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Books on the topic 'Film trailers'

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1

Camilleri, Jean-François. Putain de film: Petit inventaire des accroches publicitaires sur les affiches de films. Balland, 2006.

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2

Johnston, Keith M. Coming soon: Film trailers and the selling of Hollywood technology. McFarland, 2009.

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3

Federico, Martina. Trailer e film: Strategie di seduzione cinematografica nel dialogo tra i due testi. Mimesis, 2017.

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4

Hediger, Vinzenz. Verführung zum Film: Der amerikanische Kiotrailer seit 1912. Schüren, 2001.

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5

Isabella, Pezzini, ed. Trailer, spot, videoclip, siti, banner: Le forme brevi della comunicazione audiovisiva. Meltemi, 2002.

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Sasaki, Tetsuo. Sanpunkan no sagishi: Yokokuhen jinsei. Pandora, 2000.

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7

Mitchum, Petrine Day. Hollywood hoofbeats: Trails blazed across the silver screen. BowTie Press, 2005.

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8

Alice, Autelitano, Re Valentina, Università di Udine. Dipartimento di storia e tutela dei beni culturali., and DAMS/Gorizia (Institute), eds. Il racconto del film: La novellizzazione, dal catalogo al trailer : XII convegno internazionale di studi sul cinema = Narrating the film : novelization, from the catalogue to the trailer : XII International Film Studies Conference. Forum, 2006.

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9

Novak, David. The education of an accidental CEO: Lessons learned from the trailer park to the corner office. Three Rivers press, 2007.

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10

Per un'analisi del trailer cinematografico. Alinea, 2003.

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11

Coming soon: Film trailers and the selling of Hollywood technology. McFarland, 2009.

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12

Kernan, Lisa. Coming Attractions: Reading American Movie Trailers. de Gruyter GmbH, Walter, 2009.

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13

Coming attractions: Reading American movie trailers. University of Texas Press, 2004.

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14

McKinnon, Roy. How to Create Trailers That Really Sell Your Film. Divine Arts, 2019.

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15

Il cinema dà sapienza. FrancoAngeli, 2020.

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16

Rabe, Georg. Kinotrailer als intendierte Simulation von Filmen: Exemplarischer Vergleich des deutschen und amerikanischen Trailers zum Film 'Das Parfum'. GRIN Verlag GmbH, 2010.

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17

Arvel, Wirton, W. W. Denslow, Kentauron Publisher, and Baum, L. Frank. The Wonderful Wizard of Oz: New Illustrated Edition with Original Drawings by W.W. Denslow, & with 4 Book Trailers by Wirton Arvel. CreateSpace Independent Publishing Platform, 2016.

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18

Cohan, Steven. Self-Reflexive Hollywood. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865788.003.0002.

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This chapter surveys the various self-reflexive tropes with which the backstudio picture authenticates its view of filmmaking and Hollywood by referring to its own existence as a backstudio. Films mentioned briefly or discussed for a page or more range from throughout the history of the genre. The chapter covers many types of examples, such as quotation of the industry’s own discourse, press books and trailers, films within films or inserted clips, cameos, inclusion of real Hollywood people interacting with fictional characters, and DVD supplements. The chapter concludes with two case studies
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19

Advertising Techniques: Subliminal Stimuli, Film Trailer, Advergaming, Location Based Advertising, Promotional Merchandise, Freebie Marketing. Books LLC, 2010.

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20

Matheson, S. Love in Western Film and Television: Lonely Hearts and Happy Trails. Palgrave Macmillan, 2012.

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21

Matheson, Sue. Love in Western Film and Television: Lonely Hearts and Happy Trails. Palgrave Macmillan, 2012.

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22

Matheson, S. Love in Western Film and Television: Lonely Hearts and Happy Trails. Palgrave Macmillan, 2012.

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23

Love In Western Film And Television Lonely Hearts And Happy Trails. Palgrave MacMillan, 2013.

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24

Booker, M. Keith, ed. Blue-Collar Pop Culture. ABC-CLIO, LLC, 2012. http://dx.doi.org/10.5040/9798216959878.

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From television, film, and music to sports, comics, and everyday life, this book provides a comprehensive view of working-class culture in America. The terms "blue collar" and "working class" remain incredibly vague in the United States, especially in pop culture, where they are used to express and connote different things at different times. Interestingly, most Americans are, in reality, members of the working class, even if they do not necessarily think of themselves that way. Perhaps the popularity of many cultural phenomena focused on the working class can be explained in this way: we are
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25

Booker, M. Keith, ed. Blue-Collar Pop Culture. ABC-CLIO, LLC, 2012. http://dx.doi.org/10.5040/9798216959885.

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From television, film, and music to sports, comics, and everyday life, this book provides a comprehensive view of working-class culture in America. The terms "blue collar" and "working class" remain incredibly vague in the United States, especially in pop culture, where they are used to express and connote different things at different times. Interestingly, most Americans are, in reality, members of the working class, even if they do not necessarily think of themselves that way. Perhaps the popularity of many cultural phenomena focused on the working class can be explained in this way: we are
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26

Žatková, Bianka, Samuel Bednár, and Lucia Smutná. Slovakia Deep Dive : an educational ecology and history project in Banská Bystrica. [Department of Biology and Ecology, Matej Bel University], 2023. http://dx.doi.org/10.24040/123456789-485.

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This teachers pack is part of a wider EU-funded project, which involves many diffe- rent activities and outcomes by a consortium of intemational partners including ESJF (European Jewish Cemeteries Foundation), Centropa and the Foundation for Jewish Herit- age. Part of the outreach side of this project is the ‘Deep Dive’ programme, which has invol- ved a range of different Creative and educational activities at seven Jewish cemeteries across Európe. The lead partner for this activity is the Foundation for Jewish Heritage. The Deep Dives aim to explore the potential of different histórie Jewish
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