relatively affordable way. However, its use in functional products is limited due to anisotropic strength and reduced strength from injection molded components. This paper aims to increase the tensile strength of Acrylonitrile Butadiene Styrene (ABS) in the weakest direction (Z axis), where poor interlayer fusion and air gaps between extruded trails reduce strength. Extra thermal energy was applied to the t
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Abri, Yaqoob, Suryyendu Choudhury, Mohamood Harthi, et al. "Brownfield Waterflood Management - Strategic Implementation of Field Trial Learning, South Oman." In SPE Conference at Oman Petroleum & Energy Show. SPE, 2022. http://dx.doi.org/10.2118/200059-ms.

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Abstract Waterflood response in a brownfield with complex reservoir dynamics have significantly delayed the expected water injection response in Field ‘A’. The field is one of the highest oil producers in Oman South, spead over ~37 Km2, with more than 400 active wells, contributing &amp;gt; 90,000 BoE/d over the last 3 decades. The field is producing under strong bottom aquifer water drive and improved oil recovery waterflood. Current field development is focused in drilling horizontal in-fill wells and maximize recovery through well reservoir and facility management (WRFM). Production is from
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Al Amri, Y. B., and Z. A. Al Bulushi. "Innovative Thermal Well Completion Design Yields Substantial Enhancement in Steam Injection Capacity." In SPE Conference at Oman Petroleum & Energy Show. SPE, 2024. http://dx.doi.org/10.2118/218750-ms.

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Abstract The QAS thermal development is one of the most productive fields in the Sultanate of Oman. The field's fractured reservoir has got a gas cap within excess of 3% H2S which makes it PDO's riskiest asset to be attended by well engineering operations. This paper will introduce two of the most innovative design optimizations which were implemented for the first time: Semi-Flush 5.5" Steam Completion and 7" Steam Completion The main challenges that were mapped out and tackled during the implementation were, the 7-production casing ID limitation and the gas cap procedures and mitigations (Kn
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Reports on the topic "Film trailers"

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Renshaw, Greg, Imad Al-Qadi, and Erwin Kohler. Enhanced Capabilities of the Illinois Accelerated Pavement Tester. Illinois Center for Transportation, 2024. http://dx.doi.org/10.36501/0197-9191/24-020.

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After being in service for nearly 20 years, the Illinois Accelerated Pavement Tester (I-APT) was upgraded to provide enhanced capabilities for accelerated pavement testing. In addition to a new control system, the improvement included a newly designed load carriage, which allows for testing with a tandem half-axle, axle yaw, and shear loading (breaking and accelerating). The new I-APT design could be fitted with various tire configurations (e.g., single, dual, wide-base, and aircraft). In addition, a tandem axle can be used that has the ability to vary axle spacing between 37 and 68 in. and wa
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Potter, Jamie, Hailie Suk, Daniel Guadagni, Tori Sweet, Everett Adams, III, and Zach Tomberg. Assessing a mobile microgrid to support electric vehicle charging stations on Army installations. Engineer Research and Development Center (U.S.), 2025. https://doi.org/10.21079/11681/49727.

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Supplying reliable, off-grid power is critical for transitioning the Army’s fleet to zero carbon emitting vehicles. At the same time, vehicle charging and mission support equipment may require increased electrical loads than currently experienced at Army installations. Other decarbonization initiatives require clean sources of energy. Using microgrids powered with renewable electricity generation systems is a viable, independent solution for powering electric vehicles. Yet, there is a need to fill information gaps in the performance of these systems for realizing sustainable and resilient ener
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